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The Living
by Anthony Clarvoe“Beautifully written… There is light of understanding cast on the human condition in this play. That light concerns the simple heroism of people who do not abandon their fellows in the dark hours.”Marilynne S. Mason, Christian Science Monitor “Set in London as the Black Plague sweeps the city claiming more than 100,000 lives, THE LIVING is not about death. Rather this remarkable, riveting drama is a compelling confirmation of life.” Sandra Dillard-Rosen, The Denver Post “Fascinating… THE LIVING is a play both clever and thoughtful…. With a fine wit and a keen irony.”Richard Christiansen, Chicago Tribune “Haunting revives the plague time with often chilling vividness… The drama would be interesting even if there were no modern parallel. The play remains intellectually engrossing and, ultimately, gut-wrenchingly affecting.”Aileen Jacobson, Newsday “This intelligent and cumulatively affecting drama…discovers the hope and humanity shining inside the black shroud.”Steven Winn, San Francisco Chronicle “Aided by Clarvoe’s enticing dialogue and grim humor…we see that beneath all the turmoil and death, there exists a simple humanity that saves souls and restores faith.”Mary Houlihan-Skilton, Chicago Sun-Times “A rich, dynamic play…laced with oddly beautiful metaphors for tragedy…. Do heed this reminder to keep breathing during the full force of the action.”Patricia Corrigan, St Louis Post-Dispatch “As much a drama of ideas as it is a drama of passion and compassion, it unfolds in a series of Shakespeare-like scenes that follow a handful of characters through the darkest months of the plague.… Clarvoe writes with wit and intelligence.“Marion Garmel, Indianapolis Star “As a tale of human heroism and cowardice, pitilessness and compassion, medical sleuthing and political expediency, it cannot be beat…. Clarvoe’s most potent idea has been to prohibit the characters from touching one another. Not even a piece of paper is handed directly from one person to another; everything is arranged to prevent human contact. So the ending is really miraculous.” Judith Green, San Jose Mercury News
The Living Art of Greek Tragedy
by Marianne McdonaldMarianne McDonald brings together her training as a scholar of classical Greek with her vast experience in theatre and drama to help students of the classics and of theatre learn about the living performance tradition of Greek tragedy. The Living Art of Greek Tragedy is indispensable for anyone interested in performing Greek drama, and McDonald's engaging descriptions offer the necessary background to all those who desire to know more about the ancient world. With a chapter on each of the three major Greek tragedians (Aeschylus, Sophocles, and Euripides), McDonald provides a balance of textual analysis, practical knowledge of the theatre, and an experienced look at the difficulties and accomplishments of theatrical performances. She shows how ancient Greek tragedy, long a part of the standard repertoire of theatre companies throughout the world, remains fresh and alive for contemporary audiences.
Living Curiosities or What You Will
by Mary VingoeAnna soon realizes that she is out of her element in the city, and longs to return home. Determined to make the best of her situation, Anna goes against the wishes of Barnum and befriends the other "living curiosities," developing a strong friendship with Alphonsia di Lugar. Together, they attempt to create a stronger sense of community by staging an unusual version of Twelfth Night with the rest of inhabitants of the museum. Old alliances and bitter feelings threaten to tear the company apart, yet they must all work together to escape the past and find their own identities.
The Living Image: Shakespearean Essays
by T. R. HennFirst published in 1972. The imagery of field sports - of hawking, hunting, shooting and fishing - and the associated imagery of warfare are a striking feature in Shakespeare's plays. The Living Image examines the nature of this imagery, considering it first in the light of the practices and techniques of Elizabethan field sports and weaponry and then its broader metaphoric significance in relation to the themes of the plays. The contemporary associations of the imagery - the inferences of female sexuality and waywardness from hawking imagery, for example, and the ideals of nobility and courage attached to images of hunting and war are all discussed.
Living Quixote: Performative Activism in Contemporary Brazil and the Americas (Performing Latin American and Caribbean Identities)
by Rogelio MinanaThe 400th anniversaries of Don Quixote in 2005 and 2015 sparked worldwide celebrations that brought to the fore its ongoing cultural and ideological relevance. Living Quixote examines contemporary appropriations of Miguel de Cervantes's masterpiece in political and social justice movements in the Americas, particularly in Brazil.In this book, Cervantes scholar Rogelio Miñana examines long-term, Quixote-inspired activist efforts at the ground level. Through what the author terms performative activism, Quixote-inspired theater companies and nongovernmental organizations deploy a model for rewriting and enacting new social roles for underprivileged youth. Unique in its transatlantic, cross-historical, and community-based approach, Living Quixote offers both a new reading of Don Quixote and an applied model for cultural activism—a model based, in ways reminiscent of Paulo Freire, on the transformative potential of performance, literature, and art.
