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Papa's Mechanical Fish

by Candace Fleming

Candace Fleming and illustrator Boris Kulikov pair up to tell a fun story about a real submarine inventor in Papa's Mechanical FishClink! Clankety-bang! Thump-whirr! That's the sound of Papa at work. Although he is an inventor, he has never made anything that works perfectly, and that's because he hasn't yet found a truly fantastic idea. But when he takes his family fishing on Lake Michigan, his daughter Virena asks, "Have you ever wondered what it's like to be a fish?"—and Papa is off to his workshop. With a lot of persistence and a little bit of help, Papa—who is based on the real-life inventor Lodner Phillips—creates a submarine that can take his family for a trip to the bottom of Lake Michigan.

Papal Magic: Occult Practices Within the Catholic Church

by Simon

It is acknowledged Church doctrine that sorcery is the specific domain of the Devil. Yet occult tales are liberally sprinkled throughout the Old and New Testaments, from the spirit-invoking Witch of Endor to the story of Jesus raising Lazarus from the dead. Throughout its 2,000 year history, the Church has spawned numerous mystical religious orders, like the Knights Templar, that may have been engaged in supernatural pursuits, while no fewer than three popes were believed to be involved in occult practices.Christian scriptures tell us that the occult is real, while Catholic priests are thought to have spiritual power over ghosts and evil entities. But if a priest can cast out demons during the rites of exorcism, does it not imply he has the ability to summon them as well?In this eye-opening, provocative work, leading occult scholar Simon examines the Church's unspoken relationship with forbidden magic by exploring the infamous seventeenth-century document considered by some to be the most demonic of all occult texts—the Grimoire of Pope Honorius III—and illuminates the Vatican's darkest hidden corners.

Paper Cuts: How I Destroyed the British Music Press and Other Misadventures

by Ted Kessler

'A great writer' Paul Weller'A music journalist of integrity' Billy Childish'There's only one Ted Kessler!' Liam GallagherPAPER CUTS is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his seventeenth birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love. Paper Cuts tells how Kessler found redemption through music and writing and takes us on a journey alongside the stars he interviewed and the work-place dramas he navigated as a senior staffer at NME through the boom-time '90s and on to the monthly Q in 2004, where he worked for sixteen years before it folded with him at its helm as editor in 2020.We travel in time alongside musical heroes Paul Weller, Kevin Rowland, Mark E Smith, and to Cuba twice, first with Shaun Ryder and Bez, then with Manic Street Preachers. We spend long, mad nights out with Oasis and The Strokes, quality time with Jeff Buckley and Florence Welch, and watch Radiohead deliver cold revenge upon Kessler in public. A story about love and death, about what it's like when a music writer shacks up with a conflict of interest, and what happens when your younger brother starts appearing on the cover of the magazines you work for, this is the memoir of "a delinquent doofus" whose life was both rescued and defined by music magazines.

Paper Cuts: How I Destroyed the British Music Press and Other Misadventures

by Ted Kessler

'A great writer' Paul Weller'A music journalist of integrity' Billy Childish'There's only one Ted Kessler!' Liam GallagherPAPER CUTS is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his seventeenth birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love. Paper Cuts tells how Kessler found redemption through music and writing and takes us on a journey alongside the stars he interviewed and the work-place dramas he navigated as a senior staffer at NME through the boom-time '90s and on to the monthly Q in 2004, where he worked for sixteen years before it folded with him at its helm as editor in 2020.We travel in time alongside musical heroes Paul Weller, Kevin Rowland, Mark E Smith, and to Cuba twice, first with Shaun Ryder and Bez, then with Manic Street Preachers. We spend long, mad nights out with Oasis and The Strokes, quality time with Jeff Buckley and Florence Welch, and watch Radiohead deliver cold revenge upon Kessler in public. A story about love and death, about what it's like when a music writer shacks up with a conflict of interest, and what happens when your younger brother starts appearing on the cover of the magazines you work for, this is the memoir of "a delinquent doofus" whose life was both rescued and defined by music magazines.

