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The Fight over Digital Rights
by Bill D. HermanIn the political fight over copyright, Internet advocacy has reshaped the playing field. This was shown in the 2012 'SOPA blackout', when the largest online protest in history stopped two copyright bills in their tracks. This protest was the culmination of an intellectual and political evolution more than a decade in the making. This book examines the debate over digital copyright, from the late 1980s through early 2012, and the new tools of political communication involved in the advocacy around the issue. Drawing on methods from legal studies, political science and communications, it explores the rise of a coalition seeking more limited copyright, as well as how these early-adopting, technology-savvy policy advocates used online communication to shock the world. It compares key bills, congressional debates, and offline and online media coverage using quantitative and qualitative methods to create a rigorous study for researchers that is also accessible to a general audience.
Fighting Falsehoods: Suspicion, Analysis, and Response
by Irene RubinThis book offers the reader tools to recognize, analyze, and fight back against the fake news, misinformation, and disinformation that come at us from every corner. This volume: Uses real, lively examples to help readers detect fake news, false claims, suspicious information/data, biased reporting, and hate speech; Demonstrates through case studies where to look for information, what to look for, how to analyze the logic/illogic involved, and uncover the truth value of a story; Discusses fact-checking sites, what they examine, and their reliability; Provides examples and analyzes the components, purposes, and consequences of conspiracy theories; Illustrates the tricks of using numbers/data to mislead readers; Explains what to look for to help decide whether to believe the conclusions of stories based on surveys; Offers a range of concrete, effective responses to dangerous, exaggerated, distorted, and false narratives; Examines policy responses to fake news, disinformation, and misinformation across the world. A key manual to negotiate the information age, this book will be essential reading for students, scholars, and professionals of journalism and mass communication, public policy, politics, and the social sciences. It will also be an indispensable handbook for the lay reader.
Fighting for Air: The Battle to Control America's Media
by Eric KlinenbergA groundbreaking investigative work by a critically acclaimed sociologist on the corporate takeover of local news and what it means for all Americans For the residents of Minot, North Dakota, Clear Channel Communications is synonymous with disaster. Early in the morning of January 18, 2002, a train derailment sent a cloud of poisonous gas drifting toward the small town. Minot's fire and rescue departments attempted to reach Clear Channel, which owned and operated all six local commercial radio stations, to warn residents of the approaching threat. But in the age of canned programming and virtual DJs, there was no one in the conglomerate's studio to take the call. The people of Minot were taken unawares. The result: one death and more than a thousand injuries. Opening with the story of the Minot tragedy, Eric Klinenberg's "Fighting for Air" takes us into the world of pre-programmed radio shows, empty television news stations, and copycat newspapers to show how corporate ownership and control of local media has remade American political and cultural life. Klinenberg argues that the demise of truly local media stems from the federal government's malign neglect, as the agencies charged with ensuring diversity and open competition have ceded control to the very conglomerates that consistently undermine these values and goals. Such "big media" may not be here to stay, however. "Fighting for Air" delivers a call to action, revealing a rising generation of new media activists and citizen journalists-- a coalition of liberals and conservatives-- who are demanding and even creating the local coverage they need and deserve.
Fighting for Our Friendships: The Science and Art of Conflict and Connection in Women's Relationships
by Danielle Bayard JacksonWhy are women's friendships so deep yet so fragile? Friendship coach and educator Danielle Bayard Jackson unpacks the latest research about women's cooperation and communication, while sharing practical strategies to preserve and strengthen these relationships.Fighting for Our Friendships is one part textbook, one part handbook. Readers will not only learn what the latest research has to say about the mechanics of women's friendships, but they'll walk away with real-life solutions for the most common conflicts that arise in their platonic relationships. Using a combination of psychology, science, narrative, and a few of the author's signature scripts and out-of-the-box exercises, readers will learn: The three "affinities" that bring women together (and tear them apart) Scripts to navigate nine of the most challenging "friend types" (and how to know which one you are) The covert strategies women use to hurt each other (and how to avoid them) How to have a hard conversation with a friend (without losing the friendship) Surprising ways that women's people-pleasing delays platonic intimacy (and how to stop it) How to know if a friendship is worth saving (and what to do to recover) How to make (and deepen!) connections with other women In a time when we are often encouraged to opt out of friendships at any sign of friction, Danielle Bayard Jackson is showing us how to opt in.
