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A Coat of Many Colours: Occasional Essays (Routledge Revivals: Herbert Read and Selected Works)
by Herbert ReadThis book, first published in 1947, is collection of critical essays by Herbert Read that had not been previously published in book form. The essays cover several different subject areas, including literature, art, architecture, and film, from a span of twenty years. This title will be of interest to a variety of readers.
A Colebridge Quilted Christmas (Colebridge Community Series)
by Ann HazelwoodThe holiday spirit brings healing and hope to flower shop owner Anne Brown and her quilting friends—just when they need it the most.Enjoy Christmas in Colebridge in the final installment of Ann Hazelwood’s Colebridge Community Series. Main street is busy with the Mistletoe Market and the quilt show in the depot. Folks in Colebridge help one another, especially at Christmas. Through love and loss, the townspeople are sewn together. The layers of their lives, like quilts, blend as one through appreciation of the community that binds them; not just in Colebridge, but in their hearts.Praise for Ann Hazelwood and the Colebridge Community Series“I found myself immersed in the tale of this extended family and this wonderful quaint town . . . You will laugh, cry and share in their hopes and dreams.” —Community News“Ann Hazelwood knows a few things about the human spirit, family and dreaming big. Add a mixture of the love of quilting and all the things Missouri historic and otherwise; you will experience the words and passion of this unique and gifted author. Enjoy the experience!” —StreetScape Magazine
A Colorful Home: Create Lively Palettes for Every Room
by Susan Hable“Page after page of incredible color and texture that will inspire even the most committed color-phobes to seriously consider embracing pink.” —Rima Suqi, columnist, New York Times Home SectionNature, art, a favorite collection—each holds unexpected color combinations that can be beautifully incorporated into the home. In this guide, designer Susan Hable shows how to discover color in the everyday, create dynamic palettes, and translate them into stunning interior spaces. Home decorators will learn how a cheerful bedroom can be constructed from the natural hues of autumn leaves, or how a burst of bright confetti can inspire a candy-colored tiled bath. Brimming with luscious photography, A Colorful Home reveals how to open our eyes to the colors around us and bring them to life in rooms composed with meaning.“This book [is] all about finding ways to translate the things, people and places you love into beautiful moments at home.” —Design*Sponge
A Colorful Life: Gere Kavanaugh, Designer
by Louise Sandhaus Kat CatmurThe designer Gere Kavanaugh is an irrepressible force of nature who epitomized the craft and folk vibe of the '60s and '70s California design scene and remains a larger-than-life personality today. Raised in Memphis, Tennessee, Kavanaugh became in 1952 only the third woman to earn a degree in Cranbrook Academy of Art's design program. After successful stints as one of GM's so-called Damsels of Design and as director of interiors for Victor Gruen's architecture and planning firm, she opened Gere Kavanaugh/Designs. There, Kavanaugh put her unique stamp on textiles, furniture, toys, graphics, store and restaurant interiors, holiday decor, housewares, and public art—even designing and curating exhibitions. But perhaps her most enduring project has been the joyful, open-ended, ongoing experiment of her own lifestyle and homes, a dream of color and handcraft. Kavanaugh was awarded the AIGA Medal in 2016, recognizing her "prodigious and polymathic approach to design."
A Colorful Scheme (Pen & Ink #4)
by Krista DavisAfter a wedding guest&’s murder, Florrie Fox sees a picture taking shape . . . Coloring-book creator and Washington, DC, bookstore owner Florrie Fox is attending the wedding of her wealthy boss and a famous romance author, who are taking their vows—for the second time—on the grounds of the gorgeous Maxwell mansion. But it soon becomes clear that the soothing vibe of coloring books is very different from the stress and backstabbing in some corners of the literary world. Arthur Bedlingham, for example, barely makes a living despite the many awards he&’s won—and his chances for better sales haven&’t been helped by the vicious review he just got from another guest at the party. Then there&’s an ex–FBI agent whose popular thrillers are a magnet for female fans; a less-successful romance writer; and an ambitious waitress who&’s intent on a career in journalism. When Arthur&’s assistant, an aspiring writer, is murdered during the festivities, Florrie realizes this is no color-by-numbers case, and she&’ll have to sort out the complicated secrets among this creative crowd of suspects . . .