Paper Daughter: A Memoir

by M. Elaine Mar

When she was five years old, M. Elaine Mar and her mother emigrated from Hong Kong to Denver to join her father in a community more Chinese than American, more hungry than hopeful. While working with her family in the kitchen of a Chinese restaurant and living in the basement of her aunt's house, Mar quickly masters English and begins to excel in school. But as her home and school life--Chinese tradition and American independence--become two increasingly disparate worlds, Mar tries desperately to navigate between them. Adolescence and the awakening of her sexuality leave Elaine isolated and confused. She yearns for storebought clothes and falls for a red-haired boy who leads her away from the fretful eyes of her family. In his presence, Elaine is overcome by the strength of her desire--blocking out her family's visions of an arranged marriage in Hong Kong. From surviving racist harassment in the schooIyard to trying to flip her straight hair like Farrah Fawcett, from hiding her parents' heritage to arriving alone at Harvard University, Mar's story is at once an unforgettable personal journey and an unflinching, brutal look at the realities of the American Dream.

Paper Doll: Notes From A Late Bloomer

by Dylan Mulvaney

'AN ESSENTIAL READ FOR ANYONE WITH A HEART' JOE LOCKE, star of Heartstopper'SHOULD BE REQUIRED READING FOR ANYONE LOOKING TO EXPAND THEIR RELATIONSHIP TO THE LGBTQ+ COMMUNITY' Kristin Chenoweth'DYLAN MAKES ME LAUGH AND MAKES ME BRAVE. I LOVE PAPER DOLL AND I LOVE THIS WOMAN' Glennon Doyle, #1 Sunday Times bestselling author of UntamedWhen Dylan Mulvaney came out as a woman online, she was a viral sensation almost overnight, emerging as a trailblazing voice on social media. Dylan's personal coming-out story blossomed into a platform for advocacy and empowerment for trans people all over the world.Through her "Days of Girlhood" series, she connected with followers by exploring what it means to be a girl, from experimenting with makeup to story times to spilling the tea about laser hair removal, while never shying away from discussing the transphobia she faced online. Nevertheless, she was determined to be a beacon of positivity.But shortly after she celebrated day 365 of being a girl, it all came screeching to a halt when an innocuous post sparked a media firestorm and right-wing backlash she couldn't have expected. Despite the vitriolic press and relentless paparazzi, Dylan was determined to remain loud and proud.In Paper Doll: Notes from a Late Bloomer, Dylan pulls back the curtain of her "It Girl" lifestyle with a witty and intimate reflection of her life pre- and post-transition. She covers everything from her first big break in theatre to the first time her dad recognized her as a girl to how she handled scandals, cancellations, and . . . tucking. It's both laugh-out-loud funny and powerfully honest-and is a love letter to everyone who stands up for queer joy.

Paper Doll: Notes From A Late Bloomer

by Dylan Mulvaney

When Dylan Mulvaney came out as a woman online, she was a viral sensation almost overnight, emerging as a trailblazing voice on social media. Dylan's personal coming-out story blossomed into a platform for advocacy and empowerment for trans people all over the world. <p> Through her "Days of Girlhood" series, she connected with followers by exploring what it means to be a girl, from experimenting with makeup to story times to spilling the tea about laser hair removal, while never shying away from discussing the transphobia she faced online. Nevertheless, she was determined to be a beacon of positivity. But shortly after she celebrated day 365 of being a girl, it all came screeching to a halt when an innocuous post sparked a media firestorm and right-wing backlash she couldn't have expected. <p> Despite the vitriolic press and relentless paparazzi, Dylan was determined to remain loud and proud. In Paper Doll: Notes from a Late Bloomer, Dylan pulls back the curtain of her "It Girl" lifestyle with a witty and intimate reflection of her life pre- and post-transition. She covers everything from her first big break in theatre to the first time her dad recognized her as a girl to how she handled scandals, cancellations, and . . . tucking. It's both laugh-out-loud funny and powerfully honest-and is a love letter to everyone who stands up for queer joy. <b>New York Times Bestseller</b>

