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Black Creek Pioneer Village: Toronto's Living History Village
by Gary Thompson Helma Mika Nick MikaBlack Creek Pioneer Village: Toronto’s Living History Village is a recreation of a typical crossroads community found in Southern Ontario during the 1800s. Nestled on 56 acres of tranquility, the village is a step-back-in-time, a respite from the towering buildings and bustling traffic of the 21st century. Here, visitors discover the joys and daily realities of living in early Ontario. Here at the village, the sights, sounds and smells are tangible reminders of our past. Meet the blacksmith, the tinsmith, the weaver, the miller, the printer … Meet the people who "live" at Black Creek and bring our yesteryears to life.
Black Cultural Production after Civil Rights
by Robert PattersonThe post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics.This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls… in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.Contributors: Courtney Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork
Black Directors in Hollywood
by Melvin DonalsonThis book offers a first comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing 67 individuals and over 135 films, Melvin Donalson thoroughly explores how black directors' storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, he convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to ethnic, cultural, and gender issues.
Black Diva of the Thirties: The Life of Ruby Elzy (Willie Morris Books in Memoir and Biography)
by David E. WeaverWhile undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first Black artists to appear in grand opera. Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding “My Man's Gone Now.” From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City. After more than eight hundred performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck. During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.
Black Dog: The Dreams of Paul Nash
by Dave McKeanA new original graphic novel by DAVE McKEAN!Best known for his collaborations with Neil Gaiman, Dave McKean defied expectations with his stunning debut as writerand artist in Cages, winner of multiple awards for Best Graphic Album. Dark Horse proudly presents a new original graphic novel by the legendary artist based on the life of Paul Nash, a surrealist painter during World War I. The Dreams of Paul Nash deals with real soldiers&’ memoirs, and all the stories add up to a moving piece about how war and extreme situations change us and how we deal with the resultant pain—in Nash&’s case, by turning his landscapes into powerful and fantastical &“psychoscapes.
Black Dog: The Dreams of Paul Nash (Second Edition)
by Dave McKeanNew edition with bonus material by Dave McKean!Dark Horse proudly presents a new, second edition, of the graphic novel by legendary artist Dave McKean, based on the life of Paul Nash, a surrealist painter during World War 1. The Dreams of Paul Nash deals with real soldier's memoirs and all the stories add up to a moving piece about how war and extreme situations change us, how we deal with that pain, and, in Nash's case, how he responded by turning his landscapes into powerful and fantastical psychoscapes. The second edition of Black Dog: The Dreams of Paul Nash features a new cover by Dave McKean, along with 15 pages of new bonus material examining the creation of the book.
Black Eagle Child
by Ray A. Young BearStories of life on a Native American settlement during the 50s,60s and 70s. Told in poetry in prose.
Black Elegies: Meditations on the Art of Mourning (On Seeing)
by Kimberly Juanita BrownA poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it.In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the &“national emergency of black grief.&” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others.Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: &“It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.&”
Black Elk Peak: A History (Natural History)
by Bradley SaumThe history of Black Elk Peak—previously known as Hinhan Kaga and, more recently, as Harney Peak—remained segmented and scattered throughout the shadows of antiquity, until now. The natural landmark’s namesake, Black Elk, experienced his great vision here, solidifying his status as a Sioux holy man. Obstructed by the insurmountable granite, General Custer and his horse nearly summited during the 1874 expedition. On that granite, sculptor Gutzon Borglum made the decision to carve a grand monument into the face of nearby Mount Rushmore. Prior to serving as the first Pine Ridge Reservation Indian agent and then mayor of Rapid City, Valentine McGillycuddy documented his ascent to the peak in 1875, where his ashes would come to rest. Author Bradley Saum chronicles the unique and untold stories that are intrinsically linked to the highest point in the Black Hills.
