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Tramp Ships: An Illustrated History
by Roy FentonWith 300 stunning photographs, this pictorial history of tramp trade ships illustrates the evolution of these charming, itinerant merchant vessels. The tramp ship was the taxi of the seas. With no regular schedules, it voyaged anywhere and everywhere, picking up and dropping off cargoes, mainly bulk cargoes such as coal, grain, timber, china clay and oil. Older and slower vessels tended to find their way into this trade, hence the tag 'tramp'—but new tramps were also built for the purpose. In this beautiful volume featuring 300 photographs, Roy Fenton illustrates the Tramp Ship&’s evolution over the course of more than 100 years, from the 1860s, when the steam tramp developed from the screw collier, until it was largely replaced by the specialist bulk carrier in the 1980s. Fenton offers fascinating background information on the design and building of tramps. He describes the machinery, from simple triple-expansion turbines to diesel engines. Their operation and management and the life of the officers and crews are also covered. This illustrated history journeys through the last years of the 19th century, the two world wars, and the postwar years. Photo captions provide each ship&’s dimensions, owners, and builder. Each ship&’s career is outlined with notes on trades and how they changed over a ship's lifetime.
Trams and Buses on Stamps: A Collector's Guide (Transport Philately Series)
by Howard PiltzIn this, the fourth edition of the Transport Philately series the author looks at the treatment of transport using roads rather than rail or air. There have been some particularly attractive and colorful issues of stamps over the years ranging from a trio of beautifully presented illustrations of Israel’s early buses to the well-known issue of double-deck buses produced by the Royal Mail in 2001, and who incidentally have seen the commercial opportunity by accompanying many issues with other paraphernalia, including a gentleman’s tie featuring many of the bus illustrations. A well-known colleague in the Public Transport world still wears his! Buses certainly are not as popular in the world of stamps as possibly aviation or wild-life, and trolleybuses even less so but the author has succeeded in finding a few, some of which are illustrated. Tramways, on the other hand, are a blessing to any collector with selections many and varied, some featuring trams from the beginning of the 20th century for their heritage interest to others providing an outlet of national or local pride at the inauguration of today’s systems in developed and developing countries across the world. Never a year goes by without a new issue appearing somewhere in the world and the author likes to keep an eye on several sources of information including regular publications from the renowned Stanley Gibbons organisation, the fount of all knowledge concerning philately, as well as other equally valuable contemporary publishers. Then there are regular stamp fairs held throughout the UK and the world where dealers compete for your business, and at some of the bigger occasions – the postal authorities themselves. On your computer are the various internet sites and auction platforms where there can often be some real surprises and bargains to be found.
Trans-Europe Express: Tours of a Lost Continent
by Owen Hatherley'A scathing, lively and timely look at the "European city", from one of our most provocative voices on culture and architecture today' Owen JonesA searching, timely account of the condition of contemporary Europe, told through the landscapes of its citiesOver the past twenty years European cities have become the envy of the world: a Kraftwerk Utopia of historic centres, supermodernist concert halls, imaginative public spaces and futuristic egalitarian housing estates which, interconnected by high-speed trains traversing open borders, have a combination of order and pleasure which is exceptionally unusual elsewhere.In Trans-Europe Express, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it. 'The latest heir to Ruskin.' - Boyd Tonkin, Independent 'Hatherley is the most informed, opinionated and acerbic guide you could wish for.' - Hugh Pearman, Sunday Times 'Can one talk yet of vintage Hatherley? Yes, one can. Here are all the properties that have made him one of the most distinctive writers in England - not just 'architectural writers', but writers full stop: acuity, contrariness, observational rigour, frankness and beautifully wrought prose.' - Jonathan Meades
Trans Feminist Epistemologies in the US Second Wave (Breaking Feminist Waves)
by Emily CousensWhy do “second wave” and “trans feminism” rarely get considered together? Challenging the idea that trans feminism is antagonistic to, or arrived after, second wave feminism, Emily Cousens re-orients trans epistemologies as crucial sites of second wave feminist theorising. By revisiting the contributions of trans individuals writing in underground print publications, as well as the more well-known arguments of Andrea Dworkin, this book demonstrates that valuable yet overlooked trans feminist philosophies of sex and gender were present throughout the US second wave. It argues that not only were these trans feminist epistemologies an important component of second wave feminism's knowledge production, but that this period has an unacknowledged trans feminist legacy.