Fighting Words: Canada's Best War Reporting
by Mark BourrieA collection of the best journalism from Canada’s wars, from the time of the Vikings to the war in Afghanistan. Fighting Words is a collection of the very best war journalism created by or about Canadians at war. The collection spans 1,000 years of history, from the Vikings’ fight with North American Natives, through New France’s struggle for survival against the Iroquois and British, to the American Revolution, the War of 1812, the Rebellions of Lower and Upper Canada, the Fenian raids, the North-West Rebellion, the First World War, the Second World War, Korea, peacekeeping missions, and Afghanistan. Each piece has an introduction describing the limits placed on the writers, their apparent biases, and, in many cases, the uses of the article as propaganda. The stories were chosen for their impact on the audience they were written for, their staying power, and, above all, the quality of their writing.
Fighting Words: The Bold American Journalists Who Brought the World Home Between the Wars
by Nancy F. CottFrom a Harvard historian, this riveting portrait of four trailblazing American journalists highlights the power of the press in the interwar period. In the fragile peace following the Great War, a surprising number of restless young Americans abandoned their homes and set out impulsively to see the changing world. In Fighting Words, Nancy F. Cott follows four who pursued global news -- from contested Palestine to revolutionary China, from Stalin's Moscow to Hitler's Berlin. As foreign correspondents, they became players in international politics and shaped Americans' awareness of critical interwar crises, the spreading menace of European fascism, and the likelihood of a new war -- while living romantic and sexual lives as modern and as hazardous as their journalism. An indelible portrayal of a tumultuous era with resonance for our own, Fighting Words is essential reading on the power of the press and the growth of an American sense of international responsibility.
Fighting Words: Independent Journalists in Texas
by James Mcenteer"Fighting Words profiles five journalists who published the truth as they saw it, no matter how their reporting angered politicians, social and religious leaders, or other journalists. " "The five journalists are William Brann (1855-1898), Don Biggers (1868-1957), John Granbery (1874-1953), Archer Fullingim (1902-1984), and Stoney Burns [Brent Stein] (1942- ). Though they lived in different eras, all these men dealt with issues that society continues to face - racism, official corruption, religious freedom, educational reform, political extremism of the left and right, the clash of urban and rural values, and the fear of change. Their lives and work constitute a unique alternative perspective on Texas history and the history of journalism itself. " "In addition to the troubling questions they raised on social issues, these independent journalists challenge us, as they challenged the mainline media of their own times, to define the function of journalism and to examine the mandate of the First Amendment. We may doubt the wisdom of some of their convictions, but not the courage they needed to express them in the face of ridicule, hostility, intimidation, and even death. More than the specific causes they fought for, the independents' passion for truth and their absolute belief in free speech constitute their greatest legacy to us and to journalism. "--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A Figure of Speech: A Festschrift for John Laver
by W. J. Hardcastle J. Mackenzie BeckThroughout the world, there are phoneticians who have been influenced by the teaching, research, and writings of John Laver. Many have worked with him personally, and most of the contributors to this book are people with whom he has had special links or whose involvement represents an appreciation of the breadth of Laver's interests. While the book is meant to be a tribute to John Laver, the topics have been chosen to provide an overview of some key issues in phonetics, with illuminating contributions from some of the most influential academics in the field. Contributing to this festschrift are William Hardcastle, Janet Mackenzie Beck, Peter Ladefoged, John J. Ohala, F. Gibbon, Anne Cutler, Mirjam Broersma, Helen Fraser, Peter F. MacNeilage, Barbara L. Davis, R. E. Asher, E. L. Keane, G. J. Docherty, P. Foulkes, Janet Fletcher, Catherine Watson, John Local, Ailbhe Ní Chasaide, Christer Gobl, John H. Esling, Jimmy G. Harris, and Francis Nolan.