Black Film British Cinema II
by Clive Nwonka and Anamik SahaThe politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period.Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race.ContributorsBidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Oslem Koskal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford
Black Film Through a Psychodynamic Lens
by Katherine Marshall WoodsBlack Film Through a Psychodynamic Lens delves into the nuanced character development and narrative themes within the struggles and successes presented in Black films over the last five decades.In this pioneering book, Katherine Marshall Woods looks at Black cinema from a psychological and psychoanalytic perspective. Focusing on a decade at a time, she charts the development of representation and creative output from the 1980s to the present day. She deftly moves from analyzing depictions of poverty and triumphs to highlighting the importance of cinema in shaping cultural identity while considering racial prejudice and discrimination. Adopting theoretical viewpoints from Freud to bell hooks, Marshall Woods examines the damaging effect on cultural psychology as a result of stereotypical racial tropes, and expertly demonstrates the healing that can be found when one sees oneself represented in an honest light in popular art.From Do The Right Thing, The Color Purple and Malcolm X to contemporary classics like 12 Years a Slave, Black Panther and American Fiction, this book is an essential read for those interested in the intersection between Psychology, Psychoanalysis, Film Theory, and African American cultural identity.
Black Flora: Inspiring Profiles of Floriculture's New Vanguard
by Teresa J. SpeightDiscover the growing community of Black floriculture leading the new vanguard in flowers.Black Flora is the first book to feature profiles of contemporary Black experts innovating in the world of flowers. Author and longtime gardener, Teresa Speight, offers a beautiful intersection of flowers and community. This book is a homecoming, one that unearths the floral legacies of the past and present, while providing a source of inspiration for younger generations of plant-lovers seeking examples of successful Black floral artists and entrepreneurs. With photos and insights from over 20 growers, florists, and designers from around the US, each with a deep reverence for nature, Black Flora showcases a range of floral expertise. And as visionary horticulturalist and garden historian, Abra Lee, reflects in her foreword, the community represented in Black Flora has an important significance both today, and in garden history. Both a celebration of now and a vision for the future, Black Flora honors floriculture&’s creative vanguard.
Black Futures
by Kimberly Drew Jenna WorthamAn archive of collective memory and exuberant testimonyA luminous map to navigate an opaque and disorienting presentAn infinite geography of possible futures What does it mean to be Black and alive right now?Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics. In answering the question of what it means to be Black and alive, Black Futures opens a prismatic vision of possibility for every reader.
Black Gathering: Art, Ecology, Ungiven Life (Black Outdoors: Innovations in the Poetics of Study)
by Sarah Jane CervenakIn Black Gathering Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.
Black Genius and the American Experience
by Dick RussellThe findings from wide-ranging interviews and careful historical research, Black Genius explores the roots of black achievement in America. The results are surprising and inspiring. Interweaving past and present, beginning with this country's inception, Russell covers the importance of continuity and tradition in nurturing black artists, scientists, and leaders. Here are memorable portraits of Wynton Marsalis, Ralph Ellison, Louis Armstrong, Toni Morrison, Duke Ellington, James Baldwin, Paul Robeson, Muhammad Ali, Lois Mailou-Jones, and other black notables. Through their eyes, we see how they were inspired, fostered, and encouraged by their mentors, how the creative tradition was passed from one generation to the next. This great theme of interconnectedness is played out, for example, in Wynton Marsalis's links to not only Ellington and Armstrong, but also, through the venerable author Albert Murray, to Ellison and the artist Romare Bearden. In addition to these well-known figures, Russell also rediscovers less familiar ones: writers, activists, scientists, and artists whose reputations may be underrecognized.
