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Chinese Brush Painting
by Cheng YanCheng Yan captures all the freshness and spontaneity of Chinese brush painting in this beautiful, inspiring guide. Using step-by-step photographs and his own evocative pictures, he teaches all the techniques needed to paint animals, birds, fish and insects. Learn how to create atmosphere in landscapes and transform flowers and plants into wonderful works of art. Yan guides the artist through all the traditional techniques, illustrating how to master composition, inks, paints and traditional brushstrokes. Detail is as important as a spontaneous style; leaves, stems bamboo, feathers, scales and blossom are clearly depicted and Yan also explores texture, blending colours to define shapes and outlines. This invaluable guide, re-issued in a new edition, captures the essence of Chinese painting, bringing together the fun of learning, the joy of creativity and the delight of discovery.
Chinese Brush Painting: A Complete Course in Traditional and Modern Techniques
by Jane EvansComprehensive "how-to" manual takes all levels of students through the creative process, providing detailed instructions for painting such simple subjects as bamboo and plum blossoms as well as more ambitious motifs: birds, fish, and landscapes. Some sections describe how to adapt Chinese brush painting to Western subjects. 150 illustrations, including 82 in full color.
Chinese Brushwork in Calligraphy and Painting: Its History, Aesthetics, and Techniques (Dover Fine Art, History Of Art Series)
by Kwo Da-Wei"A volume of great value to the admirer of Chinese art that also contains much practical advice for the student." ― Library Journal When this book was first published, there were few if any important studies dealing with Chinese brushwork and its crucial role in Chinese art. The present volume, by a noted scholar, calligrapher, and artist, was the first significant treatment of the topic and remains among the foremost works devoted to the history, aesthetics, and techniques of the brush ― the single most important tool in Chinese fine art. The author begins by tracing the historical development of techniques and styles evolved by Chinese masters from the 14th century B.C. to the present. An in-depth explanation of Chinese aesthetic concepts and criteria follows, enhanced by the author's perceptive personal insights in such matters as line, form, space consciousness, and composition. A final section provides a valuable introduction to the materials, technical principles, and major brush strokes of Chinese painting and calligraphy. Techniques are demonstrated in numerous illustrations, including examples of the author's own highly respected work and painting and calligraphy from ancient and modern times. Also included among more than 200 illustrations and photographs are a map of ancient China, chronological charts of calligraphic styles and dominant painting subjects, as well as a glossary of major terms in English and Chinese. Dr. Kwo has exhibited his paintings at museums and art galleries throughout the world and has taught Chinese brushwork extensively in colleges and universities in both China and the United States. For students of art, for painters and calligraphers ― for anyone eager to approach Chinese art from a fresh and rewarding perspective ― his book is must reading.
Chinese Calligraphy
by Chiang YeeThis is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chiang Yee explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers. Speech and writing are two organs of the same human impulse--the conveyance of thought: the one operating through hearing, the other through sight; the one by sound from mouth to ear, the other by form or image from hand to eye. But each can do something besides convey thought. Spoken words can be so arranged as to discharge aesthetic "musical" significances, as in much Western poetry. Written words can be formed to liberate visual beauties; and it is these which form the subject of this book. In addition to aesthetic considerations, the text deals with such more practical subjects as the origin and construction of the Chinese characters, styles, technique, strokes, composition, training, and the relations between calligraphy and other forms of Chinese art. For the third edition the author has added two new chapters: "Calligraphy and Painting" discusses the dependence of Chinese painting on calligraphic training and techniques; "Aesthetic Principles" explores the fundamental concepts underlying every Chinese art form. Chinese Calligraphy is a superb appreciation of beauty in the movement of strokes and in the patterns of structure--and an inspiration to amateurs as well as professionals interested in the decorative arts.
Chinese Carpets and Rugs
by Adolf HackmackFirst published in the famous rug-making city of Tientsin more than fifty years ago in a limited edition, the book has unjustly been out of print for far too long. It has been the object of eager and futile search by many collectors, and its reappearance here in a faithful photographic reprint is certain to be welcomed by all discerning students of carpet weaving in one of its most famous and delightful forms. The book presents valuable essays on the development of carpet weaving, the colors of Chinese carpets, and the weaving process. The enduring worth of this book is proved by its continuing high reputation among collectors.
Chinese Carpets and Rugs
by Adolf HackmackFirst published in the famous rug-making city of Tientsin more than fifty years ago in a limited edition, the book has unjustly been out of print for far too long. It has been the object of eager and futile search by many collectors, and its reappearance here in a faithful photographic reprint is certain to be welcomed by all discerning students of carpet weaving in one of its most famous and delightful forms. The book presents valuable essays on the development of carpet weaving, the colors of Chinese carpets, and the weaving process. The enduring worth of this book is proved by its continuing high reputation among collectors.
