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Lovers and Other Strangers

by Renee Taylor

Five Comedies . Characters: 6 male, 6 female. 4 interior sets.. A hit on Broadway and later on film, this edition includes the popular sequence Hal and Cathy created for the film and played by Gig Young and Anne Jackson. The other stories include Brenda and Jerry in a planned seduction gone wrong. Johnny and Wilma have been married so long that they can't remember who starts what. With Mike and Susan, on the eve their wedding, he's getting cold feet and she must gently talk him down the aisle. In the last, Bea, Frank, Richie and Joan, a long-married couple who have fought for over thirty years try to save their son's marriage by confessing to their own failures. . "A lot of smiles as well as genuine belly laughs."-N.Y. Times . "Realistic and observant.... sketch[es] a character with a few strokes."-N.Y. Post . "Very funny and engaging."-Wall Street Journal

A Lover's Complaint

by William Shakespeare

"A Lover's Complaint" is a narrative poem published as an appendix to the original edition of Shakespeare's Sonnets. It is given the title "A Lover's Complaint" in the book, which was published by Thomas Thorpe in 1609. <P> <P> Although published as Shakespeare's work, the poem's authorship has become a matter of critical debate. The majority opinion is that it is by Shakespeare, though of inferior quality to his other works. <P> <P> The poem consists of forty-seven seven-line stanzas written in the rhyme royal (with the rhyme scheme ababbcc), a metre and structure identical to that of Shakespeare's poem The Rape of Lucrece. After a scene-setting introduction, the poem takes the form of a lengthy speech by an abandoned young woman, including a speech within her speech, as she recounts the words by which she was seduced.

Lovers' Quarrels

by Jean Baptiste De Molière Richard Wilbur

"I came to see that a line that simply says 'I love you,' at the right point in the show, is entirely adequate, that a great deal of verbal sophistication is not necessarily called for. . . . Speak-ability is so important. That's something I slowly had to learn about poetry, and something I had to work on always with Molière."--Richard WilburLovers' Quarrels is Molière's second full-length verse play, animated with deception and tangles of love.Richard Wilbur is a two-time winner of the Pulitzer Prize and a former Poet Laureate of the United States. His verse translations of Molière's plays have been performed for audiences throughout the world.

Love's Argument: Gender Relations in Shakespeare

by Marianne Novy

Novy demonstrates how the plays are theatrical transformations of tensions in both ideals and practices in Renaissance society. Analyzing the dramatic images of lover and beloved, of husband and wife, of parent and child, Novy examines the ways in which the conflicts are resolved in the comedies and romances and how they are acted out in the tragedies. Chapters on individual plays provide original interpretations that delineate the tone and texture of gender relations.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Love's Labor's Lost: The 30-Minute Shakespeare

by Nick Newlin

Love's Labor's Lost: The 30-Minute Shakespeare plays three action-packed scenes from this tale of King Navarre and his three lords, who have vowed to retire from women for three years. Naturally, the Princess of France and her three ladies arrive, and comedic courtship ensues.The cutting includes the ridiculous dance of the lords disguised as Russians, the hysterical "Pageant of the Nine Worthies," and a dramatic, bittersweet ending that leaves the King and the three lords laboring for love.The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors, as well as an appendix with suggestions for the specific play and recommendations for further resources.

Love's Labor's Lost

by William Shakespeare A. R. Braunmuller Stephen Orgel

"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts

Love's Labor's Lost: Webster's Italian Thesaurus Edition (The Pelican Shakespeare)

by William Shakespeare Peter Holland Stephen Orgel A. R. Braunmuller

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Love's Labor's Lost

by William Shakespeare Paul Werstine Dr Barbara Mowat

At first glance, Shakespeare's early comedy Love's Labor's Lost simply entertains and amuses. Four young men (one of them a king) withdraw from the world for three years, taking an oath that they will have nothing to do with women. The King of Navarre soon learns, however, that the Princess of France and her ladies are about to arrive. Although he lodges them outside of his court, all four men fall in love with the ladies, abandoning their oaths and setting out to win their hands. The laughter triggered by this story is augmented by subplots involving a braggart soldier, a clever page, illiterate servants, a parson, a schoolmaster, and a constable so dull that he is named Dull. Letters and poems are misdelivered, confessions are overheard, entertainments are presented, and language is played with, and misused, by the ignorant and learned alike. At a deeper level, Love's Labor's Lost also teases the mind. The men begin with the premise that women either are seductresses or goddesses. The play soon makes it clear, however, that the reality of male-female relations is different. That women are not identical to men's images of them is a common theme in Shakespeare's plays. In Love's Labor's Lost it receives one of its most pressing examinations. The authoritative edition of Love's Labor's Lost from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by William C. Carroll The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Love's Labour's Lost: Critical Essays (Shakespeare Criticism)

