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In the Mix (Fearless Series #3)
by Mandy GonzalezBetter Nate than Ever meets Love Sugar Magic in this sweet third novel in the Fearless middle grade series from Hamilton and Broadway star Mandy Gonzalez about a young thespian who feels caught between his love of baking and theatre.Twelve-year-old Hudson Patel has two great loves: Broadway and baking! In addition to giving his all to his role in the hit show Our Time, Hudson takes pride in keeping his castmates and fellow Fearless Squad members well-fed with all the delicious treats he creates. When the call comes in for a big baking show—with the winner receiving a spot at a kiosk in Times Square—the Squad encourages him to enter. They just know that kiosk should be his. But Hudson struggles to create a showstopper, and his friends realize if Hudson goes all-in with the baking, he may not have time to spare for his stage role. Hudson goes to his grandmother for help, and she suggests going back to his roots, to be proud of who he is, and to show that in his culinary creation. With time running out, can Hudson find the magical ingredient that will put him in the spotlight without having to choose between his passions?
In the Next Room (or the vibrator play)
by Sarah Ruhl"A fascinating, funny and evocative play. . . . Ruhl develops the story with the enticing blend of irreverent humor and skewed realism. . . . It's beautiful." -San Francisco Chronicle"[This] breathtakingly inventive addition to Ruhl's singular body of work . . . has the potential to be a modern masterpiece."-Los Angeles TimesSarah Ruhl made her Broadway debut this fall with her latest effervescent comedy: a play about sex, intimacy, and equality, set in the 1880s, when enthusiasm for the electric light bulb gave rise to a handy new instrument to treat female hysteria. The story revolves around the medical office and home of Dr. Givings, who regularly induces "paroxysm" in his once high-strung patient Sabrina, allowing her to happily return to playing piano. Soon, Sabrina falls in love with the doctor's assistant Annie, and also befriends his wife Catherine, who is dealing with her own neurotic misgivings about not being able to breast-feed her baby. With this new work, Ruhl once again uses playful symbolism and lyrical language as she makes seemingly effortless thematic leaps--crafting a play with tremendous critical and audience appeal, in her singular theatrical voice.Sarah Ruhl's plays include Dead Man's Cell Phone, The Clean House (a Pulitzer Prize finalist), Passion Play, and Eurydice, all of which have been widely produced throughout the United States and internationally. She is a recipient of the MacArthur Fellowship.
In the Rest Room at Rosenblooms
by Ludmilla Bollow4f and 9 extras (can be doubled) / Comedy / Interior / This contemporary comedy reveals the hopes, dreams and fears of three elderly ladies who spark their lonely lives by meeting daily in the rest room lounge of an outdated downtown department store, and the crazy/touching events that occur the day one of them is supposedly threatened. There's Myrah, with a fighting spirit that totters into the absurd; Violet, a leftover from the days of elegance; and Winifred, a wisp of a woman who wanders in and out of reality. A steady stream of bizarre events occur as the ladies seek to protect Winifred from being taken away by her sister Clare, leading to a blockade of the rest room and a final triumph over those who would threaten their fragile freedom. Winner of the Southeastern Theatre Conference New Play Award. / "The women are wonderful characters...[the play does] an excellent job of balancing humor against the basically pathetic lives of the three main characters." - Minneapolis Tribune
In the Role of Brie Hutchens...
by Nicole MellebyAn own-voices LGBTQ novel from the acclaimed author of Hurricane Season, about eighth-grader Brie, who learns how to be true to herself and to her relationships with family, friends, and faith. <P><P>Introducing Brie Hutchens: soap opera super fan, aspiring actor, and so-so student at her small Catholic school. Brie has big plans for eighth grade. She’s going to be the star of the school play and convince her parents to let her go to the performing arts high school. But when Brie’s mom walks in on her accidentally looking at some possibly inappropriate photos of her favorite actress, Brie panics and blurts out that she’s been chosen to crown the Mary statue during her school’s May Crowning ceremony. Brie’s mom is distracted with pride—but Brie’s in big trouble: she has not been chosen. No one has, yet. <P><P>Worse, Brie has almost no chance to get the job, which always goes to a top student. Desperate to make her lie become truth, Brie turns to Kennedy, the girl everyone expects to crown Mary. But sometimes just looking at Kennedy gives Brie butterflies. Juggling her confusing feelings with the rapidly approaching May Crowning, not to mention her hilarious non-star turn in the school play, Brie navigates truth and lies, expectations and identity, and how to—finally—make her mother really see her as she is.