Chinese Carpets and Rugs
by Adolf HackmackFirst published in the famous rug-making city of Tientsin more than fifty years ago in a limited edition, the book has unjustly been out of print for far too long. It has been the object of eager and futile search by many collectors, and its reappearance here in a faithful photographic reprint is certain to be welcomed by all discerning students of carpet weaving in one of its most famous and delightful forms. The book presents valuable essays on the development of carpet weaving, the colors of Chinese carpets, and the weaving process. The enduring worth of this book is proved by its continuing high reputation among collectors.
Chinese Carpets and Rugs
by Adolf HackmackFirst published in the famous rug-making city of Tientsin more than fifty years ago in a limited edition, the book has unjustly been out of print for far too long. It has been the object of eager and futile search by many collectors, and its reappearance here in a faithful photographic reprint is certain to be welcomed by all discerning students of carpet weaving in one of its most famous and delightful forms. The book presents valuable essays on the development of carpet weaving, the colors of Chinese carpets, and the weaving process. The enduring worth of this book is proved by its continuing high reputation among collectors.
Chinese Carpets and Rugs
by Adolf HackmackFirst published in the famous rug-making city of Tientsin more than fifty years ago in a limited edition, the book has unjustly been out of print for far too long. It has been the object of eager and futile search by many collectors, and its reappearance here in a faithful photographic reprint is certain to be welcomed by all discerning students of carpet weaving in one of its most famous and delightful forms. The book presents valuable essays on the development of carpet weaving, the colors of Chinese carpets, and the weaving process. The enduring worth of this book is proved by its continuing high reputation among collectors.
Chinese Cities as Pedagogy: Interdisciplinary Teaching Practice
by Guanghui Ding Jiawen Han Xianwen KuangThe book introduces innovative teaching practices and methods with a critical focus on understanding and interpreting Chinese cities as a rich context. It highlights the advantages of interdisciplinary teaching in creating new learning experiences for students. Additionally, the book provides thorough mapping of the applied methods across disciplines and offers deeper reflections on the emerging pedagogy.
Chinese Community of Stockton, The (Images of America)
by Sylvia Sun MinnickStockton, referred to as Sam Fow by its Chinese community, was the third largest metropolitan area leading to the goldfields of California at the turn of the 20th century. The Chinese immigrants came from Kwangtung, China, to find their fortune, and instead found a series of restrictive laws aimed at keeping them from participating in the development of the burgeoning frontier town. Their story is here, in over 200 vintage images of community life and resilience.Despite legislation such as the Foreign Miners' taxes and the California Alien Land Act, and most recently the construction of the Crosstown Freeway combined with the redevelopment project that disseminated the heart of Chinatown, the Chinese of this area were major contributors to California and Stockton's economy. They have maintained a balance between their heritage of familial and religious obligations and western education and activities. Included are photographs dating from the late 1920s of traditional Chinese associations and more recent community activities. These images showcase once thriving businesses, educational and religious efforts, and familial milestones.
Chinese Culture in the 21st Century and its Global Dimensions: Comparative and Interdisciplinary Perspectives (Chinese Culture #2)
by Kelly Kar Yue Chan Chi Sum Garfield LauThis book investigates the internationalization of Chinese culture in recent decades and the global dimensions of Chinese culture from comparative and interdisciplinary perspectives. It covers a variety of topics concerning the contemporary significance of Chinese culture in its philosophical, literary and artistic manifestations, including literature, film, performing arts, creative media, linguistics, translations and philosophical ideas. The book explores the reception of Chinese culture in different geographic locations and how the global reception of Chinese culture contrasts with the local Chinese community. The chapters collectively cover gender studies and patriarchal domination in Chinese literature in comparison to the world literature, explorations on translation of Chinese culture in the West, Chinese studies as an academic discipline in the West, and Chinese and Hong Kong films and performances in the global context. The book is an excellent resource for both scholars and students interested in the development of Chinese culture on the global stage in the 21st Century.
Chinese Cut-Paper Animal Designs (Dover Pictorial Archive)
by DoverAlthough often regarded as simple folk craft, paper cutouts constitute one of the foundations of Chinese art. This bold assortment features an original selection of 125 rare black-and-white cuts. Consisting exclusively of animal motifs, it offers unusual renderings, including fish, dragons, butterflies, horses, cranes, and other creatures. Artists, illustrators, designers, and crafters will find a virtually unlimited number of uses for these royalty-free images.