Figures of Speech: 60 Ways To Turn A Phrase
by Arthur QuinnWriting is not like chemical engineering. The figures of speech should not be learned the same way as the periodic table of elements. This is because figures of speech are not about hypothetical structures in things, but about real potentialities within language and within ourselves. The "figurings" of speech reveal the apparently limitless plastic
The File: A Personal History
by Timothy Garton AshIn 1978, fresh out of Oxford, Timothy Garton Ash set out for Berlin to see what he could learn from the divided city about freedom and despotism. As he moved from west to east - from Berlin glamour to Berlin danger - the East German secret police, the so-called Stasi, was compiling a secret file on his activities, monitoring his Berlin days and nights and tracking his growing involvement with the Solidarity movement in Poland. Fifteen years later, with the wall torn down and Berlin now unified, Garton Ash visited Stasi headquarters to find his file. The thick dossier he was given forms the basis for this real-life thriller in which he traces and confronts the German friends and acquaintances who informed on him, and the officers who hired them. Behind Stasi reports of suspicious meetings we discover the love affairs, friendships, and formative intellectual encounters that actually occurred. And behind a baffling web of lies, half-truths, and forgotten stories we find a forty-year-old man spying on his younger self.
The File: A Personal History
by Timothy Garton Ash"Eloquent, aware and scrupulous . . . a rich and instructive examination of the Cold War past." --The New York TimesIn 1978 a romantic young Englishman took up residence in Berlin to see what that divided city could teach him about tyranny and freedom. Fifteen years later Timothy Garton Ash--who was by then famous for his reportage of the downfall of communism in Central Europe--returned. This time he had come to look at a file that bore the code-name "Romeo." The file had been compiled by the Stasi, the East German secret police, with the assistance of dozens of informers. And it contained a meticulous record of Garton Ash's earlier life in Berlin. In this memoir, Garton Ash describes what it was like to rediscover his younger self through the eyes of the Stasi, and then to go on to confront those who actually informed against him to the secret police. Moving from document to remembrance, from the offices of British intelligence to the living rooms of retired Stasi officers, The File is a personal narrative as gripping, as disquieting, and as morally provocative as any fiction by George Orwell or Graham Greene. And it is all true."In this painstaking, powerful unmasking of evil, the wretched face of tyranny is revealed." --Philadelphia Inquirer
File Interchange Handbook: For professional images, audio and metadata
by Brad GilmerThe authoritative work on file formats for global film and television!The FILE INTERCHANGE HANDBOOK is a must-have reference for every film and video professional moving to computer based production and distribution. It is the only book that gives a complete scrutiny and breakdown of all file formats for the transfer of images, sound and metadata. Geared to a global audience, this text will get you the information that you need to learn this brand-new technology. Upcoming industry trends are mapped out alongside technology standards in this complete guide.Learn the purpose, functionality, and structure of each standard format with this single major reference on file interchange. This handbook is the one-stop resource you want for this essential technology.Table of contents:Intro--Brad Gilmer, Gilmer & Associates, Inc. 1. History / background--Hans Hoffman, EBU 2. Metadata dictionary--Oliver Morgan, Metaglue Corporation 3. Digital Picture eXchange (DPX)--Dave Bancroft, Thomson 4. General eXchange Format (GXF)--Bob Edge and Ray Baldock, Thomson Grass Valley 5. Material eXchange Format (MXF)--Jim Wilkinson, Sony, and Bruce Devlin, Snell & Wilcox, Ltd 6. Advanced Authoring Format (AAF)--Phil Tudor, BBC 7. Windows Media 9-Advanced System Format (ASF)--Nick Vicars-Harris, Microsoft Corporation 8. Apple QuickTime--George Towner, Apple Computer, Inc.Praise for the File Interchange Handbook:"Brad Gilmer has assembled a timely and valuable reference work covering the technical and structural aspects of file formats and wrappers used for processing program content. The book provides a clear, concise description of the file wrappers together with valuable background and applications information. It has been tailored for the practicing engineer and technical manager. Chapters on the SMPTE Metadata Dictionary and the Advanced Authoring Format are particularly relevant. This book is a valuable reference work for every practicing broadcast and teleproduction engineer, every Information Technology professional, and those in the telecommunications field who are actively involved in the manufacturing, management, transport or delivery of media and entertainment content." - Gavin Schutz, Chief Technology Officer, Ascent Media Group "I found this book to be an excellent up to date reference manual and a "must read" for anyone currently involved in the design and implementation of multimedia facilities. It helped me to gain a better understanding of issues that must be addressed as we transition our stations from traditional base band audio video environments to a file based IT infrastructures." - Ira Goldstone, VP chief technology officer Tribune Broadcasting "In the mid '90s, CNN and other broadcasters recognized the need for standardized file exchange of broadcast material. Our technology plans mapped a path to an integrated production environment that was based on video files instead of video streams. With these new systems, we wanted to ensure that we could continue to leverage the best technology for the various parts of our production systems while taking advantage of more efficient content access. This created a strong need for open, standardized methods of exchanging video files that would support a variety of compressions and Metadata. These protocols needed to handle everything from simple file exchange to complex authoring formats for content in active production. Because of these needs, CNN pushed the industry to create several of the formats discussed in detail in this book and provided active user requirements during their creation. Within the next year, CNN will have systems in place that use MXF for file exchange between our p
