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Writing Gordon Lightfoot: The Man, the Music, and the World in 1972
by Dave BidiniFrom acclaimed musician and author Dave Bidini comes a brilliantly original look at a folk-rock legend and the momentous week in 1972 that culminated in the Mariposa Folk Festival.July, 1972. As musicians across Canada prepare for the nation's biggest folk festival, held on Toronto Island, a series of events unfold that will transform the country politically, psychologically--and musically. As Bidini explores the remarkable week leading up to Mariposa, he also explores the life and times of one of the most enigmatic figures in Canadian music: Gordon Lightfoot, the reigning king of folk at the height of his career. Through a series of letters, Bidini addresses Lightfoot directly, questioning him, imagining his life, and weaving together a fascinating, highly original look at a musician at the top of his game. By the end of the week, the country is on the verge of massive change and the '72 Mariposa folk fest--complete with surprise appearances by Bob Dylan, Neil Young, Joni Mitchell, and yes, Lightfoot--is on its way to becoming legendary.From the Hardcover edition.
Writing Hard Stories: Celebrated Memoirists Who Shaped Art from Trauma
by Melanie BrooksAcclaimed memoirists describe the process of writing their most painful memoriesWriting Hard Stories encourages all writers as they work to craft honest memoirs. Some of the country’s most admired authors describe their own treks through dark memories and breakthrough moments and attest to the healing power of putting words to experience.“Why we endeavor collectively to write a book or paint a canvas or write a symphony...is to understand who we are as human beings, and it’s that shared knowledge that somehow helps us to survive.”—Richard Blanco“Here’s what you need to understand: your brothers [or family or friends] are going to have their own stories to tell. You don’t have to tell the family story. You have to tell your story of being in that family.”—Andre Dubus III“We all need a way to express or make something out of experiences that otherwise have no meaning. If what you want is clarity and meaning, you have to break the secrets over your knee and make something of those ingredients.”—Abigail Thomas“What we remember and how we remember it really tells us how we became who we became.”—Michael Patrick MacDonald“The reason I write memoir is to be able to see the experience itself...I hardly know what I think until I write...Writing is a way to organize your life, give it a frame, give it a structure, so that you can really see what it was that happened.”—Sue William Silverman“After a while in the process, you have some distance and you start thinking of it as a story, not as your story...It was a personal grief, but no longer personal...[It’s] something that has not just happened to me and my family, but something that’s happened in the world.”—Edwidge Danticat“Tibetan Buddhists believe that eloquence is the telling of a truth in such a way that it eases suffering...The more suffering that is eased by your telling of the truth, the more eloquent you are. That’s all you can really hope for—being eloquent in that fashion. All you have to do is respond to your story honestly, and that’s the ideal.”—Kate Bornstein“You can never entirely redeem the experience. You can’t make it not hurt anymore. But you can make it beautiful enough so that there’s something to balance it in the other scale. And if you understand that word beautiful as not necessarily pretty, then you’re getting close to recognizing the integrative power of restoring the balance, which is restoring the truth.”—Richard Hoffman
Writing History: A Professor’s Life
by Michael BlissOne of Canada’s best-known and most-honoured biographers turns to the raw material of his own life in Writing History. A university professor, prolific scholar, public intellectual, and frank critic of the world he has known, Michael Bliss draws on extensive personal diaries to describe a life that has taken him from small-town Ontario in the 1950s to international recognition for his books in Canadian and medical history. His memoir ranges remarkably widely: it encompasses social history, family tragedy, a critical insider’s view of university life, Canadian national politics, and, above all, a rare glimpse into the craftsmanship that goes into the research and writing of history in our time. Whether writing about pigs and millionaires, the discovery of insulin, sleazy Canadian politicians, or the founders of modern medicine and brain surgery, Michael Bliss is noted for the clarity of his prose, the honesty of his opinions, and the breadth of his literary interests.
