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Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year
by Paul AlexanderA revelatory look at the tumultuous life of a jazz legend and American cultural icon&“A book written as only one artist could view another, with insight and sincere compassion.&” —Sandra Cisneros, best-selling author of Woman Without ShameIn the first biography of Billie Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America&’s most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday&’s artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop—a reference to the last two words of Strange Fruit, her moving song about lynching—limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.
Bituminous Binders and Mixes
by L. FranckenThe aim of the studies presented in this report is the implementation of rational concepts and testing procedures for the design and manufacture of bituminous materials for applications in pavement construction. Practical test procedures are recommended for binder evaluation, mix design and performance assessment of bituminous materials. The three
Blab! Volume 1
by Monte BeauchampBLAB!—the Harvey Award-winning anthology of cutting-edge comics, art, and culture—has returned to its comics roots with a stellar lineup of contributors.Noah Van Sciver depicts the tragic demise of Crime Does Not Pay editor Robert Wood. Ryan Heshka recounts the rise and fall of Superman creators Siegel and Shuster. Sasha Velour portrays the making of film director F.W. Murnau&’s Nosferatu. Children&’s book illustrator Giselle Potter examines Peter Rabbit author Beatrix Potter&’s passion as a naturalist. Illustrated articles include the history of the gorilla and a report on UFOs.All this and much more in Comics and Stories That Will Make You BLAB!
Black & Decker: The Complete Guide to Masonry and Stonework
by Creative Publishing InternationalFeatures all new, state-of-the-art information on decorative concrete finishes, including acid coloring, stamping, and using cementitious paints. Another new section shows easy methods for casting concrete in forms to create countertops, garden benches, and other accessories.
Black & White Photography Field Guide: The Art Of Creating Digital Monochrome (The\field Guide Ser.)
by Michael FreemanThere's a whole new world of possibility waiting within each and every digital image you capture, and in this comprehensive field guide, you'll get straight-to-the-point tips and techniques for black-and-white conversions, written by acclaimed photographer and author Michael Freeman.Begin by exploring the illustrious history and tradition of black-and-white photography, to better understand its unique aesthetics so you can aptly apply them to your own creative work. Then study the particular advantages that digital photography brings to the equation - from how the technology works, to the best and most up-to-date post-production software, and all the specialised techniques and processes in between.Finally, learn to think in black and white by considering the numerous interpretations that each scene presents, and set about achieving your precise creative vision with skill and competency.
Black & White Photography Field Guide: The Art Of Creating Digital Monochrome (The\field Guide Ser.)
by Michael FreemanPhotographer Michael Freeman addresses one of photography's most popular and challenging areas: black and white. With advice on lighting, shooting, conversion and post-production, this is know-how that no photographer can afford to be without.
Black & White Photography: The Timeless Art Of Monochrome In The Post-digital Age (The\field Guide Ser.)
by Michael FreemanBeautifully illustrated and far-reaching in scope, this guide is destined to be a standard reference for years to come. Alongside the work of author Michael Freeman, you'll find the classic photography of renowned black and white photographers such as Ansel Adams, Ian Berry, Bill Brandt, Edward Curtis, Brett Weston and Edward Weston.Freeman covers all aspects of black-and-white digital photography: the fine art tradition as well as the techniques. Learn how to see and expose in black and white, digitally convert colour to monochrome and develop a black and white digital workflow using the latest software.
Black & White Photography: The timeless art of monochrome in the post-digital age (The\field Guide Ser.)
by Michael FreemanBeautifully illustrated and far-reaching in scope, this guide is destined to be a standard reference for years to come. Alongside the work of author Michael Freeman, you'll find the classic photography of renowned black and white photographers such as Ansel Adams, Ian Berry, Bill Brandt, Edward Curtis, Brett Weston and Edward Weston.Freeman covers all aspects of black-and-white digital photography: the fine art tradition as well as the techniques. Learn how to see and expose in black and white, digitally convert colour to monochrome and develop a black and white digital workflow using the latest software.
