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Typographic Knitting: From Pixel to Pattern
by Rudiger SchlomerLearn to knit a variety of typefaces modeled on digital designs by well-known type foundries including Emigre, Lineto, and Typotheque, and emblazon your hats, scarves, and sweaters with smartly designed monograms, letters, or words. Beginning with knitting basics, tips, and resources, and progressing through more advanced techniques, Typographic Knitting provides a systematic introduction on how to construct a variety of letter designs using different knitting techniques. This book bridges the gap between craft and design in a new way, and will delight typography connoisseurs, avid knitters, and makers looking for a novel medium.
The Typographic Medium (History and Foundations of Information Science)
by Kate BrideauAn innovative examination of typography as a medium of communication rather than part of print or digital media.Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of "print media" or "digital media" but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium.After considering what constitutes typographic form, Brideau turns to typographic function and how it relates to form. Examining typography's role in both the neurological and psychological aspects of reading, she argues that typography's functions exceed reading; typographic forms communicate, but that communication is not limited to the content they carry. To understand to what extent the design and operations of the typographic medium affect the way we perceive information, Brideau warns, we must understand the medium's own operational logic, embodied in the full diversity of typographic forms.Brideau discusses a range of topics--from intellectual property protection for typefaces to Renaissance and Enlightenment ideal letterforms--and draws on a wide variety of theoretical work, including phenomenological ideas about comprehension, German media archaeology, and the media and communication theories of Vilém Flusser and others. Hand-drawn illustrations of typographic forms accompany the text.
Typographic Style Handbook: A Guide to Typography from Libanus Press
by Michael Mitchell Susan WightmanAn elegant handbook in typography, for the professional and amateur text designer.Typographic Style Handbook is an indispensable new manual for anyone working with text - books, journals, company reports, websites or marketing material - who wishes to develop an understanding of how to produce clean, clear and consistent typography.The handbook is divided into three sections: General typesetting covers the basic rules of setting text Books and journals explains the typographic styles used within the publishing industryCorporate style describes how the treatment of text can be integrated into an organisation's branding guidelines. Typographic rules and styles are copiously illustrated with examples and diagrams Alternative styles are listed and explained to enable users to develop their own 'house style' Includes a glossary and appendices to aid students and self-publishers Typographic Style Handbook is destined to become a classic manual alongside Judith Butcher's Copy-editing, Hart's Rules, The Economist Style Guide and the Oxford Dictionary for Writers and Editors.
Typographic Systems
by Kimberly ElamIn Typographic Systems, Kim Elam, author of our bestselling books, Geometry of Design and Grid Systems, explores eight major structural frameworks beyond the grid including random, radial, modular, and bilateral systems. By taking the reader through exercises, student work, and professional examples, Elam offers a broad range of design solutions.
Typographic Web Design: How To Think Like A Typographer In HTML and CSS
by Laura FranzLegibility and readability are the foundations for the typographic theories and practice covered in Typographic Web Design. You'll learn how to choose fonts, organize information, create a system of hierarchy, work with tabular information, create a grid, apply a typographic system across multiple pages, and build a font library. Each chapter provides time-tested typography rules to follow (modified for the web), explains why they work, when to break them, and offers the opportunity to test the rules with hands-on exercises in HTML and CSS. If you don't know HTML and CSS, Typographic Web Design provides a walk-through for each lesson, showing you how to plan and write syntax. Laura Franz is an Associate Professor of Design at University of Massachusetts Dartmouth, where she has taught web typography for 12 years. She has presented lectures and workshops on Typographic Web Design, and has written a course on the topic for Lynda. com.
Typography
by Denise G. Crisp William F. TempleThis book moves beyond the traditional rules-based approach by describing typography as a system of interrelated concerns heavily influenced by the contexts of audience, medium, and message. It presents the key visual and intellectual skills necessary to make informed design decisions when using typography for modern contexts and audiences and gives full attention to designing with type in digital media.
Typography: Typography (Pocket Essentials Ser.)
by Graham Davis'Typography' opens with an overview of the history of the art, before going on to introduce the key principles and techniques of effective typography. A full introduction of the most useful and important fonts completes the book, allowing you to choose the right one every time. With this handy primer, anyone can master the basic principles of type layout and create pages that are easy on the eye and captivate the reader.
Typography: Introduction To Typographic Process
by Willi KunzTypographic design begins with a set of information and a concept. The designer, facing a blank sheet of paper or a computer screen, is anxious about the first step to take in developing a design. The elements of typography are an obvious starting point, but often do not get the attention they deserve.