Writing Home
by Alan BennettA collection of articles, reviews, essays, and diaries from the celebrated writer: “A wonderful book, the wit of which spills over even into the index” (The Times, London).Bringing together the hilarious, revealing, and lucidly intelligent writing of one of England’s best known literary figures, Writing Home includes the journalism, book and theater reviews, and diaries of Alan Bennett, as well as “The Lady in the Van,” his unforgettable account of Miss Shepherd, a London eccentric who lived in a van in Bennett’s garden for more than twenty years.This revised and updated edition includes new material from the author, including more recent diaries and his introduction to his Oscar-nominated screenplay for The Madness of King George. A chronicle of one of the most important literary careers of the twentieth century, Writing Home is a classic history of a life in letters.
Writing Home: A Quaker Immigrant on the Ohio Frontier; the Letters of Emma Botham Alderson
by Emma AldersonWriting Home offers readers a firsthand account of the life of Emma Alderson, an otherwise unexceptional English immigrant on the Ohio frontier in mid-nineteenth-century America, who documented the five years preceding her death with astonishing detail and insight. Her convictions as a Quaker offer unique perspectives on racism, slavery, and abolition; the impending war with Mexico; presidential elections; various religious and utopian movements; and the practices of everyday life in a young country. Introductions and notes situate the letters in relation to their critical, biographical, literary, and historical contexts. Editor Donald Ulin discusses the relationship between Alderson’s letters and her sister Mary Howitt’s Our Cousins in Ohio (1849), a remarkable instance of transatlantic literary collaboration. Writing Home offers an unparalleled opportunity for studying immigrant correspondence due to Alderson’s unusually well-documented literary and religious affiliations. The notes and introductions provide background on nearly all the places, individuals, and events mentioned in the letters. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Writing Home: Collected Essays and Newspaper Columns from 1992 - 2004
by Cindy La FerleBoth a memoir and a handbook for living, Writing Home brings together 12 years of domestic essays and columns by the journalist author.
Writing Home: Selected World War II Letters of Leslie A. Fiedler
by Leslie A. FiedlerThe letters in Writing Home offer a glimpse into a crucially formative period in the life of Leslie A. Fiedler, one of the greatest literary critics and American public intellectuals of the twentieth century. Written to his wife and two sons between May 1944 and December 1945, while he was serving as a cryptologist and translator for the Office of Naval Intelligence, they contain firsthand accounts of his experiences in various locations in the Pacific Theater, including Hawai'i, Iwo Jima, Okinawa, Guam, and China. Constrained by Navy censors from writing directly about his work as an intelligence officer, he writes, instead, on a variety of themes, events, places, and war situations, including the ethical contradictions between a war fought for and in the name of freedom on the one hand and the oppression of indigenous Hawai'ians and prisoners of war on the other. He also questions the mainstream, European-centered view of the war and provides new insights into the role of Jewish servicemen in World War II. Finally, the letters document the beginning of the formation of American intellectual life in the years preceding the Cold War, forcing us to rethink certain premises of American exceptionalism in the second half of the twentieth century. Taken together, they offer a unique and fascinating immersion into history through the eyes of one of the makers of post–World War II American literary culture.
Writing Lives in China, 1600-2010
by Marjorie Dryburgh Sarah DaunceyThis innovative collection explores the life stories of Chinese women and men between the seventeenth and twenty-first centuries. It draws on both biographical and autobiographical narratives and on perspectives taken from life writing theory to ask how lives were lived and written within and against the rules of the auto/biographical game.
Writing Movies for Fun and Profit: How We Made a Billion Dollars at the Box Office and You Can, Too!