by Felicia Hardison Londre

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

Love's Labour's Lost

by William Shakespeare

The play opens with the King of Navarre and three noble companions, Berowne, Dumaine, and Longaville, taking an oath to devote themselves to three years of study, promising not to give in to the company of women - Berowne somewhat more hesitantly than the others. Berowne reminds the king that the princess and her three ladies are coming to the kingdom and it was suicidal for the King to agree to this law. The King denies what Berowne says, insisting that the ladies make their camp in the field outside of his court. The King and his men comically fall in love with the princess and her ladies.

Love's Labour's Lost: A Comedy

by William Shakespeare

When Ferdinand, the king of Navarre, and his companions swear off of the company of women for three years in order to study and fast, they find themselves wholly unprepared for the lack of female company. By the time Princess of France and her ladies arrive, the men find themselves utterly beguiled by the women. Love's Labour's Lost is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s for a performance at the Inns of Court before Queen Elizabeth I. The play draws on themes of masculine love and desire, reckoning and rationalization, and reality versus fantasy.

Love's Labour's Lost (Dover Thrift Editions: Plays)

by William Shakespeare

In this charming comedy of manners, one of Shakespeare's earliest efforts in the genre, a well-intentioned king vows to forego all fleshly delights, setting the stage for romantic hijinks. Ferdinand, the king of Navarre, insists that his court join him in a pledge to undertake a strict regimen of study and celibacy. The grudging compliance of three noblemen is sorely tested — as is the king's own resolve — with the arrival of a French princess and a trio of comedy attendants.First performed in 1594, Love's Labour's Lost features such typical Shakespearean elements as lovers in disguise, a witty clown, and an abundance of sparkling repartee. The play's role as a formative work (the plot is thought to be entirely of Shakespeare's invention) makes it of particular interest to students and scholars, and its merry doings and high spirts recommend it to all.

Love's Labour's Lost

by William Shakespeare

A King and his lords form an austere academy, swearing to have no contact with women for three years. But when the Princess of neighbouring France arrives with her female attendants, their pledge is quickly placed under strain. Soon all are in smitten and confusion abounds, as each struggles to secretly declare his love in this comedy of deception, desire and mistaken identity.

Love's Labour's Lost (Modern Library Classics)

by William Shakespeare Jonathan Bate Eric Rasmussen

A continuation of the major series of individual Shakespeare plays from the world renowned Royal Shakespeare Company, edited by two brilliant, younger generation Shakespearean scholars Jonathan Bate and Eric RasmussenIncorporating definitive text and cutting-edge notes from William Shakespeare: Complete Works-the first authoritative, modernized edition of Shakespeare's First Folio in more than 300 years-this remarkable series of individual plays combines Jonathan Bate's insightful critical analysis with Eric Rasmussen's textual expertise.From the Trade Paperback edition.

Loves Labours Wonne

by Don Nigro

Comic drama / 9m, 5f (with doubling) / Unit set / Dark and strange, ribald, funny, sad and beautiful, this unique play takes audiences on an inspiring trip deep into William Shakespeare's soul. Late on the stormy night on which he is to retire to the country, Shakespeare staggers drunkenly onto the stage of the Globe Theatre. Longing for quiet, green Stratford yet grieving for the London theatre world that has been his life, he is tortured by memories and hallucinations of his early struggles in the vicious city quagmire. His daughters arise as Miranda and Ariel and join the notorious hack Robert Greene who comes from the dead to accuse him of Marlowe's murder. Queen Elizabeth makes a cameo appearance and people from his life mix with characters from his plays to create a wild hallucinatory investigation into the nightmare of art.

Lovesick: Modernist Plays of Same-Sex Love, 1894-1925

by Laurence Senelick

This volume makes available an international collection of plays, from Britain, the US, Germany, France and Russia, providing an essential and fascinating resource for anyone interested in the theatre culture of this period. Lovesick brings together six plays, each with individual introductions, including an author biography and a production history. The editor provides a contextual introduction to the volume offering valuable information about the ancestry of gay theatre and queer performance. The anthology reveals how 'sexual deviance' made its way into the drama of this time, and also how homosexual playwrights used comic or lyrical devices in order to celebrate a 'superior sensibility'.