Typography 32
by Type Directors ClubFor the past fifty-seven years, the Type Directors Club (TDC) has encouraged the graphic arts community to achieve excellence in typography through its annual competitions. Typography 32 is the latest Annual devoted exclusively to typography and presents the finest work in this field from 2010. Selected from more than 1,500 international submissions to TDC57, the 208 winning designs are models of excellence and innovation in contemporary type design. This year's selection encompasses a wide range of categories, including books, magazines, corporate identity, logotypes, stationery, annual reports, video and Web graphics, and posters. Each winning entry is displayed in full color and is accompanied by complete information about the designer, client, typography, and more. This year's volume also features the results of the club's fourteenth annual type design competition, TDC2 2011 and TDC Intro 011, the movie titles competition, and includes a special index listing the principal typefaces used in the winning designs and the names of their designers. The Judges' Choice sections feature the winning entries that have been singled out as each judge's favorite; these pieces are accompanied not only by the judges' comments but also by statements from the designers about the creative process involved in developing their work. These components–along with chairperson statements by Roberto de Vicq de Cumptich (TDC57), James Montalbano (TDC2 2011), and Jakob Trollbäck (TDC Intro 011)–exemplify the enormous vitality of the ever-changing typography profession today.A special section contains the seventh TDC catalog, reproduced in its entirety; it was published in 1962 and records winning designs completed over 1961. From 1955 to 1978, the competition catalog was produced as a relatively modest booklet. In 1979, after twenty-five years, the TDC Annual became a book. That explains why this Annual is called Typography 32, while this year's competition is called TDC57.
Typography 33
by Type Directors ClubFor over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 33 is the only annual devoted exclusively to typography and presents the finest work in the field for the year 2011. Selected from approximately 2300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, representing a wide range of categories including books, magazines, corporate identities, logos, stationery, annual reports, video and web graphics, and posters.
Typography 33
by Type Directors ClubFor over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 33 is the only annual devoted exclusively to typography and presents the finest work in the field for the year 2011. Selected from approximately 2300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, representing a wide range of categories including books, magazines, corporate identities, logos, stationery, annual reports, video and web graphics, and posters.
Typography and Motion Graphics: The 'reading-image' (Routledge Studies In Media Theory And Practice Ser.)
by Michael BetancourtIn his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the ‘reading-image’ to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences—including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)—Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media.
Typography For The People
by Daniel Bellon Klaus BellonStreet + Art = Inspiration Designers Daniel and Klaus Bellon have been photographing street signage around the world for more than 17 years. This book celebrates their love of typography, and highlights the beauty of type in its truest form; not as a profession but as a necessity of everyday life. The images captured here are at times humorous, unexpected and even charming. But for those who understand the rules that are being broken, these explorations of type design are refreshing and inspiring. Even though graphic designers often think of themselves as the keepers of letterforms and typography, they do not own them. Typography belongs to everyone. Typography belongs to the people. Includes a royalty-free CD with 15 original fonts inspired by signs in the book. Type images were collected from countries around the world, including the United States, Dominican Republic, Puerto Rico, Belize, Canada, Colombia, Venezuela, Hong Kong, China, Singapore, and Malaysia.
Typography for the People: Hand-Painted Signs from Around the World Plus 15 Free Fonts
by Daniel BellonStreet + Art = InspirationDesigners Daniel and Klaus Bellon have been photographing street signage around the world for more than 17 years. This book celebrates their love of typography, and highlights the beauty of type in its truest form; not as a profession but as a necessity of everyday life. The images captured here are at times humorous, unexpected and even charming. But for those who understand the rules that are being broken, these explorations of type design are refreshing and inspiring.Even though graphic designers often think of themselves as the keepers of letterforms and typography, they do not own them.Typography belongs to everyone.Typography belongs to the people. Includes a royalty-free CD with 15 original fonts inspired by signs in the book.Type images were collected from countries around the world, including the United States, Dominican Republic, Puerto Rico, Belize, Canada, Colombia, Venezuela, Hong Kong, China, Singapore, and Malaysia.
Typography for the People
by Daniel Bellon Klaus BellonStreet + Art = InspirationDesigners Daniel and Klaus Bellon have been photographing street signage around the world for more than 17 years. This book celebrates their love of typography, and highlights the beauty of type in its truest form; not as a profession but as a necessity of everyday life. The images captured here are at times humorous, unexpected and even charming. But for those who understand the rules that are being broken, these explorations of type design are refreshing and inspiring. Even though graphic designers often think of themselves as the keepers of letterforms and typography, they do not own them. Typography belongs to everyone. Typography belongs to the people. Includes a royalty-free CD with 15 original fonts inspired by signs in the book. Type images were collected from countries around the world, including the United States, Dominican Republic, Puerto Rico, Belize, Canada, Colombia, Venezuela, Hong Kong, China, Singapore, and Malaysia.