Black & White, Bright & Bold: 24 Quilt Projects to Piece & Appliqué
by Kim Schaefer24 easy projects to help you craft bold, modern quilted accessories for your home, by the bestselling author of Kim Schaeffer&’s Calendar Runners. Make it dramatic with 24 easy modern quilts from bestselling author Kim Schaefer (over 200,000 books sold.) Bold black-and-white designs with bright accent colors bring a graphic modern style to your table, walls, or sofa. These quilts are easy to customize by using your own favorite colors as accents. The sewing is easy, too, with Kim&’s simple piecing techniques and fusible appliqué. Book includes 24 projects, some featuring appliqué, in a variety of sizes: placemats, table runners, wall hangings, and lap quilts. Black-and-white modern designs will always stay in style.
Black Acting Methods: Critical Approaches
by Sharrell Luckett Tia M. ShafferBlack Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts.
Black African Cinema
by Nwachukwu Frank UkadikeFrom the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa.Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties.Clearly written and accessible to specialist and general reader alike, Black African Cinema's analysis of key films and issues—the most comprehensive in English—is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.
Black American Cinema (AFI Film Readers)
by Manthia DiawaraThis is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream.In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black American Cinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike LeeOf crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black American Cinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken.Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.
Black And White Artistry: The Creative Photographer's Guide To Interpreting Places And Spaces
by Chuck KimmerleNumerous books on the market teach photographers how to produce a technically sound black & white landscape image. Others expound tips and tricks you can use to enhance the artistry of those images. This book takes a less-traveled path. Author Chuck Kimmerle teaches photographers who’ve mastered their camera controls to see the possibilities in every landscape. You’ll learn how to identify a scene that lends itself to black & white (and determine which scenes just don’t work), you’ll explore high- and low-key presentations, the effects of various lenses, and how and when to produce straight, graphic, or interpretive presentations of your scene. You’ll also learn how to create "score-and-performance” RAW image and postproduction pairings that lead to pure mastery in every finished photograph. Armed with the insights in this book, readers will learn to see, conceptualize, and create the black & white landscape images that always seemed out of reach.
Black And White Artistry: The Creative Photographer's Guide To Interpreting Places And Spaces
by Chuck KimmerleNumerous books on the market teach photographers how to produce a technically sound black & white landscape image. Others expound tips and tricks you can use to enhance the artistry of those images. This book takes a less-traveled path. Author Chuck Kimmerle teaches photographers who’ve mastered their camera controls to see the possibilities in every landscape. You’ll learn how to identify a scene that lends itself to black & white (and determine which scenes just don’t work), you’ll explore high- and low-key presentations, the effects of various lenses, and how and when to produce straight, graphic, or interpretive presentations of your scene. You’ll also learn how to create "score-and-performance” RAW image and postproduction pairings that lead to pure mastery in every finished photograph. Armed with the insights in this book, readers will learn to see, conceptualize, and create the black & white landscape images that always seemed out of reach.
Black Angel: The Life of Arshile Gorky
by Nouritza MatossianA biography of the Armenian painter that &“adds immeasurable to the interest of [his] art . . . Carefully researched, well written, [and] enlightening&” (The New York Review of Books). In this first full-scale biography, Nouritza Matossian charts the mysterious and tragic life of Arshile Gorky, one of the most influential painters of the twentieth century. Born Manoug Adoian in Armenia, he survived the Turkish genocide of 1915 before coming to America, where he posed as a cousin of the famous Russian author Maxim Gorky. One of the first abstract expressionists, Gorky became a major figure of the New York School, which included de Kooning, Rothko, Pollock, and others. But after a devastating series of illnesses, injuries, and personal setbacks, he committed suicide at the age of forty-six. In Black Angel, arts journalist Matossian analyzes Gorky&’s personal letters, as well as other new source material. She writes with authority, insight, and compassion about the powerful influence Gorky&’s life and Armenian heritage had upon his painting.
