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Showing 53,126 through 53,150 of 58,476 results

Theatres of Learning Disability

by Matt Hargrave

This is the first scholarly book to focus exclusively on theatre and learning disability as theatre – rather than advocacy or therapy. Matt Hargrave provocatively realigns many of the (hitherto unvoiced) assumptions that underpin such practices, and opens up a new set of critical questions. Stemming from a close engagement with the work of several very different theatre companies – including Mind the Gap (UK); Back to Back (Australia) - and unique solo artists such as Jez Colborne, this book shifts the emphasis from questions of social benefit towards a genuine engagement with aesthetic judgement. Hargrave examines the rich variety of contemporary theatrical practices in this field and spans a wide range of forms such as site specific, naturalistic and autobiographical performance. The book examines ways in which the learning disabled performer might be read on stage, and the ways in which s/he might disturb assumptions, not least about what acting or artistic authorship is. This is an important and timely study for all upper-level theatre and performance students and scholars alike, as well as a provocative contribution to debates within disability studies.

Theatres of Oakland

by Jack Tillmany Jennifer Dowling

Oakland has a rich theatre history, from the amusements of a gas-lit downtown light opera and vaudeville stage in the 1870s to the ornate cinematic escape portals of the Great Depression. Dozens of neighborhood theatres, once the site of family outings and first dates, remain cherished memories in the lives of Oaklanders. The city can still boast three fabulous movie palaces from the golden age of cinema: the incomparable art deco Paramount, which now offers live performances and films; the stately Grand Lake gracing the sinuous shores of Lake Merritt; and the magnificently eccentric Fox Oakland, with its imposing Hindu gods flanking the stage. The Paramount and Grand Lake still stir the heartstrings of patrons with showings preceded by interludes on their mighty Wurlitzer organs.

Theatres of Portland

by Steve Stone Gary Lacher

Portland's theatre history is marked by early enthusiasm and exceptionally vigorous growth. With the Pacific Northwest's often rainy weather, people sought refuge in movie entertainment, and the city eventually grew to have more theatre seats per capita than similar-sized cities in the United States. Beginning with short cinema segments at vaudeville houses downtown, Portland movie theatres came into their own swiftly and ambitiously. By 1915, there were over 70 individual theatres showing films both downtown and in neighborhoods throughout the city. By the 1920s, larger theatres were being built, including substantial neighborhood palaces such as the Bagdad, Hollywood, and Oriental. Meanwhile, downtown provided the Broadway, Portland, and Orpheum, to name a few. This volume contains an overview of Portland's theatre history through rare and newly discovered historical photographs of those memorable places of entertainment.

Theatres of San Francisco

by Jack Tillmany

You read the sad stories in the papers: another ornate, 1920s, single-screen theatre closes, to be demolished and replaced by a strip mall. That's progress, and in this 20-screen multiplex world, it's happening more and more. Only a handful of the 100 or so neighborhood theatres that once graced these streets are left in San Francisco, but they live on in the photographs featured in this book. The heyday of such venues as the Clay, Noe, Metro, New Mission, Alexandria, Coronet, Fox, Uptown, Coliseum, Surf, El Rey, and Royal was a time when San Franciscans thronged to the movies and vaudeville shows, dressed to the hilt, to see and be seen in majestic art deco palaces. Unfortunately, this era has passed into history despite the dedicated efforts of many neighborhood preservation groups.

Theatres of Value: Buying and Selling Shakespeare in Nineteenth-Century New York City

by Danielle Rosvally

Theatres of Value explores the idea that buying and selling are performative acts and offers a paradigm for deeper study of these acts—"the dramaturgy of value." Modeling this multifaceted approach, the book explores six case studies to show how and why Shakespeare had value for nineteenth-century New Yorkers. In considering William Brown's African Theater, P. T. Barnum's American Museum and Lecture Hall, Fanny Kemble's American reading career, the Booth family brand, the memorial statue of Shakespeare in Central Park, and an 1888 benefit performance of Hamlet to theatrical impresario Lester Wallack, Theatres of Value traces a history of audience engagement with Shakespearean cultural capital and the myriad ways this engagement was leveraged by theatrical businesspeople.

