- Table View
- List View
Barnwell County
by H. Jerry MorrisBarnwell County, an area blessed with sweeping rural landscapes, has played an important role in South Carolina's distinguished history, from its roots in agriculture to its development of the government-owned Savannah River Plant. This visual history celebrates many of the county's small towns, such as Barnwell, Williston, and Blackville, and includesfascinating images of some of the smaller communities. In Barnwell County, you will experience an incredible visual tour of yesteryear, viewing Barnwell County through both photographs and postcards from the turn of the twentieth century to the 1960s. As you thumb through these pages, you will stroll along dusty downtown streets; visit the local train depots; read the time on the vertical sundial located next to the Barnwell Courthouse; explore the facilities of the German Prisoner of War Camp and see some of its inmates hard at work;investigate many of the old, wooden-frame churches scattered throughout the county; sit in on classes in one-room schoolhouses, including many of the African-American schools in the 1930s; watch trucks lumbering along dirt roads and balancing large homes from Dunbarton on their truckbeds; meet a few of Barnwell County's more prominent citizens, such as C.G. Fuller, Representative Sol Blatt, and Senator Edgar Brown; and enjoy a variety of everyday activities, such as hunting, scouting, attending family reunions, or riding in classic automobiles along county roads.
Baroque & Rococo
by Gauvin Alexander BaileyThis new title in the highly regarded Art & Ideas series presents a thorough introduction to the Baroque and Rococo styles. Encompassing architecture, interior design, furniture, ceramics, garden landscaping and theatrical spectaculars, as well as the masterpieces of this prolific period in the Fine Arts, these styles were global and had enormous impact on the history of art. Gauvin Bailey clarifies the essence of the styles and examines their complexities and contradictions, and their applications against the backdrop of seventeenth- and eighteenth-century Europe, Latin America and Asia. With 250 illustrations, well-known sculptures by Bernini, paintings by Caravaggio and Rembrandt, and some of the most famous buildings in the world are set in their creative milieu with succinct analysis and broad clarity. Lesser known examples from across the world demonstrate how the aesthetic trends of the styles were concurrent throughout continents, and enlightens and refreshes the implications of the terms.
Baroque (Icon Editions Ser.)
by John Rupert MartinThis is a nonchronological introduction to Baroque, one of the great periods of European art. John Martin's descriptions of the essential characteristics of the Baroque help one to gain an understanding of the style. His illustrations are informative and he has clearly looked with a fresh eye at the works of art themselves. In addition to the more than 200 illustrations, the volume contains an appendix of translated documents.
Baroque Aesthetics in Contemporary American Horror
by Gabriel Eljaiek-RodríguezThis book traces a trend that has emerged in recent years within the modern panorama of American horror film and television, the concurrent—and often overwhelming—use of multiple stock characters, themes and tropes taken from classics of the genre. American Horror Story, Insidious and The Conjuring are examples of a filmic tendency to address a series of topics and themes so vast that at first glance each taken separately would seem to suffice for individual films or shows. This book explores this trend in its visible connections with American Horror, but also with cultural and artistic movements from outside the US, namely Baroque art and architecture, Asian Horror, and European Horror. It analyzes how these hybrid products are constructed and discusses the socio-political issues that they raise. The repeated and excessive barrage of images, tropes and scenarios from distinct subgenres of iconic horror films come together to make up an aesthetic that is referred to in this book as Baroque Horror. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surprise. Eljaiek-Rodríguez details how American directors and filmmakers construct these narratives using different and sometimes disparate elements that come together to function as a whole, terrifying the audience through their frenetic accumulation of images, tropes and plot twists. The book also addresses some of the effects that these complex films and series have produced both in the panorama of contemporary horror, as well as in how we understand politics in a divisive world that pushes for ideological homogenizations.
Baroque And Rococo Art And Architecture
by Robert NeumanBaroque and Rococo Art and Architecture is the first in-depth history of one of the great periods of Western art, spanning the years 1585 to 1785. The text treats the major media—painting, sculpture, drawings, prints, and architecture—as well as gardens, furniture, tapestries, costume, jewelry, and ceramics, all in terms of their original function and patronage and with emphasis on the social, political and cultural context. Organized by country and medium, the book contains biographies of the leading creative figures of the time, from Caravaggio and Rembrandt to Watteau and Hogarth. Significantly, Professor Neuman offers the fullest account to date of women artists and the representation of women and families in art. Additionally, drawing from recent scholarship, the text explores such fields as Spanish polychrome sculpture and Viceregal American painting. <p><p> Baroque and Rococo Art and Architecture reviews traditional and recent strategies for interpreting artworks. It also traces the dissemination of visual ideas through prints and drawings—the forerunners of today's art reproductions and digital media. In special sections the text raises questions regarding the nature of perception and how artists transfer optical data to the canvas. Artists' techniques, from painting and printmaking to sculpting in marble and casting in bronze, are explained. Analysis of the institutions of art, such as the royal academies, apprenticeship systems, and artists' exhibition rooms, complements an examination of collecting at all levels of society. The book is exceptional in considering issues related to authenticity and the relative value of artworks based on attribution. <p> The illustrations comprise a visual resource of unprecedented quality, with some 450 images reproduced in full color and in a large format that ensures high detail and emphasizes recent conservation efforts. Finally, an extensive glossary introduces seventeenth- and eighteenth-century art terms.
