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Murach's Html5 And Css3
by Zak Ruvalcaba Anne Boehm<P><P>"Until now, my websites looked great but have been coded with what seems like 'duct-tape and bubble-gum' methods, just for appearances and not for professionalism or compliance. This book taught me all that is possible with HTML and CSS coding]]. What a game changer!" That's what one web designer posted about a previous edition of Murach's HTML5 and CSS3. Now, this 4th Edition updates and improves all the HTML and CSS content in the book...and it adds coverage of Flexible Box and Grid Layout, two new CSS3 ways to implement page layouts. So whether you're a web designer, a JavaScript programmer, a server-side programmer, or a rookie, this book delivers all the HTML and CSS skills that you need on the job. <P><P> This book begins with an 8-chapter hands-on course that teaches you HTML and CSS from scratch, including the latest HTML5 and CSS3 features. This short course ends with a chapter that teaches you how to use fluid design and media queries to implement Responsive Web Design so your pages will look good and work right on any screen, from phone to tablet to desktop. <P><P> After that, the unique design of this book lets you go on to any other chapter to learn new skills whenever you need them. For example, chapters 9 and 10 show you how to use Flexible Box and Grid Layout. Chapter 13 shows you how to work with forms and data validation. Chapter 14 shows you how to enhance a site with video clips. Chapter 16 shows you how to use CSS3 transitions, transforms, and animations. Chapters 17 and 18 show you how to design and deploy a website. Chapters 19 and 20 introduce other professional skills like how to use JavaScript and jQuery and how to use development tools like Bootstrap, SASS, and Emmet. And after you've learned all the skills that you need, this book becomes the best on-the-job reference you've ever used.
Murach's Java Programming
by Joel MurachIf you want to learn Java programming but don’t know where to start, this is the right book for you. From the first page, our unique self-paced approach will help you build competence and confidence in your programming skills, even if you’re completely new to programming. But this isn’t just a book for beginners! Our self-paced approach also works for experienced programmers, helping you learn Java faster and better than you’ve ever learned a language before. By the time you’re through, you will have mastered all of the Java skills that are needed on the job, including the skills for developing object-oriented applications that use a graphical user interface (GUI) and a database. To make this possible, section 1 of this book presents a 9-chapter course that gets anyone off to a great start building object-oriented applications in Java. Then, the next 3 sections build on that base by presenting more on object-oriented programming, the essentials for developing GUIs, and additional skills that every professional Java programmer should have, including how to work with a database.
Murach's Java Servlets and JSP
by Michael Urban Joel MurachThis new edition of Murach's Java Servlets and JSP makes it easier than ever for Java developers to master web programming. It shows how to install and use the Tomcat server and the NetBeans IDE. It shows how to use JSPs and servlets to build secure and well-structured web applications that implement the MVC pattern. It shows how to use sessions, cookies, JavaBeans, EL, JSTL, and custom tags. It shows how to use JDBC or JPA to work with a MySQL database. It shows how to work with JavaMail, SSL connections, authentication, encryption, filters, and listeners. It even includes an introduction to JSF to expand your perspective on Java web programming. These are the skills that you need to build professional Java web applications using servlets and JSP. A great read for any Java developer.