by Thomas Lennon Robert Ben GarantThis is the only screenwriting guide by two guys who have actually done it (instead of some schmuck who just gives lectures about screenwriting at the airport Marriott); “These guys are proof that with no training and little education, ANYONE can make it as a screenwriter” (Paul Rudd).Robert Ben Garant and Thomas Lennon’s movies have made over a billion dollars at the box office—and now they show you how to do it yourself! This book is full of secret insider information about how to conquer the Hollywood studio system: how to write, pitch, structure, and get drunk with the best of them. Well…maybe not the best of them, but certainly the most successful. (If you’re aiming to win an Oscar, this is not the book for you!) But if you can type a little, and can read and speak English—then you too can start turning your words into stacks of money! This is the only screenwriting book you will ever need (because all other ones pretty much suck). In these pages, Garant and Lennon provide the kind of priceless tips you won’t find anywhere else, including: -The art of pitching -Getting your foot in the door -Taking notes from movie stars -How to get fired and rehired -How to get credit and royalties! And most important: what to buy with the huge piles of money you’re going to make! Writing Movies for Fun and Profit will take you through the highs and lows of life as a professional screenwriter. From the highs of hugging Gisele Bündchen and getting kung fu punched by Jackie Chan to the soul-crushing lows of Herbie: Fully Loaded. Read this book and you’ll have everything you need to make your first billion the old-fashioned way—by “selling out” in show business! A portion of the authors’ proceeds from this book are being contributed to the USO of Metropolitan Washington, a private, nonprofit organization dedicated to serving active duty military members and their families in the greater Washington, DC, region.
Writing My Wrongs
by Shaka SenghorIn 1991, Shaka Senghor was sent to prison for second-degree murder. Today, he is a lecturer at universities, a leading voice on criminal justice reform, and an inspiration to thousands.In life, it's not how you start that matters. It's how you finish. Shaka Senghor was raised in a middle class neighborhood on Detroit's east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor--but at age 11, his parents' marriage began to unravel, and the beatings from his mother worsened, sending him on a downward spiral that saw him run away from home, turn to drug dealing to survive, and end up in prison for murder at the age of 19, fuming with anger and despair. Writing My Wrongs is the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of others--tools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation and invitations to speak at events like TED and the Aspen Ideas Festival.In equal turns, Writing My Wrongs is a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption, reminding us that our worst deeds don't define us; and a compelling witness to our country's need for rethinking its approach to crime, prison, and the men and women sent there.From the Hardcover edition.
Writing Pancho Villa's Revolution: Rebels in the Literary Imagination of Mexico
by Parra MaxThe 1910 Mexican Revolution saw Francisco "Pancho" Villa grow from social bandit to famed revolutionary leader. <P>Although his rise to national prominence was short-lived, he and his followers (the villistas) inspired deep feelings of pride and power amongst the rural poor. After the Revolution (and Villa's ultimate defeat and death), the new ruling elite, resentful of his enormous popularity, marginalized and discounted him and his followers as uncivilized savages. Hence, it was in the realm of culture rather than politics that his true legacy would be debated and shaped.<P>Mexican literature following the Revolution created an enduring image of Villa and his followers. Writing Pancho Villa's Revolution focuses on the novels, chronicles, and testimonials written from 1925 to 1940 that narrated Villa's grassroots insurgency and celebrated—or condemned—his charismatic leadership. By focusing on works by urban writers Mariano Azuela (Los de abajo) and Martín Luis Guzmán (El águila y la serpiente), as well as works closer to the violent tradition of northern Mexican frontier life by Nellie Campobello (Cartucho), Celia Herrera (Villa ante la historia), and Rafael F. Muñoz (¡Vámonos con Pancho Villa!), this book examines the alternative views of the revolution and of the villistas. Max Parra studies how these works articulate different and at times competing views about class and the cultural "otherness" of the rebellious masses. This unique revisionist study of the villista novel also offers a deeper look into the process of how a nation's collective identity is formed.
Writing Past Dark: Envy, Fear, Distraction and Other Dilemmas in the Writer's Life
by Bonnie FriedmanWriting Past Dark charts the emotional side of the writer's life. It is a writing companion to reach for when you feel lost and want to regain access to the memories, images, and the ideas inside you that are the fuel of strong writing. Combining personal narrative and other writers' experiences, Friedman explores a whole array of emotions and dilemmas writers face—envy, distraction, guilt, and writer's block—and shares the clues that can set you free. Supportive, intimate, and reflective, Writing Past Dark is a comfort and resource for all writers.
