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King Lear: The 30-Minute Shakespeare
by Nick NewlinKing Lear: The 30-Minute Shakespeare renders six powerful scenes from this enduring tragedy. Starting with Lear's banishment of Cordelia, the plot advances irresistibly, featuring scenes of brother Edmund's villainous plotting and the Fool's witty, weighty wordplay.The action climaxes with the storm on the heath, where Lear and Poor Tom rail in exquisite madness. The abridgement concludes with moving scenes of Cordelia's tender reconciliation with King Lear and their heart-rending demise.The edition includes helpful advice by Nick Newlin on how to put on a Shakespeare production in a high school class with novice actors, as well as tips for performing the specific play and recommendations for further resources.
King Lear: With An Introduction And Notes... (Modern Library Classics #Vol. 767)
by William Shakespeare Jonathan Bate Eric RasmussenA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings-as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering.Each Edition Includes:* Comprehensive explanatory notes * Vivid introductions and the most up-to-date scholarship * Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English* Completely updated, detailed bibliographies and performance histories * An interpretive essay on film adaptations of the play, along with an extensive filmographyFrom the Paperback edition.
King Leir (Globe Quartos)
by AnonymousPerformed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
King Oedipus
by SophoclesWidely regarded as one of the greatest Greek tragedies, 'King Oedipus' (or 'Oedipus Rex') is the first play in the Oedipus trilogy (followed by 'Oedipus at Colonus' and then 'Antigone'). After defeating the Sphinx and freeing the kingdom of Thebes from her curse, the flawed hero unwittingly fulfills a prophecy that he would kill his father and marry his mother.
King Oidipous
by Sophocles Ruby BlondellThis is an English translation of Sophocles' famous tragedy of Oedipus and the fate he so much tries to avoid. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
King Richard II (The New Cambridge Shakespeare)
by William Shakespeare Andrew GurrAndrew Gurr has added a new section to the Introduction of this updated edition in which he describes the growing interest in new historical and political analysis of the play. He also surveys a number of important professional theatre productions and guides the reader through scholarly criticism of recent years. The Reading List has been revised and augmented.
King Richard II: With Preface, Glossary, Andc (Dover Thrift Editions)
by William Shakespeare"Not all the water in the rough rude sea/Can wash the balm off from an anointed king," declares the soon-to-be deposed ruler of this historical drama. Confident in his divine right, Richard II is an ineffective and unpopular king who abuses his power and sows the seeds of his own downfall. Toppled from the throne by Henry, his ambitious cousin, Richard only learns to value kingship after he loses it, achieving a tragic dignity only with his downfall.The first play in Shakespeare's "Henriad" series -- followed by Henry IV, Parts I and II, and Henry V -- Richard II portrays intense psychological struggles as well as a taut political drama. The only one of Shakespeare's plays written entirely in verse, it offers a grand, lyrical allegory and a poignant exploration of character.
King Richard III
by William ShakespeareFinal play in Shakespeare's masterly dramatization of the struggle for power between the Houses of York and Lancaster. Richard is a stunning archvillain who schemes, seduces, betrays and murders his way to the throne, yet is capable of eliciting sympathy for his plight at the end.
King Richard the Second
by William ShakespeareWritten in 1595, Richard II occupies a significant place in the Shakespeare canon, marking the transition from the earlier history plays dominated by civil war and stark power to a more nuanced representation of the political conflicts of England's past where character and politics are inextricably intertwined. It is the first of four connected plays--including 1 Henry IV, 2 Henry IV, and Henry V--generally considered Shakespeare's finest history plays. The drama of Richard II centers on the power struggle between the grandiloquent King Richard and the plain-spoken, blunt Henry Bolingbroke, who is banished from Britain at the beginning of the play. But when Henry's father, John of Gaunt, dies, Richard confiscates his property with no regard to his son's rights, and Bolingbroke returns to confront the king, who surrenders his crown and is imprisoned in Pomfret Castle, where he is soon murdered.
King of Hearts: Drag Kings in the American South
by Baker A. RogersWhile drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff. King of Hearts shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic. Queer scholar Baker A. Rogers—who has also performed as drag king Macon Love—takes you on an insider’s tour of Southern drag king culture, exploring its history, the communal bonds that unite it, and the controversies that have divided it. King of Hearts offers a groundbreaking look at a subculture that presents a subversion of gender norms while also providing a vital lifeline for non-gender-conforming Southerners.