Paper Gardens: A Stroll through French Literature

by Evelyne Bloch-Dano

From Jean-Jacques Rousseau to Marcel Proust, from Marguerite Duras to George Sand, from Colette to Patrick Modiano, gardens appear in novels as representations of the real world, but also as reflections of the imagination. In Paper Gardens: A Stroll through French Literature, Évelyne Bloch-Dano contemplates the role of the garden in the work of great prose writers, ruminating on how the garden can variously symbolize a reflection of the soul, a well-earned rest, an improving form of work, a nostalgia for childhood, and the dream of an ideal world. The charming and erudite first section focuses on history and is devoted to types of gardens ranging from the biblical Garden of Eden to English parklands; the second perceptively considers their role in literary works. Concealed within these cultivated wanderings is also an element of autobiography. Lovers of literature and gardening alike will fall in love with this beautifully written meditation.

Paper Houses: A Memoir of the 70s and Beyond

by Michele Roberts

Rebellion, revolution, experimental living, feminist communes, street theatre, radical magazines, love affairs - gay and straight - sex, drugs and rock and roll.Michèle Roberts, one of Britain's most talented and highly acclaimed novelists, now considers her own life, in this vibrant, powerful portrait of a time and place: alternative London of the 1970s and beyond. A fledgling writer taking a leap into radical politics, Roberts finds alternative homes, new families and lifelong friendships in the streets and houses of Holloway, Peckham, Regent's Park and Notting Hill Gate. From Spare Rib to publishing her first book, Paper Houses is Roberts' story of finding a space in which to live, love and write - and learning to share it.'Beguiling, enthusiastic, charming and vivid, this is an autobiography to be savoured' Amanda Craig, DAILY TELEGRAPH

Paper Houses: A Memoir of the 70s and Beyond

by Michele Roberts

Rebellion, revolution, experimental living, feminist communes, street theatre, radical magazines, love affairs - gay and straight - sex, drugs and rock and roll.Michèle Roberts, one of Britain's most talented and highly acclaimed novelists, now considers her own life, in this vibrant, powerful portrait of a time and place: alternative London of the 1970s and beyond. A fledgling writer taking a leap into radical politics, Roberts finds alternative homes, new families and lifelong friendships in the streets and houses of Holloway, Peckham, Regent's Park and Notting Hill Gate. From Spare Rib to publishing her first book, Paper Houses is Roberts' story of finding a space in which to live, love and write - and learning to share it.'Beguiling, enthusiastic, charming and vivid, this is an autobiography to be savoured' Amanda Craig, DAILY TELEGRAPH

Paper Lion: Confessions of a Last-String Quarterback

by Nicholas Dawidoff George Plimpton

The book that made a legend--and capture's America's sport in detail that's never been matched, now featuring a foreword by Nicholas Dawidoff a and never-before-seen content from the Plimpton Archives. George Plimpton was perhaps best known for PAPER LION, the book that set the bar for participatory sports journalism. With his characteristic wit, Plimpton recounts his experiences in talking his way into training camp with the Detroit Lions, practicing with the team, and taking snaps behind center. His breezy style captures the pressures and tensions rookies confront, the hijinks that pervade when sixty high-strung guys live together in close quarters, and a host of football rites and rituals. One of the funniest and most insightful books ever written on football, PAPER LION is a classic look at the gridiron game and a book The Wall Street Journal calls "a continuous feast...The best book ever about football--or anything!"

Paper Love

by Sarah Wildman

One woman's journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory. Years after her grandfather's death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled "Correspondence: Patients A-G." What she found inside weren't dry medical histories; instead what was written opened a path into the destroyed world that was her family's prewar Vienna. One woman's letters stood out: those from Valy--Valerie Scheftel. Her grandfather's lover who had remained behind when he fled Europe six months after the Nazis annexed Austria. Valy's name wasn't unknown to her--Wildman had once asked her grandmother about a dark-haired young woman whose images she found in an old photo album. "She was your grandfather's true love," her grandmother said at the time, and refused any other questions. But now, with the help of the letters, Wildman started to piece together Valy's story. They revealed a woman desparate to escape and clinging to the memory of a love that defined her years of freedom. Obsessed with Valy's story, Wildman began a quest that lasted years and spanned continents. She discovered, to her shock, an entire world of other people searching for the same woman. On in the course of discovering Valy's ultimate fate, she was forced to reexamine the story of her grandfather's triumphant escape and how this history fit within her own life and in the process, she rescues a life seemingly lost to history.