Writing Places
by William ZinsserWilliam Zinsser's journey to all the places where he has done his writing and his teaching begins in 1946, with his first job at the New York Herald Tribune, a community of legendary journalists and oddballs, in its postwar years of glory. Next came 11 years of freelance writing for magazines, mainly covering the turbulent 1960s for Life, a period that found the writer and his typewriter perched in many unusual locations.After that he spent a decade at Yale University, where his office as master of Branford College was beneath a 44-bell carillon. At Yale he originated his famous "nonfiction workshop," which would launch the careers of many exceptional writers and editors. That course led to his classic book, On Writing Well, which he wrote during the summer of 1974 in a crude shed in Connecticut. In this new memoir Zinsser recalls the processes that went into creating that original edition and revising it over the next 30 years to keep pace with changes in the language and culture of America. His journey brings him back to New York City and to writing articles and books in quirky rented offices, one of which had a fire pole.Written with humor and with gratitude for a lifetime of change and self-discovery, relishing a rich cast of characters that ranges from Yale's president Kingman Brewster to the actor Peter Sellers and the gonzo journalist Hunter S. Thompson, Writing Places never loses its anchor in the craft of writing--how writing is taught, learned and finally brought to a high level of enjoyment.
Writing Places: The Life Journey of a Writer and Teacher
by William ZinsserWilliam Zinsser's journey to all the places where he has done his writing and his teaching begins in 1946, with his first job at the New York Herald Tribune, a community of legendary journalists and oddballs, in its postwar years of glory. Next came 11 years of freelance writing for magazines, mainly covering the turbulent 1960s for Life, a period that found the writer and his typewriter perched in many unusual locations. After that he spent a decade at Yale University, where his office as master of Branford College was beneath a 44-bell carillon. At Yale he originated his famous "nonfiction workshop," which would launch the careers of many exceptional writers and editors. That course led to his classic book, On Writing Well, which he wrote during the summer of 1974 in a crude shed in Connecticut. In this new memoir Zinsser recalls the processes that went into creating that original edition and revising it over the next 30 years to keep pace with changes in the language and culture of America. His journey brings him back to New York City and to writing articles and books in quirky rented offices, one of which had a fire pole. Written with humor and with gratitude for a lifetime of change and self-discovery, relishing a rich cast of characters that ranges from Yale's president Kingman Brewster to the actor Peter Sellers and the gonzo journalist Hunter S. Thompson, Writing Places never loses its anchor in the craft of writing--how writing is taught, learned and finally brought to a high level of enjoyment.
Writing Radar: Using Your Journal to Snoop Out and Craft Great Stories
by Jack GantosThe Newbery Award–winning author of Dead End in Norvelt shares advice for how to be the best brilliant writer in this funny and practical creative writing guide perfect for all kids who dream of seeing their name on the spine of a book.With the signature wit and humor that have garnered him legions of fans, Jack Gantos instructs young writers on using their "writing radar" to unearth story ideas from their everyday lives. Incorporating his own misadventures as a developing writer, Gantos inspires readers to build confidence and establish good writing habits as they create, revise, and perfect their stories. Pop-out text boxes highlight key tips, alongside Gantos's own illustrations, sample stories, and snippets from his childhood journals. More than just a how-to guide, Writing Radar is a celebration of the power of storytelling and an ode to the characters who—many unwittingly—inspired Gantos's own writing career.
Writing Themselves into History: Emily and Matilda Bancroft in Journals and Letters
by Kim BancroftA window into the world of nineteenth-century California, from two women who experienced it firsthand In the early years of California’s statehood, Emily Brist Ketchum Bancroft (1834–1869) and Matilda Coley Griffing Bancroft (1848–1910) had front-row seats to the unfolding of the Golden State’s history. The first and second wives of historian extraordinaire Hubert Howe Bancroft, these two women were deeply engaged members of society and perceptive chroniclers of their times, and they left behind extensive records of their lives and work. Writing Themselves into History offers a rich immersion in nineteenth-century California, detailing Emily’s and Matilda’s experiences with public life, motherhood, and business against the backdrop of San Francisco’s high society and the state’s growth amidst the tumult of the American Civil War. The book also highlights Matilda’s significant involvement in Hubert Howe’s trailblazing research on the history of the American West—including her work collecting oral histories from women members of the LDS Church—and her evocative descriptions of travels throughout the Pacific Northwest and beyond. Kim Bancroft’s commentary offers historical context and points up Emily’s and Matilda’s keen insights, and she pays special attention to the two women’s complex and nuanced portraits of gender, race, and class in the nineteenth-century West. This book is a valuable resource for American West and women’s studies scholars, and for anyone with an interest in California’s first decades as a state.
