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Heartthrobs: A History of Women and Desire
by Carol DyhouseFrom dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types, or simply good companions, female fantasies about men tell us a great deal about the history of women. In Heartthrobs, Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing cultural and economic position of women has shaped their dreams about men. <p><p> When girls were supposed to be shrinking violets, passionate females risked being seen as 'unbridled', or dangerously out of control. Change came slowly, and young women remained trapped in a double-bind: you may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Show attraction too openly and you might be judged 'fast' and undesirable. Education and wage-earning brought independence and a widening of horizons for women. <p><p> These new economic beings showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances as tango-dancer or Arab tribesman and desert lover. Women may have been ridiculed for these obsessions, but, as consumers, they had new clout. This book reveals changing patterns of desire, and looks at men through the eyes of women.
Heat Lightning
by Robert F. CarrollComedy / 2m, 1f / Interior / Out of a summer storm, a panic stricken girl rushes into a bus stop terminal on a deserted highway, and bolts the door behind her. Encountering a lone passenger waiting for the last bus, she gaps out her frightening experience of having just witnessed a murder and escaped from the maniac. Gradually, the man's insistent questioning about the murderer's identity leads the girl to realize he's the man. The realization is shattered when a flash of lightning reveals another man's face at the door. The second man is admitted. Now the girl has her back to the wall, not knowing who is to be trusted and who is to be feared. Her decision is the climax of the play.
Heat and Alterity in Contemporary Dance: South-South Choreographies (New World Choreographies)
by Ananya ChatterjeaThis book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a “South-South” axis, as a poly-centric, justice-oriented, aesthetic-temporal category, with intersectional understandings of difference as a central organizing principle. Placing alterity and heat, generated via multiple pathways, at its center, it foregrounds the work of South-South artists, who push against constructions of “tradition” and white-centered aesthetic imperatives, to reinvent their choreographic toolkit and respond to urgent questions of their times. In recasting the grounds for a different “global stage,” the argument widens its scope to indicate how dance-making both indexes current contextual inequities and broader relations of social, economic, political, and cultural power, and inaugurates future dimensions of justice.
Heather Raffo's 9 Parts Of Desire: A Play
by Heather RaffoAs topical as today's newspaper headlines, these rich monologues bring to life nine distinct Iraqi women whose very different stories convey the complex and harrowing reality of being female in modern-day Iraq. Their monologues quickly become a series of overlapping conversations leading to a breakdown in communication as the chaos of Iraq intensifies. Layal is a sexy and impulsive painter favored by Saddam's regime, breezily bohemian one minute and defensive the next; another woman mourns the death of her family in a 1991 bunker, and another--a blond American of Iraqi descent--painfully recalls a telephone conversation with Baghdad relatives on the eve of the U. S. invasion. Other characters decry the savagery of Saddam Hussein in terrifying detail and express an ambivalent relief at the American presence; still others--like a Bedouin woman searching for love--transcend politics. The title comes from the teachings of the seventh-century imam Ali ibn Abu Talib: "God created sexual desire in ten parts; then he gave nine parts to women and one part to men." Heather Raffo's monologues weave these nine parts into a finely textured, brilliantly colorful tapestry of feminine longing in dire times. This compassionate and heart-breaking work will forever change your view of Iraqi women and the people of the Middle East.
Heaven
by George F. WalkerFive instantly recognizable multicultural characters play out their coincidental relationships in a contemporary paradise-a park on the outskirts of a city. The pursuit of their personal goals, usually considered as good and worthwhile in our society, pits each of these characters irrevocably against each other, and good intentions are carried to their absurd extremes. Cast of 4 men, 2 women.
Heaven and Other Poems
by Israel HorovitzWith more than 70 produced plays and many produced screenplays, playwright/director/author Israel Horovitz presents a new dimension to his creative output in Heaven and Other Poems, the 75-year-old author's first-ever authorized poetry collection. A tour-de-force of emotion, empathy and deep, melancholic beauty, Heaven and Other Poems is a stunning collection of work crafted over a lifetime. From the epic poem "Stations of the Cross" with its startling, tenderly crafted images of familial love and loss, to the punchy and pointed aphorisms of the twin "Defining the French Novel" and "Defining the American Novel" Horovitz displays a remarkable range, and#151;throughout#151;a deep understanding of humanity. As the most-produced American playwright in French theatre history, many of his poems naturally are set in France, where Horovitz often directs French-language productions of his plays. The collection is filled with surprises and special gifts, such as the never-before-published translation of one of his poems by master playwright Samuel Beckett, from whom Horovitz found thematic and stylistic inspiration for his own work. A truly inspired poetry collection, which is, in turn, truly inspiring and fulfilling to its audience.