Paper Memory: A Sixteenth-Century Townsman Writes His World (Harvard historical studies ; #179)

by Matthew Lundin

Paper Memory tells of one man’s mission to preserve for posterity the memory of everyday life in sixteenth-century Germany. Lundin takes us inside the mind of an undistinguished German burgher, Hermann Weinsberg, whose early-modern writings sought to make sense of changes that were unsettling the foundations of his world.

Paper Son: The Inspiring Story of Tyrus Wong, Immigrant and Artist

by Julie Leung

Winner of the American Library Association's 2021 Asian/Pacific American Award for Best Picture Book! An inspiring picture-book biography of animator Tyrus Wong, the Chinese American immigrant responsible for bringing Disney's Bambi to life.Before he became an artist named Tyrus Wong, he was a boy named Wong Geng Yeo. He traveled across a vast ocean from China to America with only a suitcase and a few papers. Not papers for drawing--which he loved to do--but immigration papers to start a new life. Once in America, Tyrus seized every opportunity to make art, eventually enrolling at an art institute in Los Angeles. Working as a janitor at night, his mop twirled like a paintbrush in his hands. Eventually, he was given the opportunity of a lifetime--and using sparse brushstrokes and soft watercolors, Tyrus created the iconic backgrounds of Bambi.Julie Leung and Chris Sasaki perfectly capture the beautiful life and work of a painter who came to this country with dreams and talent--and who changed the world of animation forever.

Paper Trails: From the Backwoods to the Front Page, a Life in Stories

by Roy MacGregor

One of Canada's greatest journalists shares a half century of the stories behind the stories.From his vantage point harnessed to a tree overlooking the town of Huntsville (he tended to wander), a very young Roy MacGregor got in the habit of watching people—what they did, who they talked to, where they went. He has been getting to know his fellow Canadians and telling us all about them ever since. From his early days in the pages of Maclean's, to stints at the Toronto Star, Ottawa Citizen, National Post and most famously from his perch on page two of the Globe and Mail, MacGregor was one of the country's must-read journalists. While news media were leaning increasingly right or left, he always leaned north, his curiosity trained by the deep woods and cold lakes of Algonquin Park to share stories from Canada's farthest reaches, even as he worked in the newsrooms of its southern capitols. From Parliament to the backyard rink, subarctic shores to prairie expanses, MacGregor shaped the way Canadians saw and thought about themselves—never entirely untethered from the land and its history. When MacGregor was still a young editor at Maclean's, the 21-year-old chief of the Waskaganish (aka Rupert's House) Crees, Billy Diamond, found in Roy a willing listener as the chief was appealing desperately to newsrooms across Ottawa, trying to bring attention to the tainted-water emergency in his community. Where other journalists had shrugged off Diamond's appeals, MacGregor got on a tiny plane into northern Quebec. From there began a long friendship that would one day lead MacGregor to a Winnipeg secret location with Elijah Harper and his advisors, a host of the most influential Indigenous leaders in Canada, as the Manitoba MPP contemplated the Charlottetown Accord and a vote that could shatter what seemed at the time the country's last chance to save Confederation. This was the sort of exclusive access to vital Canadian stories that Roy MacGregor always seemed to secure. And as his ardent fans will discover, the observant small-town boy turned pre-eminent journalist put his rare vantage point to exceptional use. Filled with reminiscences of an age when Canadian newsrooms were populated by outsized characters, outright rogues and passionate practitioners, the unputdownable Paper Trails is a must-read account of a life lived in stories.