Baroque Antiquity
by Tschudi Victor PlahteWhy were seventeenth-century antiquarians so spectacularly wrong? Even if they knew what ancient monuments looked like, they deliberately distorted the representation of them in print. Deciphering the printed reconstructions of Giacomo Lauro and Athanasius Kircher, this pioneering study uncovers an antiquity born with print culture itself and from the need to accommodate competitive publishers, ambitious patrons and powerful popes. By analysing the elements of fantasy in Lauro and Kircher's archaeological visions, new levels of meaning appear. Instead of being testimonies of failed archaeology, they emerge as complex architectural messages responding to moral, political, and religious issues of the day. This book combines several histories - print, archaeology, and architecture - in the attempt to identify early modern strategies of recovering lost Rome. Many books have been written on antiquity in the Renaissance, but this book defines an antiquity that is particularly Baroque.
Baroque Modernity: An Aesthetics of Theater (Hopkins Studies in Modernism)
by Joseph CermatoriA groundbreaking study on the vital role of baroque theater in shaping modernist philosophy, literature, and performance.Winner, Helen Tartar First Book Subvention AwardBaroque style—with its emphasis on ostentation, adornment, and spectacle—might seem incompatible with the dominant forms of art since the Industrial Revolution, but between 1875 and 1935, European and American modernists connected to the theater became fascinated with it. In Baroque Modernity, Joseph Cermatori argues that the memory of seventeenth-century baroque stages helped produce new forms of theater, space, and experience around the turn of the twentieth century. In response, modern theater helped give rise to the development of the baroque as a modern philosophical idea. The book focuses on avant-gardists whose writing takes place between theory and performance: philosophical theater-makers and theatrical philosophers including Friedrich Nietzsche, Stéphane Mallarmé, Walter Benjamin, and Gertrude Stein. Moving between page and stage, this study tracks the remnants of seventeenth-century theater through modernist aesthetics across an array of otherwise disparate materials, including modern opera, Bertolt Brecht's Epic Theater, poetic tragedies, and miracle plays. By reexamining the twentieth century's engagements with Gianlorenzo Bernini, William Shakespeare, Claudio Monteverdi, Calderón de la Barca, and other seventeenth-century predecessors, the book delineates an enduring tradition of baroque performance. Along the way, Cermatori expands our familiar narratives of "the modern" and traces a history of theatricality that reverberates into the twenty-first century. Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
Baroque Seville: Sacred Art in a Century of Crisis
by Amanda WunderBaroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens.Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization.Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.
Baroque Seville: Sacred Art in a Century of Crisis
by Amanda WunderBaroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens.Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization.Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.
Baroque Visual Rhetoric
by Vernon Hyde MinorIntricate, expressive, given to grandeur and even excess, Baroque art as a style is inseparable from the meanings it seeks to convey. Vernon Hyde Minor's Baroque Visual Rhetoric probes this combination of style and message and - equally importantly - the methodological basis on which the critical art historian comes to establish that meaning.Drawing on a breathtaking range of critical literature, from the German founders of art history as an academic discipline to Heidegger, Derrida, and de Man, Minor considers the issue through a series of Baroque masterpieces: Bernini's Baldacchino in St. Peter's Basilica, the statues in the church of San Giovanni in Laterano, Borromini's church of Sant'Ivo alla Sapienza, Baciccio's frescoes in the church of Il Gesù, the paintings of Philippe de Champaigne, and the Corsini Chapel in San Giovanni in Laterano.
Barra and Zaman: Reading Egyptian Modernity in Shadi Abdel Salam’s The Mummy (Palgrave Studies in Arab Cinema)
by Youssef RakhaBrilliantly introduced by Nezar Andary, this book is a work of creative nonfiction that approaches writing on film in a fresh and provocative way. It draws on academic, literary, and personal material to start a dialogue with the Egyptian filmmaker Shadi Abdel Salam’s The Mummy (1969), tracing the many meanings of Egypt’s postcolonial modernity and touching on Arab, Muslim, and ancient Egyptian identities through watching the film.
