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Building a Representative Theater Corpus: A Broader View of Nineteenth-Century French
by Angus Grieve-SmithThe Digital Parisian Stage Project aims to compile a corpus of plays that are representative of performances in the theaters of Paris through history. This book surveys existing corpora that cover the nineteenth century, lays out the issue of corpus representativeness in detail, and, using a random sample of plays from this period, presents two case studies of language in use in the Napoleonic era. It presents a compelling argument for the compilation and use of representative corpora in linguistic study, and will be of interest to those working in the fields of corpus linguistics, digital humanities, and history of the theater.
Building the Successful Theater Company
by Lisa MulcahyWhat makes a theater company successful? Lisa Mulcahy poses the question to leaders from nineteen of the country’s most diverse and vital theater companies from the recent past and present, and offers answers in Building the Successful Theater Company. Producers, stage managers, directors-anyone dreaming of running a theater troupe-will benefit from the practical guidance, amusing anecdotes, and sincere advice in this peek behind the curtains of the often difficult, always seductive, profession of theater. With five additional companies profiled in this fully revised third edition, Building a Successful Theater Company features: The LABrynth Theater Company New Paradise Laboratories National Theatre of the Deaf Shotgun Players Asian-American Theatre Company Steppenwolf Theater Company The Pasadena Playhouse La Jolla Playhouse Chicago City Limits Berkeley Repertory Theatre Arena Stage’s The Living Stage Theatre Company Mixed Blood Theatre Company Horizons Theatre Wheelock Family Theatre L.A. Theatre Works A Traveling Jewish Theatre Jean Cocteau Repertory Bailiwick Repertory New Repertory TheatreNew chapters cover funding and financial aspects, maximizing a company's potential through powerful social media use, and creating successful partnerships by teaming up with corporate sponsors and establishing artistic collaborations. Stage veterans reveal advice on everything from locating performance space, to developing a business plan, to and rehearsing and publicizing productions in this invaluable guide to creating or growing a theater company.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Building the Successful Theater Company
by Lisa MulcahyThe second edition of Building the Successful Theater Company takes readers even deeper into the world of theatrical production, examining in great depth the financial realities of establishing--and maintaining--a successful organization. This indispensable reference is updated to include more theater company profiles with expert advice to better reveal the pitfalls, passions, and practicalities of the theater industry. The author's been-there-done-that personal experiences along with the wisdom of esteemed theater company heads will encourage readers to aim high and overcome challenges to accomplish all of their creative and financial objectives. Everything from finding a performance space, to creating a first season, to promoting a company and production, to designing a long-term plan is discussed in detail in this engaging guide--a sometimes irreverent, always relevant look behind the curtain of the modern stage troupe. Chapters include developing business and budget plans, rehearsing, attracting attention with publicity and word-of-mouth, adapting to growth, and more. No other book contains the unique insights and sound advice found in this indispensable reference.
Building the Wall: The Play and Commentary (Oberon Modern Plays Ser.)
by Julian E. Zelizer Douglas S. Massey Robert Schenkkan Timothy Patrick McCarthyIn the tradition of Hamilton and Angels in America, a powerful, politically charged, dystopian drama that couldn’t be more timely. Written in a “white-hot fury” on the eve of the 2016 election, the stunning new play by Pulitzer Prize– and Tony Award–winning dramatist Robert Schenkkan is creating a nationwide sensation. Bypassing the usual development path for plays, it has been signed up to open in five theaters across America in a National New Play Network Rolling World Premiere, starting in Los Angeles (March) and Denver (April) and continuing in the Washington, DC, area, Tucson, and Miami, with more productions to follow, including in Santa Fe and New York City. Building the Wall lays out in a harrowing drama the consequences of Donald Trump’s anti-immigration campaign rhetoric turned into federal policy. Two years from now, that policy has resulted in the mass round-up of millions of illegal aliens, with their incarceration overflowing into private prisons and camps reminiscent of another century. The former warden for one facility is awaiting sentencing for what happened under his watch. In a riveting interview with a historian who has come seeking the truth, he gradually reveals how the unthinkable became the inevitable, and the faceless illegals under his charge became the face of tragedy. The play is accompanied by commentary from three prominent scholars: on the real purpose of the border wall, our dark nativist history of restricting immigration, and the tradition of political protest in art.
Bulgakov: The Novelist-Playwright
by Lesley MilneFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance
by James WilsonBulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment.<P> Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination.<P> Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book.