Living Quixote: Performative Activism in Contemporary Brazil and the Americas (Performing Latin American and Caribbean Identities)
by Rogelio MinanaThe 400th anniversaries of Don Quixote in 2005 and 2015 sparked worldwide celebrations that brought to the fore its ongoing cultural and ideological relevance. Living Quixote examines contemporary appropriations of Miguel de Cervantes's masterpiece in political and social justice movements in the Americas, particularly in Brazil. In this book, Cervantes scholar Rogelio Miñana examines long-term, Quixote-inspired activist efforts at the ground level. Through what the author terms performative activism, Quixote-inspired theater companies and nongovernmental organizations deploy a model for rewriting and enacting new social roles for underprivileged youth. Unique in its transatlantic, cross-historical, and community-based approach, Living Quixote offers both a new reading of Don Quixote and an applied model for cultural activism—a model based, in ways reminiscent of Paulo Freire, on the transformative potential of performance, literature, and art.
The Living Room: A Play
by Graham GreeneThe illicit affair of a devout woman in London ignites a shattering family crisis in the author’s “ruthlessly honest” first play (The Guardian). In a dour Holland Park house with rooms and secrets long shuttered live three unyielding forces for morality: rigidly religious sisters Helen and Teresa, and their brother, a Roman Catholic priest. Into the lives of this insular trio comes their young grandniece, Rose Pemberton, following the death of her mother. To the mortification of her aunts, Rose has also brought her lover, Michael Dennis, who is twenty-five years Rose’s senior, married, and a psychology lecturer dictated by reason, not faith. In a home that reeks of sanctimony, Rose and Michael are as welcome as sin. But it’s the arrival of Michael’s distraught wife—armed with righteous emotional blackmail and worse—that ignites an unexpected fury and makes real the family’s greatest fears. Premiering in London in 1953 and moving to Broadway one year later, Graham Greene’s debut as a dramatist was hailed by Kenneth Tynan as “the best first play of its generation.”
Living the Dream: Building a Sustainable Career in the Performing Arts
by Kirstin Chávez Johnathon PapeLiving the Dream: Building a Sustainable Career in the Performing Arts offers an accessible guide to understanding one’s arts career as a business. This essential companion to the inner workings of the arts world begins with defining the dream, including how to conceive mission statements, branding and business plans. Part II covers sharing the dream with others through social media, networking, and working with agents or artist managers. Part III offers an overview of the financial aspect, including budgets, taxes, and managing risks. Part IV concludes by discussing the realities of an arts career, including work/life balance, preparing for the future, and managing mental health. This practical and insightful overview is a must‑have companion for aspiring and early career professionals in the performing arts, as well as students on a range of arts courses, including Music Business, Entrepreneurship, and Career Skills classes.
Living the Lighting Life: A Guide to a Career in Entertainment Lighting
by Brad SchillerLiving the Lighting Life provides practical tools and advice for a successful career in entertainment lighting. This easy-to-navigate guide offers real-world examples and documentation from the author and key industry experts, giving readers a comprehensive overview of the lighting life. The book provides insight on: Different job opportunities in the entertainment lighting industry; Business procedures, contracts, time sheets, and invoices; Tips on self-promotion, networking, and continual learning; The lighting lifestyle, healthy living, and work-related travel; Maintaining and developing creativity to provide innovative lighting and solutions. With insightful interviews from industry veterans, Living the Lighting Life is a key navigational resource for anyone considering a career in entertainment lighting or just starting out.
Living the Lighting Life: A Guide to a Career in Entertainment Lighting
by Brad SchillerLiving the Lighting Life provides practical tools and advice for a successful career in entertainment lighting. This easy-to-navigate guide offers real-world examples and documentation from the author and key industry experts, giving readers a comprehensive overview of the lighting life. The book provides insight on: Different job opportunities in the entertainment lighting industry; Business procedures, contracts, time sheets, and invoices; Tips on self-promotion, networking, and continual learning; The lighting lifestyle, healthy living, and work-related travel; Maintaining and developing creativity to provide innovative lighting and solutions. With insightful interviews from industry veterans, Living the Lighting Life is a key navigational resource for anyone considering a career in entertainment lighting or just starting out.
