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Victorian London Street Life in Historic Photographs
by John ThomsonClassic document of social realism contains 37 photographs by famed Victorian photographer John Thomson, accompanied by individual essays -- by Thomson himself or social activist Adolphe Smith -- that offer sharply drawn vignettes of lower-class laborers, dustmen, street musicians, shoe blacks, and other street people. A treasure trove of astonishing historical detail.
Victorian Material Culture
by Kate Nichols Tatiana Kontou Victoria MillsFrom chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. This volume on ‘Victorian Arts’ will include sources on painting sculpture, book illustration, photography and the much-neglected area of Victorian stained glass.
Victorian Ornamental Plasterwork Designs (Dover Pictorial Archive)
by Wilhelm SteinhauserHandsome treasury of more than 320 elegant images for use — royalty-free — by today's artists, illustrators, and anyone interested in the interior decor of bygone days. Includes a wealth of floral and foliated sprays, frames and borders of intricate scrollwork, elaborate wall plaques, ceiling roses, cornices and friezes; and much more.
Victorian Pantomime: A Collection of Critical Essays
by Jim DavisFeaturing contributions by new and established nineteenth-century theatre scholars, this collection of critical essays is the first of its kind devoted solely to Victorian pantomime. It takes us through the various manifestations of British pantomime in the Victorian period and its ambivalent relationship with Victorian values.
Victorian Patterns and Designs for Artists and Designers (Dover Pictorial Archive)
by Carol Belanger GraftonOver 150 patterns selected from rare 19th-century publications. Florals, foliates, geometrics, and many other motifs ready to add period flavor to almost any project. Indispensable for textile, package and graphic designers, artists, craftspeople, many more.
Victorian Patterns and Designs in Full Color (Dover Pictorial Archive)
by G. A. AudsleyThe last and one of the most important of the great chromolithographic collections of the Victorian era, this magnificent volume first appeared in 1892. Spans a wide spectrum of ornamental styles: Greek moldings and pilaster designs; medieval roof ornamentation, "masonry" patterns; Renaissance coffer and panel ornamentation; Japanese fret bands; and more.
Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past (Photography, History: History, Photography)
by Jennifer Green-LewisInvented during a period of anxiety about the ability of human memory to cope with the demands of expanding knowledge, photography not only changed the way the Victorians saw the world, but also provided them with a new sense of connection with the past and a developing language with which to describe it. Analysing a broad range of texts by inventors, cultural critics, photographers, and novelists, Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past argues that Victorian photography ultimately defined the concept of memory for generations to come –including our own. In addition to being invaluable for scholars working within the emerging field of research at the intersection of photographic and literary studies, this book will also be of interest to students of Victorian and modernist literature, visual culture and intellectual history.
Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself
by Sarah A. ChrismanOn Sarah A. Chrisman's twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset--ever. She'd heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment--not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman--and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself
by Sarah A. Chrisman Sue LeanOn Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset?ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment?not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman?and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
Victorian Sourcebook of Medieval Decoration: With 166 Full-Color Designs (Dover Pictorial Archive)
by W. Audsley G. AudsleyCompiled by two noted British architects and designers, this magnificent volume was intended to provide Victorian artists and crafters with a rich source of ornamentation adapted from the decoration of medieval buildings.Meticulously reproduced motifs from rare 1882 edition, this volume contains all the original 166 full-color designs as well as the informative introduction and notes on the original plates. Among the designs are elaborate and richly colored diaper patterns, medallions for ornamental devices, pillars and arch moldings, bands and borders, floral and foliated designs, alphabets, illuminated initials, and much more. As in Victorian England, today's artists, designers, and crafters will find these beautiful royalty-free designs ideal for visual inspiration or immediate practical use. Students, art historians, and lovers of fine design will also welcome this collection for its splendid examples of medieval artistry.
Victorian Spectacular Theatre 1850-1910 (Routledge Library Editions: Victorian Theatre #3)
by Michael R. BoothOriginally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.
Victorian Surfaces in Nineteenth-Century Literature and Culture: Skin, Silk, and Show (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Sibylle Baumbach Ulla RatheiserThis volume explores the politics and poetics of Victorian surfaces in their manifold manifestations. In so doing, it examines various cultural products ‘as they are’ and highlights the art of surface composition in the Victorian era as well as the socio-cultural ramifications of the preoccupation with the exterior. By closely reading the various surfaces materialising in Victorian literature and culture, the individual contributions explore the dialectics of surface and depth in Victorian (and Neo-Victorian) cultures as well as the legibility of surfaces. They look into the surfaces of literary narratives, paintings, and film but also into natural surfaces such as skin or bark. Each chapter foregrounds what is present rather than absent in a text, while also paying attention to the surfaces that become manifest on the diegetic level of the text, be they cloth, landscapes, or human bodies or faces.This is an open access book.