Chinese Cut-Paper Designs
by Theodore MentenThe motifs include real and mythical animals (pandas, tigers, dragons, deer, horses, etc.), numerous birds, flowers, fruits, butterflies, children performing everyday activities, workers, traditionally dressed men and women, the fictional character known as the Monkey King, ancient bronze ceremonial vessels, the Great Wall, lanterns, and more.In China these cutouts are pasted onto walls, windows, and other parts of houses and onto numerous smaller objects, where they serve both as ornaments and good-luck charms. Some are also used as embroidery patterns.Western artists and craftsmen who have been looking for modern Chinese motifs to use in their own work will find this book to be an excellent selection of these motifs in different subjects. All the designs can be used as is, or rearranged, combined, enlarged, reduced, changed in color, or in any way you wish.
Chinese Dance: In the Vast Land and Beyond
by Emily Wilcox Lynn E. Frederiksen Shih-Ming Li ChangAs China becomes increasingly important in world relations, many components of the country's cultural arts remain unknown outside its borders. Shih-Ming Li Chang and Lynn E. Frederiksen's Chinese Dance: In the Vast Land and Beyond undertakes the challenge of discovering the relationship between Chinese dance in its many forms and the cultural contexts of dance within the region and abroad. As a comprehensive resource, Chinese Dance offers students and scholars an invaluable introduction to the subject. It serves as a foundation of common knowledge from which Chinese and English-language communities can begin a cross-cultural conversation about Chinese dance. The text, along with a comprehensive glossary of key terms, gives English-language readers a chance to understand the development of Chinese dance as it is officially articulated by historians and dance scholars in Asia. An online database of video clips, an extensive bibliography, and Web-based appendices provide a broad collection of primary source materials that invite interactive and flexible engagement by a range of users. The inclusion of interviews with Chinese dance practitioners in North America offers a view into the Asian diaspora experience.
Chinese Designs and Motifs (Dover Pictorial Archive)
by Marty NobleDragons, fish, flowers, and foo dogs abound in this magnificent compilation of Chinese designs and motifs. An exotic archive of permission-free art, this volume offers 361 crisp black-and-white images in a wide variety of shapes and sizes that adapt themselves easily to use as spot illustrations, borders, and a host of other possibilities.Certain to lend a distinctive Far Eastern accent to any project, these evocative images will prove a treasury of inspiration for illustrators, graphic artists, and crafters.
Chinese Domestic Furniture in Photographs and Measured Drawings
by Gustav EckeWesterners have long admired Chinese furniture for its durability, inner strength, quiet restraint, and simple dignity. Especially attractive to the educated eye are its purity of line, devotion to detail, and flawless construction. This unabridged reprint of a rare classic provides lovers of Chinese furniture with an enlightened discussion of the accomplishments achieved by fine craftsmen over the centuries, including the aesthetic levels attained during the early Shang period (1766–1123 B. C.), the transitional phase of cabinetmaking during the Yuan Dynasty (1280–1368 A.D.), and the perfection in craftsmanship reached during the Ming Dynasty (1368–1644 A.D.). The text also reviews the origins and development of basic forms and methods of construction — from the selection of wood to its processing, cutting, joining, ornamentation, and final polishing.Long considered the definitive work on Chinese hardwood furniture in a Western language, this indispensable guide contains 161 superb plates that include photographs and drawings of tables, chairs, couches, cabinets, cupboards, and wardrobes. There are also measured drawings for 21 exquisitely crafted pieces for woodworkers interested in creating authentic Chinese furniture.When the first edition of this volume was published more than 40 years ago in Peking, only 200 copies were printed. Today, each of the few remaining originals is worth several thousands of dollars. Now available in a handsome and affordable reprint edition, this volume is a unique addition to the libraries of woodworkers, art lovers, and anyone interested in Chinese culture and décor.
Chinese Dress
by Valery GarrettAgainst a background of historical, cultural and social change comes Chinese Dress, a comprehensive and sumptuously illustrated book examining the extraordinary range of Chinese dress. Skillfully weaving together everything from court and formal costumes through to the working attire of the lower classes and the latest fashions of New China, Chinese Dress tells the story of the evolution of Chinese clothing. The first section details attire worn during the Qing dynasty by the emperors and their consorts, as well as the mandarins, merchants, and their womenfolk, both Manchu and Chinese. The following sections pay particular attention to the dramatic changes in clothing that took place in China from the Republican period, including rural dress and children's wear, through to dress in New China from 1949 to the present day. An engaging and original text, Chinese Dress is the essential reference for costume historians, fashion designers and collectors, as well as lovers of beautiful clothes everywhere.
