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Bernard Shaw, Automata, Robots, and Artificial Intelligence (Bernard Shaw and His Contemporaries)
by Kay LiThis project is the first to explore how Bernard Shaw intersects constructively with automata, robots and artificial intelligence (AI). Shaw was born in the golden age of the automaton. His Bible on the Life Force and Creative Evolution, Back to Methuselah, was written when Karel and Josef Čapek coined the word “robot.” Shaw’s life ran in parallel with the rise of AI, and the big names in AI were his contemporaries. Moreover, empirical analyses of Shavian texts and images using AI uncovers possibilities for new interpretations, demonstrating how future renditions of his works may make use of these advanced technologies to broaden Shaw’s audience, readership and scholarship.
Bernard Shaw, Paul Ricoeur, and the Jesusian Dialectics of Redemptive Living (Bernard Shaw and His Contemporaries)
by Howard Ira EinsohnThis book explores a heretofore unremarked linkage between Bernard Shaw, the twentieth-century French thinker Paul Ricoeur, and Jesus of Nazareth. The ties that bind them are a foundational interest in the social teachings of the Nazarene and their use of a shared dialectics with respect to living the kind of compassionate life that holds out the promise in our contemporary world of achieving something approximating universal wellness on a healthy planet at peace with itself. This work argues that the three principal subjects of the study—independently of one another—used the same dialectical method to reach the same dialectically derived conclusion about how humans can live redemptively in a fractured world.
Bernard Shaw, Sean O’Casey, and the Dead James Connolly (Bernard Shaw and His Contemporaries)
by Nelson O’Ceallaigh RitschelThis book details the Irish socialistic tracks pursued by Bernard Shaw and Sean O’Casey, mostly after 1916, that were arguably impacted by the executed James Connolly. The historical context is carefully unearthed, stretching from its 1894 roots via W. B. Yeats’ dream of Shaw as a menacing, yet grinning sewing machine, to Shaw’s and O’Casey’s 1928 masterworks. In the process, Shaw’s War Issues for Irishmen, Annajanska, the Bolshevik Empress, The Tragedy of an Elderly Gentleman, Saint Joan, The Intelligent Woman’s Guide to Socialism and Capitalism, and O’Casey’s The Story of the Irish Citizen Army, The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars, and The Silver Tassie are reconsidered, revealing previously undiscovered textures to the masterworks. All of which provides a rethinking, a reconsideration of Ireland’s great drama of the 1920s, as well as furthering the knowledge of Shaw, O’Casey, and Connolly.
Bernard Shaw, W. T. Stead, and the New Journalism
by Nelson O'Ceallaigh RitschelThis book explores Bernard Shaw’s journalism from the mid-1880s through the Great War—a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s journalism, the promoter and abuser of the New Journalism, W. T. Stead, is contrasted to Shaw, as Shaw countered the sensational news copy Stead and his disciples generated. To understand Shaw’s brand of New Journalism, his responses to the popular press’ portrayals of high profile historical crises are examined, while other examples prompting Shaw’s journalism over the period are cited for depth: the 1888 Whitechapel murders, the 1890-91 O’Shea divorce scandal that fell Charles Stewart Parnell, peace crusades within militarism, the catastrophic Titanic sinking, and the Great War. Through Shaw’s journalism that undermined the popular press’ shock efforts that prevented rational thought, Shaw endeavored to promote clear thinking through the immediacy of his critical journalism. Arguably, Shaw saved the free press.
Bernard Shaw: Reimagining Women and Ireland, 1892–1914 (Bernard Shaw and His Contemporaries)
by Audrey McNamaraShaw emerged as a playwright in the politically charged environment of 1892, for both female suffrage and Irish independence. His plays quickly advocated for societal changes with regard to women’s roles, while expanding this advocacy into considerations of Ireland. Shaw’s engagement with marriage and union as a personal contract with nationhood have never before been considered as a methodology with which to view his work. This book demonstrates that Shaw was deeply engaged with and committed to the Irish question and to social and gender issues.