Victorian Theatrical Burlesques (Routledge Library Editions: The Victorian World)
by Richard W. SchochFirst published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.
Victorian Vocalists
by Kurt GanzlVictorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt Gänzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.
Victorian Wooden and Brick Houses with Details
by Co. A. J. BicknellThis vintage volume offers a treasure trove of floor plans, elevations, and details of residences and public buildings. Artists, architects, and historians alike will find it an endless source of inspiration.Featured buildings include villas, cottages, and farm houses as well as churches, schools, banks, and many other structures. Eighty-one remarkably detailed illustrations capture the elaborate, distinctive beauty of Victorian-era cornices, staircases, gables, verandas, doors, dormers, and other architectural elements. In addition, a fascinating "Specifications" section highlights construction guidelines for masons, bricklayers, and carpenters.
Victorian Woodturnings and Woodwork (Dover Architecture)
by Blumer Kuhn Stair Co.Reproduced from a rare original, this 1893 catalog offers nearly 800 detailed and authentic illustrations of superior-quality woodturnings and woodwork. In addition to its conventional examples, it features varied and unusual models of the Victorian style, including stairs, stair railings and balusters, and newel posts; mantels; turned porch and veranda work; gables and window hoods; ventilators; rosettes and other wooden ornaments; and moldings and interior finish.An excellent guide for woodturners and cabinetmakers, this volume also provides an inspiring and instructive resource for architects, preservationists, designers, and students of Victoriana.
Victorian Writers and the Stage
by Richard PearsonThis book comprises a study of the plays of Dickens, Browning, Wilkie Collins and Tennyson, alongside the fiction and periodical writings of Thackeray and others. These major Victorian writers authored several professional plays, but why has their achievement been overlooked? Victorian Writers and the Stage brings together comprehensively, for the first time, the professionally performed plays of a group of well-known authors – some of which plays enjoyed long and successful seasons,but all of which have been largely forgotten. The author examines the goal of these writers to become part of an expanding theatrical industry and the problems they encountered in risking their reputations on a literature felt by many to be vulgar and illegitimate. A wealth of new detail carefully positions the plays within the context of the changing Victorian theatre industry and the great battle between the Major and Minor theatres for the future of the modern stage.
Victorian and Edwardian Fashion: A Photographic Survey
by Alison GernsheimA noted photohistorian documents bonnets, capes, frock coats, caps, shawls, bodices, and crinolines as people actually wore them from 1840 through 1914. More than 200 photos depict aristocrats and the middle class as well as Oscar Wilde, Lillie Langtry, Winston Churchill, Queen Victoria, and others. Commentary and annotations describe and identify the costumes.
Victorian and Edwardian Fashions from "La Mode Illustrée"
by Joanne OlianOver 1,000 illustrations, meticulously reproduced from rare issues of renowned fashion magazine, present a striking array of women's fashions from 1860 to 1914: elegant evening and dinner gowns, stylish daywear, wedding ensembles, bathing costumes, mourning clothes, cycling outfits and much more; plus detailed renderings of shoes, hats, parasols, and other accessories.
Victorians
by Ian Roberts Brian MosesThis book will support children as they: * Write a school report for a Victorian pupil * Compile the biography of a real-life circus performer- "The Human Canon Ball" * Produce a letter to complain about the after-effects of the Victorian remedy carbolic smoke balls!
Victorians (Creative History Activity Packs Ser.)
by Jane BowerThe innovative Creative History Activity Packs series is designed to help teachers bring history topics to life through imaginative creative arts activities. Each pack includes ten laminated, double-sided cards, printed in full color. Each card describes in detail activities that recreate aspects of life in a particular historical period, using art, drama and dance. Each activity is based on historically researched authentic practices of the time. Ideal for whole class or small group sessions, the packs are an inspiration for busy teachers looking for new ways to approach project work at Key Stage 2 - and are easily applicable for Key Stage 1 classes. Victorian activities in this pack include making decorative objects - penwipers, fans, cornucopias - based on original Victorian patterns; sewing samplers; making miniature gardens; original Victorian parlor games based on both wordplay and physical activity; and an upstairs/downstairs drama.
Victorians on Screen: The Nineteenth Century on British Television, 1994-2005
by Iris Kleinecke-BatesVictorians on Screen investigates the representation of the Victorian age on British television from the mid-1990s to the mid-2000s. Structured around key areas of enquiry specific to British television, it avoids a narrow focus on genre by instead taking a thematic approach and exploring notions of authenticity, realism and identity.
