- Table View
- List View
Missing Link
by Jack SharkeyComedy / 4 or 5m, 6f / Interior / Lindy Baxter misses Lincoln Sinclair in fact she's been missing Link since World War II when he vanished in the Pacific. A fall puts her into the hands and the arms of orthopedist Simon Fletcher. They set a wedding date despite her parents misgivings and the fact that the best man and his sister, the maid of honor, are respectively in love with the bride and the groom. On the wedding's eve, Link shows up with an enormous diamond ring and a box of money as his gift for the bride who he thinks is marrying him. A reporter comes with a strange story about another vanished man and Link's mother arrives with a question about an identifying birthmark. Then a cross between an aborigine and a savage shows up and he certainly resembles the missing Link (in more ways than one)! Who's who? What's what? Will have audiences rolling in the aisles.
Missing Socrates: Problems of Plato's Writing (G - Reference, Information and Interdisciplinary Subjects)
by Jay FarnessPlato's conversations of Socrates are among the most accessible philosophical texts most of us have ever read, yet the more one pursues the art or intelligibility of this writing, the more mysterious and paradoxical the Platonic texts become. What does it mean to study Plato, not philosophically as a maker of arguments, not poetically as a maker of dialogues, but literally as a maker of texts? This is a question that Jacques Derrida has made his own, and in this book Farness creates a dialogue with Derrida on Plato's texts.Missing Socrates also provides a dialogue between Plato and Socrates on the question of speech versus writing and a study of the materiality of Plato's writing. Included among the various dialogues and themes developed here are rhetoric and courtroom practice in the Apology of Socrates; religion, skepticism, and the idea of transcendence in the Euthyphro; artistic practice and tradition in the Ion; education and political discipline in the Charmides; and rhetoric, writing, commemoration, and the motives of authorship in Phaedrus. In each of these discursive settings, Socrates unsuccessfully seeks a place or a mode for philosophy; Farness shows that the dialogues of Plato uncannily supply that lack.
Missing: A play
by John KaniMissing is the story of Robert Khalipa, an ANC cadre living in exile, who is very senior in the organisation but is left out of the negotiations and almost forgotten in Sweden. Robert has a wealthy Swedish wife, Anna, and they have a daughter who is a practising doctor in a hospital in Stockholm. There is also Robert’s protégé Peter Tshabalala, junior in the organisation, yet he gets the call to return to South African to join the democratic government. What follows is a story of conspiracies, lies, back stabbing and disappointments. Robert and his family are faced with the challenges of a South Africa that has changed radically from the one he remembers from more than thirty years ago. The government, in his opinion, does not seem to uphold the principles enshrined in the Freedom Charter. There is also conflict within his own family. Robert wants to stay in South Africa, while his wife and daughter want to go back to Sweden. Their love is tested to breaking point and difficult decisions have to be made by every individual. As with Kani’s very successful and often-performed previous play, Nothing but the Truth, the ambiguities of freedom and of personal commitment are explored in this play.
Mistatim / Instant
by Erin ShieldsIn these two plays for young audiences, award-winning playwright Erin Shields presents the challenges of friendship and communication. In Mistatim, which is based on a concept from Sandra Laronde of Red Sky Performance, two eleven-year-olds strike up an unlikely friendship at the fence between one’s reserve and the other’s ranch. On Speck’s side, she’s carved names of family members into the wooden posts as she tries to piece together her identity. On Calvin’s side, he’s trying to train a horse in order to prove himself to his father. When Speck realizes she can communicate with Calvin’s horse Mistatim, the pair work to liberate the animal, and in the process learn about one another’s cultures. In Instant, three teens find out how far they’ll go in their quest to be seen and heard. Meredith is a singer-songwriter who makes YouTube videos of covers in an attempt to gain Internet fame. But her friend Jay, a rising hockey star, can’t understand why she won’t post her original songs. When their classmate Rosie suddenly goes viral after a video is posted of her singing to raise money for her father’s medical bills, Meredith’s jealousy takes over and she pushes Rosie too far, triggering a near-deadly response.
Mister Max: The Book of Lost Things
by Cynthia Voigt Iacopo BrunoMax's parents are missing. They are actors, and thus unpredictable, but sailing away, leaving Max with only a cryptic note, is unusual even for them. Did theyintend to leave him behind? Have they been kidnapped? Until he can figure it out, Max feels it's safer to keep a low profile. Hiding out is no problem for a child of the theater. Max has played many roles, he can be whoever he needs to be to blend in. But finding a job is tricky, no matter what costume he dons.Ironically, it turns out Max has a talent for finding things. He finds a runaway child, a stray dog, a missing heirloom, a lost love. . . . So is he a finder? A detective? No, it's more. Max finds a way to solve people's problems--he engineers better outcomes for them. He becomes Mister Max, Solutioneer. Now if only he could find a solution to his own problems . . .