Writing Ukraine
by Myrna KostashMyrna Kostash’s term as writer in residence at Athabasca University began shortly after the escalation of the Russo-Ukrainian War in 2022. In this essay, based on her writer-in-residence lecture at Athabasca University, Kostash offers a self-critical reflection on her body of work and considers how her visits to Ukraine and the ongoing war have nuanced her writing about and understanding of Ukrainian Canadian identity.
Writing Women’s History since the Renaissance
by Mary SpongbergThe complaint of Catherine Morland in Jane Austen's Northanger Abbey, that history has 'hardly any women at all' is not an uncommon one. Yet there is evidence to suggest that women have engaged in historical writing since ancient times. This study traces the history of women's historical writing, reclaiming the lives of individual women historians, recovering women's historical writings from the past and focusing on how gender has shaped the genre of history. Mary Spongberg brings together for the first time an extensive survey of the progress of women's historical writing from the Renaissance to the present, demonstrating the continuities between women's historical writings in the past and the development of a distinctly woman-centred historiography. Writing Women's History since the Renaissance also examines the relationship between women's history and the development of feminist consciousness, suggesting that the study of history has alerted women to their unequal status and enabled them to use history to achieve women's rights. Whether feminist or anti-feminist, women who have had their historical writings published have served as role models for women seeking a voice in the public sphere and have been instrumental in encouraging the growth of a feminist discourse.
Writing a Professional Life: Stories of Technical Communicators On and Off the Job
by Gerald J. Savage Dale L. SullivanThis is the first collection of narratives by practicing technical communicators telling their own personal stories about the workplace and their lives on the job. The authors portray a wide range of jobs: writers, editors, interface designers, marketing writers, and trainers working in 9 different technical fields, including software, R&D, engineering , medicine, transportation, and telecommunications. The stories vividly demonstrate the unique power of narrative as a teaching and learning tool. Unlike fabricated cases, these real-life narratives show new and veteran technical writers at work on the job, dealing with tasks, clients, and co-workers, and revealing their insights, values, and attitudes about their work. The stories also show the skills required in the profession and the ethical and other issues raised in the course of the workday. For anyone interested in technical communication and professional writing.
Writing and Being
by Nadine GordimerWhether talking about her own writing, interpreting the works of others, or giving us a window on the world that "we in South Africa are attempting to reconstruct," Nadine Gordimer has much to tell us about the art of fiction and the art of life. In this deeply resonant book Gordimer examines the tension for a writer between life's experiences and narrative creations. She asks first, where do characters come from--to what extent are they drawn from real life? We are touching on this question whenever we insist on the facts behind the fiction, Gordimer suggests, and here she tries to unravel the mysterious process that breathes "real" life into fiction. Exploring the writings of revolutionaries in South Africa, she shows how their struggle is contrastingly expressed in factual accounts and in lyrical poetry. Gordimer next turns to three writers linked by their search for a life that transcends their own time and place: in distinctive and telling ways, Naguib Mahfouz, Chinua Achebe, and Amos Oz defy accepted norms of loyalty to the mores and politics of their countries. Their search in Egypt, Nigeria, and Israel for a meaningful definition of home testifies to what it must be: the destination of the human spirit beyond national boundaries. Ending on a personal note, Gordimer reveals her own experience of "writing her way out of" the confines of a dying colonialism.