Theatre’s Heterotopias

by Joanne Tompkins

Theatre's Heterotopias articulates a new methodology for interpreting a space (including architectural, narrative, imaginative, and imaginary) in theatre and performance. A heterotopia is an 'alternative space' that is distinguished from that actual world, but that resonates with it. The value in applying heterotopia to theatre is that in performance, we can actually witness how else space and place might be constituted: it is the point of comparison of what does occur against what else might transpire such that the 'unreal' spaces that comprise a theatrical experience have the capacity to elicit concrete effects beyond its walls. A heterotopia is a technique for exploring theatrical space that affords a better understanding of the theatrical experience, the context in which performance takes place, and the power and knowledge that shape its socio-political context. The book's case studies include site-specificity, selected productions from the National Theatre of Scotland and Shakespeare's Globe, and multimedia performance.

Theatrical Costume, Masks, Make-Up and Wigs: A Bibliography and Iconography (Motley Bibliographies Ser. #Vol. 4)

by Sidney Jackson Jowers

This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.

Theatrical Design And Production: An Introduction To Scene Design And Construction, Lighting, Sound, Costume, And Makeup

by J. Gillette

Theatrical Design and Production is a comprehensive and practical survey that examines the technical and design aspects of play production, including scene design and construction, lighting, sound, costume, and makeup. Design is presented as both an art closely integrated with the director’s, actor’s, and playwright’s visions, and a craft that provides practical solutions for the physical manipulation of stage space.

Theatrical Design: An Introduction

by Kevin Lee Allen

A theatrical designer must address two questions when designing a production: What is the play about and what is the play like? To find the metaphor within a play is to unlock inspired and unique design concepts. Theatrical Design: An Introduction is about how to find the design idea for a production and what to do with that idea once identified. This book emphasizes script analysis and interpretation specifically for designers: how to release meaning and design inspiration from lines and characterization in a script. It then explains the artistic elements and principles of design—the skills necessary to create the design visualized. Concepts are illustrated with examples from theatre, film, art, architecture, and fashion that explore professional and historic use of conceptualization and metaphor. Theatrical Design: An Introduction imparts the tools designers need to innovate off the page.

Theatrical Genre & Style: A Guide for Designers, Directors, and Performers

by Melissa Shafer Karen Brewster

A one-of-a-kind guide about style and genre for theatre artisans.Theatrical Genre & Style will appeal to all theatre makers—those in performance as well as design—students, amateurs, and professionals. Traditionally, theatre practitioners receive information about style and genre from sources composed primarily for studio artisans and not theatre artisans. These books are helpful but ultimately fall short because they do not specifically apply the use of style to theatre art and practice. Theatrical Genre & Style gives theatre artists a guidebook to style and genre that is specific and tailored to their needs. Theatrical Genre & Style defines genre and style (and the differences between them), gives relatable examples with helpful exercises, clearly explains the distinctions between artistic style, period style, and literary style, and helps readers understand how to identify, research, and utilize appropriate artistic styles for theatrical productions. Theatrical genres are listed, thoroughly explained, and examples and exercises given that are designed to elucidate. The ways theatrical scenery, costumes, lighting, sound, multi-media, acting, directing, and movement can work together to successfully utilize style is addressed in this text.Theatrical Genre & Style serves as a companion to authors Karen Brewster and Melissa Shafer's Fundamentals of Theatrical Design: A Guide to the Basics of Scenic, Costume, and Lighting Design. The two books complement one another in content, size, scope, purpose, and target audience.

Theatrical Improvisation, Consciousness, and Cognition

by Clayton D. Drinko

Improvisation teachers have long known that the human mind could be trained to be effortlessly spontaneous and intuitive. Drinko explores what these improvisation teachers knew about improvisation's effects on consciousness and cognition and compares these theories to current findings in cognitive neuroscience, psychology, and philosophy.