Trans New Wave Cinema (Routledge Advances in Film Studies)
by Akkadia FordThis book presents a critical cultural study of the Trans New Wave as a cinematic genre and explores its emergence in the twenty-first century. Drawing on a diverse range of texts, the cultural, social, aesthetic and ethical implications of the genre are placed within the context of rapidly changing understandings of gender diversity. From the cinematic borderlands of independent film festivals to wider public recognition via digital technologies, the genre encompasses a diverse range of texts from short films, documentaries, experimental films, to feature films and narratives that range across life histories, narratives and themes. The book presents transliteracy as an original theoretical approach to reading film representations of the Trans New Wave, and combines it with a new theoretical concept of cinematic ethnogenesis to investigate how the genre emerged from specific communities and the reciprocal interaction of audiences and texts. This interdisciplinary volume engages with contemporary issues of gender diversity, transgender studies, screen and media studies and film festival studies, and as such will be of great interest to scholars working in these fields and in media and cultural studies more generally.
Transactions on Computational Science XXXII: Special Issue On Cybersecurity And Biometrics (Lecture Notes in Computer Science #10830)
by Marina L. Gavrilova Alexei Sourin C.J. Kenneth TanThis, the 32nd issue of the Transactions on Computational Science, focusses on cybersecurity and biometrics. The eight detailed papers cover the following topics: Multimodal Warnings for Distracted Smartphone Users on the Move; EEG-Based Mental Workload and Stress Monitoring of Crew Members in a Maritime Virtual Simulator; Detecting Web Defacement and Enabling Web-Content Regeneration; Software as a Weapon in the Context of (Inter)national Security; Multi-user Architecture and Multi-player Games; An Adaptive Discrete Wavelet Transform Based Face Recognition Approach; Synthesizing Images of Imagined Faces Based on Relevance Feedback; and Neurofeedback Training to Enhance the Focused Attention of Elite Rifle Shooters.
Transactions on Computational Science XXXV: Special Issue on Signal Processing and Security in Distributed Systems (Lecture Notes in Computer Science #11960)
by Khalid Saeed Nabendu Chaki Marina L. Gavrilova C. J. Kenneth TanThe LNCS journal Transactions on Computational Science reflects recent developments in the field of Computational Science, conceiving the field not as a mere ancillary science but rather as an innovative approach supporting many other scientific disciplines. The journal focuses on original high-quality research in the realm of computational science in parallel and distributed environments, encompassing the facilitating theoretical foundations and the applications of large-scale computations and massive data processing. It addresses researchers and practitioners in areas ranging from aerospace to biochemistry, from electronics to geosciences, from mathematics to software architecture, presenting verifiable computational methods, findings, and solutions, and enabling industrial users to apply techniques of leading-edge, large-scale, high performance computational methods. This, the 35th issue of the Transactions on Computational Science, focusses on signal processing and security in distributed systems. The topics covered include classification of visual attention levels using microsaccades; analysis of textual content using Eyegaze; automatic car-accident detection and passenger counting; face recognition; secure data fusion in IoT; business compliance using goal models; and microfluidic executions.
Transactions on Computational Science XXXVII: Special Issue on Computer Graphics (Lecture Notes in Computer Science #12230)
by Marina L. Gavrilova C. J. Kenneth Tan Jian Chang Nadia Magnenat ThalmannThe LNCS journal Transactions on Computational Science reflects recent developments in the field of Computational Science, conceiving the field not as a mere ancillary science but rather as an innovative approach supporting many other scientific disciplines. The journal focuses on original high-quality research in the realm of computational science in parallel and distributed environments, encompassing the facilitating theoretical foundations and the applications of large-scale computations and massive data processing. It addresses researchers and practitioners in areas ranging from aerospace to biochemistry, from electronics to geosciences, from mathematics to software architecture, presenting verifiable computational methods, findings, and solutions, and enabling industrial users to apply techniques of leading-edge, large-scale, high performance computational methods.This, the 37th issue of the Transactions on Computational Science, is devoted to the area of Computer Graphics. The 9 papers included in the volume constitute extended versions of selected papers presented at the 36th Computer Graphics International Conference, CGI 2019. Topics covered include virtual reality, augmented reality, image retrieval, animation of elastoplastic material, and visualization of 360°HDR images.