Paperboy: Confessions of a Future Engineer

by Henry Petroski

Henry Petroski has been called "the poet laureate of technology." He is one of the most eloquent and inquisitive science and engineering writers of our time, illuminating with new clarity such familiar objects as pencils, books, and bridges. In Paperboy, he turns his intellectual curiosity inward, on his own past. Petroski grew up in the Cambria Heights section of New York City's borough of Queens during the 1950s, in the midst of a close and loving family. Educated at local Catholic schools, he worked as a delivery boy for the Long Island Press. The job taught him lessons about diligence, labor, commitment, and community-mindedness, lessons that this successful student could not learn at school. From his vantage point as a professor, engineer, and writer, Petroski reflects fondly on these lessons, and on his near-idyllic boyhood. Paperboy is also the story of the intellectual maturation of an engineer. Petroski's curiosity about how things work--from bicycles to Press-books to newspaper delivery routes--was evident even in his youth. He writes with clear-eyed passion about the physical surroundings of his world, the same attitude he has brought to examining the quotidian objects of our world. Paperboy is a delightful memoir, telling the dual story of an admirable family in a more innocent, bygone America, and the making of an engineer and writer. This is a book to cherish and reread.

Papi: My Story

by David Ortiz Michael Holley

The Red Sox Hall of Famer and World Series MVP tells the story of his life and career in a sports memoir that &“lives up to its &‘no-holds-barred&’ billing&” (Washington Post). David &“Big Papi&” Ortiz is a baseball icon and one of the most popular figures ever to play the game. A star player with the Boston Red Sox for fifteen years, Ortiz helped to win three World Series, bringing back a storied franchise from &“never wins&” to &“always wins.&” As he launched balls into the stands again and again, he helped silence the naysayers while capturing the imaginations of millions of fans. Ortiz made Boston and the Red Sox his home, his place of work, and his legacy. In Papi, Ortiz tells his story in his own words, opening up as never before. The result is a revelatory tale of a storied career—all told by a legendary player with a lot to say at the end of his time in the game. This edition of Papi includes a new afterword. &“Baseball fans of all loyalties will enjoy learning about [Ortiz&’s] unique experiences in and out of the game.&” —Library Journal &“The rise of Ortiz from scrap-heap bench player to Hall of Famer is an unlikely and entertaining story, and engagingly told.&” —Washington Post

Papillon

by Henri Charriere

Henri CharriÈre, called "Papillon," for the butterfly tattoo on his chest, was convicted in Paris in 1931 of a murder he did not commit. Sentenced to life imprisonment in the penal colony of French Guiana, he became obsessed with one goal: escape. After planning and executing a series of treacherous yet failed attempts over many years, he was eventually sent to the notorious prison, Devil's Island, a place from which no one had ever escaped . . . until Papillon. His flight to freedom remains one of the most incredible feats of human cunning, will, and endurance ever undertaken. CharriÈre's astonishing autobiography, Papillon, was published in France to instant acclaim in 1968, more than twenty years after his final escape. Since then, it has become a treasured classic -- the gripping, shocking, ultimately uplifting odyssey of an innocent man who would not be defeated.

Papillon

by Henri Charrière

Un clásico autobiográfico que relata la increíble evasión de un hombre que vivió una auténtica odisea por perseguir aquello que nunca debió perder: la libertad. <P><P>En 1931, Henri Charrière, apodado Papillon por el tatuaje en forma de mariposa de su pecho, fue condenado a prisión por un asesinato que no había cometido. Sentenciado a cadena perpetua en una colonia penal de la Guayana Francesa, en su mente solo cabía una meta: escapar. <P>Tras varios intentos fallidos de fuga a lo largo de los años, fue enviado a la llamada Isla del Diablo, de donde ningún recluso se había evadido jamás... hasta su llegada. <P>La lucha por la libertad de Papillon sigue siendo una de las más increíbles hazañas que el ingenio, el tesón y la valentía humanos hayan demostrado jamás. Su relato dio lugar a esta extraordinaria autobiografía, la odisea de un hombre inocente para perseguir lo que nunca debió perder: la libertad.