Black Archives: A Photographic Celebration of Black Life
by Renata CherliseA photographic celebration and exploration of Black identity and experience through the twentieth century from the founder and curator of the hit multimedia platform Black Archives.&“A spell-binding visual narrativization of family, culture, and history.&”—Thelma Golden, director and chief curator of the Studio Museum in HarlemRenata Cherlise&’s family loved capturing their lives in photographs and home movies, sparking her love of archival photography. Following in her family&’s footsteps, Cherlise established Black Archives, which presents a nuanced representation of Black people across time living vibrant, ordinary lives. Through the platform, many have discovered and shared images of themselves and their loved ones experiencing daily life, forming multidimensional portraits of people, places, and the Black community. These photographs not only tell captivating stories, they hold space for collective memory and kinship. Black Archives is a stunning collection of timeless images that tell powerful, joyful stories of everyday life and shed light on Black culture&’s dynamic, enduring influence through the generations. The images showcase reunions, nights out on the town, parents and children, church and school functions, holidays, big life events, family vacations, moments at home, and many more occasions of leisure, excitement, reflection, and pride. Featuring more than three hundred images that spotlight the iconic and the candid, Black Archives offers a nuanced compendium of Black memory and imagination.
Black Art: A Cultural History
by Richard J. PowellThe African diaspora, "a direct result of the transatlantic slave trade and Western colonialism," generated a wide array of artistic achievements in the past century, from blues to reggae, from the paintings of Henry Ossawa Tanner to the video installations of Keith Piper. Richard Powell's study concentrates on the works of art themselves and on how these works, created during a time of major social upheaval and transformation, use black culture as both subject and context. From musings on the "the souls of black folk" in early twentieth-century painting, sculpture, and photography to questions of racial and cultural identities in performance, media, and computer-assisted arts in the 1990s, the book draws on the works of hundreds of artists including Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Wifredo Lam, Jacob Lawrence, Spike Lee, Archibald Motley, Jr. , Faith Ringgold, and Gerard Sekoto. This revised edition includes expanded coverage of video art and a new chapter that discusses work by a number of artists who have newly risen to prominence, such as Chris Ofili, Kara Walker, and Ren e Cox. Biographies of more than 170 key artists provide a unique art-historical reference. Placing its emphasis on black cultural themes rather than on black racial identity, this groundbreaking book is an important exploration of the visual representations of black culture throughout the twentieth century and into the twenty-first.
Black Ballerinas
by Misty CopelandFrom New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage. <p><p> As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn’t have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn’t alone—and her dream wasn’t impossible. <p> In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women’s stories to a new generation of readers and gives them the recognition they deserve. <p> With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.
Black Ballerinas: My Journey to Our Legacy
by Misty CopelandFrom New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage. <p><p> As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn't have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn't alone—and her dream wasn't impossible. <p><p> In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women's stories to a new generation of readers and gives them the recognition they deserve. <p><p> With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World
by Anna Arabindan-KessonIn Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton—as both commodity and material—became inexorably tied to the monetary value of Black bodies. From the production and representation of “negro cloth”—the textile worn by enslaved plantation workers—to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor.
Black British Culture and Society: A Text Reader
by Kwesi OwusuBlack British Culture and Society brings together in one indispensable volume key writings on the Black community in Britain, from the 'Windrush' immigrations of the late 1940s and 1950s to contemporary multicultural Britain. Combining classic writings on Black British life with new, specially commissioned articles, Black British Culture and Society records the history of the post-war African and Caribbean diaspora, tracing the transformations of Black culture in British society.Black British Culture and Society explores key facets of the Black experience, charting Black Britons' struggles to carve out their own identity and place in an often hostile society. The articles reflect the rich diversity of the Black British experience, addressing economic and social issues such as health, religion, education, feminism, old age, community and race relations, as well as Black culture and the arts, with discussions of performance, carnival, sport, style, literature, theatre, art and film-making. The contributors examine the often tense relationship between successful Black public figures and the media, and address the role of the Black intellectual in public life. Featuring interviews with noted Black artists and writers such as Aubrey Williams, Mustapha Matura and Caryl Phillips, and including articles from key contemporary thinkers, such as Stuart Hall, A. Sivanandan, Paul Gilroy and Henry Louis Gates, Black British Culture and Society provides a rich resource of analysis, critique and comment on the Black community's distinctive contribution to cultural life in Britain today.