Filling the Void: Social Media and The Continuation of Capitalism
by Marcus Gilroy-WareFilling The Void is a book about how the cultures and psychology of social media use fit within a broader landscape of life under capitalism. It argues that social media use is often a psychological response to the need for pleasure and comfort that results from the stresses of life under postmodern capitalism, rather than being a driver of new behaviours as newer technologies are often said to be. Both the explosive growth of social media and the corresponding reconfiguration of the web from an information-based platform into an entertainment-based one are far more easily explained in terms of the subjective psychological experience of their users as capitalist subjects seeking 'depressive hedonia,' the book argues. Filling the Void also interrogates the role of social media networks, designed for private commercial gain, as part of a de-facto public sphere. Both the decreasing subjective importance of factual media and the ways in which the content of the timeline are quietly manipulated--often using labour in the developing world and secret algorithms--have potentially serious implications for the capacity of social media users to query or challenge the seeming reality offered by the established hegemonic order.
Film als Kunst der Gesellschaft: Ästhetische Innovationen und gesellschaftliche Verhältnisse (Film und Bewegtbild in Kultur und Gesellschaft)
by Lutz Hieber Rainer WinterDer Band beschäftigt sich mit dem Kunstbegriff im Hinblick auf Film, wobei es sowohl um ästhetische Theorie als auch um konkrete Werke geht. Das Spektrum umfasst Spielfilme und Dokumentarfilme. Dabei liegt der Schwerpunkt auf den ästhetischen Innovationen des Mediums im Laufe seiner Geschichte und in der Gegenwart. Die Entwicklung visueller Ideen wird auf den historischen und gesellschaftlichen Kontext ihrer Entstehung und Rezeption bezogen. In den Blick geraten Filmautoren, Filmkünstler und Filmbewegungen, die nicht nur im Independent-Film, sondern auch im Mainstream zu finden sind.
Film and Television Distribution and the Internet: A Legal Guide for the Media Industry
by Andrew SparrowThere is no area of business that is more dramatically affected by the explosion of web-based services delivered to computers, PDAs and mobile phones than the film and television industries. The web is creating radical new ways of marketing and delivering television and film content; one that draws in not simply traditional broadcasters and producers but a whole new range of organizations such as news organizations, web companies and mobile phone service providers. This companion volume to Andrew Sparrow's Music Distribution and the Internet: A Legal Guide for the Music Business focuses on the practical application of UK and EU law as it applies to the distribution of television and film through the internet. This includes terms of contract and copyright as they affect studios, broadcasters, sales agents, distributors, internet service providers, film financiers, and online film retailers; as well as areas such as the licensing of rights. It also covers the commercial aspects of delivering film and television services to a customer base, including engaging with new content platforms, strategic agreements with content aggregators, protecting and exploiting intellectual property rights, data and consumer protection, and payment, online marketing and advertising. The opportunities for companies operating in this area are extraordinary (as are the legal implications) and Andrew Sparrow's highly practical guide provides an excellent starting point for navigating through what is a complex area of regulation, contract, copyright and consumer law.
Film Cultures
by Dr Janet Harbord'Film Cultures is thought-provoking and challenging. By opening film theory up to the many simultaneous networks of relation (that is, the cultures) of film, it asks both viewer and student to take film more seriously' - Communication Research Trends `Film Cultures weaves together insights from cultural theory and film studies to provide a complex and absorbing theoretical account of contemporary film culture. Harbord writes with authority, imagination and wit and her delicate deployment of modernist and postmodernist cultural accounts makes rewarding reading' - Christine Geraghty, Professor of Film and Television, University of Glasgow Film Cultures argues that our tastes for film connect us to social, spatial and temporal networks of exchange and meaning. Whether we view film in the multiplex, arthouse or the gallery, as cinema premiere, video hire or from a cable channel, whether we approach film as a singular object or a hypertext linked to ancillary products, our relationship to film is inhabiting a culture. Shifting the focus of film analysis from the text to paths of circulation, Film Cultures questions how film connects us to social status, and national and global affiliations.