Hecuba
by EuripidesHecuba is a tragedy by Euripides written c. 424 BC. It takes place after the Trojan War, but before the Greeks have departed Troy (roughly the same time as The Trojan Women, another play by Euripides). The central figure is Hecuba, wife of King Priam, formerly Queen of the now-fallen city. It depicts Hecuba's grief over the death of her daughter Polyxena, and the revenge she takes for the murder of her youngest son Polydorus.
Hedda Gabler
by Henrik IbsenA masterpiece of modern theater, Hedda Gabler is a dark psychological drama whose powerful and reckless heroine has tested the mettle of leading actresses of every generation since its first production in Norway in 1890.Ibsen's Hedda is an aristocratic and spiritually hollow woman, nearly devoid of redeeming virtues. George Bernard Shaw described her as having "no conscience, no conviction ... she remains mean, envious, insolent, cruel, in protest against others' happiness." Her feeling of anger and jealousy toward a former schoolmate and her ruthless manipulation of her husband and an earlier admirer lead her down a destructive path that ends abruptly with her own tragic demise.Presented in this handsome, inexpensive edition, Hedda Gabler offers an unforgettable experience for any lover of great drama or fine literature. Among the most performed and studied of Ibsen's dramas, it continues to provoke and challenge audiences and readers all over the world.
Hedda Gabler
by Henrik IbsenHedda Gabler features one of the stage's most unforgettable heroines—a role coveted by actresses the world over. Ibsen's fascinating tale of obsession and manipulation was first staged in 1891. Hedda, the daughter of an aristocratic general has just arrived home from her honeymoon with husband George Tesman. The reappearance of George's academic rival—and Hedda's former lover—throws all of their lives into disarray, with tragic consequences.
Hedda Gabler
by Henrik IbsenHedda Gabler features one of the stage's most unforgettable heroines—a role coveted by actresses the world over. Ibsen's fascinating tale of obsession and manipulation was first staged in 1891. Hedda, the daughter of an aristocratic general has just arrived home from her honeymoon with husband George Tesman. The reappearance of George's academic rival—and Hedda's former lover—throws all of their lives into disarray, with tragic consequences.
Hedda Gabler & Sirens: Elektra In Bosnia
by Judith Thompson Cynthia AshpergerIn Hedda Gabler, a moving exploration of female oppression, a recently married Hedda navigates her new identity as a wife and the intense constraints put on her by society. She prefers pistols to cooking and does not care for raising a family. As Hedda fights against the pressures of her new life and her own neuroses, she comes to terms with an untimely choice. Sirens: Elektra in Bosnia is a gripping story about the horrors of collective and personal wars as a family torn apart by death and destruction becomes their own worst enemy. When a deal between Agamemnon and his brother Menelaus goes awry, Iphigenia becomes the blood sacrifice leading to truths her sister Elektra can no longer hide from. Against the backdrop of a family drama, Judith Thompson gives voice to the women who were silenced during the Bosnian War, examining a cultural trauma and its place in our collective history.
Hedda Gabler and Other Plays
by Henrik IbsenIn these four unforgettably intense plays, Henrik Ibsen explores the complex nature of truth, the tension between freedom and responsibility, and the terrible pull that the past exerts over the present. In The Wild Duck, an idealist destroys a family by exposing the lie behind his friend's marriage. In Rosmersholm, a respectable man is driven to extremes by guilt over his wife's death, while in The Lady from the Sea, a woman is caught between her family and the enticement of the wild sea. And in Hedda Gabler, one of Ibsen's most famous and vivid anti-heroines struggles to break free from the conventional life she has created for herself, with tragic results.