In the Sawtooths
by Dano Madden3m / Winner of the Kennedy Center's 2007 National Student Playwriting Award / Oby, Nellie and Darin have been friends since high school. Now in their thirties, they have become busier in their lives, but one thing remains constant: their annual backpacking adventure in the mountains of Idaho. As their trip nears and they have made all of the necessary preparations to survive in the outdoors, their lives are suddenly shattered by tragedy. What ensues is a true test of an old friendship. Can Oby, Nellie and Darin remain friends as they desperately try to navigate through an immense and unexpected wilderness? In the Sawtooths was developed at the Seven Devils Playwrights Conference in Idaho and at The Lark Play Development Center in New York City.
In the Wake
by Lisa Kron"Funny, moving, and undeniably sexy. The heady blend of smart dialogue and characters. . .makes it a candidate to be the Angels in America of the Bush II decade."-San Francisco Chronicle"The two works [Angels in America and In the Wake] use a volatile chapter in American history as background in their exploration of how the sociopolitical maladies of an age play out in the personal conduct of characters."- Charles McNulty, Los Angeles TimesLisa Kron, author of Broadway's Well and the OBIE-winning solo show 2.5 Minute Ride, has taken on the big question of our country's character. On the Thanksgiving after the controversial 2000 election, political junkie Ellen gathers with family and friends in her cramped New York apartment. But she soon discovers-with an unexpected passionate encounter-that ideas about America and our own selves are not as fixed as they once seemed. A play with plenty of humor and passion to go with its politics, Kron's work premiered last year at Berkeley Rep and Los Angeles' Center Theater Group, and debuted at The Public Theater in New York this fall.Lisa Kron's plays have been performed on Broadway, off-Broadway, and around the world. She is a founding member of the award-winning theater group The Five Lesbian Brothers, and teaches playwriting at Yale University.
In the Wake of Medea: Neoclassical Theater and the Arts of Destruction
by Juliette CherbuliezIn the Wake of Medea examines the violence of seventeenth-century French political dramas. French tragedy has traditionally been taken to be a passionless, cerebral genre that refused all forms of violence. This book explores the rhetorical, literary, and performance strategies through which violence persists, contextualizing it in a longer literary and philosophical history from Ovid to Pasolini.The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, exemplifies the persistence of violence in literature and art. A refugee who is welcomed yet feared, who confirms the social while threatening its integrity, Medea offers an alternative to western philosophy’s ethical paradigm of Antigone. The Medean presence, Cherbuliez shows, offers a model of radically persistent and disruptive outsiderness, both for classical theater and for its wake in literary theory.In the Wake of Medea explores a range of artistic strategies integrating violence into drama, from rhetorical devices like ekphrasis to dramaturgical mechanisms like machinery, all of which involve temporal disruption. The full range of this Medean presence is explored in treatments of the character Medea and in works figuratively invoking a Medean presence, from the well-known tragedies of Racine and Corneille through a range of other neoclassical political theater, including spectacular machine plays, Neo-Stoic parables, didactic Christian theater. In the Wake of Medea recognizes the violence within these tragedies to explain why violence remains so integral to literature and arts today.
In-Between Worlds: Performing [as] Bauls in an Age of Extremism (Routledge Advances in Theatre & Performance Studies)
by Sukanya ChakrabartiThis book examines the performance of Bauls ‘folk’ performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses. Recognizing their scope beyond the musical and cultural realm, Sukanya Chakrabarti engages in discussing the subversive and transformational potency of Bauls and their performances. In-Between Worlds argues that the Bauls through their musical, spiritual, and cultural performances offer ‘joy’ and ‘spirituality,’ thus making space for what Dr. Ambedkar in his famous 1942 speech had identified as ‘reclamation of human personality’. Chakrabarti destabilizes the category of ‘folk’ as a fixed classification or an origin point, and fractures homogeneous historical representations of the Baul as a ‘folk’ performer and a wandering mendicant exposing the complex heterogeneity that characterizes this group. Establishing ‘folk-ness’ as a performance category, and ‘folk festivals’ as sites of performing ‘folk-ness,’ contributing to a heritage industry that thrives on imagined and recreated nostalgia, Chakrabarti examines different sites that produce varied performative identities of Bauls, probing the limits of such categories while simultaneously advocating for polyvocality and multifocality. While this project has grounded itself firmly in performance studies, it has borrowed extensively from fields of postcolonial studies and subaltern histories, literature, ethnography and ethnomusicology, and cosmopolitan studies.
