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Voice Acting For Dummies
by David Ciccarelli Stephanie CiccarelliMake a career out of your voice? Easy.Voice acting is like acting, but just using your voice! It's a unique career where the actor's voice can be heard worldwide-in commercials, on audiobooks, in animated movies, documentaries, online videos, telephone systems and much, much more. The point is to bring the written word to life with the human voice.With step-by-step explanations and an abundance of examples, Voice Acting For Dummies is the ultimate reference for budding voice actors on auditioning, recording, producing voice-overs, and promoting themselves as a voice actor.Creating a voice acting demoFinding your signature voiceInterpreting scriptsUsing audio editing softwarePromoting your voice acting talentsIf you're an aspiring voice actor or an actor or singer considering a career transition, Voice Acting For Dummies has everything you need to let your voice talents soar.
Voice Lessons: A Sisters Story
by Cara Mentzel Idina MenzelVoice Lessons is the story of one younger sister growing up in the shadow of a larger-than-life older sister—looking up to her, wondering how they were alike and how they were different and, ultimately, learning how to live her own life and speak in her own voice on her own terms. As Cara Mentzel, studied, explored, married, gave birth (twice) and eventually became an elementary school teacher, she watched her sister, Idina Menzel, from the wings and gives readers a front row seat to opening night of Rent and Wicked, a seat at the Tonys, and a place on the red carpet when her sister taught millions more, as the voice of Queen Elsa in the animated musical Frozen, to “Let It Go.” Voice Lessons is the story of sisters—sisters with pig tails, sisters with boyfriends and broken hearts, sisters as mothers and aunts, sisters as teachers and ice-queens, sisters as allies and confidantes. As Cara puts it, “My big sister is Tony-Award-Winning, Gravity-Defying, Let-It-Go-Singing Idina Menzel who has received top billing on Broadway marquees, who has performed for Barbra Streisand and President Obama, at the Super Bowl and at the Academy Awards. The world knows her as 'Idina Menzel', but I call her 'Dee'.” Voice Lessons is their story.
Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
by Rafael Lopez-BarrantesVoice Made Visible is an exploration of voice training and performance practice based on the use and application of Multi-Octave Vocal Range techniques. "Multi-Octave" is understood as the arsenal of sounds that exists uniquely within each human voice, beyond the comfortable average octave that we use in everyday life. In Voice Made Visible, Rafael Lopez-Barrantes builds on the voice work created by Alfred Wolfsohn and developed by Roy Hart and his company in France to assist students, artists, and those interested in the performing arts with their vocal practice. He draws from over three decades of multi-cultural performance and teaching, sharing the three fundamental pillars of his system: Fiction, News, and Body Source. This book will help readers unfold their understanding of the voice by strengthening it and inspire them to create new vocal paths for the stage, camera, and voice acting, as well as for their own personal expressive growth. Voice Made Visible is an invaluable resource for students of Acting and Voice courses, as well as working performing artists. For supplemental material, including pedagogical audio-visual clips, please visit www.barrantesvoicesystem.com.
Voice Studies: Critical Approaches to Process, Performance and Experience (Routledge Voice Studies)
by Konstantinos Thomaidis Ben MacphersonVoice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including: voice training from the Alexander Technique to practice-as-research; operatic and extended voices in early baroque and contemporary underwater singing; voices across cultures, from site-specific choral performance in Kentish mines and Australian sound art, to the laments of Kraho Indians, Korean pansori and Javanese wayang; voice, embodiment and gender in Robertson’s 1798 production of Phantasmagoria, Cathy Berberian radio show, and Romeo Castellucci’s theatre; perceiving voice as a composer, listener, or as eavesdropper; voice, technology and mobile apps. With contributions spanning six continents, the volume considers the processes of teaching or writing for voice, the performance of voice in theatre, live art, music, and on recordings, and the experience of voice in acoustic perception and research. It concludes with a multifaceted series of short provocations that simply revisit the core question of the whole volume: what is voice studies?
Voice User Interface Design: Moving From Gui To Mixed Modal Interaction
by Ritwik DasguptaDesign and implement voice user interfaces. This guide to VUI helps you make decisions as you deal with the challenges of moving from a GUI world to mixed-modal interactions with GUI and VUI. The way we interact with devices is changing rapidly and this book gives you a close view across major companies via real-world applications and case studies.Voice User Interface Design provides an explanation of the principles of VUI design. The book covers the design phase, with clear explanations and demonstrations of each design principle through examples of multi-modal interactions (GUI plus VUI) and how they differ from pure VUI. The book also differentiates principles of VUI related to chat-based bot interaction models. By the end of the book you will have a vision of the future, imagining new user-oriented scenarios and new avenues, which until now were untouched.What You'll LearnImplement and adhere to each design principleUnderstand how VUI differs from other interaction modelsWork in the current VUI landscapeWho This Book Is ForInteraction designers, entrepreneurs, tech enthusiasts, thought leaders, and AI enthusiasts interested in the future of user experience/interaction, designing high-quality VUI, and product decision making
Voice and Speech in the Theatre (Stage And Costume Ser.)
by Malcolm Morrison J. Clifford TurnerThis is a classic book on voice and speech, designed for actors at all levels. One of the great voice teachers of his day, J. Clifford Turner here uses simple and direct language to impart the necessary technical 'basics' of speech and voice.