Transactions on Computational Science XXXVIII (Lecture Notes in Computer Science #12620)
by Marina L. Gavrilova C. J. Kenneth TanThe LNCS journal Transactions on Computational Science reflects recent developments in the field of Computational Science, conceiving the field not as a mere ancillary science but rather as an innovative approach supporting many other scientific disciplines. The journal focuses on original high-quality research in the realm of computational science in parallel and distributed environments, encompassing the facilitating theoretical foundations and the applications of large-scale computations and massive data processing. It addresses researchers and practitioners in areas ranging from aerospace to biochemistry, from electronics to geosciences, from mathematics to software architecture, presenting verifiable computational methods, findings, and solutions, and enabling industrial users to apply techniques of leading-edge, large-scale, high performance computational methods.This, the 38th issue of the Transactions on Computational Science, is devoted to research on modelling, optimization, and graphs, with applications in 3D and sketch modelling, engineering design, evolutionary computing, and networks.
Transactions on Edutainment XIV (Lecture Notes in Computer Science #10790)
by Zhigeng Pan Adrian David Cheok Wolfgang MüllerThis journal subline serves as a forum for stimulating and disseminating innovative research ideas, theories, emerging technologies, empirical investigations, state-of-the-art methods, and tools in all different genres of edutainment, such as game-based learning and serious games, interactive storytelling, virtual learning environments, VR-based education, and related fields. It covers aspects from educational and game theories, human-computer interaction, computer graphics, artificial intelligence, and systems design. The 19 papers presented in the 14th issue were organized in topical sections named: 3D modeling and visualization; image; e-learning and games; and miscellaneous.
Transactions on Edutainment XVI (Lecture Notes in Computer Science #11782)
by Zhigeng Pan Adrian David Cheok Mingmin Zhang Wolfgang MüllerThis journal subline serves as a forum for stimulating and disseminating innovative research ideas, theories, emerging technologies, empirical investigations, state-of-the-art methods, and tools in all different genres of edutainment, such as game-based learning and serious games, interactive storytelling, virtual learning environments, VR-based education, and related fields. It covers aspects from educational and game theories, human-computer interaction, computer graphics, artificial intelligence, and systems design. The 27 papers presented in this issue were organized in topical sections named: e-learning and on-line apps; image and graphics; VR/AR; CV and AI; and animation and miscellaneous.
Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood
by Adam O'BrienIn their bold experimentation and bracing engagement with culture and politics, the "New Hollywood" films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly "grounded" cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.
Transatlantic Broadway: The Infrastructural Politics of Global Performance (Transnational Theatre Histories)
by M. SchweitzerTransatlantic Broadway traces the infrastructural networks and technological advances that supported the globalization of popular entertainment in the pre-World War I period, with a specific focus on the production and performance of Broadway as physical space, dream factory, and glorious machine.
Transatlantic Broadway
by Marlis SchweitzerTransatlantic Broadway traces the infrastructural networks and technological advances that supported the globalization of popular entertainment in the pre-World War I period, with a specific focus on the production and performance of Broadway as physical space, dream factory, and glorious machine. Inspired by post-humanist scholarship, this book pays heed to the non-human entities and the backgrounded or disappeared human laborers who participated in the transnational expansion of theatre networks. In particular, it examines the transnational performances of ocean liners, piers, telegraph cables, telegrams, typewriters, office spaces, newspapers, and postcards and asks how these objects, as participants in a series of complicated networks, transformed the machinery of US theatre as well as the everyday practices of those who produced and consumed it. In so doing, it identifies surprising connections between the most mundane of actions - typing a letter, turning over a postcard - and the most extraordinary - firing a torpedo, declaring war.