Barred for Life: How Black Flag's Iconic Logo Became Punk Rock's Secret Handshake
by Stewart Dean EbersoleCataloging the legacy of the American punk rock pioneers Black Flag, this photo documentary uses stark, contrasting portraits to share the stories of the die-hard fans who wear the iconic four-barred logo tattooed on their skin. From doctors to homeless punks, stories range from the intensely personal to the absurd as each larger-than-life soul mugs for the camera. Adding to the idea that mixed messages can come from one unifying design, each image is highlighted with a personal quotation, a name and bio, and a Black Flag favorites list. Captured during an extensive tour through the United States, Canada, and Western Europe, this collection serves as a visual testimony to the hyper-distilled mythology that the band is more prevalent now than when it was in service, and serves as a soundtrack for those living as self-imposed cultural outsiders. Interviews with former members of the band, tattoo artists, photographers, and other relevant luminaries round out this ethnography and serve to spotlight Black Flag's vicious live performances, forward-thinking work ethic, and indisputable reputation for acting as both champions and destroyers of the punk rock culture that they helped create.
Barrie Kosky on the Contemporary Australian Stage: Affect, Post-Tragedy, Emergency (Routledge Advances in Theatre & Performance Studies)
by Charlotte FarrellThis is the first book-length study of Australian theatre productions by internationally-renowned director, Barrie Kosky. Now a prolific opera director in Europe, Barrie Kosky on the Contemporary Australian Stage accounts for the formative years of Kosky's career in Australia. This book provides in-depth engagements with select productions including The Dybbuk which Kosky directed with Gilgul theatre company in 1991, as well as King Lear (1998), The Lost Echo (2006), and Women of Troy (2008). Using affect theory as a prism through which these works are analysed, the book accounts for the director's particular engagement with – and radical departure from – classical tragedy in contemporary performance: what the book defines as Kosky's 'post-tragedies'. Theatre studies scholars and students, particularly those with interests in affect, contemporary performance, 'director's theatre', and tragedy, will benefit from Barrie Kosky on the Contemporary Australian Stage’s vivid engagement with Kosky's work: a director who has become a singular figure in opera and theatre of international critical acclaim.
Barrie Kosky’s Transnational Theatres (Global Germany in Transnational Dialogues)
by James Phillips John R. SevernThis book, the first of its kind, surveys the career of the renowned Australian-German theatre and opera director Barrie Kosky. Its nine chapters provide multidisciplinary analyses of Barrie Kosky’s working practices and stage productions, from the beginning of his career in Melbourne to his current roles as Head of the Komische Oper Berlin and as a guest director in international demand. Specialists in theatre studies, opera studies, musical theatre studies, aesthetics, and arts administration offer in-depth accounts of Kosky’s unusually wide-ranging engagements with the performing arts – as a director of spoken theatre, operas, musicals, operettas, as an adaptor, a performer, a writer, and an arts manager. Further, this book includes contributions from theatre practitioners with first-hand experience of collaborating with Kosky in the 1990s, who draw on interviews with members of Gilgul, Australia’s first Jewish theatre company, to document this formative period in Kosky’s career. The book investigates the ways in which Kosky has created transnational theatres, through introducing European themes and theatre techniques to his Australian work or through bringing fresh voices to the national dialogue in Germany’s theatre landscape. An appendix contains a timeline and guide to Kosky’s productions to date.
Barrier-Free Design
by James Holmes-SeidleThis book for architects, interior designers, building managers, students, conference organisers looks at first principles to provide the user with the 'tools' to make their own decisions rather than a 'cookbook' approach. It is intended that designs and product information can be taken straight from the manual and inserted into ongoing projects. For the first time the book considers the needs of people with visual, hearing and mental disabilities, who make up the majority of disabled people in the population, alongside those of people with physical mobility disabilities. Practical low cost solutions to retro-fitting existing buildings are discussed, as well as the methods used to assess the suitability of an existing building, and assembling a project to improve access for disabled people. Specific products and designs are illustrated and discussed - with full working technical drawings, and full specification details. These will reduce considerably the research time needed to produce a cost-effective solution that will improve access for disabled people. A perspective of the standards and legislation dealing with access issues in the UK is compared with those in other countries, and the standards mentioned are compared with the realities of practical implementation carried out in 4 years of design in this area.
Barrier-Free Theatre
by Sally BaileyWays to use drama as a tool to teach traditional classroom subjects, such as science, social studies, and language arts, are highlighted, as well as using it for instruction in social interaction and other vital life skills.
