- Table View
- List View
A View from the Bottom: Asian American Masculinity and Sexual Representation
by Tan Hoang NguyenA View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood--as a sexual position, a social alliance, an affective bond, and an aesthetic form--has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.
The View From the Bridge: Memories of Star Trek and a Life in Hollywood
by Nicholas MeyerThe critically acclaimed director and writer shares his account of the making of the three classic Star Trek filmsThe View from the Bridge is Nicholas Meyer's enormously entertaining account of his involvement with the Star Trek films: STII: The Wrath of Khan, STIV: The Voyage Home, and STVI: The Undiscovered Country, as well as his illustrious career in the movie business. The man best known for bringing together Sherlock Holmes and Sigmund Freud in The Seven Per-Cent Solution had ironically never been interested in Star Trek until he was brought on board to save the film series. Meyer shares how he created the script for The Wrath of Khan, the most revered Star Trek film of all, in twelve days-only to have William Shatner proclaim he hated it. He reveals the death threats he received when word got out that Spock would be killed, and finally answers the long-pondered question of whether Khan's chiseled chest is truly that of Ricardo Montalban. Meyer's reminiscences on everyone from Gene Roddenberry to Laurence Olivier will appeal not only to the countless legions of Trekkies, but to anyone fascinated by the inner workings of Hollywood.
The View from the Cheap Seats: Selected Nonfiction
by Neil GaimanThe View from the Cheap Seats draws together myriad non-fiction writing by international phenomenon and Sunday Times bestselling author Neil Gaiman. From Make Good Art, the speech that went viral, to pieces on artists and legends including Terry Pratchett and Lou Reed, the collection offers a glimpse into the head and heart of one of the most acclaimed writers of our time.'If this book came to you during a despairing night, by dawn, you would believe in ideas and hope and humans again' Caitlin Moran'Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation' This collection will draw you in to exchanges on making good art and Syrian refugees, the power of a single word and playing the kazoo with Stephen King, writing about books, comics and the imagination of friends, being sad at the Oscars and telling lies for a living. Here Neil Gaiman opens our minds to the people he admires and the things he believes might just mean something - and welcomes us to the conversation too.
The View from the Cheap Seats: Selected Nonfiction
by Neil GaimanThe View from the Cheap Seats draws together myriad non-fiction writing by international phenomenon and Sunday Times bestselling author Neil Gaiman. From Make Good Art, the speech that went viral, to pieces on artists and legends including Terry Pratchett and Lou Reed, the collection offers a glimpse into the head and heart of one of the most acclaimed writers of our time.'Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation'Welcome to the conversation. Neil Gaiman fled the land of journalism to find truths through storytelling and sanctuary in not needing to get all the facts right. Of course, the real world continued to make up its own stories around him, and he has responded over the years with a wealth of ideas and introductions, dreams and speeches. Here 'we can meet the writer full on' (Stephen Fry) as he opens our minds to the people he admires and the things he believes might just mean something - and makes room for us to join the conversation too.(P)2016 HarperCollins Digital
The View From The Studio Door
by Ted OrlandIn the perennial best-seller Art & Fear, Ted Orland (with David Bayles) examined the obstacles that artists encounter each time they enter their studio and stand before a new blank canvas. Now, in The View From The Studio Door, Orland turns his attention to broader issues that stand to either side of that artistic moment of truth.In a text marked by grace, brevity and humor, Orland argues that when it comes to art making, theory and practice are always intertwined. There are timeless philosophical questions (How do we make sense of the world?) that address the very nature of art making, as well as gritty real-world questions (Is there art after graduation?) that artists encounter the moment they're off the starting blocks and producing work on a regular basis.Simply put, this is a book of practical philosophy. As a teacher and working artist himself, Orland brings authentic insight and encouragement to all those who face the challenge of making art in an uncertain world. The breadth of material covered is reflected in chapters that include Making Sense of the World, Art & Society, The Education of the Artist, Surviving Graduation, Making Art That Matters, The Artistic Community, and more.The View From The Studio Door is the perfect companion piece to Art & Fear, and will appeal to a similar (and already-established) audience of students, working artists, teachers and professionals. For students' benefit, The View is also modestly priced, with wide page margins for easy note-taking and annotation.
The View From The Train
by Patrick Keiller"Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Now, in this brilliant collection of essays, he offers a new perspective on how Britain works and sees itself. He discusses the background to his work and its development - from surrealism to post-2008 economic catastrophe - and expands on what the films reveal. Referencing writers including Benjamin and Lefebvre, the essays follow his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain.From the Hardcover edition.