Black Girls Rock!: Owning Our Magic. Rocking Our Truth.
by Beverly BondFrom the award-winning entrepreneur, culture leader, and creator of the BLACK GIRLS ROCK! movement comes an inspiring and beautifully designed book that pays tribute to the achievements and contributions of black women around the world.Fueled by the insights of women of diverse backgrounds, including Michelle Obama, Angela Davis, Shonda Rhimes, Misty Copeland Yara Shahidi, and Mary J. Blige, this book is a celebration of black women’s voices and experiences that will become a collector’s items for generations to come. Maxine Waters shares the personal fulfillment of service. Moguls Cathy Hughes, Suzanne Shank, and Serena Williams recount stories of steadfastness, determination, diligence, dedication and the will to win. Erykah Badu, Toshi Reagon, Mickalane Thomas, Solange Knowles-Ferguson, and Rihanna offer insights on creativity and how they use it to stay in tune with their magic. Pioneering writers Rebecca Walker, Melissa Harris-Perry, and Joan Morgan speak on modern-day black feminist thought. Lupita Nyong’o, Susan Taylor, and Bethann Hardison affirm the true essence of holistic beauty. And Iyanla Vanzant reinforces Black Girl Magic in her powerful pledge. Through these and dozens of other unforgettable testimonies, Black Girls Rock! is an ode to black girl ambition, self-love, empowerment, and healing. Pairing inspirational essays and affirmations with lush, newly commissioned and classic photography, Black Girls Rock!: Owning Our Magic and Rocking Our Truth is not only a one-of-a-kind celebration of the diversity, fortitude, and spirituality of black women but also a foundational text that will energize and empower every reader.
Black Hills Gold Rush Towns: Volume II
by Jan Cerney Roberta SagoRising out of the prairie, the Black Hills of South Dakota and Wyoming had long been rumored to have promising quantities of gold. Sacred to the Lakota, the Black Hills was part of the land reserved for them in the Fort Laramie Treaty of 1868. However, the tide of prospectors seeking their fortune in the Black Hills was difficult to stem. Members of the 1874 Custer expedition, lead by Gen. George Armstrong Custer, found gold. In 1875, scientists Henry Newton and Walter Jenney conducted an expedition and confirmed the rumors. By 1876, the trickle of prospectors and settlers coming to the Black Hills was a flood. The US government realized that keeping the interlopers out was impossible, and in 1877 the Black Hills was officially opened to settlement. In this sequel to their Black Hills Gold Rush Towns book, the authors expand their coverage of Black Hills towns during the gold-rush era.
Black Hills Passion Play
by Johanna MeierIn 1932, Josef Meier, a native of Luenen, Germany, brought a small company of actors to the United States to tour with a passion play. It was performed in German, destined for a limited engagement in German theaters, churches, and German-speaking communities. Political and economic conditions in Germany were already deteriorating during this time, and Meier determined to remain in America, to found a permanent home for the play. He translated the play into English, hiring American actors to replace the German-speaking cast. As he booked tours across the United States, Meier continued to seek a suitable permanent outdoor location for his production, mentioning his quest to the public in interviews across the nation. En route to the West Coast, Meier presented the Passion Play in Sioux Falls, the only town of size within South Dakota at that time. A group of businessmen from the Black Hills attended and asked Meier to examine possible sites in their area. He chose a spectacular natural location in Spearfish, and in 1939, an amphitheater was constructed and became the home of the renamed Black Hills Passion Play of America.
Black Kirby: In Search of the MotherBoxx Connection
by John Jennings Stacey RobinsonA catalog of primarily visual artworks-on-paper, this collection is the work of a creative duo that makes up the collaborative entity, Black Kirby. Their art celebrates the groundbreaking work of legendary comic creator Jack Kirby and functions as a highly syncretic mytho-poetic framework by appropriating Kirby's bold forms and revolutionary ideas combined with themes centered on AfroFuturism, social justice, Black history, media criticism, science fiction, magical realism, and the utilization of Hip Hop culture as a methodology for creating visual expression. Their work also focuses on the digital medium: how its inherent affordances offer much more flexibility in the expression of visual communication and what that means in its production and consumption in the public sphere. In a sense, Black Kirby appropriates the gallery as a conceptual crossroads to examine identity as a socialized concept, and to show the commonalities between Black comics creators and Jewish comics creators and how both utilize the medium of comics as space of resistance. The duo attempts to re-medicate blackness and other identity contexts as sublime technologies that produce experiences that can limit human progress and possibility.