Bernard Shaw’s and Virginia Woolf’s Interior Authors: Censored and Modern (Bernard Shaw and His Contemporaries)
by Lagretta Tallent LenkerVirginia Woolf and Bernard Shaw may be the odd couple of Twentieth Century modernism. Despite their difference in age (Shaw was twenty-six years older than Woolf), and public demeanor - Shaw sought public attention while Woolf shunned the spotlight - they actively held similar convictions on most of the pressing and controversial issues of the day. This book demonstrates that both engaged in social reform through the Fabian Society; both took public anti-war positions and paid dearly for it; both fought British censorship throughout most of their careers as writers; both sought to strengthen women’s rights; and both endeavored to revolutionize their respective art forms, believing that art could bring about positive social change. The main focus of the book, however, concerns how both also created interior authors - characters who write and who either self-censor their own works or highly publicized messages or are censored by their fellow characters. These fictional authors maybe considered reflections of their creators and their respective milieus and serve to illuminate the satisfactions and torments of each famous author during the writing process.
Bernard of Clairvaux: Selected Works
by Bernard Of Clairvaux Jean Leclercq Ewert Cousins G. R. EvansHere are writings of the great medieval spiritual teacher (1090-1153) who was preacher of the Crusades and founder of the Cistercians, with an introduction on the forming of Bernard's spirituality, its character and influence.
Bernini
by Franco MormandoSculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598-1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today. It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando's dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and--with a suitable skepticism--a hagiographic account written by Bernini's son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini's many feuds and love affairs, scandals and sins. He sets Bernini's raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets. The result is a seductively readable biography, stuffed with stories and teeming with life--as wild and unforgettable as Bernini's art. No one who has been bewitched by the Baroque should miss it.
Bernini
by Howard HibbardSculptor and architect Bernini was the virtual creator and greatest exponent of Baroque in 17th century Italy. He has left his greatest mark on Rome where Papal patronage provided him with enormous architectural commissions.
Bernini
by Howard HibbardSculptor and architect Bernini was the virtual creator and greatest exponent of Baroque in 17th century Italy. He has left his greatest mark on Rome where Papal patronage provided him with enormous architectural commissions.
Bernini Ephemeral and Preparatory Sculpture (Routledge Research in Art History)
by Genevieve WarwickTaking up questions of artists’ materials and technical processes currently at the vanguard of art-historical scholarship, this book studies the contiguity and interchange of workshop methods in the linked fabrication of both ephemeral and preparatory works by Bernini. Genevieve Warwick argues that the ephemeral arts of ritual occasion acted as a locus of artistic experiment for the artist in many respects similar to his use of preparatory models, to suggest that Bernini’s artistry sprang from the fabric of ritual in both material and cultural terms. From processional floats to court stage sets for the ritual occasions of church and state, such ephemeral arts were largely made of wax, clay, papier mâché, wood, stucco and plaster, assembled into scenographic ensembles with textiles, canvas and paint. Similarly, Bernini’s preparatory models for marble or bronze sculpture were of plaster and clay, even mud and straw, or wax and painted wood, as plentiful and affordable materials that were readily available for use and reuse as required. This book will be of interest to scholars working in art history and Renaissance studies.
Bernini: His Life and His Rome
by Franco MormandoSculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598–1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today.It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando’s dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and—with a suitable skepticism—a hagiographic account written by Bernini’s son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini’s many feuds and love affairs, scandals and sins. He sets Bernini’s raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets.The result is a seductively readable biography, stuffed with stories and teeming with life—as wild and unforgettable as Bernini’s art. No one who has been bewitched by the Baroque should miss it.
Berrien County
by Sherry Arent CawleyAs one of the earliest developed areas of the state of Michigan, Berrien County has a rich history that appeals to the locals as well as the tourists who still enjoy the many treasures to be found there. Author Sherry Arent Cawley has compiled over 200 vintage postcards chronicling the life and times of this historic area.The historic Benton Harbor Fruit Market, Silver Beach, the mineral baths at the Whitecomb Hotel, and the House of David are all featured here in vivid postcards, some never before published, with accompanying captions. Images of Grand Beach, Niles, New Buffalo, Paw Paw Lake, and Berrien Springs offer readers a nostalgic glimpse into a Berrien County of yesteryear.