Victory Township (Images of America)
by Dr William AndersonFounded two years after the end of the Civil War, the township's name heralded the Union victory. Blanketed with a variety of hardwoods and some white pine stands of timber, Victory Township was an untamed wilderness when the first settlers arrived. The first pioneers homesteaded in the southwest corner of the township near the Lincoln River. Soon the community of Victory Corners began to emerge and with its growth, aspiration to become the seat of government for Mason County. Until the railroad came to Ludington, this settlement was a legitimate contender. Immigrants, particularly Scandinavians, constituted a larger and next wave of settlers. These new residents tended to cluster, given their common culture and relationships. The Danish settlement became one of the most recognized places in the township. Farming became a way of life while ethnicity gave way to Americanization and Victory Township developed a strong sense of community. This illustrated history extends through the end of World War II when the boys came home and the forces of industrial growth reshaped the rural landscape. Each community had its unique character, yet this township is reflective of the experiences of many rural people in the Midwest.
Victory: 100-gun First Rate 1765 (ShipCraft #29)
by Kerry JangThe ‘ShipCraft’ series provides in-depth information about building and modifying model kits of famous warships. Previously, these have generally covered plastic and resin models of 20th century subjects, but this volume is a radical departure – not only a period sailing ship but one for which kits are available in many different materials and scales. This requires some changes to the standard approach, but the main features of the series remain constant. Victory, Nelson’s flagship at Trafalgar, is probably the world’s most famous sailing warship, and survives in restored form at Portsmouth. With lavish illustration, this book takes the modeller through a brief history of the ship, highlighting differences in appearance over her long career. Detailed color profiles reveal decorative detail and changes to paint schemes over 250 years, and outline some of the debatable features experts still disagree about. The modelling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing, and provides hints on modifying and improving the basic kit, including the complexities of rigging. This is followed by an extensive photographic gallery of selected high-quality models in a variety of scales, and coverage concludes with a section on research references – books, monographs, large-scale plans and relevant websites. Following the pattern of the series, this book provides an unparalleled level of visual information – paint schemes, models, line drawings and photographs – and is simply the best reference for anyone setting out to model this imposing three-decker.
Vida imaginaria
by Natalia GinzburgGINZBURG INÉDITA Un libro icónico de una «maestra en la elección de las palabras» (El País), admirada por Elena Ferrante, Italo Calvino y Rachel Cusk: una mezcla perfecta de ensayo y autobiografía. Todo lo queNatalia Ginzburg evoca y describe sucede en nosotros como por primera vez, pero perdura para siempre. En Vida imaginaria, quizá su obra menos conocida, pero al mismo tiempo la más versátil y combativa, publicada en 1974 e inédita en castellano, la autora aborda, entre otros asuntos, la condición de la mujer y el feminismo, la infancia y las incertidumbres de la edad adulta o la debilidad de nuestras democracias. También retrata a algunos escritores muy queridos por ella, como Italo Calvino, Elsa Morante o Cesare Pavese, y nos habla de películas y de directores (Fellini, Bergman) cuyo arte supo reconocer desde el principio. Con su discreta contundencia y su voz única, Ginzburg participa, a través de cada uno de estos treinta textos, en la vida de hoy, de un hoy que data de hace medio siglo pero que el lector traslada con naturalidad al aquí y al ahora y a los dilemas estéticos, morales y políticos a los que nos seguimos enfrentando. Este libro ha recibido una subvención a la traducción por parte delCentro per il Libro e la Lettura del Ministero della Cultura italiano. La crítica ha dicho:«Vida imaginaria muestra su soledad, dureza, dulzura, severidad, impulsividad, lucidez. Sus páginas resonarán en la memoria como un amigo al que hemos reencontrado».Annalena Benini, Il Foglio «Vida imaginaria podría leerse como una novela o como una autobiografía colectiva y plural».Maria Rizzarelli, Doppiozero«Humilde y lúcida, transparente y precisa, una maestra en la elección de las palabras».Íñigo Domínguez, El País «El empleo de la primera persona en Natalia es algo más que un recurso narrativo: es la forma de expresar una relación con el mundo, una relación directa, nunca psicologizada, nunca intelectualizada, nunca poetizada. El secreto de la sencillez de Natalia reside aquí».Italo Calvino, La Stampa«Natalia Ginzburg, cuando escribe, se muestra segura; no titubea, no retrocede, no necesita aparentar afectación ni artificio. Sus palabras, más que sencillas, son exactas».Nadia Terranova, Tutto Libri«Siempre coloquial, llena de acentos emocionales [...] la voz de Ginzburg rompía los moldes, iba directa al corazón del juicio crítico. Ni perífrasis ni elogios formales. Solo lo que su inteligencia dictaba. [...] Sus palabras eran siempre de una luminosa precisión, [...] directas, incisivas como un bisturí».Giulia Alberico, L’Osservatore Romano«Qué placer, qué sorpresa el descubrimiento tardío de las obras maestras de Natalia Ginzburg, no solo de ficción, sino también de no ficción».Pierluigi Battista, Huffington Post «Este libro la acerca a figuras como Simone Weil o Anna Maria Ortese».Treccani