Loving Big Brother: Surveillance Culture and Performance Space

by John McGrath

In Loving Big Brother the author tackles head on the overstated claims of the crime-prevention and anti-terrorism lobbies. But he also argues that we desire and enjoy surveillance, and that, if we can understand why this is, we may transform the effect it has on our lives. This book looks at a wide range of performance and visual artists, at popular TV shows and movies, and at our day-to-day encounters with surveillance, rooting its arguments in an accessible reading of cultural theory. Constant scrutiny by surveillance cameras is usually seen as - at best - an invasion of privacy, and at worst an infringement of human rights. But in this radical new account of the uses of surveillance in art, performance and popular culture, John E McGrath sets out a surprizing alternative: a world where we have much to gain from the experience of being watched. This iconoclastic book develops a notion of surveillance space - somewhere beyond the public and the private, somewhere we will all soon live. It's a place we're just beginning to understand.

Loving Longing Leaving

by Michael Weller

"Fifty Words has a gimlet eye, providing meticulously chosen, artfully integrated details that let us understand why its characters so love and loathe each other. Like Mr. Albee's Who's Afraid of Virginia Woolf? it understands how closely hate and love can be linked in marriage."-The New York TimesIn Fifty Words, a Brooklyn brownstone becomes a marital battleground for Adam and Jan; Do Not Disturb dramatizes Adam's infidelity at a hotel with former lover Melinda; and in Side Effects, Melinda and her husband Hugh come to terms with their broken relationship.Michael Weller has written over forty dramatic works, including the plays Moonchildren, Fishing, Loose Ends, and Beast, and the screenplays for Hair and Ragtime.

The Lower Depths (Dover Thrift Editions)

by Maxim Gorky

The first of Russia's great proletarian writers, Alexey Maximovich Peshkov (1868-1936) adopted the pen name of Gorky, meaning "bitter." Drawing on his own experiences in the lowest social echelon, Gorky portrayed the wretched lives of down-and-outers, instilling his tales with heartfelt protest against a world that both tolerated and fostered the miseries of the underclass.In The Lower Depths, his dramatic masterpiece of 1902, Gorky presents a grimly realistic view of a desperate circle of lost souls. The play unfolds in a derelict boarding house, where a cast of despairing characters argue, play cards, tell stories, and debate the merits of two opposite worldviews: a self-reliant existence free of illusions, or a romanticized outlook that softens the pain of daily life. A revealing look at the atmosphere that led to the 1917 Russian Revolution, the drama abounds in shrewd observations, lifelike characters, and compelling dialog that make it a work of enduring vitality.

Lower Rooms (Eliza Anderson)

by Eliza Anderson

Full length, drama / 3m, 2f / Interior / In the underground labyrinths of the soul stalk these creatures. A mother and a daughter, both seeking fulfillment from fleeting strangers the mother, from a man who brings her a bottle of wine, and lies abed with her with all his clothes on, and who stays on, perhaps to teach the daughter a lesson; the daughter, from a youth with a penchant for theft and sex and with a comrade dedicated to rapine. Scenes jump with startling alacrity and repositionings, as the harried daughter, with dreams of beauty and song, finds instead the bondages of S & M and evil, amid fugitive males.

Luces de bohemia: Farsas y esperpentos (Obras completas Valle-Inclán #4)

by Ramón del Valle-Inclán

El segundo volumen con la producción teatral de uno de los autores más destacados de la España contemporánea: Ramón María del Valle-Inclán. En su incesante exploración de una nueva teatralidad, Valle-Inclán emprende muy pronto un radical proceso de estilización dramática que cultiva el grotesco, la farsa, el metateatro y la deshumanización de los personajes. Títulos como Tablado de marionetas (1926), Retablo de la avaricia, la lujuria y la muerte (1927) y Martes de Carnaval (1930), en que recoge su producción de dos décadas, son expresivos de una tendencia que culmina en la formulación de una nueva y portentosa estética, el esperpento, cuyas premisas expone en la que es considerada por muchos su obra maestra: Luces de bohemia (1924). Reseña:«Alrededor de él vivía la vorágine del verbo, y lo mismo se le podía llamar demiurgo que taumaturgo.»Ramón Gómez de la Serna