Papillon

by Henri Charrière

Un clásico autobiográfico que relata la increíble evasión de un hombre que vivió una auténtica odisea por perseguir aquello que nunca debió perder: la libertad. En 1931, Henri Charrière, apodado Papillon por el tatuaje en forma de mariposa de su pecho, fue condenado a prisión por un asesinato que no había cometido. Sentenciado a cadena perpetua en una colonia penal de la Guayana Francesa, en su mente solo cabía una meta: escapar. Tras varios intentos fallidos de fuga a lo largo de los años, fue enviado a la llamada Isla del Diablo, de donde ningún recluso se había evadido jamás... hasta su llegada. La lucha por la libertad de Papillon sigue siendo una de las más increíbles hazañas que el ingenio, el tesón y la valentía humanos hayan demostrado jamás. Su relato dio lugar a esta extraordinaria autobiografía, la odisea de un hombre inocente para perseguir lo que nunca debió perder: la libertad. Reseñas:«La mayor hazaña de todos los tiempos.»Auguste Le Breton «Un clásico moderno de coraje.»The New Yorker «Una extraordinaria historia de aventuras.»The New York Review of Books

Pappy Kitchens and the Saga of Red Eye the Rooster

by William Dunlap

O. W. “Pappy” Kitchens (1901–1986) was born in Crystal Springs, Mississippi, and began painting at age sixty-seven. His self-taught, narrative, visual art springs directly from the oral tradition of parable and storytelling with which he grew up. A self-declared folk artist, Kitchens claimed, “I paint about folks, what folks see and what folks do.” His magnum opus, The Saga of Red Eye the Rooster, was painted between 1973 and 1976 and presents a homespun Pilgrim’s Progress in the form of a beast fable. Kitchens’s most ambitious allegorical work, this fable consists of sixty panels, each one measuring fifteen inches square, composed of mixed materials on paper, and executed in three groups of twenty. Kitchens follows Red Eye from foundling to funeral, exploring the life of this extraordinary bird. Red Eye’s quasi-human behavior inevitably maneuvers him into conflicts with antagonists of all sorts. He encounters violence, avarice, lust, greed, and most of the other seven deadly sins, dispatching them in heroic fashion until he finally succumbs to his own fatal flaw. In addition to The Saga of Red Eye the Rooster, the volume features personal photos of Kitchens as well as additional works by the artist. Written by distinguished artist and Kitchens’s once son-in-law William Dunlap, with an introduction by renowned curator Jane Livingston, Pappy Kitchens and the Saga of Red Eye the Rooster brings much-needed exposure to the life and work of a key Mississippi figure.

Pappyland: A Story of Family, Fine Bourbon, and the Things That Last

by Wright Thompson

The story of how Julian Van Winkle III, the caretaker of the most coveted cult Kentucky Bourbon whiskey in the world, fought to protect his family's heritage and preserve the taste of his forebears, in a world where authenticity, like his product, is in very short supply. <p><p> As a journalist said of Pappy Van Winkle, "You could call it bourbon, or you could call it a $5,000 bottle of liquified, barrel-aged unobtanium." Julian Van Winkle, the third-generation head of his family's business, is now thought of as something like the Buddha of Bourbon - Booze Yoda, as Wright Thompson calls him. He is swarmed wherever he goes, and people stand in long lines to get him to sign their bottles of Pappy Van Winkle Family Reserve, the whiskey he created to honor his grandfather, the founder of the family concern. A bottle of the 23-year-old Pappy starts at $3000 on the internet. As Julian is the first to say, things have gone completely nuts. <p> Forty years ago, Julian would have laughed in astonishment if you'd told him what lay ahead. He'd just stepped in to try to save the business after his father had died, partly of heartbreak, having been forced to sell the old distillery in a brutal downturn in the market for whiskey. Julian's grandfather had presided over a magical kingdom of craft and connoisseurship, a genteel outfit whose family ethos generated good will throughout Kentucky and far beyond. There's always a certain amount of romance to the marketing of spirits, but Pappy's mission statement captured something real: "We make fine bourbon - at a profit if we can, at a loss if we must, but always fine bourbon." But now the business had hit the wilderness years, and Julian could only hang on for dear life, stubbornly committed to preserving his namesake's legacy or going down with the ship. <p> Then something like a miracle happened: it turned out that hundreds of very special barrels of whiskey from the Van Winkle family distillery had been saved by the multinational conglomerate that bought it. With no idea what they had, they offered to sell it to Julian, who scrambled to beg and borrow the funds. Now he could bottle a whiskey whose taste captured his family's legacy. The result would immediately be hailed as the greatest whiskey in the world - and would soon be the hardest to find. <p> But now, those old barrels were used up, and Julian Van Winkle faced the challenge of his lifetime: how to preserve the taste of Pappy, the taste of his family's heritage, in a new age? The amazing Wright Thompson was invited to be his wingman as he set about to try. The result is an extraordinary testimony to the challenge of living up to your legacy and the rewards that come from knowing and honoring your people and your craft. Wright learned those lessons from Julian as they applied to the honest work of making a great bourbon whiskey in Kentucky, but he couldn't help applying them to his own craft, writing, and his upbringing in Mississippi, as he and his wife contemplated the birth of their first child. May we all be lucky enough to find some of ourselves, as Wright Thompson did, in Julian Van Winkle, and in Pappyland. <p> <b>A New York Times Bestseller</b>