Living Theatre: A History of Theatre
by Edwin Wilson Alvin GoldfarbFocused on the cultural relevance of theatre. Written in an engaging style. Designed to be accessible to undergraduates. Living Theatre is the most popular text for theatre history courses. The Seventh Edition builds on these strengths with “Past and Present”―a NEW feature that focuses on connections between theatre’s long history and the practice of theatre today―and with a brilliant NEW design that highlights the beauty and excitement of the art of theatre.
Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930
by Koritha MitchellLiving with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynch victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of household being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens.
Living with Shakespeare: Essays by Writers, Actors, and Directors
by Susannah Carson Harold BloomWhy Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites forty actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.We hear from James Earl Jones on reclaiming Othello as a tragic hero, Julie Taymor on turning Prospero into Prospera, Camille Paglia on teaching the plays to actors, F. Murray Abraham on gaining an audience's sympathy for Shylock, Sir Ben Kingsley on communicating Shakespeare's ideas through performance, Germaine Greer on the playwright's home life, Dame Harriet Walter on the complexity of his heroines, Brian Cox on social conflict in his time and ours, Jane Smiley on transposing King Lear to Iowa in A Thousand Acres, and Sir Antony Sher on feeling at home in Shakespeare's language. Together these essays provide a fresh appreciation of Shakespeare's works as a living legacy to be read, seen, performed, adapted, revised, wrestled with, and embraced by creative professionals and lay enthusiasts alike.F. Murray Abraham Isabel Allende Cicely Berry Eve Best Eleanor Brown Stanley Cavell Karin Coonrod Brian Cox Peter David Margaret Drabble Dominic Dromgoole David Farr Fiasco Theater Ralph Fiennes Angus Fletcher James Franco Alan Gordon Germaine Greer Barry John James Earl Jones Sir Ben Kingsley Maxine Hong Kingston Rory Kinnear J. D. McClatchy Conor McCreery Tobias Menzies Joyce Carol Oates Camille Paglia James Prosek Richard Scholar Sir Antony Sher Jane Smiley Matt Sturges Julie Taymor Eamonn Walker Dame Harriet Walter Bill Willingham Jess Winfield
Lizards...
by Megan Mostyn-BrownDrama / 3m. 3f. / A near-drowning accident sends Phoebe into a tailspin as she turns away from her marriage and toward her rescuer. Science teacher Victor loses his job and meets an unusual girl all in one day. While Ronnie is deciding whether to tell her newly single roommate Sebastian how she really feels. Through a masterful web of intertwined storylines and relationships, LIZARDS ... tells the tale of six twentysomethings adapting to stress - and on the brink of change.
Llama Llama Talent Show (Llama Llama)
by Anna DewdneyA Level 2 Reader based on an episode of Llama Llama's animated Netflix television series, perfect for little ones developing their own talent--for reading!Look out, world--Llama Llama is a TV star! The beloved character, made famous by Anna Dewdney's best-selling picture books, is the star of his own original series, now airing on Netflix. In this episode-based leveled reader, Llama Llama and his friends prepare acts for the school talent show, but Llama Llama doesn't know what act to perform! Your little llamas will love relating to their favorite character as he faces new and challenging situations.
Llévame hasta el cielo: Cuasi comedia en cuatro cuadros y un ascensor
by Nacho A. LlorenteYo solo quería matarlos. Pero entonces apareció ella. Y quedamos atrapados en un ascensor. A 300 metros sobre el vacío. Imagina que lo has perdido todo. Absolutamente todo. Que tu vida ha quedado completamente vacía. Imagina que el mundo, las personas y el futuro te han abandonado para siempre. Imagina que no te queda nada por lo que vivir. Nada. Marcelo está dispuesto a hacerlo. Va a matar a su mujer. Va a matar a su amigo del alma. Va a subir a ese maldito ático que roza el cielo y va a acribillarlos a balazos. Y, después, va a saltar desde la terraza para marcharse de este mundo y poder seguir persiguiéndolos en el mismo infierno. Pero llegar a su destino tiene un precio y Marcelo va a tener que pagarlo. Concretamente, en un ascensor que se detiene sin explicación a cientos de metros sobre el vacío. Encerrado con una mujer, extraña y desquiciada, que parece saber demasiadas cosas sobre él. El tiempo corre y nohay salida hacia su libertad. ¿O sí?
Llévame lejos de aquí
by Marco CardelliAlgunos amores no terminan nunca, solo dan rodeos inmensos y luego vuelven a empezar. En un verano de hace ya muchos años, un pequeño pueblo de Italia es testigo del nacimiento de un amor que pese a las adversidades trascenderá a través del tiempo.
Las lluvias de abril traen las flores de mayo
by Lathish Shankar Itzayana CobosEntradas del diario de Ashitha, una niña de 10 años escritas en jerga india. La historia nos cuenta acerca de bromas infantiles, juegos, amor, afecto y el tiempo que pasó durante las vacaciones de verano con sus amigos.
LO: Screendance Remixed (ISSN)
by Alanna Thain Priscilla GuyThis edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more.This book represents new vectors in screendance studies, featuring contributions by both artists and theoreticians, some of the most established voices in the field as well as the next generation of emerging scholars, artists, and curators. It builds on the foundational cartographies of screendance studies that attempted to sketch out what was particular to this practice. Sampling and reworking established forms of inquiry, artistic practice and spectatorial habits, and suspending and reorienting gestures into minoritarian forms, these conversations consider the affordances of screendance for reimaging the relations of bodies, technologies, and media today.This collection will be of great interest to students and scholars in dance studies, performance studies, cinema and media studies, feminist studies, and cultural studies.
Local/Global Shakespeare and Advertising (Routledge Studies in Shakespeare)
by Márta Minier Cristina Paravano Maria Elisa MontironiLocal/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.
Local Shakespeares: Proximations and Power
by Martin OrkinThis remarkable volume challenges scholars and students to look beyond a dominant European and North American 'metropolitan bank' of Shakespeare knowledge. As well as revealing the potential for a new understanding of Shakespeare's plays, Martin Orkin adopts a fresh approach to issues of power, where 'proximations' emerge from a process of dialogue and challenge traditional notions of authority. Divided into two parts this book: encourages us to recognise the way in which 'local' or 'non-metropolitan' knowledges and experiences might extend understanding of Shakespeare's texts and their locations demonstrates the use of local as well as metropolitan knowledges in exploring the presentation of masculinity in Shakespeare's late plays. These plays themselves dramatise encounters with different cultures and, crucially, challenges to established authority.
L'odio per il teatro
by Lord SchadtUn pezzo teatrale furioso, un cannone di insulti alla cultura teatrale tedesca che non lascia nulla all'immaginazione. (Südkurier) Teatro d'intrattenimento postmoderno che provoca, che si agita, che infastidisce, che si lamenta, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che brontola, che scoppia, che assilla, che si lamenta, rimproverando, schernendo, prendendo in giro, imbarazzando, punzecchiando, disilludendo, mettendo alla berlina, punzecchiando, disincantando, mettendo in imbarazzo, snobbando, e piagnucolando il tutto attraverso un'attrice. Genere: DRAMA
Lolita: A Screenplay (Vintage International)
by Vladimir NabokovThe screenplay for Kubrik's 1962 film tells the story of an older man's obsession with a young girl.
London Bridge Has Fallen Down: An Adaptation of a Nursery Rhyme
by Brooke Harris Lyn Boyer Jeffrey B. FuerstThe old bridge fell down. What will the people of London do?
The London Merchant: Or, The History Of George Barnwell. As It Is Acted At The Theatre-royal In Drury-lane. By His Majesty's Servants. By Mr. Lillo. T
by George Lillo William H. McBurneyMrs. Millwood is beautiful, intelligent, and ambitious, but London gives her no means of support except to seduce men. Love for her leads eighteen-year-old Barnwell to deceit, theft, and murder."What are your laws," Mrs. Millwood asks, "but the fool’s wisdom and the coward’s valor, the instrument and screen of all your villainies by which you punish in others what you act out yourselves, had you been in their circumstances? The judge who condemns the poor man for being a thief had been a thief himself, had he been poor. Thus you go on deceiving and being deceived, harassing, plaguing, and destroying one another, but women are your universal prey."First performed in 1731, The London Merchant became on of the most popular plays of the century. A chronicler of the age, Theophilus Cibber called it "almost a new species of tragedy."