Berry College: A Century of Making Music
by Mary Ellen PethelThe history of Berry College is rooted in its musical culture and reflects an important part of Martha Berry's life and mission for her school. Located 60 miles north of Atlanta, Berry College began in 1902 as a small rural school, driven by Martha's desire to educate impoverished children and young adults in the foothills of the Appalachian Mountains. Through tireless fund-raising and dedication, Berry School grew from its humble beginning into an exemplary four-year liberal arts college. As Martha Berry gained widespread notoriety for her work in education, the music program performed for such guests as Henry Ford, Emily Vanderbilt, Theodore Roosevelt, and other notable leaders in business and politics. By 1948, the school's unofficial motto was "Everybody Sings at Berry." With continued success over the last 60 years, Berry's musical groups continue to gain recognition as they perform locally, nationally, and internationally.
Berthe Morisot
by Anne HigonnetOf the six Impressionist painters whose first exhibition scandalized and fascinated Paris in 1874, Berthe Morisot was the only woman. She reached a pinnacle of artistic achievement despite the restraints society placed on her sex, adroitly combining her artistic ambitions with a rewarding family life. Anne Higonnet brings fully to life an accomplished artist and her world.
Berthold Lubetkin’s Highpoint II and the Jewish Contribution to Modern English Architecture
by Deborah LewittesIn 1935, the Russian-born Jewish architect Berthold Lubetkin and his firm Tecton designed Highpoint, a block of flats in London, which Le Corbusier called ‘revolutionary’. Three years later, Lubetkin completed a companion design. Yet Highpoint II felt very different, and the sense that the ideals of modernism had been abandoned seemed hard to dispute. Had modern architecture failed to take root in England? This book challenges the belief that English architecture was on hiatus during the 1930s. Using Highpoint II as a springboard, Deborah Lewittes takes us on a journey through the defining moments of modern English architecture – the ‘high points’ of the period surrounding Highpoint II. Drawing on Lubetkin’s work and his writings, the book argues that he advanced influential, lasting theories which were rooted in his design for Highpoint II. Lubetkin’s work is explored within the context of wider Jewish emigration to London during the interwar years as well as the anti-Semitism that pervaded Britain during the 1930s. As Lewittes demonstrates, this decade was anything but quiet. Providing a new perspective on twentieth-century English architecture, this book is of interest to students and scholars in architectural history, urban studies, Jewish studies, and related fields.
Bertolt Brecht (Routledge Performance Practitioners)
by Meg MumfordBertolt Brecht’s methods of collective experimentation, and his unique framing of the theatrical event as a forum for change, placed him among the most important contributors to the theory and practice of theatre. His work continues to have a significant impact on performance practitioners, critics and teachers alike. Now revised and reissued, this book combines: an overview of the key periods in Brecht’s life and work a clear explanation of his key theories, including the renowned ideas of Gestus and Verfremdung an account of his groundbreaking 1954 production of The Caucasian Chalk Circle an in-depth analysis of his practical exercises and rehearsal methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are an invaluable resource for students and scholars.
Bertolt Brecht: Journals 1934 - 1955 (Diaries, Letters And Essays Ser.)
by Bertolt BrechtThis book contains selected poems, plays, and prose by Bertolt Brecht taken from various points throughout his career. It includes translations of two prose works and provides some background information on Brecht's life and career.