King of New York: A New Mafia Tale
by Kathy Iandoli"Fully on par with Mario Puzo's "The Godfather" and Mark Seal's "Leave the Gun, Take the Cannoli" - Midwest Book Review THE KING OF NEW YORK is the story of how one gangster makes it his life goal (and obsession) to dominate across all affiliations of organized crime to achieve the most desired title: The King Of New York.Step into the shadowy corners of New York City with THE KING OF NEW YORK, a riveting mafia thriller that delves deep into the gritty underworld of organized crime. This gripping narrative is perfect for fans of WISE GUY and GOMORRAH, as it portrays the relentless ambition and dangerous power struggles that define the mafia's legacy.Follow the journey of Jimmy Martello as he ascends to the highest ranks of the mafia following a series of family tragedies. As the newly crowned Don, Jimmy must navigate the treacherous waters of mob leadership, engaging in strategic killings and forming murky alliances to keep his empire intact. Set against the backdrop of New York City&’s infamous crime network, his quest for power leads him through a maze of dark alliances and brutal betrayals that are characteristic of the mafia world.Engage with notorious factions like the Russian Mob, the Yakuza, the Cartel, and the Black Mafia Family. Each page of this mafia narrative crackles with action and strategic maneuvering as Jimmy vies to claim his title and cement his authority as The King of New York.THE KING OF NEW YORK is the ultimate mafia saga, blending high-stakes drama with a comprehensive exploration of the criminal underworld. It&’s an essential read for anyone interested in mob lore, true crime, and action-packed narratives. Discover a world where the title of Don is synonymous with power and fear, and where achieving the status of The King of New York represents the pinnacle of organized crime achievement.Perfect for readers who enjoy: mafia thrillers, organized crime dramas, crime boss biographies, underworld non-fiction, mob warfare, crime syndicate histories, tales of power struggles, and New York City crime sagas.
King of Shadows
by Susan CooperPlaying deftly with Time and Destiny as she did in her classic fantasy sequence The Dark Is Rising, Susan Cooper tells a vivid, fascinating and ultimately very moving story of the painful business of growing up, against a background of the timeless, glowing magic of the theater.<P><P> Nat Field's short life has been shadowed by loss and horror. His one escape is his talent for acting, and he has been picked by a dazzling international director to perform at Shakespeare's Globe, London's amazing new copy of the theater for which William Shakespeare wrote his plays four hundred years ago.<P> Brought from all over the U.S., the members of the American Company of Boys begin to rehearse at the Globe. But strange, eerie echoes of the past begin creeping in. Nat goes to bed mysteriously sick -- is it the dreadful bubonic plague of the sixteenth century? He wakes up healthy, but he's no longer in the present, he's in 1599, acting at the original Globe. And his costar is Shakespeare: no longer a vague historical figure, but a quirky, warm-hearted writer/actor whose friendship changes Nat forever.<P> Nat has a new life, blazing with excitement, edged with danger, but why is he here? Is he trapped in Elizabethan London? Will he ever go home?
King of Thieves
by George F. WalkerNew York City, 1928. Master thief Mac must join an FBI sting operation against a cadre of corrupt bankers. Music, murder, and mayhem ensue, both at the speakeasy where criminals scheme and on Wall Street where financiers conspire. This satirical play with songs exposes the world of corporate crime and, like The Beggar's Opera of 1728 that inspired it, challenges the conservatism that is increasingly apparent today.George F. Walker is one of Canada's most prolific playwrights, having written more than thirty works for the stage since the debut of his first play in 1971. Walker has also spent much of his career writing for radio and television, including for the CBS series Due South and CBC's The Newsroom.
Kings of the Court
by Alison HughesWhen the Gladiators basketball team's nasty coach finally gets turfed midseason, things couldn't possibly get worse. The team hasn't won a game yet, and morale is at rock bottom. Sameer, who announces the games and keeps score, and Vijay, the team mascot, have their hands full keeping the team's spirits up. When they get promoted to assistant coach and manager, can they help a small, unathletic, Shakespeare-quoting drama teacher coach the team to victory, or at least to dignity? Or will the courtside drama eclipse even the school play?
Kingship, Madness, and Masculinity on the Early Modern Stage: Mad World, Mad Kings (New Interdisciplinary Approaches to Early Modern Culture)
by Christina Gutierrez-DennehyKingship, Madness, and Masculinity examines representations of mad kings in early modern English theatrical texts and performance practices. Although there have been numerous volumes examining the medical and social dimensions of mental illness in the early modern period, and a few that have examined stage representations of such conditions, this volume is unique in its focus on the relationships between madness, kingship, and the anxiety of lost or fragile masculinity. The chapters uncover how, as the early modern understanding of mental illness refocused on human, rather than supernatural, causes, public stages became important arenas for playwrights, actors, and audiences to explore expressions of madness and to practice diagnoses. Throughout the volume, the authors engage with the field of disability studies to show how disability and mental health were portrayed on stage and what those representations reveal about the period and the people who lived in it. Altogether, the essays question what happens when theatrical expressions of madness are mapped onto the bodies of actors playing kings, and how the threat of diminished masculinity affects representations of power. This volume is the ideal resource for students and scholars interested in the history of kingship, gender, and politics in early modern drama.