Transatlantic Cinephilia: Film Culture between Latin America and France, 1945–1965 (Cinema Cultures in Contact #6)
by Rielle NavitskiIn the two decades after World War II, a vibrant cultural infrastructure of cineclubs, archives, festivals, and film schools took shape in Latin America through the labor of film enthusiasts who often worked in concert with French and France-based organizations. In promoting the emerging concept and practice of art cinema, these film-related institutions advanced geopolitical and class interests simultaneously in a polarized Cold War climate. Seeking to sharpen viewers' critical faculties as a safeguard against ideological extremes, institutions of film culture lent prestige to Latin America's growing middle classes and capitalized on official and unofficial efforts to boost the circulation of French cinema, enhancing the nation's soft power in the wake of military defeat and occupation. As the first book-length, transnational analysis of postwar Latin American film culture, Transatlantic Cinephilia deepens our understanding of how institutional networks have nurtured alternative and nontheatrical cinemas.
Transatlantic Flight: A Picture History, 1873–1939
by Joshua StoffProfusely illustrated volume chronicles exciting saga of international race to make transatlantic flight a reality. Over 250 rare photographs -- many previously unpublished -- trace a host of flight attempts, including those made in lighter-than-air balloons, U.S. Navy's "flying boats," Lindbergh's flight to Paris in 1927, Earhart's ill-fated attempt in 1937, and more.
The Transatlantic Gaze: Italian Cinema, American Film (SUNY series in Italian/American Culture)
by Mary Ann McDonald CarolanIn The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allen's To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allen's The Purple Rose of Cairo (1985) as well as with Neil LaBute's Nurse Betty (2000). Tarantino's Kill Bill saga (2003, 2004) plays off elements of Sergio Leone's spaghetti Western C'era una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantino's Oscar-winning Django Unchained (2012). Lee Daniels's Precious (2009) and Spike Lee's Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange.
Transatlantic Reflections on the Practice-Based PhD in Fine Art (Routledge Research in Education)
by Paul Hackett Jessica SchwarzenbachOnce the US was the only country in the world to offer a doctorate for studio artists, however the PhD in fine art disappeared after pressures established the MFA as the terminal degree for visual artists. Subsequently, the PhD in fine art emerged in the UK and is now offered by approximately 40 universities. Today the doctorate is offered in most English-speaking nations, much of the EU, and countries such as China and Brazil. Using historical, political, and social frameworks, this book investigates the evolution of the fine art doctorate in the UK, what the concept of a PhD means to practicing artists from the US, and why this degree disappeared in the US when it is so vigorously embraced in the UK and other countries. Data collected through in-depth interviews examine the perspectives of professional artists in the US who teach graduate level fine art. These interviews disclose conflicting attitudes toward this advanced degree and reveal the possibilities and challenges of developing a potential doctorate in studio art in the US.
The Transatlantic Zombie: Slavery, Rebellion, and Living Death
by Sarah J. LauroOur most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie's cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie's invocation as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-disaporic culture's preservation through a strategy of mythic combat.
Transborder Media Spaces: Ayuujk Videomaking between Mexico and the US (Anthropology of Media #7)
by Ingrid KummelsTransborder Media Spaces offers a new perspective on how media forms like photography, video, radio, television, and the Internet have been appropriated by Mexican indigenous people in the light of transnational migration and ethnopolitical movements. In producing and consuming self-determined media genres, actors in Tamazulapam Mixe and its diaspora community in Los Angeles open up media spaces and seek to forge more equal relations both within Mexico and beyond its borders. It is within these spaces that Ayuujk people carve out their own, at times conflicting, visions of development, modernity, gender, and what it means to be indigenous in the twenty-first century.
Transcendence
by Richard MayhewTranscendence is the long-awaited, career-spanning monograph of American landscape painter Richard Mayhew. For over half a century, Richard Mayhew has been reinventing the genre of landscape painting. His luminous work evokes not only physical vistas but also emotions, sounds, and the pure experience of color.He's known for his masterful use of color and for his unique creative process, inspired by improvisational jazz, which involves pouring paint directly onto the canvas and shaping it into lush, emotional "moodscapes."• This monograph features 70+ of his most striking works.• Includes an exclusive interview with the artist, an introduction by his gallerist Mikaela Sardo Lamarche, and an essay by Andrew Walker, director of the Amon Carter Museum of American Art• Through engaging with his work, readers are invited into deep explorations of their own inner landscapes.Transcendence is a richly rewarding celebration of an iconic artist that will make you rethink everything you know about landscape painting.Mayhew's distinctive style emerges from his roots as a jazz musician, his immersion in the Abstract Expressionist movement, his African American, Cherokee, and Shinnecock heritage, and his unique affinity for the landscapes of the American West—but his paintings transcend boundaries of location and identity.• Great for lovers of fine art, landscape painting, Abstract Expressionism, as well as those who are interested in the intersection of art, music, and emotion• A lush celebration of Richard Mayhew's work, and an ideal introductory book for new fans• Add it to the collection of books like Abstract Expressionism by Carter Ratcliff, Jeremy Lewison, Susan Davidson, and David Anfam; California Landscapes: Richard Diebenkorn / Wayne Thiebaud by John Yau; and The Art of Richard Mayhew: A Critical Analysis with Interviews by Janet Berry Hess.