Theatrical Makeup: Basic Application Techniques

by Sharon Sobel

In many theatrical productions, it falls to the performers to apply their own makeup, with minimal or no instruction. Theatrical Makeup clearly and concisely explains the basics of theatrical makeup techniques to allow stage actors to put their best face forward! You will gain understanding of the physiology of the human face and, using cream based makeup, as well as commercial cosmetics, learn how to contour it to suit your character with the use of highlight and shadow. Hundreds of full color images and step-by-step instructions illustrate how to visually manipulate bone structure and apparent age, apply simple facial hair and wounds, and create glamorous and natural stage makeup. Also covered are the tools you will need to apply your own makeup, along with critical health and hygiene tips.

Theatrical Makeup: Basic Application Techniques

by Sharon Sobel

Theatrical Makeup clearly and concisely explains the basics of theatrical makeup techniques to allow stage actors to put their best face forward! Readers will gain understanding of the physiology of the human face and, using cream based makeup, as well as commercial cosmetics, learn how to contour it to suit the character with the use of highlight and shadow. Hundreds of full color images and step-by-step instructions illustrate how to visually manipulate bone structure and apparent age, apply simple facial hair and wounds, and create glamorous and natural stage makeup. Also covered are the tools readers will need to apply their own makeup, along with critical health and hygiene tips. This book is suitable for beginner Theatrical Makeup courses and for stage actors of all levels.

Theatrical Performance and the Forensic Turn: Naked Truth (Routledge Advances in Theatre & Performance Studies)

by James Frieze

Contemporary theatre, like so much of contemporary life, is obsessed with the ways of which information is detected, packaged and circulated. Running through forms as diverse as neo-naturalistic playwriting, intimately immersive theatre, verbatim drama, intermedial performance, and musical theatre, a common thread can be observed: theatre-makers have moved away from assertions of what is true and focussed on questions about how truth is framed. Commentators in various disciplines, including education, fine art, journalism, medicine, cultural studies, and law, have identified a ‘forensic turn’ in culture. The crucial role played by theatrical and performative techniques in fuelling this forensic turn has frequently been mentioned but never examined in detail. Political and poetic, Theatrical Performance and the Forensic Turn is the first account of the relationship between theatrical and forensic aesthetics. Exploring a rich variety of works that interrogate and resist the forensic turn, this is a must-read not only for scholars of theatre and performance but also of culture across the arts, sciences and social sciences.

Theatrical Speech Acts: Politics, Translations, Embodiments

by Erika Fischer-Lichte Torsten Jost Saskya Iris Jain

Theatrical Speech Acts: Performing Language explores the significance and impact of words in performance, probing how language functions in theatrical scenarios, what it can achieve under particular conditions, and what kinds of problems may arise as a result. Presenting case studies from around the globe—spanning Argentina, Egypt, Germany, India, Indonesia, Korea, Kenya, Nigeria, Rwanda, Thailand, the UK and the US—the authors explore key issues related to theatrical speech acts, such as (post)colonial language politics; histories, practices and theories of translation for/in performance; as well as practices and processes of embodiment. With scholars from different cultural and disciplinary backgrounds examining theatrical speech acts—their preconditions, their cultural and bodily dimensions as well as their manifold political effects—the book introduces readers to a crucial linguistic dimension of historical and contemporary processes of interweaving performance cultures. Ideal for drama, theater, performance, and translation scholars worldwide, Theatrical Speech Acts opens up a unique perspective on the transformative power of language in performance.

Theatrical Unrest: Ten Riots in the History of the Stage, 1601-2004

by Sean McEvoy

Shortlisted for the 2017 Theatre Book Prize What is it about theatre, compared to other kinds of cultural representation, which provokes such a powerful reaction? Theatrical Unrest tells the compelling tales of ten riots whose cause lies on stage. It looks at the intensity and evanescence of the live event and asks whether theatre shares its unrepeatable quality with history. Tracing episodes of unrest in theatrical history from an Elizabethan uprising over Shakespeare's Richard II to Sikhs in revolt at Gurpreet Kaur Bhatti's Behzti, Sean McEvoy chronicles a selection of extreme public responses to this inflammatory art form. Each chapter provides a useful overview of the structure and documentation of one particular event, juxtaposing eyewitness accounts with newspaper reports and other contemporary narratives. Theatrical Unrest is an absorbing account of the explosive impact of performance, and an essential read for anyone interested in theatre’s often violent history.