Writing and Wrestling with the Heart: Jan Karonfs Washington National Cathedral Lecture
by Jan KaronIn this Penguin eSpecial, Jan Karon, the bestselling author of the Mitford and Father Tim novels, tells the personal story of her life as a writer. Illuminating the way in which faith has influenced both her life and her writing, Karon also discusses her calling as an author--a calling she received early but took years to answer. Only an incredible leap of faith gave her the courage to give up all she had, risking everything to follow this call. Intimate, funny, and straight-from-the-heart, this eSpecial is a superb companion to Jan Karon's novels, providing a revealing glimpse into the life of a novelist who has moved so many people with her words.
Writing for the Soul: Instruction and Advice from an Extraordinary Writing Life
by Jerry B. JenkinsJerry B. Jenkins is the author of the best-selling Left Behind series. This book will appeal to writers as well as fans of Jenkins' writing, as it taps into the growing Christian book industry. From learning the fundamental lessons of the writing world, to breaking in with small (even non-paying markets), Jenkins walks readers through the skills and abilities required to build a writing career. Filled with autobiographical tidbits and lessons he's learned along the way, Jenkins' Writing for the Soul will empower and entertain writers and readers everywhere.
Writing from Left to Right: My Journey from Liberal to Conservative
by Michael Novak"In heavy seas, to stay on course it is indispensable to lean hard left at times, then hard right. The important thing is to have the courage to follow your intellect. Wherever the evidence leads. To the left or to the right." -Michael Novak Engagingly, writing as if to old friends and foes, Michael Novak shows how Providence (not deliberate choice) placed him in the middle of many crucial events of his time: a month in wartime Vietnam, the student riots of the 1960s, the Reagan revolution, the collapse of the Berlin Wall, Bill Clinton's welfare reform, and the struggles for human rights in Iraq and Afghanistan. He also spent fascinating days, sometimes longer, with inspiring leaders like Sargent Shriver, Bobby Kennedy, George McGovern, Jack Kemp, Václav Havel, President Reagan, Lady Thatcher, and Pope John Paul II, who helped shape--and reshape--his political views. Yet through it all, as Novak's sharply etched memoir shows, his focus on helping the poor and defending universal human rights remained constant; he gradually came to see building small businesses and envy-free democracies as the only realistic way to build free societies. Without economic growth from the bottom up, democracies are not stable. Without protections for liberties of conscience and economic creativity, democracies will fail. Free societies need three liberties in one: economic liberty, political liberty, and liberty of spirit. Novak's writing throughout is warm, fast paced, and often very beautiful. His narrative power is memorable.
Writing in an Age of Silence
by Sara ParetskyA revealing look at the power of speaking out, Writing in an Age of Silence describes Paretski's coming of age in a time of great possibility, during the civil rights movement, the peace movement, and the women's movement. Bestselling crime-writer Sarah Paretsky has won critical acclaim for her V.I. Warshawski novels, centered around one of the first and most popular female investigators in contemporary fiction. In this fascinating and personal account, Paretsky describes a life shaped by the desire to act. From the feminist movement--which triggered her aspirations to write and shaped the character of her female detective--to the Patriot Act and the liberties we have lost, Paretsky describes the struggle of one individual to find a voice. A moving call to action, Writing in an Age of Silence chronicles the social changes that have shaped contemporary America, and mirrors a desire for freedom, both personal and political, that many Americans will relate to today.
Writing the Declaration of Independence (A Vintage Short)
by Joseph J. EllisA colorful, enlightening account of how Thomas Jefferson wrote the Declaration of Independence, and the road to July 4: a selection from Joseph J. Ellis's American Sphinx, winner of the National Book Award. How did the newest and youngest member of Virginia's delegation to the Constitutional Congress come to write the founding document of the American project? In "Writing the Declaration of Independence," Pulitzer Prize-winning historian Joseph J. Ellis outlines the life of the document and the road to its adoption on July 4. From Jefferson's arrival in Philadelphia in 1775 in an ornate carriage along with four horses and three slaves, to a fascinating guided tour of the drafts and discussions (including the importance of a good speaking voice, the theatricality of Patrick Henry, and Jefferson's tortured, ultimately discarded section blaming the king for American slavery), this is the true history of Independence Day.