Chinese Dress
by Valery GarrettAgainst a background of historical, cultural and social change comes Chinese Dress, a comprehensive and sumptuously illustrated book examining the extraordinary range of Chinese dress. Skillfully weaving together everything from court and formal costumes through to the working attire of the lower classes and the latest fashions of New China, Chinese Dress tells the story of the evolution of Chinese clothing. The first section details attire worn during the Qing dynasty by the emperors and their consorts, as well as the mandarins, merchants, and their womenfolk, both Manchu and Chinese. The following sections pay particular attention to the dramatic changes in clothing that took place in China from the Republican period, including rural dress and children's wear, through to dress in New China from 1949 to the present day. An engaging and original text, Chinese Dress is the essential reference for costume historians, fashion designers and collectors, as well as lovers of beautiful clothes everywhere.
Chinese Ecocinema
by Sheldon H. LuThis anthology is the first book-length study of China's environmental condition and ecosystem through the lens of cinema from a non-anthropocentric point of view. By proposing "ecocinema" as a new critical framework, the volume breaks new ground in Chinese and global film studies.
Chinese Film Classics, 1922–1949
by Christopher G. ReaChinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries.Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.
Chinese Film Stars (Routledge Contemporary China Series)
by Mary FarquharThis volume of original essays fills a significant research gap in Chinese film studies by offering an interdisciplinary, comparative examination of ethnic Chinese film stars from the silent period to the era of globalization. Whereas studies of stars and stardom have developed considerably in the West over the past two decades, there is no single book in English that critically addresses issues related to stars and stardom in Chinese culture. Chinese Film Stars offers exemplary readings of historically, geographically and aesthetically multifaceted star phenomena. An international line up of contributors test a variety of approaches in making sense of discourses of stars and stardom in China and the US, explore historical contexts in which Chinese film stars are constructed and transformed in relation to changing sociopolitical conditions, and consider issues of performance and identity specific to individual stars through chapter-by-chapter case studies. The essays explore a wide range of topics such as star performance, character type, media construction, political propaganda, online discourses, autobiographic narration, as well as issues of gender, genre, memory and identity. Including fifteen case studies of individual Chinese stars and illustrated with film stills throughout, this book is an essential read for students of Chinese film, media and cultural studies.
Chinese Film: Realism and Convention from the Silent Era to the Digital Age
by Jason McGrathA tour de force chronicling the development of realism in Chinese cinema The history of Chinese cinema is as long and complicated as the tumultuous history of China itself. Be it the silent, the Communist, or the contemporary, each Chinese cinematic era has necessitated its own form in conversation with broader trends in politics and culture. In Chinese Film, Jason McGrath tells this fascinating story by tracing the varied claims to cinematic realism made by Chinese filmmakers, officials, critics, and scholars. Understanding realism as a historical dynamic that is both enabled and mitigated by aesthetic conventions of the day, he analyzes it across six different types of claims: ontological, perceptual, fictional, social, prescriptive, and apophatic.Through this method, McGrath makes major claims not just about Chinese cinema but also about realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real. He comes to envision it as more than just a cinematic question, showing how the struggle for realism is central to the Chinese struggle for modernity itself.
Chinese Films Abroad: Distribution and Translation (Routledge Studies in Chinese Cinema)
by Haina Jin Yves GambierThis book examines Chinese films made and shown abroad roughly between the 1920s and the 2020s, from the beginning of the international exchange of the Chinese national film industry to the emergence of the concept of soft power.The periodisation of Chinese cinema(s) does not necessarily match the political periods: on the one hand, the technical development of the film industry and the organisation of translation in China, and on the other hand, official relations with China and translation policies abroad impose different constraints on the circulation of Chinese films. This volume deals with the distribution and translation of films from mainland China, Taiwan, Hong Kong, and the Chinese diaspora. To this end, the contributors address various issues related to the circulation and distribution of Chinese films, including co- productions, agents of exchange, and modes of translation. The approach is a mixture of socio- cultural and translational methods. The data collected provides, for the first time, a quantitative overview of the circulation of Chinese films in a dozen foreign countries.The book will greatly interest scholars and students of Chinese cinema, translation studies, and China studies.
Chinese Flower Arrangement
by H. L. LiLavishly illustrated history of Chinese floral art provides practical suggestions for applying traditional methods to modern settings. Features include: selecting flowers for symbolic qualities and beauty, complementing an arrangement with an appropriate vase and accessories, plus 42 illustrations that span centuries of Chinese paintings, prints, tapestries, porcelains.