A View of Venice: Portrait of a Renaissance City
by Kristin Love Huffman, EditorJacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world.Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon
The Viewer as Poet: The Renaissance Response to Art
by Norman E. LandThis is a book on Renaissance aesthetics. Renaissance art lovers comment on the famous works of art of their time.
Viewers Like You: How Public TV Failed the People
by Laurie OuelletteHow "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Viewers Like You: How Public TV Failed the People
by Laurie OulletteHow "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Viewfinder: A Memoir of Seeing and Being Seen
by Jeremy McCarter Jon M. ChuFrom visionary director Jon M. Chu comes a powerful, inspiring memoir of belonging, creativity, and learning to see who you really are.&“A must-read for aspiring artists and dreamers of all kinds.&”—Ava DuVernayLong before he directed Wicked, In The Heights, or the groundbreaking film Crazy Rich Asians, Jon M. Chu was a movie-obsessed first-generation Chinese American, helping at his parents&’ Chinese restaurant in Silicon Valley and forever facing the cultural identity crisis endemic to children of immigrants. Growing up on the cutting edge of twenty-first-century technology gave Chu the tools he needed to make his mark at USC film school, and to be discovered by Steven Spielberg, but he soon found himself struggling to understand who he was. In this book, for the first time, Chu turns the lens on his own life and work, telling the universal story of questioning what it means when your dreams collide with your circumstances, and showing how it&’s possible to succeed even when the world changes beyond all recognition. With striking candor and unrivaled insights, Chu offers a firsthand account of the collision of Silicon Valley and Hollywood—what it&’s been like to watch his old world shatter and reshape his new one. Ultimately, Viewfinder is about reckoning with your own story, becoming your most creative self, and finding a path all your own.
Viewing America
by Christopher BigsbySomething has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama.
Viewing Art with Babies: First Encounters (Routledge Guides to Practice in Museums, Galleries and Heritage)
by Kathy Danko-McGheeViewing Art with Babies demonstrates how to facilitate quality art viewing experiences with babies from as young as 2 months old. Such experiences can help to nurture early literacy and receptive language skills, sensory stimulation, and early brain development. Based on the author’s research with babies in New Zealand, Australia, Romania, England, and the U.S., the book provides the reader with information about early brain, vision, sensory and language development, and the aesthetic preferences of babies. Danko-McGhee provides details about the type of art that babies like, how to display art in the learning environment, and how to interact with a baby when viewing art. Case studies of international museums, national museums, and community agencies that have had success with engaging babies in art viewing experiences have been included in the book as a way of demonstrating how theory and research can be successfully put into practice. Viewing Art with Babies details practical ways through which museum practitioners, early childhood and community educators, and parents can provide artviewing experiences in the museum, early childhood classroom or even their own home. It will be of interest to practitioners and parents around the world, and those engaged in the study of museum education.
Viewing Inscriptions in the Late Antique and Medieval World
by Antony EastmondInscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.
Viewing Photography in Post-Dictatorship Latin America: Visual Interruptions, 1997-2016
by David RojinskyThis book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.
Viewing Velocities: Time in Contemporary Art
by Marcus VerhagenContemporary art and the culture of speedHow have artists responded to our market-driven, tech-enabled culture of speed? Viewing Velocities explores a contemporary art scene caught in the gears of 24/7 capitalism. It looks at artists who embrace the high-octane experience economy and others who are closer to the slow movement. Some of the most compelling artworks addressing the cadences of contemporary work and leisure play on distinct, even contradictory conceptions of time. From Danh Vo's relics to Moyra Davey's photographs of dust-covered belongings, from Roman Ondak's queuing performers and Susan Hiller's outdoor sleepers to Maria Eichhorn's art strike and Ruth Ewan's giant reconstruction of the French revolutionary calendar, artists have drawn out aspects of the present temporal order that are familiar to the point of near-invisibility, while outlining other, more liberating ways of conceiving, organising and experiencing time.Marcus Verhagen builds on the work of theorists Jonathan Crary, Hartmut Rosa and Jacques Rancière to trace lines of insurgent art that recast struggles over time and history in novel and revealing terms.
ViewPoint: Human stories through the smartphone lens
by Jo BradfordInternational in scope and full of beautiful and impactful imagery that highlights the immediacy of the genre, View/Point is a book of human experience stories as told through the medium of phone photography. Featuring more than 50 contributors from every corner of the globe, interviewed by the author about their lives and their photographic art, this book offers a definitive take on both the power of the still image to tell a story and the joy of personal expression that phone photography offers.
ViewPoint: Human stories through the smartphone lens
by Jo BradfordInternational in scope and full of beautiful and impactful imagery that highlights the immediacy of the genre, View/Point is a book of human experience stories as told through the medium of phone photography. Featuring more than 50 contributors from every corner of the globe, interviewed by the author about their lives and their photographic art, this book offers a definitive take on both the power of the still image to tell a story and the joy of personal expression that phone photography offers.