Murach's MySQL
by Joel Murach<p>Now, this 2nd Edition has been updated and improved throughout. As a result, it's easier than ever to use for learning MySQL from scratch, for switching to MySQL from another flavor of SQL (like MS SQL Server or Oracle), or for quickly looking up the forgotten details that are so essential as you develop database applications. <p>Section 1 introduces you to relational databases and SQL, shows you how to use the graphical MySQL Workbench to work with a MySQL database, and teaches you to code SQL queries to retrieve, add, update, and delete data in a MySQL database. Section 2 goes deeper into querying, showing you how to work with summary queries, subqueries, data types, and functions. Section 3 shows you how to design a MySQL database using an EER model, implement the design, and create views. Section 4 shows how to create stored procedures that provide functionality similar to procedural programming languages like PHP, Java, C++, C#, and VB. And Section 5 introduces you to database administration tasks like securing and backing up database data. <p>Whether you start from the beginning or jump in anywhere, it's a great guide for MySQL users at any level.</p>
Murach's Python Programming
by Michael Urban Joel MurachIf you want to learn how to program but don't know where to start, this is the right book and the right language for you. From the first page, our self-paced approach will help you build competence and confidence in your programming skills. And Python is the best language ever for learning how to program because of its simplicity and breadth…two features that are hard to find in a single language. But this isn't just a book for beginners! Our self-paced approach also works for experienced programmers, helping you learn Python faster and better than you've ever learned a language before. By the time you're through, you will have mastered the key Python skills that are needed on the job, including those for object-oriented, database, and GUI programming. To make all of this possible, section 1 presents an 8-chapter course that will get anyone off to a great start with Python. Section 2 builds on that base by presenting the other essential skills that every Python programmer should have. Section 3 shows you how to develop object-oriented programs, a critical skillset in today's world. And section 4 shows you how to apply all of the skills that you've already learned as you build database and GUI programs for the real world.
Murach's Python for Data Analysis
by Scott McCoyData is collected everywhere these days, in massive quantities. But data alone does not do you much good. That is why data analysis -- making sense of the data -- has become a must-have skill in the fields of business, science, and social science. But it is a tough skill to acquire. The concepts are challenging, and too many books and online tutorials treat only parts of the total skillset needed. <p><p>Now, though, this book draws all the essential skills together and presents them in a clear and example-packed way. So you will soon be applying your programming skills to complex data analysis problems, more easily than you ever thought possible. In terms of content, this book gets you started the right way by using Pandas for data analysis and Seaborn for data visualisation, with JupyterLab as your IDE. Then, it helps you master descriptive analysis by teaching you how to get, clean, prepare, and analyse data, including time-series data. Next, it gets you started with predictive analysis by showing you how to use linear regression models to predict unknown and future values. And to tie everything together, it gives you 4 real-world case studies that show you how to apply your new skills to political, environmental, social, and sports analysis. <p><p>At the end, you will have a solid set of the professional skills that can lead to all sorts of new career opportunities. Sound too good to be true? Download a sample chapter for free from the Murach website and see for yourself how this book can turn you into the data analyst that companies are looking for.
Murach's SQL Server 2016 For Developers
by Joel Murach Bryan SyversonIf you want to learn SQL, you've picked the right book. And if you want to learn the specifics of SQL for SQL Server 2016, you've made an especially good choice. Along the way, you'll learn a lot about relational database management systems in general and about SQL Server in particular. Why learn SQL? First, because most programmers would be better at database programming if they knew more about SQL. Second, because SQL programming is a valuable specialty in itself. And third, because knowing SQL is the first step toward becoming a database administrator. In short, knowing SQL makes you more valuable on the job.
Murach's Visual Basic 2015
by Anne BoehmThis core Visual Basic .NET book has been a favorite of developers ever since the 1st edition came out in 2002. So you can be sure that this 6th edition will deliver the professional skills you're looking for. <p><p>To be specific:<p> It's a self-paced book that shows you how to use Visual Studio 2015, VB 2015, and the .NET 4.6 classes to develop Windows Forms applications...whether you're new to programming or not.<p> It's a data programming book that shows you how to create professional database applications using data sources, ADO.NET code, and the Entity Framework, as well as how to use LINQ to query data structures, from collections to arrays to datasets.<p> It's an object-oriented book that shows you how to use business classes, inheritance, and interfaces the way they're used in the real world.<p> When you're done, you'll be able to develop 3-tiered, object-oriented Windows Forms applications the way the best professionals do. <p>And you'll have the core VB and Visual Studio skills that you need to develop any VB application...whether for Windows, the web, or mobile devices.