Barriers to Sustainable Transport: Institutions, Regulation and Sustainability (Transport, Development and Sustainability Series)
by Roger R. Stough Piet RietveldThe complexity of transportation systems and their negative social and environmental effects are today at the centre of attention. This book focuses on the impact of institutions and regulatory systems on transport systems and travel behaviour. While institutions appear to play an important role in the economic success of many countries, this book considers the extent to which they also support sustainable development.
Barriers to the Broad Dissemination of Creative Works in the Arab World
by Lowell H. Schwartz Todd C. Helmus Dalia Dassa Kaye Nadia OweidatA growing body of creative works by Arab authors and artists counters the intellectual and ideological underpinnings of violent extremism. Unfortunately, many of these works are not widely disseminated, marginalizing the influence of these alternative voices. This monograph examines the barriers to the broad dissemination of such works, with a focus on Arabic literature, and suggests ways to overcome these barriers.
Barrington (Images of America)
by Barrington Preservation SocietyThe story of Barrington, Rhode Island, began in the 1640s with a small outpost on the shores of Narragansett Bay. Despite its total destruction during King Philip’s War in 1675–1676, by 1717, it was incorporated as a town named Barrington after the brother of the governor of Massachusetts. During the 18th century, Barrington grew into a strong agricultural community. In the 1850s, the brickyard became a full-scale industry, and the new railroad accelerated population growth by attracting people seeking a summer resort and others to work in the brickyard, especially Irish and French Canadian immigrants. At the beginning of the 20th century, the Rhode Island Lace Works brought a new wave of Italian families, yet the town remained primarily an agricultural community, combined with oyster culture. Elegant residences sprang up along the shores of the Barrington River and Narragansett Bay, while Maple Avenue became the center of a large Italian community. After World War II, the population exploded and Barrington became the premier bedroom community of Rhode Island due to an outstanding school system, a remarkable housing stock, and excellent recreational and boating opportunities.
Barrington Moore Jr: A Critical Appraisal
by Dennis SmithThis title was first published in 1983. Throughout this present book author states his objective will be to elicit Moore’s approach to the question he regards as central: how may historical knowledge be used by men and women in order to comprehend and master their destiny within the limits of their moral and rational development and the stage of evolution reached by the societies and the global order to which they belong? This study is divided into four parts. In the first part an account of the text of Social Origins will be followed by, on the one hand, an analysis of the political and intellectual context in which it appeared and, on the other hand, a survey of reviews. In the second part attention will be paid to the development of Moore’s theoretical approach. In the third part the major political and historical studies will be analysed. Soviet Politics and Social Origins will be discussed first. In the fourth part Moore’s approach to historical analysis and political theory will be contrasted with those of a number of his contemporaries. Finally, Moore’s work will be related to the concerns of critical theory and the project of ‘restructuring’ social and political theory espoused by Richard Bernstein.
Barrio Urbanism: Chicanos, Planning and American Cities
by David R. DiazThis, the first book on Latinos in America from an urban planning/policy perspective, covers the last century, and includes a substantial historical overview the subject. The authors trace the movement of Latinos (primarily Chicanos) into American cities from Mexico and then describe the problems facing them in those cities. They then show how the planning profession and developers consistently failed to meet their needs due to both poverty and racism. Attention is also paid to the most pressing concerns in Latino barrios during recent times, including environmental degradation and justice, land use policy, and others. The book closes with a consideration of the issues that will face Latinos as they become the nation's largest minority in the 21st century.
Barroco and Other Writings (Cultural Memory in the Present)
by Severo SarduySevero Sarduy was among the most important figures in twentieth-century Latin American fiction and a major representative of the literary tendency to which he gave the name Neobaroque. While most of Sarduy's literary work is available in English, his theoretical writings have largely remained untranslated. This volume—presenting Sarduy's central theoretical contribution, Barroco (1974), alongside other related works—remedies that oversight. Barroco marks a watershed in postwar thought on the Baroque, both in French post-structuralism and in the Latin American context. Sarduy traces a double history, reading events in the history of science alongside developments in the history of art, architecture, and literature. What emerges is a theory of the Baroque as decentering and displacement, as supplement and excess, a theory capacious enough to account for the old European Baroque as well as its queer, Latin American and global futures. In addition to Barroco, this volume includes texts spanning Sarduy's career, from 1960s essays published originally in Tel Quel to late works from the 1980s and '90s. It thus offers a complete picture of Sarduy's thinking on the Baroque.