Bullshot Crummond
by Ron HouseFarce / 3m, 2f / This parody of low budget 30s detective movies typifies British heroism. Teutonic villain Otto von Brunno and his evil mistress crash their plane in the English countryside and kidnap Professor Fenton who has discovered a formula for making synthetic diamonds. Bullshot Crummond is called to the rescue. Otto paralyzes Crummond with a fiendish ray. He rams a stick of dynamite in Crummond's mouth which will explode when the next person enters the room. Rosemary enters, but the static electricity in her fur wrap averts the detonation. They pursue in a hair raising car chase, but plunge over a cliff. They sneak into the dungeons where the professor is being tortured, but Crummond hopelessly loses the ensuing saber duel. Unperturbed, Crummond finally triumphs by shooting the rest of the cast.
Bum Rush the Page: A Def Poetry Jam
by Tony Medina Louis Reyes RiveraBum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry. "Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam--not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is." -Tony Medina, from the Introduction
Bunny
by Hannah Moscovitch“In one school year she kissed nineteen boys and won all the science awards.” From one of Canada’s boldest playwrights comes an intimate look into the sexual life of a young woman as she struggles with the power of her desires. Sorrel grew up with professor parents, where carob was dessert, reading passages of Canadian poetry aloud was entertainment, and canoeing was the only sport encouraged. No one really noticed the studious Sorrel until she turned seventeen, when late puberty suddenly transformed her into a hot dork. Boys wanted her and girls loathed her, and all at once Sorrel discovered the joys of sexuality and the pain of social rejection. Sorrel enters college as a self-proclaimed loser with no female friends, but then she meets Maggie. Maggie’s unwavering friendship helps her shed her inhibitions and become more truly herself. The two women grow older, but when Maggie is diagnosed with cancer, Sorrel must choose between raw feeling and devotion.
Buried Child
by Sam ShepardA newly revised edition of an American classic, Sam Shepard's Pulitzer Prize--winning Buried Child is as fierce and unforgettable as it was when it was first produced more than twenty-five years ago.A scene of madness greets Vince and his girlfriend as they arrive at the squalid farmhouse of Vince's hard-drinking grandparents, who seem to have no idea who he is. Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has lost one of his legs to a chain saw. Only the memory of an unwanted child, buried in an undisclosed location, can hope to deliver this familyFrom the Trade Paperback edition.
Burlesque Humor Revisited
by Dick PostonReview / 2m, 1f / Bare stage Three burlesque type performers (a straight man, a comic and a talking lady) "demonstrate" newly adapted versions of 12 classic burlesque standards. Compiled from authentic skits, the sketches have been edited and updated by Joey Faye's former straight man to retain the flavor of burlesque while catering to today's tastes and values. Individual sketches can be incorporated into vaudeville or musical variety shows or the entire collection can provide an evening's hilarious entertainment.
Burning Man: Learning from Heterotopia (Routledge Advances in Theatre & Performance Studies)
by Linda Noveroske-TrittenThis book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
Burning Mom
by Mieko OuchiThis is a true story!The show will premiere at the Royal Manitoba Theatre Centre in Winnipeg in April 2023.First produced by the Royal Manitoba Theatre Centre, Winnipeg, in April 2023
Burning Vision
by Marie ClementsBurning Vision sears a dramatic swath through the reactionary identity politics of race, gender and class, using the penetrating yellow-white light, the false sun of uranium and radium, derived from a coal black rock known as pitchblende, as a metaphor for the invisible, malignant evils everywhere poisoning our relationship to the earth and to each other.
But He Doesn't Know the Territory
by Meredith WillsonComposer Meredith Willson once described The Music Man as &“an Iowan&’s attempt to pay tribute to his home state.&” Never once forgetting his roots, Willson reflects on the ups and downs, surprises and disappointments, and finally successes of the making of one of America&’s most popular musicals. His whimsical, personable writing style will bring readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. A newfound admiration for The Music Man—and the man behind the music—is sure to follow.
But Why Bump Off Barnaby
by Rick AbbotMystery Farce / 4m, 6f / This lunatic show poses a fascinating mystery. When Barnaby Folcey is murdered at a family gathering at Marlgate Manor, it transpires that he had a motive to murder everybody else but no one had a reason to want him dead. While dying, he scrawled the letters "b- a-r," which can implicate everyone. While the bizarre group frantically tries to unmask the murderer, people vanish, poison is found in the sherry and the police take forever to arrive. Meanwhile, there's a secret treasure to be found, a mystifying limerick to decode and all sorts of doom to be avoided before the killer is finally unmasked and destroyed using one of the funniest methods ever seen on a stage.
Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit
by Marlon M. BaileyButch Queens Up in Pumpsexamines Ballroom culture, in which inner-city LGBT individuals dress, dance, and vogue to compete for prizes and trophies. Participants are affiliated with a house, an alternative family structure typically named after haute couture designers and providing support to this diverse community. Marlon M. Bailey's rich first-person performance ethnography of the Ballroom scene in Detroit examines Ballroom as a queer cultural formation that upsets dominant notions of gender, sexuality, kinship, and community.
Butcher
by Nicolas BillonAn old man in a military uniform is dumped at the police station--he won't speak English but has a lawyer's card in his pocket. A seemingly innocuous encounter gets stranger and stranger as we gradually realize no one is who they seem and the Balkan wars' traumas continue to play out. The "It Kid" of Canadian theater, award-winning playwright Nicolas Billon, returns with a devastating parable.Nicolas Billon's plays and translations have been produced at the Stratford Festival, Soulpepper Theatre, and Canadian Stage. Fault Lines won the Governor General's Award, and his first play, The Elephant Song, is being developed into a film starring Catherine Keener.
Butoh America: Butoh Dance in the United States and Mexico from 1970 to the early 2000s (Routledge Advances in Theatre & Performance Studies)
by Tanya CalamoneriButoh America unearths the people and networks that popularized Butoh dance in the Americas, through a focused look at key artists, producers, and festivals in United States and Mexico. This is the first book to gather these histories into one narrative and look at the development of American Butoh. From its inception in San Francisco in 1976, American Butoh aligned with avant-garde performance art in alternative venues such as galleries and experimental theaters. La MaMa in New York and the Festival Internacional Cervantino in Guanajuato both served to legitimize the form as esteemed experimental performance. A crystalizing moment in each of the three locations—San Francisco, New York, and Mexico City—has been a grand-scale festival featuring prominent Japanese and numerous other international artists, as well as fostering local communities. This book stitches together the flow of people and ideas, highlights the connections in the Butoh diaspora, and incorporates interviewee perspectives regarding future directions for the genre in the Americas.
Butoh, as Heard by a Dancer (Routledge Advances in Theatre & Performance Studies)
by Dominique Savitri BonarjeeThis book explores the origins of Butoh in post-war Japan through orality and transmission, in conjunction with an embodied research approach. The book is a gathering of seminal artistic voices – Yoshito Ohno, Natsu Nakajima, Yukio Waguri, Moe Yamamoto, Masaki Iwana, Ko Murobushi, Yukio Suzuki, Takao Kawaguchi, Yuko Kaseki, and the philosopher, Kuniichi Uno. These conversations happened during an extended research trip I made to Japan to understand the context and circumstances that engendered Butoh. Alongside these exchanges are my reflections on Butoh’s complex history. These are primarily informed by my pedagogical and performance encounters with the artists I met during this time, rather than a theoretical analysis. Through the words of these dancers, I investigate Butoh’s tendency to evade categorization. Butoh’s artistic legacy of bodily rebellion, plurality of authorship, and fluidity of form seems prescient and feels more relevant in contemporary times than ever before. This book is intended as a practitioner's guide for dancers, artists, students, and scholars with an interest in non-Western dance and dance history, postmodern performance, and Japanese arts and culture.
Butterscotch
by Barbara L. SmithComedic drama / 3m, 2f / Interior / Butterscotch is a candy yellow 1947 Ford at the center of an unlikely friendship between a New York restaurant critic and a man who loves roadside diners. The critic has come to a small Pennsylvania town to persuade his fiancee's father to attend their wedding in New York. The bride, a news correspondents off on assignment, has not even told her cantankerous, ailing father she is getting married. Adding to the bucolic fray are an elderly neighbor who has her fading eyesight on the widowed father, dad's hunting buddy and a nervous ex New Yorker whose condo ruined a favorite hunting spot. Father and future son in law share only a dislike for each other, but the vintage car brings about a surprising end to a seemingly hopeless impasse.