Voice and Vision
by Mick Hurbis-CherrierVoice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice" sidebars throughout connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.
Voice as Art: From Theatre to Forensics (Routledge Voice Studies)
by Richard CouzinsVoice as Art considers how artists have used human voices since they became reproducible and entered art discourse in the twentieth century. The discussion embeds artworks using voices within historical and theoretical contexts in a comparative overview arguing that reproduction caused increased creativity moving from acting to creating phonic materials framed by phenomenological deep listening by early video and performance to the plurality and sampling of postmodernism and the multiple angles of contemporary forensic listening. This change is an example of how artistic practice reveals the ideologies of listening. Using a range of examples from Hugo Ball, Martha Rosler, Vito Acconci, Bruce Nauman, Janet Cardiff and Mike Kelley through to contemporary practice by Shilpa Gupta, The Otolith Group and Elizabeth Price, the voice is tracked through modernism and postmodernism to posthumanism in relation to speaking subjects, sculptural objects, documents, dramaturgical utterance, forensic evidence, verbatim techniques and embodied listening. This book gives artists, researchers and art audiences ways to understand how voices exist in between theoretical discourses, and how with their utterances, artists create new dispositions in space by reworking genres to critique cultural form and meaning. This book will be of great interest to students and practitioners of sound art, visual culture and theatre and performance.
Voice-Over for Animation
by Jean Ann Wright M.J. LalloVoice Over for Animation takes animation and voice-over students and professionals alike through the animated voice-over world. The book provides information, exercises, and advice from professional voice-over artists. Now you can develop your own unique characters, and learn techniques to exercise your own voice gain the versatility you need to compete. You can also learn how to make a professional sounding demo CD, and find work in the field. Author MJ Lallo opened her own studio in 2000. She is a VO artist, director, producer, and casting director, casting from her own VO roster. She teaches VO as well and hires pros in the industry to guest direct. She just cast a video game for DreamWorks and also cast and contributed character reads to a Houghton-Mifflin American history book. The accompanying CD is professionally recorded, and features:1. Improvization in character development 2. Examples of how to make an animation demo from beginning to final product.3. Adapting your characters to animation scripts4. Animation Talent Agent interviews5. Casting Director interviews6. Interviews with Animation Voice-Over Artistsa. Nancy Cartwright (Bart, The Simpsons)b. Cathy Cavadini (Blossom, Power Puff Girls)c. Bill Farmer (Goofy)
Voice-Overs for Podcasting: How to Develop a Career and Make a Profit
by Elaine A. ClarkA Creative Performance Approach to Producing Podcasts that Showcase and Monetize Your Skills, Knowledge, and PersonalityVoice-Overs for Podcasting is exactly what podcasters of all levels need: an essential handbook to create, build, improve, and connect with audiences around the globe. Written by veteran voice-over coach and author, Elaine A. Clark, this book delivers the nuts and bolts of podcasting and elevates it to a new creative level where the voice is the star and the listener is the happy recipient. Clark shows the reader how, in addition to developing knowledge and expertise on their topic, a podcaster&’s emotion, storytelling, content, voice, and performance techniques can hugely impact listeners and reviews. This must-read guide offers a fresh approach for podcasters to perform and deliver the most engaging story that audiences will want to hear, turning a small fan base into millions of subscribers. Chapters cover topics such as: Podcasting stylesEpisode formattingVoice quality and improvementPerformance techniquesTips for overcoming pitfalls and challengesRecording, editing, and equipmentPosting podcastsMonetizingLegal mattersInsider tips and tricksWhat&’s trendingAnd much more practical and creative advice! With Voice-Overs for Podcasting, you&’ll be on your way to creating, improving, and sharing your voice and story with the world.
Voice-Overs: A Practical Guide with CD (Stage And Costume Ser.)
by Bernard Graham ShawVoice-Overs is an insider's guide to voicing radio and television commercials. Bernard Graham Shaw draws upon his nearly 20 years of voice-work experience to teach valuable studio skills and offers practical advice on how to build a voice-over career.