Theatrical Violence Design: Safety, Illusion, and Story in Stage Combat Choreography

by Richard Gilbert David Bareford

Theatrical Violence Design offers the reader a complete education in the theory and practice of designing violence for the theater. From swordfights to exchanges of gunfire to domestic violence, the theater abounds in physical conflict. The artists who design that violence, sometimes called fight directors or choreographers, will find in this book an invaluable resource for becoming more expert at their craft. In the chapters of this book, they will encounter the core principles of creating violent effects, the body of knowledge with which they should be familiar, and the nuts and bolts of the process of design work from the first meeting with a director through closing night.This book is written for the student of stage combat to transition into violence design and will also be of interest to experienced violence designers and choreographers.

Theatricality and Performativity: Writings On Texture From Plato's Cave To Urban Activism (Performance Philosophy)

by Teemu Paavolainen

This book defines theatricality and performativity through metaphors of texture and weaving, drawn mainly from anthropologist Tim Ingold and philosopher Stephen C. Pepper. Tracing the two concepts’ various relations to practices of seeing and doing, but also to conflicting values of novelty and normativity, the study proceeds in a series of intertwining threads, from the theatrical to the performative: Antitheatrical (Plato, the Baroque, Michael Fried); Pro-theatrical (directors Wagner, Fuchs, Meyerhold, Brecht, and Brook); Dramatic (weaving memory in Shaffer’s Amadeus and Beckett’s Footfalls); Efficient (from modernist “machines for living in” to the “smart home”); Activist (knit graffiti, clown patrols, and the Anthropo(s)cene). An approach is developed in which ‘performativity’ names the way we tacitly weave worlds and identities, variously concealed or clarified by the step-aside tactics of ‘theatricality’.

Theatricality, Dark Tourism and Ethical Spectatorship

by Emma Willis

Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others builds upon recent literature concerning theatre and ethics and offers a uniquely interdisciplinary approach. With a focus on spectatorship, the book brings together analysis of dark tourism – travel to sites of death and disaster – and theatrical performances. At dark tourism sites, objects and architecture are often personified, imagined to speak on behalf of absent victims. Spectatorsare drawn into this dialogical scenario in that they are asked to 'hear' the voices of the dead. Theatrical performances that depict grievous histories often gain power through paradoxically demonstrating the limits of their representational ability: spectators are asked to attune themselves to absences and incomprehensibilities. This study asks whether playing the part of the listener can be understood in ethical terms. Sites surveyed span a broad geographical scope – Germany, Poland, Vietnam, Cambodia, New Zealand and Rwanda – and are brought into contrast with performances including: Jerzy Grotowski's Akropolis, Catherine Filloux's Photographs from S21, Adrienne Kennedy's An Evening with Dead Essex and Erik Ehn's Maria Kizito.

Theban Plays

by Sophocles Paul Woodruff Peter Meineck

This volume offers the fruits of Peter Meineck and Paul Woodruff's dynamic collaboration on the plays of Sophocles' Theban cycle, presenting the translators' Oedipus Tyrannus (2000) along with Woodruff's Antigone (2001) and a muscular new Oedipus at Colonus by Meineck. Grippingly readable, all three translations combine fidelity to the Greek with concision, clarity, and powerful, hard-edged speech. Each play features foot-of-the-page notes, stage directions, and line numbers to the Greek. Woodruff's Introduction discusses the playwright, Athenian theatre and performance, the composition of the plays, and the plots and characters of each; it also offers thoughtful reflections on major critical interpretations of these plays.