Papá espía

by Jimmy Burns

En los años 30, Tom Burns era un joven editor católico que despuntaba en los círculos literarios de Londres, rodeado de amigos y autores como G. K. Chesterton, Evelyn Waugh, Graham Greene, el artista Eric Gill y el poeta David Jones. En ese brillante ambiente de la alta sociedad, se había enamorado de la hermosa Ann Bowes-Lyon, prima de la Reina.Cuando estalla la Segunda Guerra Mundial, Burns entra en el Ministerio de Información, que era de hecho el ala propagandística de los servicios secretos. Madrid, nido de espías de ambos bandos y punto clave en la guerra de propaganda, es su destino como encargado de prensa del formidable y muy protestante Embajador Sir Samuel Hoare. Burns se entregó en cuerpo y alma a su tarea frente a los nazis, que en ese momento tenían un acceso casi absoluto a los medios españoles: hacer todo lo posible para que Franco se mantuviera neutral y así proteger Gibraltar y el acceso al Mediterráneo occidental.La estrategia era sencilla, pero las tácticas mucho más complicadas, sobre todo cuando Burns se dio cuenta de que tenía enemigos en su propio bando, empezando por Anthony Blunt y Kim Philby, jefe de la sección ibérica del MI6. En 1941 echaba de menos la lucha real, Ann se había prometido con otro hombre y pasaba tanto tiempo guardándose las espaldas como combatiendo a los Nazis. Este fascinante libro escrito por su hijo cuenta cómo venció estas dificultades, participó en la operación Mincemeat para facilitar el desembarco en Sicilia, preparó el viaje propagandístico a España y Portugal en que perdió la vida Leslie Howard y encontró el amor de su vida mientras servía fielmente a su país.