Buyer & Cellar: The Original Script for the Off Broadway Hit
by Jonathan TolinsThe original script of the award-winning off-Broadway play—&“irresistibly entertaining [and] surprisingly moving&” (Paul Rudnick). Alex More has a story to tell. A struggling actor in LA, he takes a job working in the Malibu basement of a beloved megastar. One day, the Lady Herself comes downstairs to play. It feels like real bonding in the basement—but will their relationship ever make it upstairs? A winner of the Lucille Lortel Award for Outstanding Solo Show, Buyer & Cellar is an outrageous comedy about the price of fame, the cost of things, and the oddest of odd jobs. &“Jonathan Tolins has concocted an irresistible one-man play from the most peculiar of fictitious premises . . . This seriously funny slice of absurdist whimsy creates the illusion of a stage filled with multiple people, all of them with their own droll point of view.&” —The New York Times &“A gorgeous play: funny and beautifully observed and richly insightful.&” —Moisés Kaufman &“Tolins&’s writing is smart, sharp, and hilarious—and he paints a vivid picture that even a perfectionist like Barbra would have to applaud.&” —James Lapine
Buzz: The Life and Art of Busby Berkeley (Screen Classics)
by Jeffrey SpivakA biography of the director and choreographer who kept America entertained through the Great Depression: &“[A] fascinating read.&” —Playbill Characterized by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley&’s unique artistry is as recognizable and striking as ever. From his years on Broadway to the director&’s chair, Berkeley is notorious for his inventiveness and signature style. Through sensational films like 42nd Street, Gold Diggers of 1933, Footlight Parade, and Dames, Berkeley sought to distract audiences from the troubles of the Great Depression. But while his bold technique is familiar to millions of moviegoers, Berkeley&’s life remains a mystery. Buzz: The Life and Art of Busby Berkeley is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Berkeley pioneered many conventions still in use today, including the famous &“parade of faces&” technique, which lends an identity to each anonymous performer in a close-up. Carefully arranging dancers in complex and beautiful formations, Berkeley captured perspectives never seen before. Jeffrey Spivak&’s meticulous research magnifies the career and personal life of this beloved filmmaker. Employing personal letters, interviews, studio memoranda, and Berkeley&’s private memoirs, Spivak unveils the colorful life of one of cinema&’s greatest artists.
By Any Other Name
by Erin Cotter&“A high-stakes, high-drama mystery…led by a plucky, determined hero I would have followed anywhere…[A] romantic, delightful romp!&” —Mackenzi Lee, New York Times bestselling author of A Gentleman&’s Guide to Vice and Virtue A down-on-his-luck actor and an English lord reluctantly team up to solve the murder of Christopher Marlowe in this Shakespearean-era &“quippy, heart-wrenching debut…ideal for fans of Mackenzi Lee and F.T. Lukens&” (Kirkus Reviews).London, 1593. Sixteen-year-old Will Hughes is busy working on Shakespeare&’s stage, stuffing his corsets with straw and pretending to be someone else. Offstage, he&’s playing a part, too. The son of traitors, Will is desperate to keep his identity secret—or risk being killed in the bloody queen&’s imperial schemes. All he wants is to lay low until he earns enough coin to return to his family. But when his mentor, the famous playwright Christopher Marlowe, is murdered under mysterious circumstances, Will&’s plans are hopelessly dashed. What&’s worse, Marlowe was a spy for the queen, tasked with stalking a killer rumored to be part of an elusive order of assassins, and his secrets and untimely death have put Will under a harsh spotlight. Then, when Will unwittingly foils an attempt on the queen&’s life, she names him her next spymaster. Now, to avoid uncomfortable questions, prison, or an even more terrible fate, Will reluctantly starts his new career, which—yes—will secure him the resources to help his family…but at what cost? Adding insult to injury is the young Lord James Bloomsbury, Will&’s new comrade in arms, whose entitled demeanor and unfairly handsome looks get under Will&’s skin immediately. Together, the two hunt the cunning assassin, defend the queen&’s life, and pray to keep their own...all while an unexpected connection blossoms between them.
By Myself and Then Some
by Lauren BacallThe epitome of grace, independence, and wit, Lauren Bacall continues to project an audacious spirit and pursue on-screen excellence. The product of an extraordinary mother and a loving extended family, she produced, with Humphrey Bogart, some of the most electric and memorable scenes in movie history. After tragically losing Bogart, she returned to New York and a brilliant career in the theatre. A two-time Tony winner, she married and later divorced her second love, Jason Robards, and never lost sight of the strength that made her a star.Now, thirty years after the publication of her original National Book Award–winning memoir, Bacall has added new material to her inspiring history. In her own frank and beautiful words, one of our most enduring actresses reveals the remarkable true story of a lifetime so rich with incident and achievement that Hollywood itself would be unable to adequately reproduce it.