Luces de bohemia | Divinas palabras

by Ramón del Valle-Inclán

«Los más jóvenes no se han cansado de proclamar en los últimos años la estricta actualidad de Valle, y ven en los esperpentos la más segura vía de un teatro crítico.» Antonio Buero Vallejo Escritas con pocos meses de diferencia, en 1919 y 1920, después de una prolongada crisis creativa, las dos piezas reunidas en este volumen son unánimemente consideradas la cima del teatro de Valle-Inclán, lo que vale por decir que se cuentan entre las cumbres indiscutibles del teatro español (y europeo) del siglo XX, sobre el que han ejercido una persistente influencia. Por vías distintas -pues sus escenarios respectivos son la Galicia rural y el Madrid de la bohemia modernista-, las dos marcan un punto de inflexión en la trayectoria de su autor, que funda a partir de ellas una estética propia, el esperpento, con la que aspira a captar «el espíritu trágico de la vida española». Reseñas:«Valle-Inclán parece que escribió para nosotros y para quienes vengan después que nosotros, y es al mismo tiempo nuestro predecesor y nuestro contemporáneo.»Antonio Muñoz Molina «Una poderosa inyección vigorizante para la literatura en idioma castellano.»Juan Carlos Onetti «Valle-Inclán, el gran renovador del teatro español del siglo XX.»Ramón Irigoyen, El País

Lucia Mad

by Don Nigro

Dark comic drama / 4m, 2f / Simple set / This lyrical, intensely funny and haunting play about the madness of James Joyce's beloved daughter Lucia traces the imagined course of her doomed love for the young Samuel Beckett and investigates the relationship of creation to love and madness. Joyce is living in Paris and deeply absorbed in the composition of his last great work in progress eventually to become his enigmatic masterpiece Finnegan's Wake . He adores his beautiful and gifted daughter Lucia, but is unable to give her the attention she craves. Her down to earth, no nonsense mother, Nora, also loves her, but must spend much of her time looking after her absent minded genius husband. When Joyce's young disciple Beckett appears, Lucia falls madly in love with him and Beckett is torn between his reverence for Joyce, his compassion for Lucia, and his terror of her bottomless need for love. Lucia has a sharp eye and a wicked sense of humor, and she retains both as she slips deeper and deeper into madness despite the best efforts of Joyce, Nora, Beckett, Jung and Napoleon. This is a wildly funny play with complex and vivid characters, rich language and an eerie, eccentric and melancholy beauty.

Lucian and His Roman Voices: Cultural Exchanges and Conflicts in the Late Roman Empire (Routledge Monographs in Classical Studies #19)

by Eleni Bozia

Lucian and His Roman Voices examines cultural exchanges, political propaganda, and religious conflicts in the Early Roman Empire through the eyes of Lucian, his contemporary Roman authors, and Christian Apologists. Offering a multi-faceted analysis of the Lucianic corpus, this book explores how Lucian, a Syrian who wrote in Greek and who became a Roman citizen, was affected by the socio-political climate of his time, reacted to it, and how he ‘corresponded’ with the Roman intelligentsia. In the process, this unique volume raises questions such as: What did the title ‘Roman citizen’ mean to native Romans and to others? How were language and literature politicized, and how did they become a means of social propaganda? This study reveals Lucian’s recondite historical and authorial personas and the ways in which his literary activity portrayed second-century reality from the perspectives of the Romans, Greeks, pagans, Christians, and citizens of the Roman Empire

The Lucid Body: A Guide for the Physical Actor

by Fay Simpson

&“From Fay&’s methodology, I learned to use my intuition and lived experiences in myriad new ways.&” —Winston Duke, actor, Black Panther, Avengers, Us, and Nine DaysEngaging Mind and Body to Develop the Complete Physical Nature of Characters Actors are shape-shifters, requiring the tools to wade into unfamiliar waters and back out again. The Lucid Body offers a holistic, somatic approach to embodying character from the inside-out and, for the non-actor, offers a way to give hidden parts of the self their full expression. By identifying stagnant movement patterns, this process expands one&’s emotional and physical range and enables the creation of characters from all walks of life—however cruel, desolate, or jolly. Rooted in the exploration of the seven chakra energy centers, The Lucid Body reveals how each body holds the possibility of every human condition. Readers will learn how to: Practice a non-judgmental approach to the journey of self-awarenessBreak up stagnant and restrictive patterns of thought and movementAllow an audible exhale to be the key to unlocking the breathDevelop a mindset to &“hear&” one&’s inner bodyAnalyze the human condition through the psycho-physical lens of the chakrasExperience the safety of coming back to a neutral bodyAcquire a sense of clarity and calm in one&’s everyday life A step-by-step program guides the actor through the phases of self-awareness that expand emotional and physical range not only on stage, but also in daily life. This new edition includes a more diversified range of playwrights, non-binary language, and new chapters on stage intimacy protocol and physical listening. Exercises that have been honed for the past ten years have been made more concise. New somatic and neuro-scientific data has been added, with additional wisdom and insights from colleagues and Simpson's team of Lucid Body teachers.

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