Their Majesty: Drag Performance and Queer Communities in London (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)

by Joe Parslow

This book explores drag performance in London since 2009 via the pubs, bars and clubs that make LGBTQ+ communities thrive.It studies the complex relationship between drag performance, LGBTQ+ venues and queer communities. In exploring drag performance, the book develops a greater understanding of the connection between drag performance and queer communities, in particular exploring how drag might facilitate queer communities and offer queer modes of survival and resistance for queer people. Through this, the book describes a contemporary moment in which drag performance is increasingly popular and increasingly important at a time when homophobic and transphobic violence is prevalent, and LGBTQ+ venues are often under threat of closure. Understanding the increased/increasing mainstream popularity of drag, the book examines drag performance that is connected to and resists mainstream attention in order to account for its complexity in London (and beyond).This book takes the author’s engagement with and love for drag and exerts a critical, political and queer pull in order to develop new terrains of queer studies and queer performance studies.

Their Own Best Creations: Women Writers in Postwar Television (Feminist Media Histories #1)

by Annie Berke

A rich account that combines media-industry history and cultural studies, Their Own Best Creations looks at women writers' contributions to some of the most popular genres of postwar TV: comedy-variety, family sitcom, daytime soap, and suspense anthology. During the 1950s, when the commercial medium of television was still being defined, women writers navigated pressures at work, constructed public personas that reconciled traditional and progressive femininity, and asserted that a woman's point of view was essential to television as an art form. The shows they authored allegorize these professional and personal pressures and articulate a nascent second-wave feminist consciousness. Annie Berke brings to light the long-forgotten and under-studied stories of these women writers and crucially places them in the historical and contemporary record.

Thelma & Louise (Reel West Series)

by Susan Kollin

Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology.In this latest volume in the Reel West Series series, Susan Kollin recreates this watershed moment for women&’s movies in general and women&’s Westerns in particular.

Thelma & Louise Live!

by Bernie Cook

When they floored their Thunderbird off a cliff rather than surrender to the law, Thelma and Louise became icons of female rebellion, provoking strong reactions from viewers who felt either empowered or outraged by the duo's transgressions of women's traditional roles. The 1991 film quickly became--and continues to be--a potent cultural reference point, even inspiring a bumper sticker that declares, "Thelma & Louise Live!" In this insightful study of Thelma & Louise, six noted film scholars investigate the initial reception and ongoing impact of this landmark film. The writers consider Thelma & Louise from a variety of perspectives, turning attention to the film's promotion and audience response over time; to theories of comedy and the role of laughter in the film; to the film's soundtrack and score; to the performances of stars Susan Sarandon and Geena Davis; to the emergence of Brad Pitt as a star and male sex object; and to the film's place in the history of road and crime film genres. Complementing the scholarly analysis is an in-depth interview of screenwriter Callie Khouri by editor Bernie Cook, as well as reviews of Thelma & Louise that appeared in U. S. News & World Report and Time. Offering myriad new ways of understanding the complex interrelations of gender, identity, and violence, Thelma & Louise Live! attests to the ongoing life and still-evolving meanings of this now-classic film.

Theme Park Design and the Art of Themed Entertainment

by David Younger

Want to design a theme park? Over the past century, theme parks have created worlds where pirates still loot Caribbean towns, where daring adventurers explore booby-trapped temples, and where superheroes swing from New York skyscrapers - and allowed us to step into them too. This is a book about how to design those fantastic places, and the ingenuity that goes into their creation. This is a handbook for the practicing designer, a textbook for the aspiring student, and a behind the scenes guidebook for the theme park fan, building on hundreds of interviews with accomplished designers from Walt Disney Imagineering, Universal Creative, Merlin Entertainments, and more. Theme Park Design & The Art of Themed Entertainment explores everything from the stories, themes, and characters that theme parks bring to life, to the business models, processes, and techniques that allow them to do it. From rocket ships to roller coasters, fairy tales to fireworks, and dinosaurs to dark rides, never before has a book dived so deep into the art form of themed entertainment.

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Showing 53,126 through 53,150 of 58,476 results