Black British Drama: A Transnational Story
by Michael PearceBlack British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.
Black British Women's Theatre: Intersectionality, Archives, Aesthetics
by Nicola AbramThis book marks a significant methodological shift in studies of black British women’s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals’ personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice. Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women’s Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green. Drawing on new interviews with the playwrights/practitioners and their peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women’s creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women’s Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past.
Black Coffee Lighting: David Lynch Returns to Twin Peaks
by Greg OlsonGreg Olson (author of David Lynch: Beautiful Dark and former film curator at the Seattle Art Museum) deconstructs Twin Peaks's widely acclaimed return to TV in 2017 through a unique lens encompassing William Blake, Walt Whitman, Jean Cocteau, Philip K. Dick, the color pink, the Bible, Vedic literature, and Marvel superheroes. David Lynch is an international icon of visionary artistic innovation, humanistic thought and philanthropy, and spiritual exploration, and Twin Peaks: The Return is his magnum opus, a mythopoetic summation of his deepest beliefs and concerns. In Black Coffee Lightning: David Lynch Returns to Twin Peaks, Greg Olson (David Lynch: Beautiful Dark), in his characteristically intimate and personal way, traces the Twin Peaks currents of Lynch&’s emotional-visceral storytelling, themes, imagery, and sound: the way the artist and viewer share an electrified circuit of mystery and understanding. Olson details Lynch&’s kinship with transcendence-seeking artists like William Blake, Walt Whitman, Jean Cocteau, Philip K. Dick, and the post-World War II mystical Northwest painters. Small-town values, coffee culture, the color pink, the Bible, Vedic literature, Marvel Comics superheroes, and a Parisian camera crew wanting Olson to guide them through Twin Peaks territory all make appearances. Over a thirty-year span, Lynch and Mark Frost created forty-eight hours of Twin Peaks TV and film, hypnotic cinematic music immersed in the depths and divine heights of human nature, a soulful song of the forest, America, the world, the cosmos. Olson, Lynch, and Twin Peaks have been on parallel tracks for decades. Olson&’s longtime love, Linda Bowers, died shortly before Twin Peaks: The Return aired, and his lived experience with Lynch&’s art speaks to the healing power of artistic engagement. Here his chronicle includes personal interaction with Lynch and Frost and their colleagues, as well as Olson&’s perception of Lynch's inner world of karmic balancing, reincarnation, spiritual evolution, and veneration of women.
Black Colleges of Atlanta, The (Campus History)
by Rodney T. CohenBy 1865, although Atlanta and the Confederacy still lay wounded in the wake of the Union victory, black higher education began its thrust for recognition. Some of the first of the American colleges formed specifically for the education of black students were founded in Atlanta, Georgia. These schools continue, over a century later, to educate, train and inspire. Through an engaging collection of images and informative captions, their story begins to unfold. Atlanta University was the pioneer college for blacks in the state of Georgia. Founded in 1865, it was followed by Morehouse College in 1867, Clark University in 1869, and Spelman and Morris Brown Colleges in 1881. By 1929, Atlanta University discontinued undergraduate work and affiliated with Morehouse and Spelman in a plan known as the "Atlanta University System." A formal agreement of cooperation including all of the Atlanta colleges occurred in 1957, solidifying the common goal and principles each school was founded upon-to make literate the black youth of America. Today, the shared resources of each institution provide a unique and challenging experience for young Africa Americans seeking higher education. The schools boast a long and distinguished list of alumni and scholars, including W.E.B. DuBois, James Weldon Johnson, Martin Luther King, Henry O. Tanner, and C. Eric Lincoln.