Incapacity and Theatricality: Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities (Routledge Advances in Theatre & Performance Studies)
by Tony McCaffreyIncapacity and Theatricality acknowledges the distinctive contribution to contemporary theatrical performance made by actors with intellectual disabilities. It presents a close examination of certain key theatrical performances across a variety of different media, including John Cassavetes’ 1963 social issues film A Child Is Waiting; the performance art collaboration between Robert Wilson and Christopher Knowles; and the provocative pranksterism of Christoph Schlingensief’s talent show mockumentary FreakStars 3000. Tracing a global path of performances, Incapacity and Theatricality offers an analysis of how actors with intellectual disabilities have emerged onto the main stage, and how their inclusion calls into question long-held assumptions about both theatre and intellectual disability. For postgraduate students, or anyone interested in the shifting dynamics of twenty-first century theatre, McCaffrey’s work offers a vital consideration of the intersubjective relations between people with and without intellectual disabilities and ultimately addresses urgent questions about the situation and representation of the contemporary subject caught up somewhere between incapacity and theatricality.
Incident at Vichy: A Play (Penguin Plays)
by Arthur MillerIn Vichy France in 1942, eight men and a boy are seized by the collaborationist authorities and made to wait in a building that may be a police station. Some of them are Jews. All of them have something to hide-if not from the Nazis, then from their fellow detainees and, inevitably, from themselves. For in this claustrophobic antechamber to the death camps, everyone is guilty. And perhaps none more so than those who can walk away alive.In Incident at Vichy, Arthur Miller re-creates Dante's hell inside the gaping pit that is our history and populates it with sinners whose crimes are all the more fearful because they are so recognizable."One of the most important plays of our time . . . Incident at Vichy returns the theater to greatness." -The New York Times
Include Me Out: My Life from Goldwyn to Broadway
by Farley Granger Robert CalhounThe star of Hitchcock’s Rope and Strangers on a Train “recalls life onstage and in film in an engaging, colorful memoir” (Kirkus Reviews, starred review).Synonymous with the golden age of Broadway, the dazzling lights of Hollywood, and the rise of television arts, Farley Granger’s charm and talent captivated the acting community and audiences alike. Working with creative visionaries like Alfred Hitchcock, Luchino Visconti, and Nick Ray, Granger was a celebrated figure in films like Strangers on a Train, Rope, Senso, and They Live by Night, bringing to the big screen a stunningly memorable presence.But behind his characters, he was an intensely complex man. In his richly told memoir, Granger details his life with disarming candor. Rich in personal insight, he describes his relationships with both men and women and reminisces about legends he knew with private familiarity—from Shelley Winters and Joan Crawford to Leonard Bernstein and Tyrone Power.Recreating not only his personal struggles but his legendary struggle to free himself of his contract with Sam Goldwyn, Granger reveals none so elegantly as he does himself. Include Me Out is as much a story of classic Hollywood glamour as it is a collection of iconic theatrical portraits, all from the man who knew them all.“This polished and perceptive memoir etches a scintillating portrait of life inside Tinseltown soundstages where ‘nothing was real except anxiety, insecurity and fear’ . . . The book has a huge celebrity cast, from Mike Todd, Rita Hayworth and Cornelia Otis Skinner to Leonard Bernstein and Peggy Guggenheim. Granger and Calhoun write with a stylish and iridescent flair.” —Publishers Weekly
Inclusive Arts Practice and Research: A Critical Manifesto
by Alice Fox Hannah MacphersonInclusive Arts Practice and Research interrogates an exciting and newly emergent field: the creative collaborations between learning-disabled and non-learning-disabled artists which are increasingly taking place in performance and the visual arts. In Inclusive Arts Practice Alice Fox and Hannah Macpherson interview artists, curators and key practitioners in the UK and US. The authors introduce and articulate this new practice, and situate it in relation to associated approaches. Fox and Macpherson candidly describe the tensions and difficulties involved too, and explore how the work sits within contemporary art and critical theory. The book inhabits the philosophy of Inclusive Arts practice: with Jo Offer, Alice Fox and Kelvin Burke making up the design team behind the striking look of the book. The book also includes essays and illustrated statements, and has over 100 full-colour images. Inclusive Arts Practice represents a landmark publication in an emerging field of creative practice across all the arts. It presents a radical call for collaboration on equal terms and will be an invaluable resource for anyone studying, researching or already working within this dynamic new territory.