The Typography Idea Book: Inspiration from 50 Masters
by Gail Anderson Gaile Anderson Steven HellerThe latest in this successful series, this book features around 150 of the most important buildings in the history of world architecture – from the pyramids and Parthenon to some of the most significant works by recent architects. The buildings are organized by type – from places of worship and public buildings to houses – and are divided into nine chapters, each with an informative introduction that surveys the history of that type. For each building there are numerous, accurate scale drawings showing a combination of floor plans, elevations and sections as appropriate, all specially redrawn for this book. The quality and number of the line drawings, together with the authoritative text by a renowned architectural historian, allow all the buildings to be understood in detail and make this an invaluable resource for students.
The Typography Idea Book: Inspiration from 50 Masters
by Gaile AndersonThe latest in this successful series, this book features around 150 of the most important buildings in the history of world architecture – from the pyramids and Parthenon to some of the most significant works by recent architects. The buildings are organized by type – from places of worship and public buildings to houses – and are divided into nine chapters, each with an informative introduction that surveys the history of that type. For each building there are numerous, accurate scale drawings showing a combination of floor plans, elevations and sections as appropriate, all specially redrawn for this book. The quality and number of the line drawings, together with the authoritative text by a renowned architectural historian, allow all the buildings to be understood in detail and make this an invaluable resource for students.
Typography Pocket Essentials: Typography
by Alistair Dabbs Alastair CampbellTypography is the most ubiquitous of the graphic arts, with all of us now having access to innumerable fonts and the typographic tools that can, in the right hands, lift any text from the mundane to the beautiful.Opening with an overview of the history of the art, Typography Pocket Essentials introduces the key principles and techniques of typography, and presents 200 of the most useful and important fonts, making it a handy primer and essential reference guide all rolled into one.- Learn the rich history of the art, from Gutenberg to Neville Brody and beyond- Master the principles of effective typography and create beautiful documents yourself- 200 key fonts are profiled for easy reference and rapid selection
A Tyrannous Eye: Eudora Welty's Nonfiction and Photographs
by Pearl Amelia McHaneyA Tyrannous Eye: Eudora Welty’s Nonfiction and Photographs is the first book-length study of Eudora Welty’s full range of achievements in nonfiction and photography. A preeminent Welty scholar, Pearl Amelia McHaney offers clear-eyed and complex assessments of Welty’s journalism, book reviews, letters, essays, autobiography, and photographs. Each chapter focuses on one genre, filling in gaps left by previous books. With keen skills of observation, finely tuned senses, intellect, wit, awareness of audience, and modesty, Welty applied her genius in all that she did, holding a tough line on truth, breaking through “the veil of indifference to each other’s presence, each other’s wonder, each other’s plight.” McHaney’s study brings critical attention to the under-evaluated genres of Welty’s work and discusses the purposeful use of arguments, examples, and styles, demonstrating that Welty pursued her craft to a high standard across genres with a greater awareness of context than she admitted in her numerous interviews. Welty consistently dared new styles, new audiences, and new publishing venues in order to express her ideas to their fullest. It is “serious daring,” as she wrote in One Writer’s Beginnings, that makes for great writing. In “Place in Fiction,” Welty asks, “How can you go out on a limb if you do not know your own tree? No art ever came out of not risking your neck. And risk—experiment—is a considerable part of the joy of doing.”
U-Boats off the Outer Banks: Shadows in the Moonlight (Military)
by Jim BunchFrom January to July 1942, more than seventy-five ships sank to North Carolina’s “Graveyard of the Atlantic” off the coast of the Outer Banks. German U-boats sank ships in some of the most harrowing sea fighting close to America’s shore. Germany’s Operation Drumbeat, led by Admiral Karl Donitz, brought fear to the local communities. A Standard oil tanker sank just sixty miles from Cape Hatteras. The U-85 was the first U-boat sunk by American surface forces, and local divers later discovered a rare Enigma machine aboard. Author Jim Bunch traces the destructive history of world war on the shores of the Outer Banks.
U.S. Army Ambulances & Medical Vehicles in World War II (Casemate Illustrated Special)
by Didier AndresA “cool compendium” of photos and information about the vehicles that helped save American troops’ lives (Cybermodeler).Of all the armies involved in World War II, the U.S. Army developed the most sophisticated system for the transport and treatment of injured and sick soldiers, pushing the boundaries of available technology to give their men the best chance of not only survival but a full recovery.Each infantry regiment had a medical detachment tasked with conserving the strength of the regiment by not only providing medical and dental treatment but also undertaking all possible measures to keep the regiment healthy. In combat they would provide emergency medical treatment on the battlefield, then move casualties to aid stations they had established. At aid stations, casualties would be triaged, stabilized, and treated before being moved on for further treatment. Vehicles formed a crucial part of the Medical Detachment’s equipment.This fully illustrated, comprehensive book covers all types of medical vehicles used both in-theater and in the United States, including ambulances and technical support vehicles. It details vehicle markings modifications, for use in the evacuation of troops from the battlefield, and the other uses these vehicles were adapted for during the war—including their use as “Clubmobiles” and “Chuck Wagons” by the American Red Cross.