The Film Experience: An Introduction
by Patricia White Timothy CorriganIn our culture, watching movies is a universal experience - but understanding film may not be. The Film Experience reaches out to students, connecting their experiences watching movies with better understanding and knowledge of the medium's full scope. And with its game-changing new video program in LaunchPad Solo (see below), this thoroughly updated new edition makes it easier than ever to link each student's personal viewing to a greater overall understanding of film.Timothy Corrigan and Patricia White's classroom favorite is both authoritative and joyful about watching, analyzing, and understanding film. With clips from classic and contemporary films (Rear Window, Life of Pi, Moonrise Kingdom, Chinatown, and many others) plus hundreds of movie images and other graphics, the thoroughly revised new edition covers everything from editing to cinematography to narrative genres, all in a cultural context that reinforces why films and film study matter. The book's features--Form in Action, Film in Focus, and Concepts at Work --combine text, stills, and links to videos online to explore specific films, scenes, and trends in depth.
Film Marketing
by Finola KerriganThe role of the film marketer is both vital and challenging. Promotion is one of the industry’s biggest costs, with the campaign of a large film costing up to half its production budget. Box office results, however, are wildly unpredictable: relatively few films a year make a profit. These market conditions make this a unique industry and film marketing a specific and demanding skill set that requires attention early in the career of any marketing student looking to progress in the industry. This new edition of Film Marketing is a thorough update of the first textbook in film promotion. Like in the first edition, Kerrigan takes a socio-cultural, as well as a business view of film marketing and its impact, covering different approaches to promotion according to different aims and audiences internally and externally, and across the world. This book addresses all areas of film marketing from the rigorous perspective of someone with first-hand knowledge of the trade. This new edition also includes: Additional pedagogy and visual examples to reinforce key points A more international range of cases and coverage of non-Western markets to give a global overview of film marketing across the world New and expanded sections on social media, digital promotion, transmedia and crowdfunding This is the original film marketing text which no engaged film or marketing student should be without.
Film Policy: International, National and Regional Perspectives (Culture: Policy and Politics)
by Albert MoranFilm Policy is the first comprehensive overview of the workings of the international film industry. The authors examine film cultures and film policy across the world, explaining why Hollywood cinema dominates the global film market, and the effects of the rise of television and video on the international industry. In a series of case studies drawn from North America, Europe, Latin America, Asia and Australia, the authors explore the relationship between Hollywood cinema product and national film cultures, and trace the development of international and national film policies, looking at issues of financing, regulation, protectionism and censorship.
Filming Reality
by Shoma A. ChatterjiAn informative read about the incredible journey of the independent documentary film movement in India. Filming Reality explores the independent documentary film movement in India post-1970s, when it began to acquire an identity of its own and many films got worldwide recognition. It analyses notable documentaries made over the last four decades, including those by iconic film-makers such as Satyajit Ray, Mani Kaul, Anand Patwardhan; activists such as Rakesh Sharma, Ranjan Palit, Amar Kanwar; feminists such as Deepa Dhanraj and Madhusree Dutta; and auteurs such as Sanjay Kak, R.V. Ramani and others. Featuring a compilation and analysis of noted and rare documentaries, this book is of immense value to film buffs, film scholars and film-makers.
Filmspanism: A Critical Companion to the Study of Spanish Cinema
by Juan F. EgeaFilmspanism explores the geopolitics of knowledge involved in academic approaches to Spanish cinema. This companion rethinks the role of disciplinarity, institutionality, and nationality in the study of film by taking into account a rather specific set of contentious issues, intellectual traditions, discursive servitudes, and invested scholarship. To that end, the book explores the topics of art cinema, popular culture, film genre, and transnationalism, always with Spanish cinema as its concrete object of study. An insightful contribution to the study of Spanish cinema, this discussion will be of interest to researchers and graduate students in Hispanic Studies and Film Studies.