Voice-over Voice Actor: What It's Like Behind The Mic
by Yuri Lowenthal Tara PlattA PEEK INTO THE SECRET WORLD OF THE VOICE ACTOR for those curious, daring or obsessed enough to look....This book offers a comprehensive look at what it takes, what goes on, and what it's like behind the mic from two working pros. In this book, you will discover: * The ins and outs of auditioning * Vocal warm-ups and exercises * Tips for reading copy to maximum effect * Hints to help you stand out * Keys to marketing yourself: demo to agent to job * What to expect when you book the job! Filled with anecdotes from 20 VO professionals (actors, writers, casting, directors, engineers, agents) the book is a fun and comprehensive look inside voice-over.
Voice: Onstage And Off
by Robert Barton Rocco Dal VeraVoice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices.
Voice: Onstage and Off
by Robert Barton Rocco Dal VeraVoice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices. This second edition is extensively illustrated and accompanied by an all-new website, full of audio and text resources, including: extensive teacher guides including sample syllabi, scheduling options, and ways of adapting to varying academic environments and teaching circumstances downloadable forms to help reproduce the book's exercises in the classroom and for students to engage with their own vocal development outside of lessons audio recordings of all exercises featured in the book examples of Voiceover Demos, including both scripts and audio recordings links to useful web resources, for further study. Four mentors - the voice chef, the voice coach, the voice shrink and the voice doctor - are on hand throughout the book and the website to ensure a holistic approach to voice training. The authors also provide an authoritative survey of US and UK vocal training methods, helping readers to make informed choices about their study.
Voice: Onstage and Off
by Robert Barton Rocco Dal VeraThis new and updated edition of Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Revised with the contemporary actor in mind, this fourth edition empowers actors wishing to master their voice as performers. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. Tackling emerging discussions at the intersections of voice and identity, with new content dedicated to voice for trans and non-binary actors, as well as introducing students and practitioners to the anatomical aspects of voice and to auditory awareness, the book equips actors to hone, care for, and define their voice. Among other new features in this fourth edition are coverage of transgender acting and heightened auditory awareness, which bring this established textbook to a modern audience.This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices.Online resources are available for each chapter, including audio examples, additional exercises, and content for instructors.
Voiceovers: Techniques and Tactics for Success
by Janet WilcoxHave you ever been told that you have a great voice? Put it to use in a career as a voiceover actor! Veteran voice-over actor, writer, producer, and teacher Janet Wilcox provides the inside scoop on the industry and personal training to help voice-over hopefuls find work in network promos, commercials, documentaries, books on tape, radio, animated films, and more! This rich resource comes with a CD-ROM featuring vocal exercises and interviews with voice-over actors. Readers will discover a treasure trove of useful information, including:Acting warm-ups Vocal workouts Improv sketches Character work sheets Tips for making demos Sample V.O. scripts Interviews with show biz heavyweights Casting insights Advice on getting professional representation Secrets to finding opportunities in traditional and emerging venues And much more!Voiceovers, Second Edition shows readers how to use that great voice to garner cash and compliments.
Voiceovers: Techniques and Tactics for Success
by Janet WilcoxGo from "You've got a great voice!" to "You're hired!"In Voiceovers, a veteran voice-over actor, writer, producer, and voice-over teacher provides the inside scoop on the industry and gives all the tools needed for personal training. This one-of-a-kind resource includes a CD featuring vocal exercises and exclusive interviews with voice-over actors. A treasure trove of exercises, games, and improv and acting techniques helps readers build their skills. Sample scripts from real ads provide practice, and interviews with agents, casting directors, and producers provide insights that will help new voice-over actors get started and get hired. Tips on making a demo, auditioning, getting an agent, interpreting copy, developing a personal marketing plan, and much more mean that soon that great voice will be bringing in income as well as compliments.* Includes a CD featuring exercises and interviews with voice-over actors* Comprehensive guide to getting into the lucrative voice-over business* Treasure trove of exercises, games, and improv techniques that build skills
Voices and Texts in Early Modern Italian Society
by Brian Richardson Massimo Rospocher Stefano Dall’AglioThis book studies the uses of orality in Italian society, across all classes, from the fifteenth to the seventeenth century, with an emphasis on the interrelationships between oral communication and the written word. The Introduction provides an overview of the topic as a whole and links the chapters together. Part 1 concerns public life in the states of northern, central, and southern Italy. The chapters examine a range of performances that used the spoken word or song: concerted shouts that expressed the feelings of the lower classes and were then recorded in writing; the proclamation of state policy by town criers; songs that gave news of executions; the exercise of power relations in society as recorded in trial records; and diplomatic orations and interactions. Part 2 centres on private entertainments. It considers the practices of the performance of poetry sung in social gatherings and on stage with and without improvisation; the extent to which lyric poets anticipated the singing of their verse and collaborated with composers; performances of comedies given as dinner entertainments for the governing body of republican Florence; and a reading of a prose work in a house in Venice, subsequently made famous through a printed account. Part 3 concerns collective religious practices. Its chapters study sermons in their own right and in relation to written texts, the battle to control spaces for public performance by civic and religious authorities, and singing texts in sacred spaces.