Inclusive Character Analysis: Putting Theory into Practice for the 21st Century Theatre Classroom
by Jennifer Thomas Robert J. VrtisInclusive Character Analysis foregrounds representations of race, gender, class, ability, and sexual orientation by blending script analysis with a variety of critical theories in order to create a more inclusive performance practice for the classroom and the stage. This book merges a traditional Stanislavski-based script analysis with multiple theoretical frameworks, such as gender theory, standpoint theory, and critical race theory, to give students in early level theatre courses foundational skills for analyzing a play, while also introducing them to contemporary thought about race, gender, and identity. Inclusive Character Analysis is a valuable resource for beginning acting courses, script analysis courses, the directing classroom, early design curriculum, dramaturgical explorations, the playwriting classroom, and introduction to performance studies classes. Additionally, the book offers a reader-style background on theoretical frames for performance faculty and practitioners who may need assistance to integrate non-performance centered theory into their classrooms.
Inclusivity and Equality in Performance Training: Teaching and Learning for Neuro and Physical Diversity
by Petronilla WhitfieldInclusivity and Equality in Performance Training focuses on neuro and physical difference and dis/ability in the teaching of performance and associated studies. It offers 19 practitioners’ research-based teaching strategies, aimed to enhance equality of opportunity and individual abilities in performance education. Challenging ableist models of teaching, the 16 chapters address the barriers that can undermine those with dis/ability or difference, highlighting how equality of opportunity can increase innovation and enrich the creative work. Key features include: Descriptions of teaching interventions, research, and exploratory practice to identify and support the needs and abilities of the individual with dis/ability or difference Experiences of practitioners working with professional actors with dis/ability or difference, with a dissemination of methods to enable the actors A critical analysis of pedagogy in performance training environments; how neuro and physical diversity are positioned within the cultural contexts and practices Equitable teaching and learning practices for individuals in a variety of areas, such as: dyslexia, dyspraxia, visual or hearing impairment, learning and physical dis/abilities, wheelchair users, aphantasia, attention-deficit/hyperactivity disorder and autistic spectrum. The chapter contents originate from practitioners in the UK, USA and Australia working in actor training conservatoires, drama university courses, youth training groups and professional performance, encompassing a range of specialist fields, such as voice, movement, acting, Shakespeare, digital technology, contemporary live art and creative writing. Inclusivity and Equality in Performance Training is a vital resource for teachers, directors, performers, researchers and students who have an interest in investigatory practice towards developing emancipatory pedagogies within performance education.
Incomplete Shakespeare: Macbeth
by John Sutherland John Crace‘Give me the daggers and I’ll pin the blame/ On Duncan’s grooms who both are also slain. /A little water clears us of this deed /Though a large scotch might also do the trick...’ To celebrate the 400th anniversary of Shakespeare's death, this is the first of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable side notes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.This ebook has a large amount of footnotes and is best viewed on a device that supports pop-up text.
Indecent
by Paula VogelInspired by the true story of the controversial 1923 Broadway debut of Sholem Asch's play God of Vengeance, about an amorous affair between two women, Paula Vogel's Indecent is a riveting look at an explosive moment in theatrical history.
Independent Performing Arts in Europe: Establishment and Survival of an Emerging Field (Routledge Advances in Theatre & Performance Studies)
by Thomas Fabian EderThis structural account of independent performing arts in Europe is complimented by an analysis of the challenging social situation within the field. This book presents a neo-institutional examination of the organizational field including its routines, scripts, and expectations which provides a contribution to theatre studies, labour studies, and to social and cultural policy studies as well as valuable context for current advocacy and governance. This study offers knowledge based on empirical data and thus a foundation that is equally important for scholarly discourse, cross-national learning, and scientifically based recommendations for action to administration, the cultural policy level, and associations alike. The book examines the independent performing arts communities in Austria, Bulgaria, the Czech Republic, Finland, Germany, Hungary, Iceland, Italy, Romania, Slovenia, Sweden and Switzerland.