A Colorful Way of Living: How to Be More, Create More, Do More the Vera Bradley Way
by Barbara Bradley BaekgaardFrom the co-founder of the Vera Bradley empire, a practical and inspiring book that shows women how to awaken their full potential, at any age."This place could use some color!" That's what Barbara Bradley said to her friend Pat during an airport layover. It was 1982 and all the women could see was a succession of drab, bulky suitcases. When they returned home to Indiana, Barbara and her business partner got out a few Simplicity patterns and a Singer sewing machine and set to work. And the Vera Bradley Company was born.A Colorful Way of Living offers practical, inspiring advice to empower women of all ages to navigate life by the values that provide the foundation of the Vera Bradley empire. Women looking for the encouragement to start a new chapter, women balancing career and family, and new graduates entering the workforce will all benefit from the Baekgaard’s learned wisdom has as it applies to career, life, and relationships. Lessons include “Noticing Every Detail,” “Choosing Nice,” and “Remembering Always—there’s enough room for everyone.” In this highly readable book, Barbara Bradley Baekgaard shares the values that have helped her to thrive in business, health, and relationships--in every aspect of her personal and professional life.
A Combat Artist in World War II
by Edward ReepA WWII combat artist shares his recollections—and his arresting artwork—from the frontlines of the Italian campaign in this military memoir.Many artists have fought in wars and later recorded heroic scenes of great battles. Yet few artists have created their work on the frontlines as they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful mistress cut down from the gas station where they had been hanged by their heels. That same day he witnessed the spectacle of a large German army force holed up in a high-rise office tower, waiting for the chance to surrender to the proper American brass for fear of falling into the hands of the vengeful partisans.Reep’s recollections of such desperate days are captured in Combat Artist, both in the text and in the many painfully vivid paintings and drawings that accompany it. Reep’s battlefield drawings show us, with unrelenting honesty, the horrors and griefs?and the bitter comedy?of battle.
A Comedian's Prayer Book
by Frank SkinnerA Comedian's Prayer Book. The title is a worry, isn't it?...God is a tough audience as far as audible response is concerned, but at least you don't have to explain the references. In this collection of prayers, much-loved comedian, broadcaster and radio host Frank Skinner has tried to retain the bare candour of the rehearsal-room improvisation - to show what faith feels like, from the inside - but infused it with all the production values required to make it a passable public entertainment. In it are his convictions, his questions, his fears, his doubts, his elations - all presented in an eavesdropper-friendly form. Hell, Judgement, atheism, money, faith and the X-Men all feature: it's a bit like reading the Bible, except you only get one side of the conversation, and all the jokes are left in.
A Communion of Shadows: Religion and Photography in Nineteenth-Century America
by Rachel McBride LindseyWhen the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day's parlance, a "mania." This richly illustrated book positions vernacular photography at the center of the study of nineteenth-century American religious life. As an empirical tool, photography captured many of the signal scenes of American life, from the gold rush to the bloody battlefields of the Civil War. But photographs did not simply display neutral records of people, places, and things; rather, commonplace photographs became inscribed with spiritual meaning, disclosing, not merely signifying, a power that lay beyond.Rachel McBride Lindsey demonstrates that what people beheld when they looked at a photograph had as much to do with what lay outside the frame--theological expectations, for example--as with what the camera had recorded. Whether studio portraits tucked into Bibles, postmortem portraits with locks of hair attached, "spirit" photography, stereographs of the Holy Land, or magic lanterns used in biblical instruction, photographs were curated, beheld, displayed, and valued as physical artifacts that functioned both as relics and as icons of religious practice. Lindsey's interpretation of "vernacular" as an analytic introduces a way to consider anew the cultural, social, and material reach of religion.A multimedia collaboration with MAVCOR—Center for the Study of Material & Visual Cultures of Religion—at Yale University.
A Community Manifesto
by Chris WrightCivilizations fail when they become trapped in a way of looking at the world that no longer works. For many, globalization is pushing us to the edge of disaster - an onward march of blinkered vision, encouraging passivity, moral blindness and a culture of dependency.A Community Manifesto is an elegantly written polemic offering a new way of looking at our social, cultural and economic realities. Tackling the crucial dimensions of personal responsibility, consensus and community, it shows how we can find a new language through which we can reinvigorate our individual and social lives, developing the resourcefulness we need but which proves so difficult to cultivate. The vision it presents is persuasive and very timely - only by building community can human society evolve and progress.
A Companion of Feminisms for Digital Design and Spherology
by Amanda Windle<p>This book questions if spherology is a philosophy for designers, giving guidance on ways to read Spheres, how to approach the trilogy’s indexicality, and apply the key tropes and ethics of atmospheres to digital design. Each chapter includes a design-in, that is a practical entry point into the many tropes of Spheres including― bubbles, globes and foam. The book also applies spherology to an atmosphere design issue involving endangered species and geospatial threats to the environment. <p>Spherology refers to the Spheres trilogy by the philosopher Peter Sloterdijk, which traces spherical ideas, theories, sensations and feelings related to the philosophical concept of ‘being’ and the human-centered position of ‘being-in’. It is the first cynical, feminist companion of spherology to take a practice-led approach and to cover all three controversial volumes to with and against Spheres. Windle draws on feminist science and technology studies (STS) through parody within reading, writing and design practices. Design provides navigation so that academics and students can engage with spherology through an embodied concern with digital materiality. <p>As a feminist companion for today’s design issues, the book is an essential read for feminist STS scholars, design practitioners and digital R&D specialists working both in industry and academia, including more specifically data visualisers, interface and interaction designers.</p>
A Companion to African Cinema (Wiley Blackwell Companions to National Cinemas)
by Kenneth W. HarrowAn authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.