Hedda Gabler and Other Plays
by Henrik IbsenFour of Ibsen's most important plays in superb modern translations, part of the new Penguin Ibsen series.In these four unforgettably intense plays, Henrik Ibsen explores the complex nature of truth, the tension between freedom and responsibility, and the terrible pull that the past exerts over the present. In The Wild Duck, an idealist destroys a family by exposing the lie behind his friend's marriage. In Rosmersholm, a respectable man is driven to extremes by guilt over his wife's death, while in The Lady from the Sea a woman is caught between her family and the enticement of the wild sea. And in Hedda Gabler, one of Ibsen's most famous and vivid anti-heroines struggles to break free from the conventional life she has created for herself, with tragic results.The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. The plays have been freshly translated by the best modern translators and are based on the recently published, definitive Norwegian edition of Ibsen's works. They all include new introductions and editorial apparatus by leading scholars.Vol. 1: Peer Gynt and BrandVol. 2: A Doll's House and Other PlaysVol. 3: Hedda Gabler and Other PlaysVol. 4: The Master Builder and Other Plays
Hedda Gabler and Other Plays
by Henrik IbsenIn these three unforgettably intense plays, Henrik Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth. The Pillars of the Community (1877) depicts a corrupt shipowner’s struggle to hide the sins of his past at the expense of another man’s reputation, while in The Wild Duck (1884) an idealist, believing he must tell the truth at any cost, destroys a family by exposing the lie behind his friend’s marriage. And Hedda Gabler (1890) portrays an unhappily married woman who is unable to break free from the conventional life she has created for herself, with tragic results for the entire family.
Hedda Gabler: Large Print (First Avenue Classics ™)
by Henrik IbsenHedda Gabler is bored with everything, even her new marriage. Resigning herself to a life of domesticity, she becomes nervous when her husband, George Tesman, tells her they are tight on money. George hasn't become the success Hedda thought he would. When George's academic rival, Eilert Lövborg, enters the picture, Hedda begins manipulating the lives of others, leading to multiple tragedies. First published in 1890 in Norway and performed in 1891 in Germany, this play by Norwegian dramatist Henrik Ibsen explores the consequences that can arise from a desire for freedom and power. This is an unabridged version of the translation by Edmund Gosse and William Archer.
Heiner Müller's The Hamletmachine (The Fourth Wall)
by David Barnett"I’m good Hamlet gi’me a cause for grief" At first glance, readers of The Hamletmachine (1979) could be forgiven for wondering whether it is actually a play at all: it opens with a montage of texts that are not ascribed to a character, there is no vestige of a plot, and the whole piece lasts a total of ten pages. Yet, Heiner Müller’s play regularly features in theatres’ repertoires and is frequently staged by university theatre departments. In four short chapters, David Barnett unpicks the complexities of The Hamletmachine’s writing and frames its author as an experimental, politically committed writer who confronts the shortcomings of his age. In considering the problems Müller poses for the play’s performance, he also discusses two exemplary productions in order to show how the work can engage very different audiences. This book examines why such a compact, radically open, and yet seemingly obscure play has proved so popular.
Helado de pera
by Enrico VarrecchioneEsta es la historia de cómo la esperada partida a Suecia con el programa de estudios de Erasmus se perfila en un primer momento como un desagradable encuentro con un universo en el que se intercalan la violencia, la sexualidad y los abusos. El protagonista, además de autor, narra los primeros doce días que pasó en la Escandinavia profunda entre la pequeña aldea de Uddevalla y la gran y cosmopolita Gotemburgo; la difícil convivencia con Lena, su compañera de piso, y ese sentimiento de inadaptación que desembocará con el tiempo en una crisis personal y psicólogica.
Helen's Most Favorite Day
by Mark DunnFantasay / 2m, 4f / Unit Set / Be careful what you wish for... Love at "second sight" and a magic wish doom Helen to repeat the best day of her life ad infinitum, unless she can be rescued by those nearest and dearest to her in this romantic fantasy about love in three tenses, and dreams fulfilled and un. Helen's Most Favorite Day tells the story of forty-four year old Helen, for whom romantic love has been an infrequent caller. At a trip to the fairgrounds Helen is swept off her feet by a carnie named Jed who gives her one of the nicest, most special days of her life. He gives Helen another gift as well: a "wish" proffered to him by his friend, a mystic. Helen, playing along, "wishes" for the chance to repeat this special day forever. Her wish is granted. And with it comes the direst of unforeseen repercussions. Her family and friends rally to assist Helen by wishing themselves back to that same day from which they hope to extricate poor Helen, and to, in fact, save the universe. Premiered by the Community Theatre League, Williamsport, PA, in 2000. A gentle comedy wrapped in a beat-the-clock rollick, as science and logic take a back seat to the directives of the human heart.