Black Landscapes Matter
by Walter Hood Grace Mitchell TadaThe question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation’s landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.Essayists examine a variety of U.S. places—ranging from New Orleans and Charlotte to Milwaukee and Detroit—exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture in which historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America’s past and future cannot be understood.
Black Lives Under Nazism: Making History Visible in Literature and Art (Black Lives in the Diaspora: Past / Present / Future)
by Sarah Phillips CasteelIn a little-known chapter of World War II, Black people living in Nazi Germany and occupied Europe were subjected to ostracization, forced sterilization, and incarceration in internment and concentration camps. In the absence of public commemoration, African diaspora writers and artists have preserved the stories of these forgotten victims of the Third Reich. Their works illuminate the relationship between creative expression and wartime survival and the role of art in the formation of collective memory.This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history. Emphasizing Black agency, Sarah Phillips Casteel examines both testimonial art by victims of the Nazi regime and creative works that imaginatively reconstruct the wartime period. Among these are the internment art of Caribbean painter Josef Nassy, the survivor memoir of Black German journalist Hans J. Massaquoi, the jazz fiction of African American novelist John A. Williams and Black Canadian novelist Esi Edugyan, and the photomontages of Scottish Ghanaian visual artist Maud Sulter. Bridging Black and Jewish studies, this book identifies the significance of African diaspora experiences and artistic expression for Holocaust history, memory, and representation.
Black Magic Woman and Narrative Film: Race, Sex and Afro-Religiosity
by Montré Aza MissouriBlack Magic Woman and Narrative Film examines the transformation of the stereotypical 'tragic mulatto' from tragic to empowered, as represented in independent and mainstream cinema. The author suggests that this transformation is through the character's journey towards African-based religions.
Black Masculinity and the Cinema of Policing
by Jared SextonThis book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush's 2001 announcement of the War on Terror and President Barack Obama's 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions--from Antoine Fuqua's Training Day to John Lee Hancock's The Blind Side to Barry Jenkin's Moonlight--to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.
Black Masculinity on Film
by Daniel O'BrienThis book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.
Black Meme: A History of The Images That Make Us
by Legacy Russell"Unsettles, expands and deepens our understanding of the black meme...necessary reading; brilliant and utterly convincing."–Christina Sharpe, author of Ordinary Notes"You will be galvanized by Legacy Russell&’s analytic brilliance and visceral eloquence." –Margo Jefferson, author of Constructing a Nervous SystemA history of Black imagery that recasts our understanding of visual culture and technology In Black Meme, Legacy Russell, award-winning author of the groundbreaking Glitch Feminism, explores the &“meme&” as mapped to Black visual culture from 1900 to the present, mining both archival and contemporary media. Russell argues that without the contributions of Black people, digital culture would not exist in its current form. These meditations include the circulation of lynching postcards; why a mother allowed Jet magazine to publish a picture of her dead son, Emmett Till; and how the televised broadcast of protesters in Selma changed the debate on civil rights. Questions of the media representation of Blackness come to the fore as Russell considers how a citizen-recorded footage of the LAPD beating Rodney King became the first viral video. And the Anita Hill hearings shed light on the media&’s creation of the Black icon. The ownership of Black imagery and death is considered in the story of Tamara Lanier&’s fight to reclaim the daguerreotypes of her enslaved ancestors from Harvard. Meanwhile the live broadcast on Facebook of the murder of Philando Castile by the police after he was stopped for a broken taillight forces us to bear witness to the persistent legacy of the Black meme. Through imagery, memory and technology Black Meme shows us how images of Blackness have always been central to our understanding of the modern world.