Transcendence and Spirituality in Chinese Cinema: A Theological Exploration (Routledge Studies in Religion and Film)
by Kris H.K ChongThis book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a result, has missed out the potential insights offered by Chinese spirituality on film. Mainland Chinese films, produced within the nation’s social structure, offer an excellent lingua franca of China. Illuminating the spiritual imagination of Chinese filmmakers and their yearning for transcendence, the book uses Richard A. Blake’s concept of afterimage to analyse the potential theological implications of their films. It then brings Jürgen Moltmann’s "immanent-transcendence" and Robert K. Johnston’s "God’s wider Presence" into conversation with Confucianist and Daoist ideas of there being, spirituality-speaking, "More in Life than Meets the Eye" than simply material existence. This all combines to move beyond film and allow for a Western audience to gain a new perspective on Chinese culture and traditions. One that uses familiar Western terms, while avoiding the imposition of a Western mindset. This is a new perspective on cinema, religion and Chinese culture that will be of keen interest to scholars of Religion and Film, Religious Studies, Theology, Sociology of Religion and Chinese Studies.
Transcendence and Spirituality in Japanese Cinema: Framing Sacred Spaces (Routledge Studies in Religion and Film)
by Melissa M. CroteauThis book explores significant representations of Shinto and Buddhist sacred space, spiritual symbols, and religious concepts that are embedded in the secular framework of Japanese films aimed at general audiences in Japan and globally. These cinematic masterpieces by directors Akira Kurosawa, Hayao Miyazaki, Hirokazu Kore-eda, and Makoto Shinkai operate as expressions of and, potentially, catalysts for transcendence of various kinds, particularly during the Heisei era (1989-2019), when Japan experienced severe economic hardship and devastating natural disasters. The book’s approach to aesthetics and religion employs the multifaceted concepts of ma (structuring intervals; liminal space-time), kū (emptiness; sky), mono no aware (compassionate sensibility; resigned sadness), and musubi (generative interconnection), examining the dynamic, evolving nature of these ancient principles that are at once spiritual, aesthetic, and philosophical. Scholars and enthusiasts of Japanese cinema (live action and anime), religion and film, cinematic aesthetics, and of the relationship between East Asian religions and the arts will find fresh perspectives on these in this book, which moves beyond conventional notions of transcendental style and essentialized approaches to the multivalent richness of Japanese aesthetics.
Transcendence, Creation and Incarnation: From Philosophy to Religion (Transcending Boundaries in Philosophy and Theology)
by Anthony O'HearThis book expounds and analyses notions of transcendence, creation and incarnation reflectively and personally, combining both philosophical and religious insights. Preferring tender-minded approaches to reductively materialistic ones, it shows some ways in which reductive approaches to human affairs can distort the appreication of our lives and activities. In the book’s first half it examines a number of aspects of human life and experience in the thought of Darwin, Ruskin, and Scruton with a view to exploring the extent to which there could be intimations of transcendence. The second half is then devoted to outlining an account of divine creation and incarnation, deriving initially, though not uncritically, from the thought of Simone Weil. The text concludes by examining the extent to which grace is needed to engage in religious practice and belief. Taking in art, literature, music and classical Greek writings, this is a multifaceted thesis on transcendence. It will, therefore, will be of keen interest to any scholar of Philosophy of Religion, Theology, Aesthetics and Metaphysics.
Transcendental Style in Film: Ozu, Bresson, Dreyer
by Paul SchraderWith a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.