A Companion to Alfred Hitchcock (Wiley Blackwell Companions To Film Directors Ser. #12)
by Leland Poague Thomas LeitchThe most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike
A Companion to American Art (Blackwell Companions to Art History #6)
by Dana ArnoldA Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
A Companion to American Indie Film (Wiley Blackwell Companions to Film Directors)
by Geoff KingA Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. Takes a comprehensive and fresh new look at the topic of American indie film Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field
A Companion to Australian Art (Blackwell Companions to Art History)
by Dana ArnoldA Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives.The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years.The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
A Companion to Australian Cinema (Wiley Blackwell Companions to National Cinemas)
by Felicity Collins Jane Landman Susan ByeThe first comprehensive volume of original essays on Australian screen culture in the twenty-first century. A Companion to Australian Cinema is an anthology of original essays by new and established authors on the contemporary state and future directions of a well-established national cinema. A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century. The essays address six thematically-organized propositions – that Australian cinema is an Indigenous screen culture, an international cinema, a minor transnational imaginary, an enduring auteur-genre-landscape tradition, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max, and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and nature-cam documentaries. New research on trends – such as the convergence of television and film, digital transformations of screen production and the shifting roles of women on and off-screen – highlight how established precedents have been influenced by new realities beyond both cinema and the national. Written in an accessible style that does not require knowledge of cinema studies or Australian studies Presents original research on Australian actors, such as Cate Blanchett and Chris Hemsworth, their training, branding, and path from Australia to Hollywood Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity Expands the critical definition of cinema to include YouTube channels, transmedia documentaries, multiplatform changescapes and cinematic remix Introduces readers to founding texts in Australian screen studies A Companion to Australian Cinema is an ideal introductory text for teachers and students in areas including film and media studies, cultural and gender studies, and Australian history and politics, as well as a valuable resource for educators and other professionals in the humanities and creative arts.
A Companion to British Art
by Dana Arnold David Peters CorbettThis companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history.A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British artCombines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical studyPresents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art's relationship to Modernity, nationhood and nationality, and the institutions of the British art world
A Companion to British and Irish Cinema (Wiley Blackwell Companions to National Cinemas)
by John HillA stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
A Companion to Chinese Art (Blackwell Companions to Art History)
by Dana ArnoldExploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism
A Companion to Chinese Cinema (Wiley Blackwell Companions to National Cinemas #20)
by Yingjin ZhangA Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications
A Companion to Contemporary Art in a Global Framework (Blackwell Companions to Art History)
by Dana ArnoldA Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions. Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere. A Companion to Contemporary Art in a Global Framework is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context.
A Companion to Contemporary Design since 1945 (Blackwell Companions to Art History)
by Dana ArnoldA critical overview of contemporary design and its place within the broader context of art history A Companion to Contemporary Design since 1945 introduces readers to a collection of specially commissioned essays exploring the complex areas of design that emerged through the latter half of the twentieth century, design history, design methods, design studies and more recently, design thinking. The book delivers a thoughtful overview of all design disciplines and also strives to stimulate inter-disciplinary debate and examine unconsidered convergences among design applications in different fields. By offering a new perspective on design, the articles assembled here present a challenging account of the boundaries between design history and its cognate disciplines, especially art history. The volume comprises five sections—Time, Place, Space, Objects and Audiences—that discuss environments for design and how we interact with designed objects and spaces. Notable features include: 24 new essays reflecting the current state of design history and theory, and examining developments on a global basis Contributions by eminent scholars and practitioners from around the globe Enriched throughout with illustrations A Companion to Contemporary Design since 1945 provides a new and thought-provoking revision of our conception and understanding of contemporary design that will be essential reading for students at both undergraduate and graduate levels as well as researchers and teachers working in design history, theory and practice, and in related fields.
A Companion to Contemporary Documentary Film
by Alisa Lebow Alexandra JuhaszA Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film – the planet, migration, work, sex, virus, religion, war, torture, and surveillance Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media
A Companion to Contemporary Drawing (Blackwell Companions to Art History)
by Dana ArnoldThe first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.