Voices in the Creation of an Indigenous Trinidad and Tobago Theatre
by Patrick BrennanThis book explores how, from the mid-20th century, a new form of theatre emerged in Trinidad and Tobago as its playwrights came to mine the Afro-Creole Trinidadian folk milieu. This book focuses primarily on the period from the 1950s through to the contemporary moment, investigating how Trinidad’s theatrical practitioners developed methodologies that formulated an indigenous theatre. It examines how in its creation, it would distance itself from Western forms as the stage was decolonized, making way for a variety of new forms that mimetically reflect the reality of Trinidad’s Afro-Creole folk. This book establishes a premise on which the terms “folk” and “indigenous” have been shaped by Trinidad’s socio-historical past. It develops an argument that outlines how Trinidad’s African cultural retentions form a central basis on which a theatrical tradition was established.This book traces the historical impetus and driving forces that gave rise to a body of writers for whom the vitally important link between the production of drama and the search for identity in the immediacy of the post-colonial period is established. The book develops a structure that forms three lines of discrete research: folk expression, women, their portrayal and their emergence as theatrical practitioners, and theatrical developments through the decades. These subject areas are examined through the work of a broad body of playwrights. Exploring their theory and praxis, their work is described in terms that exhibit a variety of genres, with tropes that have become indelible resources for theatrical practitioners to draw from. With a theatrical base that extends from popular comedy to avant-garde spiritual works, the theatre is shown to represent a composite entity, one that accommodates a plurality of forms, which, in their summation, express the breadth and depth of Trinidad and Tobago’s theatrical journey, one that is still very much underway.Readers that have an interest in theatre, cultural, gender, post-colonial, or Caribbean studies will enjoy this book.
Voices of Barrington (Voices of America)
by Diane P. KostickOriginally settled by Irish, German, and English pioneers, the Barrington area has a long history of industrious and courageous citizens. In the early 1800s, these settlers laid the foundation for the Barrington of today: a colorful community beloved by residents and visitors. In a tribute to this town's heritage, Voices of Barrington profiles the people who have made-and who continue to make-Barrington a place rich with character and small-town charm. In this collection, the men and women who recount stories of times past and present offer a behind-the-scenes look at how they overcame obstacles and helped to shape their community. Readers discover that the barber down the street also struggled through the Great Depression, and that the brew-pub owner moved entire buildings in order to establish his business. Historic photographs from the Barrington Fire Department, library, daily newspaper, and the contributors' own family collections highlight the stories. The result is an intimate portrait of a typical-and extraordinary-American town.
Voices of Black South Carolina: Legend & Legacy (American Heritage)
by Damon L. FordhamDid you know that eighty-eight years before Rosa Parks's historic protest, a courageous black woman in Charleston kept her seat on a segregated streetcar? What about Robert Smalls, who steered a Confederate warship into Union waters, freeing himself and some of his family, and later served in the South Carolinastate legislature? In this inspiring collection, historian Damon L. Fordham relates story after story of notable black South Carolinians, many of whose contributions to the state's history have not been brought to light until now. From the letters of black soldiers during the Civil War to the impassioned pleas by students of "Munro's School" for their right to an education, these are the voices of protest and dissent, the voices of hope and encouragement and the voices of progress.
Voices of the Chincoteague: Memories of Greenbackville and Franklin City
by Martha A. Burns Linda S. HartsockBeginning around the turn of the 20th century, people flocked to boom towns like Greenbackville and Franklin City on Virginia's remote Chincoteague Bay to cash in on the lucrative oyster trade. Most eventually settled for simple rural lives, living a cash and barter economy, commuting on foot or by boat, always closely tied to the tide and water. From mystery in the marsh to jealous lovers, these accounts of life on the Bay are filled with work boats, crab pots, and saltwater.
Voicetracks: Attuning to Voice in Media and the Arts (Leonardo)
by Norie NeumarkThe affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts.Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us.Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.
Voicing Creation's Praise: Towards a Theology of the Arts
by Jeremy BegbieBegbie's unique background as a classically-trained musician and Cambridge theologian gives him wonderful insight and Spirit-led authority in dealing with this critical cultural topic. Moreover, Begbie breaks free of the Modernist stranglehold on aesthetic philosophy, and presents a refreshing and deeply Christocentric analysis of the relationship between the character and action of God and human creativity.
Voicing the Cinema: Film Music and the Integrated Soundtrack
by Hannah Lewis James BuhlerTheorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell