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Light On The Subject: Stage Lighting For Directors And Actors - And The Rest Of Us

The aim of this book is to demystify the technology of stage lighting, and it does so by uniting its text with quotations from literature, thus setting a common ground for the perception and understanding of light, in our daily lives as well as on stage.

Light Sensitive

Dramatic Comedy. . Characters: 2 male, 1 female. Interior Set. Thomas Hanratty, lifelong resident of Hell's Kitchen and once the most dangerous white cab driver in New York, was blinded eight years ago in a drunken accident and is fading into a routine of self pity and alcohol. His bartender and only friend, who was partly responsible for the accident, is moving to Vermont with a new lady friend, but he can't abandon Tom. He recruits an unattractive, slightly handicapped volunteer reader from the Lighthouse who battles her way through Tom's shell. By the second act, they are falling in love. His buddy returns with tales of his "Christmas from hell" in Vermont, and doubt arises as to who will hold the number one position in Tom's life. . "Geoghan brings his characters to life and the audience to its feet cheering." -The Los Angeles Times

Lighting Dance: A Study of Technical, Philosophical, and Psychological Shadows

Lighting Dance pioneers the discussion of the ability of lighting design to foreground shadow in dance performances. Through a series of experiments integrating light, shadow, and improvised dance movement, it highlights and analyses what it advances as an innovative expression of shadow in dance as an alternative to more conventional approaches to lighting design. Different art forms, such as painting, film, and dance pieces from Loie Fuller, the Russell Maliphant Dance Company, Elevenplay, Pilobolus, and the Tao Dance Theater served to inspire and contextualise the study. From lighting to psychology, from reviews to academic books, shadows are examined as a symbolic and manipulative entity. The book also presents the dance solo Sombreiro, which was created to echo the experiments with light, shadow, and movement aligned to an interpretation of cultural shadow (Jung 1954, in Samuels, Shorter, and Plaut 1986; Casement 2006; Ramos 2004; Stein 2004; and others). The historical development of lighting within dance practices is also outlined, providing a valuable resource for lighting designers, dance practitioners, and theatre goers interested in the visuality of dance performances.

Lighting Design Beyond Theatre: A Process for the Evolving Entertainment Industry

Lighting Design Beyond Theatre provides a step-by-step design process for live event lighting outside of traditional theatre, dance, and opera, including concerts and tours, awards shows, sporting events, benefits, comedy shows, corporate events, fashion shows, political events, and more.This book introduces the origins and history of live events, establishes a shared practice for lighting designers working in live event design, compares and contrasts where lighting design process for theatre, dance, and opera differs from lighting design process for live events, and provides practical considerations and wisdom about navigating the work culture of these events. Containing case studies and exercises, the book outlines holistic processes and practices for this career, including building a task list, choosing equipment, incorporating constructive feedback, leadership, the realities of money and client relations, and getting invited back for more job opportunities.This book is written for students of lighting design and emerging lighting designers interested in exploring lighting design outside the traditional theatre industry, as well as instructors teaching lighting design for nontheatrical live events.Lighting Design Beyond Theatre includes access to downloadable materials for instructors and readers to use as a project, following along with the exercises in the book. These materials represent the information available at various steps in a design process for a realized show, from venue and site information to scenic renderings and schedule details. The final light plot and production photos are also included.

Lighting Technology: A Guide For The Entertainment Industry

Anyone working with lighting in the entertainment industries will find this an immensely readable source of information. The authors, themselves experienced lighting practitioners, have collected a wealth of essential lighting technology and data into one comprehensive reference volume in an accessible, jargon-free style. The new edition of this popular text covers the very latest technology, including advances in lamps, motorised lights, dimmers and control systems and current safety regulations.

Like It Never Happened

Stereotypes, sexuality, and destructive rumors collide in this smart YA novel for fans of Sara Zarr's Story of a Girl, Siobhan Vivian's The List, and E. Lockhart's The Disreputable History of Frankie Landau-Banks.When Rebecca Rivers lands the lead in her school's production of The Crucible, she gets to change roles in real life, too. She casts off her old reputation, grows close with her four rowdy cast-mates, and kisses the extremely handsome Charlie Lamb onstage. Even Mr. McFadden, the play's critical director, can find no fault with Rebecca.Though "The Essential Five" vow never to date each other, Rebecca can't help her feelings for Charlie, leaving her both conflicted and lovestruck. But the on and off-stage drama of the cast is eclipsed by a life-altering accusation that threatens to destroy everything...even if some of it is just make believe.

Lilyville: Mother, Daughter, and Other Roles I've Played

This heartwarming and funny memoir from a beloved actress tells the story of a mother and daughter whose narrative reflects American cultural changes and the world's shifting expectations of women.From Golda to Ginsburg, Yentl to Mama Rose, Tallulah to the Queen of Mean, Tovah Feldshuh has always played powerful women who aren't afraid to sit at the table with the big boys and rule their world. But offstage, Tovah struggled to fulfill the one role she never auditioned for: Lily Feldshuh's only daughter.Growing up in Scarsdale, NY in the 1950s, Tovah—known then by her given name Terri Sue—lived a life of piano lessons, dance lessons, shopping trips, and white-gloved cultural trips into Manhattan. In awe of her mother's meticulous appearance and perfect manners, Tovah spent her childhood striving for Lily's approval, only to feel as though she always fell short. Lily's own dreams were beside the point; instead, she devoted herself to Tovah's father Sidney and her two children. Tovah watched Lily retreat into the roles of the perfect housewife and mother and swore to herself, I will never do this.When Tovah shot to stardom with the Broadway hit Yentl, winning five awards for her performance, she still did not garner her mother's approval. But, it was her success in another sphere that finally gained Lily's attention. After falling in love with a Harvard-educated lawyer and having children, Tovah found it was easier to understand her mother and the sacrifices she had made during the era of the women's movement, the sexual revolution, and the subsequent mandate for women to "have it all."Beloved as he had been by both women, Sidney's passing made room for the love that had failed to take root during his life. In her new independence, Lily became outspoken, witty, and profane. "Don't tell Daddy this," Lily whispered to Tovah, "but these are the best years of my life." She lived until 103. In this insightful, compelling, often hilarious and always illuminating memoir, Tovah shares the highs and lows of a remarkable career that has spanned five decades, and shares the lessons that she has learned, often the hard way, about how to live a life in the spotlight, strive for excellence, and still get along with your mother. Through their evolving relationship we see how expectations for women changed, with a daughter performing her heart out to gain her mother's approval and a mother becoming liberated from her confining roles of wife and mother to become her full self. A great gift for Mother's Day—or any day when women want a joyous and meaningful way to celebrate each other.

Linguistic Interaction in Roman Comedy

This book presents a comprehensive account of features of Latin that emerge from dialogue: commands and requests, command softeners and strengtheners, statement hedges, interruptions, attention-getters, greetings and closings. In analyzing these features, Peter Barrios-Lech employs a quantitative method and draws on all the data from Roman comedy and the fragments of Latin drama. In the first three parts, on commands and requests, particles, attention-getters and interruptions, the driving questions are firstly - what leads the speaker to choose one form over another? And secondly - how do the playwrights use these features to characterize on the linguistic level? Part IV analyzes dialogues among equals and slave speech, and employs data-driven analyses to show how speakers enact roles and construct relationships with each other through conversation. The book will be important to all scholars of Latin, and especially to scholars of Roman drama.

Lion In The Streets

Seventeen years ago, Isobel was murdered at the tender age of nine. Now she finds herself back in her previous life as a ghost searching for the person responsible for her untimely death. But this time she’s powerful, having the ability to watch over the living, observe them, and sometimes interact with them. Isobel has been paying attention to her former neighbours, and it’s not long before she begins to suffer along with them during their dark and horrific private experiences. Will she finally get the peace she’s been yearning for? One of Judith Thompson’s most enduring plays, Lion in the Streets looks at the inner emotional turmoil in ordinary people and the ways in which they cope.

Lions

Dramatic Comedy / 9m, 3f / Interior / It’s the 2007 NFL season and the Detroit Lions are on a winning streak — unfortunately out of work steelworker John Waite is not. With humor and humanity, playwright Vince Melocchi offers a glimpse into The Tenth Ward Club, where the patrons place their hopes on their team, and attempt to escape the creeping demise of their city and of their way of life. / "[Lions] is a drama that speaks directly to our country’s current state of affairs, which is to say it’s a play about unemployment, hardship and economic collapse. If that sounds like a depressing thematic lineup, the play itself is far from being a downer. 'Lions' takes an unsentimental look at a ravaged cross-section of present-day Detroit and tells a story of compassion in a cold climate....Melocchi’s play is a smart, humanistic...observation of working-class survivalism." - Los Angeles Times

Liquid Ecologies in Latin American and Caribbean Art (Routledge Advances in Art and Visual Studies)

This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies.

Listening To Movies: The Film Lover's Guide To Film Music

This text is a lay person's guide to the world of film music, from the silent era to the present day. Oscar-winning film composer Fred Karlin describes how music is written and recorded for the movies; who the composers are and how they work with film makers; and the music itself - what to listen for in a film score, and what makes one score better than another.

Listening for America: Inside The Great American Songbook From Gershwin To Sondheim

“Not since the late Leonard Bernstein has classical music had a combination salesman-teacher as irresistible as Kapilow.” —Kansas City Star Few people in recent memory have dedicated themselves as devotedly to the story of twentieth- century American music as Rob Kapilow, the composer, conductor, and host of the hit NPR music radio program, What Makes It Great? Now, in Listening for America, he turns his keen ear to the Great American Songbook, bringing many of our favorite classics to life through the songs and stories of eight of the twentieth century’s most treasured American composers—Kern, Porter, Gershwin, Arlen, Berlin, Rodgers, Bernstein, and Sondheim. Hardly confi ning himself to celebrating what makes these catchy melodies so unforgettable, Kapilow delves deeply into how issues of race, immigration, sexuality, and appropriation intertwine in masterpieces like Show Boat and West Side Story. A book not just about musical theater but about America itself, Listening for America is equally for the devotee, the singer, the music student, or for anyone intrigued by how popular music has shaped the larger culture, and promises to be the ideal gift book for years to come.

Lisístrata

Lisístrata es va estrenar l’any 411 a.C., en un moment crític per Atenes, cada cop més asfixiada per la guerra contra Esparta. Durant la llarga guerra del Peloponès, atenesos i espartans deixen de banda les seves llars i els seus deures familiars. Per posar fi a la situació, la bella Lisístrata cridarà les dones dels dos bàndols a una revolta sense precedents: una vaga de sexe que forci la reflexió dels soferts combatents. El doble missatge pacifista i feminista de Lisístrata -i el seu caràcter eventualment vodevilesc- ha fet que sigui l’obra d’Aristòfanes més representada, imitada i adaptada des de mitjan segle XIX ençà, no solament en el teatre de text, sinó també en el teatre musical, en l’òpera, en el cinema i en el còmic, arribant fins i tot a esdevenir una eina simbòlica de denúncia de conflictes armats contemporanis.

Literary Materialisations and Interferential Reading: Making Matter Matter on Page, Stage and Screen (Routledge Studies in Contemporary Literature)

This book traces literature’s long history of repurposing representational language use for performative, “material” effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting‑edge new‑materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.

Literature Connections Sourcebook: Macbeth and Related Readings

Literature and Drama: with special reference to Shakespeare and his contemporaries

First published in 1970. This book examines the areas of plays that are dependent upon the art of the theatre and the fluidity of interpretation to which this gives rise. It discusses the printing of plays and the limited attempts that have have been made to convey theatrical experience, taking as a particular example a masque by Ben Jonson. Finally, some of the problems created by the instability of theatrical art

Literature and Historiography in the Spanish Golden Age: The Poetics of History (Routledge Studies in Renaissance Literature and Culture)

Golden Age departures in historiography and theory of history in some ways prepared the ground for modern historical methods and ideas about historical factuality. At the same time, they fed into the period’s own "aesthetic-historical culture" which amalgamated fact and fiction in ways modern historians would consider counterfactual: a culture where imaginative historical prose, poetry and drama self-consciously rivalled the accounts of royal chroniclers and the dispatches of diplomatic envoys; a culture dominated by a notion of truth in which skilful construction of the argument and exemplarity took precedence over factual accuracy. Literature and Historiography in the Spanish Golden Age: The Poetics of History investigates this grey area backdrop of modern ideas about history, delving into a variety of Golden Age aesthetic-historical works which cannot be satisfactorily described as either works of literature or works of historiography but which belong in between these later strictly separate categories.

Literature and Intellectual Disability in Early Modern England: Folly, Law and Medicine, 1500-1640 (Routledge Studies in Renaissance Literature and Culture)

Fools and clowns were widely popular characters employed in early modern drama, prose texts and poems mainly as laughter makers, or also as ludicrous metaphorical embodiments of human failures. Literature and Intellectual Disability in Early Modern England: Folly, Law and Medicine, 1500–1640 pays full attention to the intellectual difference of fools, rather than just their performativity: what does their total, partial, or even pretended ‘irrationality’ entail in terms of non-standard psychology or behaviour, and others’ perception of them? Is it possible to offer a close contextualised examination of the meaning of folly in literature as a disability? And how did real people having intellectual disabilities in the Renaissance period influence the representation and subjectivity of literary fools? Alice Equestri answers these and other questions by investigating the wide range of significant connections between the characters and Renaissance legal and medical knowledge as presented in legal records, dictionaries, handbooks, and texts of medicine, natural philosophy, and physiognomy. Furthermore, by bringing early modern folly in closer dialogue with the burgeoning fields of disability studies and disability theory, this study considers multiple sides of the argument in the historical disability experience: intellectual disability as a variation in the person and as a difference which both society and the individual construct or respond to. Early modern literary fools’ characterisation then emerges as stemming from either a realistic or also from a symbolical or rhetorical representation of intellectual disability.

Literature and Its Writers: A Compact Introduction to Fiction, Poetry, and Drama

Literature is a conversation -- between writers and other writers, and between writers and readers. In Literature and Its Writers, Ann and Samuel Charters complement a rich and varied selection of stories, poems, and plays with an unparalleled array of commentaries about that literature by the writers themselves. Such "writer talk" inspires students to respond as it models ways for them to enter the conversation. In the sixth edition, the Charters continue to entice students to join the conversation, with adventurous and intriguing new literary works, more detailed coverage of literary elements, and more help with reading and writing.

Literature in the Public Service

Historians and sociologists have been consistently - albeit gloomily - enthralled by Max Weber's model of the inevitable rise of the neurocrat. However, literary critics positively boast that writers, like academics, cannot 'do admin'. While Weber's thesis about the rise of the entrepreneur all fire, individuality, thrust is in tune with what we think literature is about, his thesis about the rise of the bureaucrat is not. Yet 'creative bureaucracy' is not only a euphemism for bending the rules. Literature in the Public Service shows how the public service makes its workers original, taking them beyond an individuated point of view to imagine the perfect public system. Creativity theorists too have swapped the model of solitary inspiration for a managed creative environment. John Milton, Anthony Trollope, and David Hare are examples of how authors work in and write about the public service, during its crisis moments. "

Literature: An Introduction to Fiction, Poetry, Drama, and Writing

Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Fifth AP Edition by X. J. Kennedy and Dana Gioia.

Literature: An Introduction to Reading and Writing, Fifth Edition

This edition emphasizes research writing and critical approaches to literature. Including 60 stories, 388 poems, and 17 dramatic works, this book offers a balanced collection of works by male and female authors of different ethnic, political, economic, cultural, and religious backgrounds. In addition to carefully chosen literary selections, each chapter contains detailed information on and sample essays for writing about literature.

Little Boy Blue

It’s the day of the grand fête in Merrydale, and Willard “Wiggles” Wigglesworth has brought his hot air balloon along to give rides to the townsfolk. Johnnie Blue has fallen in love with Susie Sidebottom, the Mayor’s daughter, but when the pair offend the evil witch Halloweena she is determined to exact revenge. Soon Johnnie and Susie, together with Wiggles and Bessie, Johnnie’s larger-than-life mother, find themselves a very long way from home. Little Boy Blue is a riotous pantomime showcasing Paul Reakes’s trademark winning combination of laughter, thrills, magic, music and dance.

Little One and Other Plays

A chilling psychological thriller, Little One is the haunting story of adopted siblings Aaron and Claire—one the definition of normal, the other deeply disturbed and unpredictable—and the strange lives of their neighbours, a man and his mail-order bride. In Other People’s Children, wealthy young power couple Ben and Ilana hire Sati, a live-in nanny, to care for their baby daughter, but Sati ends up being more than a caretaker, exposing the fragility of Ben and Ilana's marriage. Is she filling the holes of their relationship, or widening cracks that will shatter their family? High school is hard, especially for Neyssa, who is not from a privileged family like her best friend Bijou. When the two get into a physical fight at school, they must confront what’s really bothering Neyssa. In This World looks at what friendship means to two teenage girls from vastly different social backgrounds, while dealing with racism, class, and reputation.