Hellenic Common: Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era (Routledge Advances in Theatre & Performance Studies)
by Philip ZapkinHellenic Common argues that theatrical adaptations of Greek tragedy exemplify the functioning of a cosmopolitan cultural commonwealth. Analyzing plays by Femi Osofisan, Moira Buffini, Marina Carr, Colin Teevan, and Yael Farber, this book shows how contemporary adapters draw tragic and mythic material from a cultural common and remake those stories for modern audiences. Phillip Zapkin theorizes a political economy of adaptation, combining both a formal reading of adaptation as an aesthetic practice and a political reading of adaptation as a form of resistance. Drawing an ethical centre from Kwame Anthony Appiah’s work on cosmopolitanism and Michael Hardt and Antonio Negri’s theory of the common, Hellenic Common argues that Attic tragedy forms a cultural commonwealth from which dramatists the world over can rework, reimagine, and restage materials to envision aspirational new worlds through the arts. This study will be of great interest to students and scholars of drama, adaptation studies, literature, and neoliberalism.
Hello … Hello
by Karen HinesWinner of the 2007 Gwen Pharis Ringwood Award for DramaIn the vast, unnamed metropolis of Hello ... hello, art and commerce have finally and completely conjoined; stylish cafés serve up zebra mussels and the air is thick with a gentle rain of sparrows plummeting down from the mirrored office towers. Everywhere, people are falling for an edgy new fashion accessory: a shiny ball filled with poison that hangs from a delicate chain. In this oddly peaceful world, Cassandra, a salesgirl at a clothing store called the Abyss, meets a charismatic ad man named Ben in the graveyard where she is mourning her lover, the last true artist on earth. They find themselves helplessly attracted to one another. Ben walks Cassandra home and invites her out to dinner, which leads to sex, marriage and a house in Semi-Residentia. Then comes baby. All one and a half inches of her. Hello ... hello, nominated for several Dora awards, including Best Play and Best Musical, is a tragic, comedic and curiously erotic attack on western society's predilection for escapist consumerism and entertainment. If the boy-meets-girl musical is the shiny happy ball, then the content of the play, and its characters, are the poison held within. '[Hines is] one of the most original artists in the city.' - Toronto Life
Hello, Ma & Other Plays
by Trude Stonecomedy / The telephone is the umbilical cord that connects a widowed mother and her grown daughter. Ma patiently responds to her daughter's problems with warmth, humor and bite until she is distracted by love and marriage.
Hemispheric Blackface: Impersonation and Nationalist Fictions in the Americas (Dissident Acts)
by Danielle RoperIn Hemispheric Blackface, Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalism, and other versions of postracialism in the Americas. Challenging both the dominance of the US minstrel tradition and the focus on the nation in blackface studies, Roper maps a hemispheric network of racial impersonation in Peru, Bolivia, Colombia, Jamaica, Cuba, and Miami. She analyzes blackface performance in the aftermath of the turn to multiculturalism in Latin America, the emergence of modern blackness in Jamaica, and the rise of Barack Obama in the United States, showing how blackface remains embedded in cultural entertainment. Contending that the Americas are linked by repeating nationalist fictions of postracialism, colorblindness, and myths of racial democracy, Roper assesses how acts of impersonation mediate the ongoing power of these narratives and enable people to comprehend advancements and reversals in racial equality. Rather than simply framing blackface as liberatory or oppressive, Roper traces its emergence from a shared history of slavery and the varied politics of racial enjoyment throughout the hemisphere.
Henrik Ibsen: The Man and the Mask
by Ivo De FigueiredoA magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
Henry IV Part One
by William Shakespeare'The finest, most representative instance of what Shakespeare can do' Harold BloomPrince Hal, the son of King Henry IV, spends his time in idle pleasure with dissolute friends, among them the roguish Sir John Falstaff. But when the kingdom is threatened by rebellious forces, the prince must abandon his feckless ways. Ranging from taverns and brothels to the royal court and the battlefield, Shakespeare's masterful drama shows a prodigal son rising to meet his destiny as a ruler of men.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Peter Davison Introduction by Charles Edelman