Papá y yo

by Beatriz Caballero Holguin

Un homenaje al escritor Eduardo Caballero Calderón por parte de su hija. ¿A quién no le pusieron de tarea en el colegio a Eduardo CaballeroCalderón? ¿Un ensayo sobre el Cristo de Espaldas o un análisis literariode Siervo sin Tierra? "Era desesperante esa cantidad de niños de colegioque llamaban a la casa por teléfono porque les habían puesto a papá detarea. Al principio era divertido, pero cuando ya eran treinta lasllamadas en una sola tarde, nos empezamos a aburrir. A veces papá mismoera el que contestaba:-Tengo que leerme Siervo sin tierra pero me dapereza, ¿por qué no más bien me lo cuentas? -Porque ya se me olvidó# Unaniñita más envalentonada, cuando supo que estaba hablando con él ledijo: -¡Pues ni se sueñe que me voy a leer su jartera de libro! Y lecolgó". Estas anécdotas hacen parte del prólogo de Papá y yo, libro queBeatriz Caballero escribió como homenaje a su padre y cuyo únicoobjetivo que persigue es dar a conocer a Eduardo Caballero Calderón paraque den ganas de leerlo. Por eso puso a dialogar sus obras con laopinión de críticos y estudiosos literarios. Y ante todo lo citó a él,lo puso a hablar, no sólo por medio de sus escritos sino con sus propiaspalabras, esas que pronunciaba en la mesa del comedor, la sala o duranteun viaje. Por supuesto, Caballero Calderón fue mucho más que El Cristode espaldas y Siervo sin tierra. Hasta 1967 muchos críticos literarioslo consideraban como el mejor escritor vivo del país. Durante cincuentaaños fue periodista y desde sus columnas de opinión en El Tiempo y ElEspectador bajo el seudónimo de Swann fue una especie de faro moral parael país por su crítica constante al gobierno, su espíritu democrático,su preocupación por el campo y su afán bolivariano. Escribió treintalibros y fue traducido a doce idiomas: portugués, francés, italiano,alemán, ruso, serbocroata, chino, coreano entre otros. Es uno de lostres autores no nacidos en España que ha obtenido el Premio Nadal, elmás antiguo que se concede en ese país. Sus obras El buen salvaje, Caín,La historia de dos hermanos y El Cristo de Espaldas fueron adaptadas acine o a televisión, por eso es considerado como el escritor Colombianomás llevado al lenguaje visual Un homenaje al escritor Eduardo Caballero Calderón por parte de su hija. ¿A quién no le pusieron de tarea en el colegio a Eduardo CaballeroCalderón? ¿Un ensayo sobre el Cristo de Espaldas o un análisis literariode Siervo sin Tierra? "Era desesperante esa cantidad de niños de colegioque llamaban a la casa por teléfono porque les habían puesto a papá detarea. Al principio era divertido, pero cuando ya eran treinta lasllamadas en una sola tarde, nos empezamos a aburrir. A veces papá mismoera el que contestaba:-Tengo que leerme Siervo sin tierra pero me dapereza, ¿por qué no más bien me lo cuentas? -Porque ya se me olvidó# Unaniñita más envalentonada, cuando supo que estaba hablando con él ledijo: -¡Pues ni se sueñe que me voy a leer su jartera de libro! Y lecolgó". Estas anécdotas hacen parte del prólogo de Papá y yo, libro queBeatriz Caballero escribió como homenaje a su padre y cuyo únicoobjetivo que persigue es dar a conocer a Eduardo Caballero Calderón paraque den ganas de leerlo. Por eso puso a dialogar sus obras con laopinión de críticos y estudiosos literarios. Y ante todo lo citó a él,lo puso a hablar, no sólo por medio de sus escritos sino con sus propiaspalabras, esas que pronunciaba en la mesa del comedor, la sala o duranteun viaje. Por supuesto, Caballero Calderón fue mucho más que El Cristode espaldas y Siervo sin tierra. Hasta 1967 muchos críticos literarioslo consideraban como el mejor escritor vivo del país. Durante cincuentaaños fue periodista y desde sus columnas de opinión en El Tiempo y ElEspectador bajo el seudónimo de Swann f

Para Acabar de Vez com Eddy Bellegueule

by Édouard Louis

Primeiro romance de Edouard Louis, que lhe valeu o imediato aplauso da crítica e a fama internacional. Criado no seio de uma família da classe trabalhadora, na Picardia, interior da França, Eddy não é igual às outras crianças. Os seus modos, a sua maneira de falar e a sua delicadeza valeram-lhe humilhações, ameaças e a incompreensão, tanto por parte dos colegas de escola, como do pai, «um duro», alcoólico e irascível, e da mãe, uma mulher cansada e alheada. Eddy cresce assim, preso na contradição de tanto gostar como odiar a pessoa que é, do fascínio e asco pelos seus desejos mais íntimos, de querer a liberdade de uma outra vida, mas nunca conseguindo colocar verdadeiramente de parte o seu amor pelos pais. Primeiro romance de Edouard Louis, que lhe valeu o imediato aplauso da crítica e a fama internacional, Para Acabar de Vez com Eddy Bellegueule é um livro audacioso, feito de memória pessoal e de ficção, um romance temerário e franco, que procura responder à derradeira pergunta: como pode cada um de nós inventar a sua própria liberdade? Os elogios da crítica: «Um romance de uma força e de uma verdade emocionantes.» — Annie Ernaux «Uma história impressionante acerca da diferença e da adolescência.» — The New York Times «O início de uma fulgurante carreira literária.» — The Washington Post«De uma força emocional devastadora.» — The New Yorker

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