India's Foreign Policy Challenge and Strategy: भारत की विदेश नीति चुनौती और रणनीति
by Rajiv Sikri Chinmay Dharkhanपुस्तक एक रणनीतिक और नीति-उन्मुख दृष्टिकोण से भारत की वर्तमान और बढ़ती विदेशी नीति चुनौतियों की जांच करती है। यह देश के विदेश नीति निर्माण को निर्धारित करने वाले दीर्घकालिक कारकों और रुझानों का विश्लेषण करता है। यदि यह जटिल और तेजी से विकसित होने वाली 21 वीं सदी की दुनिया में एक प्रमुख खिलाड़ी बनना है, तो लेखक भारत के दृष्टिकोण का पुन: मूल्यांकन करने का आग्रह करता है।
Indian Arm
by Hiro KanagawaRita and Alfred Allmers live in an isolated family cabin on native leasehold land overlooking Indian Arm, a still untamed glacial fjord just north of Vancouver, BC. With Alfred—a formerly promising novelist—now struggling with his latest work, Rita has been tasked with caring for their adopted son Wolfie, a sensitive First Nations teen who has been designated as “special needs” for much of his life. Rita’s resentments and frustrations are further embittered by her younger half-sister, Asta, a constant reminder of the innocence, idealism, and sexual allure Rita once had and yearns for again. The fragile impasse of their lives is torn asunder by the appearance of Janice, the surviving member of the Indigenous family who leased the land to Rita and Asta’s reclusive and mysterious father over fifty years ago. With the lease now expired, they are all engulfed by the secrets and contradictions of their lives and of the land itself—in both the past and the present—and their stories are drawn inexorably toward an unspeakable tragedy.
Indian Art and Culture: भारतीय कला एवं संस्कृति
by Nitin SindhaniaNitin Singhania holds a Bachelor’s and Master’s Degree in Economics from Presidency College, Kolkata. He is also a Chartered Accountant and Company Secretary. He worked in Coal India Ltd before joining the Indian Administrative Services (IAS) in 2013 in the West Bengal cadre. He has a deep interest and expertise in Indian Art and Culture and is known for guiding students in this area. Presently he is posted as Sub-Divisional Officer in Purba Bardhaman district of West Bengal. Earlier, he has worked as the Assistant Secretary, Ministry of Home Affairs, Government of India and as Assistant Collector in Burdwan, West Bengal. His bestselling title Indian Art and Culture is a favourite among students preparing for the Civil Services Examination.
Indian Folk Theatres
by Julia HollanderIndian Folk Theatres is theatre anthropology as a lived experience, containing detailed accounts of recent folk theatre shows as well as historical and cultural context. It looks at folk theatre forms from three corners of the Indian subcontinent: Tamasha, song and dance entertainments from Maharastra Chhau, the lyrical dance theatre of Bihar Theru Koothu, satirical, ritualised epics from Tamil Nadu. The contrasting styles and contents are depicted with a strongly practical bias, harnessing expertise from practitioners, anthropologists and theatre scholars in India. Indian Folk Theatres makes these exceptionally versatile and up-beat theatre forms accessible to students and practitioners everywhere.
Indian Ink
by Tom StoppardFrom Tony Award-winning playwright Tom Stoppard, Indian Ink is a rich and moving portrait of intimate lives set against one of the great shafts of history--the emergence of the Indian subcontinent from the grip of Europe. The play follows free-spirited English poet Flora Crewe on her travels through India in the 1930s, where her intricate relationship with an Indian artist unfurls against the backdrop of a country seeking its independence. Fifty years later, in 1980s England, her younger sister Eleanor attempts to preserve the legacy of Flora's controversial career, while Flora's would-be biographer is following a cold trial in India. Fresh from the critically acclaimed off-Broadway performance in 2014, Indian Ink is reemerging as an essential part of Stoppard's oeuvre and the global dramatic canon, a fascinating, time-hopping masterwork.