Muscular Portfolios: The Investing Revolution for Superior Returns with Lower Risk
by Brian LivingstonMuscular Portfolios is here to change the investing game — and help you leave stress behind with a stronger, smarter approach to investing. For decades, the financial services industry has sold risky investments, claiming that this was the only path to large gains. But this strategy is highly vulnerable to big losses that can devastate your portfolio. Today, there's a better approach. It combines the latest academic research in finance with the new ultra-low-cost index funds (exchange-traded funds). The result is an approach that provides market-like returns with dramatically smaller losses and requires only 15 minutes a month or less. Muscular Portfolios lays out the basic principles of this kind of investing so you can manage your own money successfully — without turning it into your second job. Investigative journalist Brian Livingston takes you behind the curtain of Wall Street and lays out a game-changing approach to investing: Muscular Portfolios, which are easy-to-use financial strategies you can set up yourself, even if you have no investment experience at all. Filled with helpful illustrations, compelling evidence, and simple, no-nonsense instructions, Muscular Portfolios is a resource, not a sales pitch. There are no financial products to buy, no secret formula to pay for. Everything is fully disclosed in bite-sized steps — and on a totally free website — that you can start using today to grow your wealth. Driven by cutting-edge investment research and backed by extensive market testing, Muscular Portfolios will revolutionize investing for families and individual investors.
Museum Communication and Social Media: The Connected Museum (Routledge Research in Museum Studies #6)
by Kirsten Drotner Kim Christian SchrøderVisitor engagement and learning, outreach, and inclusion are concepts that have long dominated professional museum discourses. The recent rapid uptake of various forms of social media in many parts of the world, however, calls for a reformulation of familiar opportunities and obstacles in museum debates and practices. Young people, as both early adopters of digital forms of communication and latecomers to museums, increasingly figure as a key target group for many museums. This volume presents and discusses the most advanced research on the multiple ways in which social media operates to transform museum communications in countries as diverse as Australia, Denmark, Germany, Norway, the UK, and the United States. It examines the socio-cultural contexts, organizational and education consequences, and methodological implications of these transformations.
Museum Experience Design
by Arnold Vermeeren Licia Calvi Amalia SabiescuThis state-of-the-art book explores the implications of contemporary trends that are shaping the future of museum experiences. In four separate sections, it looks into how museums are developing dialogical relationships with their audiences, reaching out beyond their local communities to involve more diverse and broader audiences. It examines current practices in involving crowds, not as passive audiences but as active users, co-designers and co-creators; it looks critically and reflectively at the design implications raised by the application of novel technologies, and by museums becoming parts of connected museum systems and large institutional ecosystems. Overall, the book chapters deal with aspects such as sociality, creation and sharing as ways of enhancing dialogical engagement with museum collections. They address designing experiences – including participatory exhibits, crowd sourcing and crowd mining – that are meaningful and rewarding for all categories of audiences involved. Museum Experience Design reflects on different approaches to designing with novel technologies and discusses illustrative and diverse roles of technology, both in the design process as well as in the experiences designed through those processes. The trend of museums becoming embedded in ecosystems of organisations and people is dealt with in chapters that theoretically reflect on what it means to design for ecosystems, illustrated by design cases that exemplify practical and methodological issues in doing so. Written by an interdisciplinary group of design researchers, this book is an invaluable source of inspiration for researchers, students and professionals working in this dynamic field of designing experiences for and around museums.
Museums and Digital Culture: New Perspectives and Research (Springer Series on Cultural Computing)
by Jonathan P. Bowen Tula GianniniThis book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants. The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey!
Museums and Interactive Virtual Learning (Routledge Guides to Practice in Museums, Galleries and Heritage)
by Allyson Mitchell Tami Moehring Janet ZanetisMuseums and Interactive Virtual Learning provides informal educators with practical resources that will help them to build dynamic digital engagement experiences within their own cultural organizations. Presenting vignettes from experienced museum educators and end users, as well as scientific data and practical resources, the book highlights the mutual benefits that Interactive Virtual Learning (IVL) programs offer to the museum and those visiting from a distance. Chapters mirror the step-by-step process of developing reputable IVL programs and emphasize how important it is for cultural organizations to encourage cross-departmental collaboration, if they wish to ensure that their programs align with the overall goals of the organization. Providing a thorough overview of the technologies, budget, marketing and staff requirements, the authors offer a realistic depiction of the work involved in building content for digital engagement. Emphasizing the importance of assessing existing programming, the book shows how institutions can adapt content to fit a virtual format and create inclusive digital engagement opportunities that reach local, national, and international audiences. Museums and Interactive Virtual Learning is an essential guide for professionals who are tasked with interpreting the content of a cultural organization and building lasting digital engagement opportunities. It will be particularly useful to those looking to reach diverse audiences.