U.S. Army Guide to Rigging (US Army Survival)
by ArmyHave you ever tried to rig your own sailboat? How about tying up the boat to the dock? Have you ever made a ladder or hoist? Learning rigging can be tricky, but with the U.S. Army Guide to Rigging (FM 5-125), you'll learn everything you need to know about rigging, from how to properly tie a rope to a rock to how to make rope chairs and build whole scaffolding structures! This comprehensive guide is full of crucial rigging techniques, procedures, and applications used in both dire and everyday situations everywhere by the U.S. Army.This informative and thorough guide draws upon the real-life experiences of soldiers installed in positions around the globe, whose duties require rigging, in all its variations and forms. Topics include the necessary usage of fiber rope, wire rope, and chains--used in multiple combinations and twists--to lift heavy loads. On the more basic side, it includes basic instructions on tying all manner of knots, hitches, splices, tackle systems, and more. Complete with illustrated diagrams to make it easy to follow along, anyone can access easy-to-learn rigging lessons that will come in handy both in your daily life and when you least expect it!
U.S. Army Vehicle Markings, 1944
by Jean Bouchery Philippe CharbonnierAn illustrated guide to the markings used on WWII Era U.S. Army tanks, lorries and Jeeps—an invaluable reference for historians, modelers and collectors. The markings of a 1944 U.S. Army Jeep are an iconic image of American military and the Second World War. But few people know what the distinctive white letters, numbers and symbols actually mean. This uniquely detailed guide explains how these and other markings were integral to organizing the U.S. Army on the move. U.S. Army Vehicle Markings 1944 covers all the markings used on American military vehicles to denote their unit and classification. It also covers tactical markings and the debarkation codes used in the Normandy landings. Hundreds of contemporary photographs are paired with precise color diagrams to show exactly how markings appeared on vehicles, including the exact measurements. The volume explains all the variations in the use of these markings and includes a chapter on the varieties of camouflage used on vehicles.
U.S. Bank Stadium: The New Home of the Minnesota Vikings
by Steve BergIn the summer of 2016, the State of Minnesota and the Minnesota Vikings football team will unveil a new, state-of-the-art stadium in Minneapolis. More than a monument to football, U.S. Bank Stadium stands as a community space that hosts a range of events and activities, reinvigorating a long-neglected area of downtown. U.S. Bank Stadium provides a comprehensive inside look at all that went into building the largest construction project in state history―what makes it a distinctive football facility, and what it means for Minnesota. Author Steve Berg describes the complicated and controversial history and path to approval; the various design concepts and innovations; the many phases of construction; the stadium’s place as a civic asset and its statewide legacy; and the full celebration of the facility’s grand opening. The book features profiles of and interviews with the central figures in U.S. Bank Stadium’s development, from architects and engineers to construction workers and groundskeepers, as well as players, fans, and community leaders. The book is heavily illustrated with design drawings and plans; construction photos chronicling everything from groundbreaking to opening day; detailed images of the stadium’s features and amenities; behind-the-scenes shots of the stadium operation; and game-day photos of fans, players, vendors, and more.
The U.S. Christian Right and Pro-Family Politics in 21st Century Africa
by Haley McEwenThis book will address and uncover the role of US Christian Right ‘pro-family’ groups in mobilizing counter-movements against LGBTIQ+ human rights, reproductive justice, and sexuality education in Africa, and will intervene in the tendency to exceptionalize Africa as a ‘homophobic continent’ following the surge in homophobic and transphobic legislation, hate speech, and violence in recent years. The author employs the lens of decoloniality in an intersectional manner to unpack the multiple forms of hierarchy and oppression that the concept of the nuclear family has historically worked to naturalize in the interests of capitalism, Christo-normativity, and a world system dominated and controlled by the global north. Proceeding from the historical geopolitical context informing nuclear family idealization, the analysis then presents a critical discussion of contemporary pro-family discourses, showing that pro-family narratives that universalize and politicize the notion of ‘family’ are not only constituting agendas that erode LGBTIQ+ and reproductive justice, but reinforce an international order that privileges Euro-American interests despite pro-family claims that their agendas are anti-imperialist. This book will be of interest to scholars in gender, sexuality, and queer studies; postcolonial studies; and international relations.