Bertrand Tavernier: Interviews (Conversations with Filmmakers Series)
by Lynn A. Higgins and T. Jefferson KlineBertrand Tavernier (1941–2021) was widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s in the wake of the New Wave. In just over forty years, he directed twenty-two feature films in an eclectic range of genres from intimate family portrait to historical drama and neo-Western. Beginning with his debut feature—L’Horloger de Saint-Paul (1974), which won the prestigious Louis Delluc Prize—Tavernier showed himself to be a public intellectual. Like his films, he was deeply engaged with the pressing issues facing France and the world: the consequences of war, colonialism and its continuing aftermath, the price of heroism, and the power of art. A voracious cinephile, he was immensely knowledgeable about world cinema and American film in particular. Tavernier’s roots were in Lyon, the birthplace of the cinema. He founded and presided over the Institut Lumière, which hosts retrospectives and an annual film festival in the factory where the Lumière brothers made the first films. In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career following in the lineage of the Lumière brothers, in that his goal, like theirs, is to “show the world to the world.” It is no surprise, then, that an interview with Tavernier is a treat. Beginning with discussions of his own films, the interviews in this volume cover a vast range of topics. At the core are his thoughts about the ways cinema can inspire the imagination and contribute to the broadest possible public conversation.
Berufliche Inklusion von Menschen mit Behinderung: Best Practices aus dem ersten Arbeitsmarkt
by Miriam K. Baumgärtner David J.G. Dwertmann Stephan A. BöhmDie berufliche Inklusion von Menschen mit Behinderung ist ein zentrales, jedoch noch zu wenig beachtetes Thema des Personalmanagements. Das vorliegende Buch stellt Best-Practice-Beispiele aus dem ersten Arbeitsmarkt vor. Es entstand am Center for Disability and Integration der Universität St. Gallen (CDI-HSG). Inspiriert durch den "Com(mitment) To Act(ion)"-Wettbewerb werden verschiedenste Unternehmensbeispiele zentralen Handlungsfeldern des Personalmanagements zugeordnet. Hierdurch sollen Führungskräften und Personalverantwortlichen geeignete Konzepte an die Hand gegeben werden, um die Inklusion von Menschen mit Behinderung aktiv voran zu treiben.
Berwick (Images of America)
by Jessie TaylorFirst settled in 1631, Berwick is the ninth-oldest town in Maine. Its unique location on the border of Maine and New Hampshire has served as one of the most popular gateways between the two states for centuries. Berwick was home to Gen. John Sullivan, a military officer in the Revolutionary War, and James Sullivan, the seventh governor of Massachusetts. Berwick was also the site of the country's first sawmill, powered by the Salmon Falls River. In the 1800s, sawmills gave way to cotton mills, all which continued to depend on the river for their livelihood. In 1935, Berwick became the headquarters of Prime Tanning, which grew to be the country's most dominant leather tannery. Today, Berwick is shifting its focus back to the river, not as a means to support factory life, but rather as a place to gather and engage in community activities. Berwick traces the history of a town that has overcome economic hardship and looks to continued revitalization in the future.
Berwyn
by Douglas DeuchlerEight miles west of downtown Chicago sits a suburb with a rich, vibrant history. Berwyn began in the 19th century as two separate communities with vast stretches of marshland and farmland between. By the early 1900s, this booming municipality successfully kept industry at bay while remaining a strictly residential development. As thousands of bungalows were constructed in the 1920s, the "City of Homes," as it was known, became the fastest-growing community in the United States. For many generations, the suburb has attracted hard-working people who take pride in their homes and exemplify the fulfillment of the American Dream.
Berwyn Heights (Then and Now)
by Ann Harris DavidsonBerwyn Heights is a village juxtaposed with an American metropolis, as it lies barely 10 miles from the heart of Washington, D.C. It has changed much since its beginnings in 1888, yet it retains its small-town advantages, illustrating that, though a place may change, its essence remains.
Besides the Bible: 100 Books that Have, Should, or Will Create Christian Culture
by John Pattison Dan Gibson Jordan GreenBesides the Bible
Besides the Screen
by Virginia Crisp Gabriel Menotti GonringNew media technologies impact cinema well beyond the screen. This volume speculates about the changes in modes of accessing, distributing, storing and promoting moving images and how they might affect cinematographic experience, economy and historiography.