The Filter Bubble
by Eli PariserAn eye-opening account of how the hidden rise of personalization on the Internet is controlling-and limiting-the information we consume. In December 2009, Google began customizing its search results for each user. Instead of giving you the most broadly popular result, Google now tries to predict what you are most likely to click on. According to MoveOn. org board president Eli Pariser, Google's change in policy is symptomatic of the most significant shift to take place on the Web in recent years-the rise of personalization. In this groundbreaking investigation of the new hidden Web, Pariser uncovers how this growing trend threatens to control how we consume and share information as a society-and reveals what we can do about it. Though the phenomenon has gone largely undetected until now, personalized filters are sweeping the Web, creating individual universes of information for each of us. Facebook-the primary news source for an increasing number of Americans-prioritizes the links it believes will appeal to you so that if you are a liberal, you can expect to see only progressive links. Even an old-media bastion like The Washington Post devotes the top of its home page to a news feed with the links your Facebook friends are sharing. Behind the scenes a burgeoning industry of data companies is tracking your personal information to sell to advertisers, from your political leanings to the color you painted your living room to the hiking boots you just browsed on Zappos. In a personalized world, we will increasingly be typed and fed only news that is pleasant, familiar, and confirms our beliefs-and because these filters are invisible, we won't know what is being hidden from us. Our past interests will determine what we are exposed to in the future, leaving less room for the unexpected encounters that spark creativity, innovation, and the democratic exchange of ideas. While we all worry that the Internet is eroding privacy or shrinking our attention spans, Pariser uncovers a more pernicious and far- reaching trend on the Internet and shows how we can- and must-change course. With vivid detail and remarkable scope, The Filter Bubble reveals how personalization undermines the Internet's original purpose as an open platform for the spread of ideas and could leave us all in an isolated, echoing world. .
Filter This: The modern, witty debut everyone is talking about
by Sophie White'Ali is one of the best flawed heroines in Irish commercial fiction since Rachel Walsh in Marian Keyes' ground-breaking Rachel's Holiday...' Sunday Times 'Hyper current ... hugely relevant' Irish Independent 'Modern and witty' Emer McLysaght, co-author of the Aisling books'So sweet, so funny -- I loved it' Marian KeyesThe Glossie Influencer Awards are fast approaching and Ali Jones is hell-bent on a win and breaking through 10,000 followers on Instagram. But when Ali inadvertantly leads people to believe she's pregnant, she quickly realises that playing the 'Mummy-Influencer' card could be her ticket to Insta-success. And she's not going to let a small detail like a fake pregnancy get in her way. Even if the reappearance of Tinder Sam, who seems determined to take his role of 'baby' daddy seriously, makes things a little more complicated ...Elsewhere on Insta, Shelly Devine, Ireland's biggest influencer (and Ali's idol) is also guarding secrets from her followers, and her husband ...Both Ali and Shelly have decisions to make but as the night of the Glossies draws near, will they realise what's important before they lose what matters most?'Fresh, current and thoroughly enjoyable' Eithne Shortall'Written with heart and humour, Filter This peels back the social media mask so many wear as a disguise and reveals the real people beneath' Cecelia Ahern
Filter This: A modern, witty razor-sharp page turner
by Sophie WhiteThe sparkling debut novel from Sophie White set in the online world of social media and Instagram. Ali Jones is hell-bent on achieving her #lifegoals: 10,000 Instagram followers and a win at the upcoming Glossie Influencer Awards. So when she inadvertently leads people to believe she is sporting a baby bump and immediately gains thousands of followers, she realises that the Mummy Influencer wave could be her ticket to Insta-success, even if off-screen it feels like her life is falling apart with what's happening to her beloved dad.But then Tinder Sam, Ali's one-night-stand, resurfaces and seems determined to take his new role as baby daddy seriously. And falling for Sam is definitely not part of Ali's plan. Meanwhile, Ireland's biggest influencer (and Ali's idol) Shelly Divine has it all ... at least on paper. But beneath the immaculately curated feed, cracks are appearing. Shelly harbours a secret from her followers and, more importantly, her husband - but who will be the first to discover what she's been hiding? As the Glossies approach, what will it take for the women realise what's truly important before they lose what matters most?(P) 2019 Hachette Books Ireland
Final Draft 4
by Wendy Asplin Monica F. Jacobe Alan S. Kennedy Lindsay HansenAcademic writing is difficult, and Final Draft gives students all the tools they need. Writing skills and in-depth analysis of models set the stage for development. Corpus-based vocabulary, collocations, and phrases, as well as detailed information on the grammar of writing, prepare your learners for college writing courses. Students learn to avoid plagiarism in every chapter of every level. This dedicated, long-term focus on plagiarism avoidance helps ensure that these students are able to use sources and highlight their own thoughts.