Barry Le Va: The Aesthetic Aftermath
by Michael MaizelsOf the conceptual artists who began their careers in the 1960s and 1970s—Bruce Nauman, Chris Burden, Vito Acconci, and Mel Bochner among them—Barry Le Va may be the most elusive. As this first study of his work reveals, his rigorously planned art was instigated to mask its creator&’s intentions and methods, presenting itself as an &“aftermath&” of modernism&’s claim to permanency and civil society&’s preferred mode of monumentalism.For Michael Maizels, Le Va&’s work constitutes a particularly productive subject of inquiry because it clearly articulates the interconnection between the avant-garde&’s distrust of autonomous art objects, two decades of social unrest, the emergence of information theory, and lingering notions of scientific objectivity. Barry Le Va: The Aesthetic Aftermath explores how Le Va used such materials as shattered glass, spent bullets, sound recordings, scattered flour, and meat cleavers embedded in a floor to challenge the interlocking assumptions behind blind faith in lasting beauty, just government, and perfectible knowledge. Taking inspiration from popular crime novels as well as contemporary art theory, Le Va charged his viewers to attempt, like detectives at a crime scene, to decipher an order underlying the apparent chaos.Le Va&’s installations were designed to erode not simply the presumed autonomy of the art object but also the economic and political authority of the art establishment. In his concluding chapter, Maizels looks at the more fixed work of the past two decades in which Le Va turned to architectural themes and cast concrete to probe the limits of dynamism and the idea of permanence.
Bartleby and Me: Reflections of an Old Scrivener
by Gay Talese“Literary Legend” (New York) Gay Talese retraces his pioneering career, marked by his fascination with the world's hidden characters.In the concluding act of this "incomparable" (Air Mail) capstone book, Talese introduces readers to one final unforgettable story: the strange and riveting all new tale of Dr. Nicholas Bartha, who blew up his Manhattan brownstone—and himself—rather than relinquish his claim to the American dream.“New York is a city of things unnoticed,” a young reporter named Gay Talese wrote sixty years ago. He would spend the rest of his legendary career defying that statement by celebrating the people most reporters overlooked, understanding that it was through these minor characters that the epic story of New York and America unfolded. Inspired by Herman Melville’s great short story “Bartleby, the Scrivener,” Talese now revisits the unforgettable “nobodies” he has profiled in his celebrated career—from the New York Times’s anonymous obituary writer to Frank Sinatra’s entourage. In the book’s final act, a remarkable piece of original reporting titled “Dr. Bartha’s Brownstone,” Talese presents a new “Bartleby,” an unknown doctor who made his mark on the city one summer day in 2006. Rising within the city of New York are about one million buildings. These include skyscrapers, apartment buildings, bodegas, schools, churches, and homeless shelters. Also spread through the city are more than 19,000 vacant lots, one of which suddenly appeared some years ago—at 34 East 62nd Street, between Madison and Park Avenues—when the unhappy owner of a brownstone at that address blew it up (with himself in it) rather than sell his cherished nineteenth-century high-stoop Neo-Grecian residence in order to pay the court-ordered sum of $4 million to the woman who had divorced him three years earlier. This man was a physician of sixty-six named Nicholas Bartha. On the morning of July 10, 2006, Dr. Bartha filled his building with gas that he had diverted from a pipe in the basement, and then he set off an explosion that reduced the fivestory premises into a fiery heap that would injure ten firefighters and five passersby and damage the interiors of thirteen apartments that stood to the west of the crumbled brownstone.Talese has been obsessed with Dr. Bartha’s story and spent the last seventeen years examining this single 20 x 100 foot New York City building lot, its serpentine past, and the unexpected triumphs and disasters encountered by its residents and owners—an unlikely cast featuring society wannabes, striving immigrants, Gilded Age powerbrokers, Russian financiers, and even a turncoat during the War of Independence—just as he has been obsessed with similar “nobodies” throughout his career. Concise, elegant, tragic, and whimsical, Bartleby and Me is the valedictory work of a master journalist.
Bartlett (Images of America)
by Robert W. DyeSituated in the geographical center of Shelby County, Bartlett is one of the fastest growing communities in the metro Memphis area. Originally known as Union Depot, Bartlett was chartered in 1866 and was renamed in honor of Gabrial Maston Bartlett. Settlers such as Nicholas Gotten, Samuel Bond, John Blackwell, and Gabrial Bartlett helped to lay the foundation for the city so many call home today. From its early farming days through the Civil War and yellow fever, Bartlett has continued to grow and prosper. Voted the best sports town in Tennessee by Sports Illustrated, Bartlett has seen tremendous growth in recent years, yet it has kept the warmth and feel of a small town.