Music Business and the Experience Economy
by Philip L. Pearce Peter Tschmuck Steven CampbellMusic Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
Music Data Analysis: Foundations and Applications (Chapman & Hall/CRC Computer Science & Data Analysis)
by Claus Weihs, Dietmar Jannach, Igor Vatolkin and Günter RudolphThis book provides a comprehensive overview of music data analysis, from introductory material to advanced concepts. It covers various applications including transcription and segmentation as well as chord and harmony, instrument and tempo recognition. It also discusses the implementation aspects of music data analysis such as architecture, user interface and hardware. It is ideal for use in university classes with an interest in music data analysis. It also could be used in computer science and statistics as well as musicology.
Music Data Mining (Chapman & Hall/CRC Data Mining and Knowledge Discovery Series)
by Tao Li Mitsunori Ogihara George TzanetakisThe research area of music information retrieval has gradually evolved to address the challenges of effectively accessing and interacting large collections of music and associated data, such as styles, artists, lyrics, and reviews. Bringing together an interdisciplinary array of top researchers, Music Data Mining presents a variety of approaches to
Music Emotion Recognition (Multimedia Computing, Communication and Intelligence)
by Yi-Hsuan Yang Homer H. ChenProviding a comprehensive review of existing work in music emotion developed in psychology and engineering, this book explains how to account for the subjective nature of emotion perception in the development of automatic music emotion recognition (MER) systems. Among the first publications dedicated to automatic MER, it begins with a complete introduction to the essential aspects of MER-including background, key techniques, and applications. This ground-breaking reference examines emotion from a dimensional perspective. It defines emotions in music as points in a 2D plane in terms of two of the most fundamental emotion dimensions according to psychologists-valence and arousal.
Music Intelligence: Second Summit, SOMI 2023, Beijing, China, October 28–30, 2023, Revised Selected Papers (Communications in Computer and Information Science #2007)
by Xiaobing Li Yun Tie Xiaohong Guan Xinran Zhang Qingwen ZhouThis book constitutes the refereed proceedings of the Second Summit on Music Intelligence, SOMI 2023, held in Beijing, China, during October 28–30, 2023.The 10 full papers included in this book were carefully reviewed and selected from 27 submissions. They were organized in topical sections as follows: Music, Neural Science and Music Therapy, Multimodality in Music and Music Generation.
Music Navigation with Symbols and Layers
by Goffredo M. Haus Denis L. BaggiMusic is much more than listening to audio encoded in some unreadable binary format. It is, instead, an adventure similar to reading a book and entering its world, complete with a story, plot, sound, images, texts, and plenty of related data with, for instance, historical, scientific, literary, and musicological contents. Navigation of this world, such as that of an opera, a jazz suite and jam session, a symphony, a piece from non-Western culture, is possible thanks to the specifications of new standard IEEE 1599, IEEE Recommended Practice for Defining a Commonly Acceptable Musical Application Using XML, which uses symbols in language XML and music layers to express all its multimedia characteristics. Because of its encompassing features, this standard allows the use of existing audio and video standards, as well as recuperation of material in some old format, the events of which are managed by a single XML file, which is human and machine readable - musical symbols have been read by humans for at least forty centuries.Anyone wanting to realize a computer application using IEEE 1599 -- music and computer science departments, computer generated music research laboratories (e.g. CCRMA at Stanford, CNMAT at Berkeley, and IRCAM in Paris), music library conservationists, music industry frontrunners (Apple, TDK, Yamaha, Sony), etc. -- will need this first book-length explanation of the new standard as a reference.The book will include a manual teaching how to encode music with IEEE 1599 as an appendix, plus a CD-R with a video demonstrating the applications described in the text and actual sample applications that the user can load onto his or her PC and experiment with.