Kiss Or Make Up
by Jack SharkeyComedy / 4m, 3f / Interior / Architect Morgiana Kendrick has found true love at last in the person of Hanley Swope, a city planner for whom she has designed the zoo's new crocodile house. The problem is that, to forestall incessant queries as to why she's not married, she has over the years created an imaginary husband and daughter. Now the Treasury Department, in the person of neophyte agent Barney Benson, is investigating why her husband has not paid taxes. Morgy cons a Casey, a neighbor, into posing as her daughter for Hanely's visit, but Casey's fiance shows up to announce their engagement and she tries to palm off Barney as her visiting brother. A policeman arrives to investigate a peeping tom report thanks to Barney's inept surveillance as all are attacked by parasitic crocodile crabs just when the fiance's Bostonian mother shows up to meet her son's intended. This comedy of mistaken identities, federal foolishness, and desperate romance is one that will have audiences howling.
Kiss the Moon, Kiss the Sun
by Norm FosterA thirty-five-year-old man with the mental capacity of a seven-year-old, meets a pregnant young woman in crisis, and the two form a lasting friendship. A story about people finding the nerve to take responsibility, and about persevering against the odds. One of Norm Foster's most touching plays, about a man who must learn to let go to move on.
Kissing Shakespeare
by Pamela MingleA romantic time travel story that's ideal for fans of novels by Meg Cabot and Donna Jo Napoli--and, of course, Shakespeare.Miranda has Shakespeare in her blood: she hopes one day to become a Shakespearean actor like her famous parents. At least, she does until her disastrous performance in her school's staging of The Taming of the Shrew. Humiliated, Miranda skips the opening-night party. All she wants to do is hide. Fellow cast member, Stephen Langford, has other plans for Miranda. When he steps out of the backstage shadows and asks if she'd like to meet Shakespeare, Miranda thinks he's a total nutcase. But before she can object, Stephen whisks her back to 16th century England--the world Stephen's really from. He wants Miranda to use her acting talents and modern-day charms on the young Will Shakespeare. Without her help, Stephen claims, the world will lost its greatest playwright. Miranda isn't convinced she's the girl for the job. Why would Shakespeare care about her? And just who is this infuriating time traveler, Stephen Langford? Reluctantly, she agrees to help, knowing that it's her only chance of getting back to the present and her "real" life. What Miranda doesn't bargain for is finding true love . . . with no acting required.From the Hardcover edition.
Kissing the Mask: Beauty, Understatement and Femininity in Japanese Noh Theater
by William T. Vollmann“Intrepid journalist and novelist William T. Vollman’s colossal body of work stands unsurpassed for its range, moral imperative, and artistry.”—BooklistWilliam T. Vollmann, the National Book Award–winning author of Europe Central, offers a charming, evocative, and piercing examination of the ancient Japanese tradition of Noh theatre and the keys it holds to our modern understanding of beauty. Kissing the Mask is the first major book on Nohby an American writer since the 1916 publication the classic study Pisan Cantos and the Noh by Ezra Pound. But Kissing the Mask is pure Vollman—illustrated with photos by the author with provocative related side-discussions on femininity, transgender, kabuki, pornography, geishas, and more.
Knowing Shakespeare
by Lowell Gallagher Shankar RamanA collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in staging the senses.
Knucklebones
by Douglas AndersonFull Length, Comedy / 2 m., 2 f. / Int. / Most people laugh at a funny joke, but Professor Evans sees humor as an intricate puzzle to be reduced to brilliant but dry mathematical equations. He is working on probability textbook and has invited the departmental secretary to his kitchen to help prepare the manuscript. She is overweight and romantic; he is gaunt and scientific. Neither has ever been on a date. What are the odds that they will fall in love? Add a pair of eccentrics Eddie's mother, a bingo player who wins with alarming consistency, and a family friend who happens to be a magician and the result is a delight. / "A most thoroughly enjoyable, delightful comedy." Jewish Telegraph.
Kompakt-Lexikon Sprechwissenschaft
by Christa M. HeilmannDas Lexikon enthält sämtliche für die Sprechwissenschaft relevanten Begriffe – insgesamt etwa 1000 Lemmata, ausgewählt auf Basis der sprechwissenschaftlichen Fachliteratur der letzten vierzig Jahre. Die Terminologie der Disziplin speist sich neben den facheigenen Teilgebieten aus Nachbarwissenschaften wie der Psychologie, der Sprachwissenschaft, der Phonetik, der Poetik sowie der Logopädie und Phoniatrie. Das Nachschlagewerk bildet diese interdisziplinäre Vielfalt ab und bietet damit erstmals passgenaues lexikalisches Wissen für das Fachgebiet.
Konstantin Stanislavsky (Routledge Performance Practitioners)
by Bella MerlinAs one of the most well-known names in theatre history, Konstantin Stanislavsky’s teachings on actor training have endured throughout the decades, influencing scholars and practitioners even in the present day. This second edition of Konstantin Stanislavsky combines: an overview of Stanislavsky’s life and work, including recent discoveries an assessment of his widely read text, An Actor Prepares (1936) with comparisons to Benedetti’s 2008 translation, An Actor’s Work detailed commentary of the key 1898 production of The Seagull an indispensable set of practical exercises for actors, teachers and directors. As a first step towards critical understanding, and as an initial ex- ploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.