Viewpoints: Mathematical Perspective and Fractal Geometry in Art
by Marc Frantz Annalisa CrannellAn undergraduate textbook devoted exclusively to relationships between mathematics and art, Viewpoints is ideally suited for math-for-liberal-arts courses and mathematics courses for fine arts majors. The textbook contains a wide variety of classroom-tested activities and problems, a series of essays by contemporary artists written especially for the book, and a plethora of pedagogical and learning opportunities for instructors and students. Viewpoints focuses on two mathematical areas: perspective related to drawing man-made forms and fractal geometry related to drawing natural forms. Investigating facets of the three-dimensional world in order to understand mathematical concepts behind the art, the textbook explores art topics including comic, anamorphic, and classical art, as well as photography, while presenting such mathematical ideas as proportion, ratio, self-similarity, exponents, and logarithms. Straightforward problems and rewarding solutions empower students to make accurate, sophisticated drawings. Personal essays and short biographies by contemporary artists are interspersed between chapters and are accompanied by images of their work. These fine artists--who include mathematicians and scientists--examine how mathematics influences their art. Accessible to students of all levels, Viewpoints encourages experimentation and collaboration, and captures the essence of artistic and mathematical creation and discovery. Classroom-tested activities and problem solving Accessible problems that move beyond regular art school curriculum Multiple solutions of varying difficulty and applicability Appropriate for students of all mathematics and art levels Original and exclusive essays by contemporary artists Forthcoming: Instructor's manual (available only to teachers)
The Viewpoints Book
by Tina Landau Anne BogartThe Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with--space and time--into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.The Viewpoints are a set of names given to certain principles of movement through time and space--they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form.Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life.Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice's Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz.Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.
Views of Mt. Fuji: One Hundred Views Of Mt. Fuji
by Katsushika HokusaiKatsushika Hokusai was among the foremost ukiyo-e artists of his generation, and his Thirty-six Views of Mt. Fuji ranks among the best-known series of Japanese woodblock prints. This edition presents a full-color reprint of that enduring masterpiece, plus the artist's later black-and-white series, One Hundred Views of Mt. Fuji. A must for all lovers of Japanese art.
Views of Violence: Representing the Second World War in German and European Museums and Memorials (Spektrum: Publications of the German Studies Association #19)
by Jörg Echternkamp Stephan JaegerTwenty-first-century views of historical violence have been immeasurably influenced by cultural representations of the Second World War. Within Europe, one of the key sites for such representation has been the vast array of museums and memorials that reflect contemporary ideas of war, the roles of soldiers and civilians, and the self-perception of those who remember. This volume takes a historical perspective on museums covering the Second World War and explores how these institutions came to define political contexts and cultures of public memory in Germany, across Europe, and throughout the world.
Vigil
by Morris PanychA man returns after thirty years to sit with a relative on her deathbed. Kemp's problem is: she's not dying fast enough. Through Kemp's own errors and inattentiveness, the visit that he thinks will take a day or two stretches into a year. A play of mistaken identity, twisted circumstance, and surprising turns, this is one Vigil worth keeping.
Viking Art (World of Art)
by James Graham-CampbellThe Viking Age in Europe lasted from the time of the first major Viking expeditions in 800 CE to the widespread adoption of Christianity in Scandinavia some 300 years later. During that time, Viking art and culture spread across continental Europe and into the world beyond. Written by a leading authority on the subject, this book introduces readers to the intricate objects and beautiful art styles that developed during the Viking Age.
Viking Heritage and History in Europe: Practices and Re-creations (Critical Heritages of Europe)
by Sara Ellis Nilsson Stefan NyzellViking Heritage and History in Europe presents new research and perspectives on the use of the Vikings in public history, especially in relation to museums, re-creation, and re-enactment in a European context.Taking a critical heritage approach, the volume provides new insights into the re-creation of history, imagining the past, interpretation, ambivalence of authenticity, authority of History, remembrance and memory, medievalism, and public history. Highlighting the complexity of the field of public history today, the fourteen chapters all engage with questions of historical authenticity and authority. The volume also critically examines the public’s reception, engagement with, and interpretation of the Viking Age and the concepts of who these individuals were. Each chapter illuminates an aspect of these themes in relation to museums, leisure activities, politics, tourism, re-enactment, and popular culture – all from the vantage point of Viking cultural heritage.Viking Heritage and History in Europe is one of the first volumes to examine the use and role of the Vikings within the field of public history, both past and present. The book will be of interest to those engaged in the study of heritage, public history, history, the Vikings, vikingism, medievalism, and media history.