Music Technology with Swing: 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers (Lecture Notes in Computer Science #11265)
by Mitsuko Aramaki Richard Kronland-Martinet Sølvi Ystad Matthew E. DaviesThis book constitutes the refereed proceedings of the 13th International Symposium on Music Technology with Swing, CMMR 2017, held in Matosinhos, Portugal, in September 2017. The 44 full papers presented were selected from 64 submissions. The papers are grouped in eight sections: music information retrieval, automatic recognition, estimation and classification, electronic dance music and rhythm, computational musicology, sound in practice: auditory guidance and feedback in the context of motor learning and motor adaptation, human perception in multimodal context, cooperative music networks and musical HCIs, virtual and augmented reality, research and creation: spaces and modalities.
Music and Human-Computer Interaction
by Simon Holland Katie Wilkie Allan Seago Paul MulhollandThis agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as 'Music Interaction'). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
Music in the AI Era: 15th International Symposium, CMMR 2021, Virtual Event, November 15–19, 2021, Revised Selected Papers (Lecture Notes in Computer Science #13770)
by Mitsuko Aramaki Richard Kronland-Martinet Sølvi Ystad Keiji Hirata Tetsuro KitaharaThis book constitutes the refereed proceedings and revised selected papers from the 15th International Symposium on Music in the AI Era, CMMR 2021, which took place during November 15–19, 2021 as a virtual event. The 24 full papers included in this book were carefully reviewed and selected from 48 submissions. The papers are grouped in thematical sessions on Music technology in the IA era; Interactive systems for music; Music Information Retrieval and Modeling; and Music and Performance Analysis.
Music, Mathematics and Language: The New Horizon of Computational Musicology Opened by Information Science
by Satoshi Tojo Keiji Hirata Masatoshi HamanakaThis book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, “Music and Language,” explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation – the Berklee method, which originated at the Berklee School of Music in Boston – from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 introduce readers to two important theories, the implication-realization model and generative theory of tonal music (GTTM), and explain the essence of these theories, also from a computational standpoint. The authors seek to reinterpret these theories, aiming at their formalization and implementation on a computer. Chapter 7 presents the outcomes of this attempt, describing the framework that the authors have developed, in which music is formalized and becomes computable. Chapters 8 and 9 are devoted to GTTM analyzers and the applications of GTTM. Lastly, Chapter 10 discusses the future of music in connection with computation and artificial intelligence.This book is intended both for general readers who are interested in music, and scientists whose research focuses on music information processing. In order to make the content as accessible as possible, each chapter is self-contained.
Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers (Lecture Notes in Computer Science #9617)
by Mitsuko Aramaki Richard Kronland-Martinet Sølvi YstadThis book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.
Music, Social Media and Global Mobility: MySpace, Facebook, YouTube (Routledge Advances in Internationalizing Media Studies)
by Ole J. MjosThis book is about the relationship between media, communication and globalization, explored through the unique empirical study of electronic music practitioners’ use of the global social media: MySpace, Facebook, YouTube and Twitter. To understand the significance of the emerging nexus between social media and music in a global context, the book explores various aspects of production, distribution and consumption among electronic music practitioners as they engage with global social media, as well as a historical, political and economic exposition of the rise of this global social media environment. Drawing on interview-based research with electronic music artists, DJs, producers and managers, together with the historical portrayal of the emergence of global social media this pioneering study aims to capture a development taking place in music culture within the wider transformations of the media and communications landscape; from analogue to digital, from national to global, and from a largely passive to more active media use. In doing so, it explores the emergence of a media and communications ecology with increased mobility, velocity and uncertainty. The numerous competing, and rapidly growing and fading social media exemplify the vitality and volatility of the transforming global media, communication and cultural landscape. This study suggests that the music practitioner’s relationship with MySpace, Facebook, YouTube and Twitter and the key characteristics of these global social media, alter aspects of our practical and theoretical understandings of the process of media globalization. The book deploys an interdisciplinary approach to media globalization that takes into account and articulates this relationship, and reflects the enduring power equations and wider continuities and changes within the global media and communications sphere.