Mister Max: The Book of Secrets
by Cynthia Voigt Iacopo BrunoFrom Newbery Medalist Cynthia Voigt, Book II in the exciting adventures of Mister Max--12-year-old detective in disguise. In Mister Max: The Book of Lost Things, Max Starling proved that he is more than a detective, he's a Solutioneer. His reputation for problem-solving has been spreading--and now even the mayor wants his help. Someone is breaking windows and setting fires in the old city, but the shopkeepers won't say a word about the culprits. Why are they keeping these thugs' secrets? When the mayor begs for help, Max agrees to take the case, putting himself in grave danger. It's a race to catch up with the vandals before they catch him. Meanwhile, Max is protecting secrets of his own. His parents are still missing, and the cryptic messages he gets from them make it clear--it's going to be up to Max to rescue them. Can the Solutioneer handle cases this big?
Mister Paradise and Other One-Act Plays
by Anne Jackson Eli Wallach Tennessee Williams David E. Roessel Nicholas Rand MoschovakisThirteen previously unpublished short plays now available for the first time. Tennessee Williams had a distinct talent for writing short plays and, not surprisingly, this remarkable new collection of never-before-published one-acts includes some of his most poignant and hilarious characters: the indefatigable, witty and tough drag queens of And Tell Sad Stories of the Deaths of Queens...; the strange little man behind the nom de plume Mister Paradise; and the extravagant mistress who cheats on her married man in The Pink Bedroom. Most were written in the 1930s and early 1940s when Williams was already flexing his theatrical imagination. Chosen from over seventy unpublished one-acts, these are some of Williams's finest; several have premiered recently at The Hartford Stage Co., The Kennedy Center, the Manhattan Theatre Club and the Tennessee Williams/New Orleans Literary Festival. Included in this volume: These Are the Stairs You Got to Watch Mister Paradise The Palooka Escape Why Do You Smoke So Much, Lily? Summer At the Lake The Big Game The Pink Bedroom The Fat Man's Wife Thank You, Kind Spirit The Municipal Abattoir Adam and Eve on a Ferry And Tell Sad Stories of the Deaths of Queens... Long associated with Williams, acclaimed stage and film actors Eli Wallach and Anne Jackson provide a fresh and challenging foreword for actors, directors, and readers.
Mitchell and Trask's Hedwig and the Angry Inch (The Fourth Wall)
by Caridad Svich'… love creates something that was not there before.' – Hedwig John Cameron Mitchell and Stephen Trask’s Hedwig and the Angry Inch opened on Valentine’s Day,1998, in New York City, and ever since, it and its genderqueer heroine have captivated audiences around the world. As the first musical to feature a genderqueer protagonist as its lead, the show has had an extraordinary life on film, Broadway and in the music field. A glam rock musical with a complex relationship to issues related to art, eroticism and matters of identity formation, Hedwig and the Angry Inch is a darkly exuberant fairy tale about a child that discovers she is one of a kind, but also potentially among her own kind, if she dares travel past borders that confine and try to stabilise her being and identity. Caridad Svich examines this exhilarating work through the lenses of visual and vocal rock ’n’ roll performance, the history of the American musical, and its positioning within LGBTIQ+ theatre.
Mixed Faith and Shared Feeling: Theater in Post-Reformation London
by Musa GurnisMixed Faith and Shared Feeling explores the mutually generative relationship between post-Reformation religious life and London's commercial theaters. It explores the dynamic exchange between the imaginatively transformative capacities of shared theatrical experience, with the particular ideological baggage that individual playgoers bring into the theater. While early modern English drama was shaped by the polyvocal, confessional scene in which it was embedded, Musa Gurnis contends that theater does not simply reflect culture but shapes it. According to Gurnis, shared theatrical experience allowed mixed-faith audiences to vicariously occupy alternative emotional and cognitive perspectives across the confessional spectrum.In looking at individual plays, such as Thomas Middleton's A Game of Chess and Shakespeare's Measure for Measure, Gurnis shows how theatrical process can restructure playgoers' experiences of confessional material and interrupt dominant habits of religious thought. She refutes any assumption that audiences consisted of conforming Church of England Protestants by tracking the complex and changing religious lives of seventy known playgoers. Arguing against work that seeks to draw fixed lines of religious affiliation around individual playwrights or companies, she highlights the common practice of cross-confessional collaboration among playhouse colleagues. Mixed Faith and Shared Feeling demonstrates how post-Reformation representational practices actively reshaped the ways ideologically diverse Londoners accessed the mixture of religious life across the spectrum of beliefs.
Mobile Interface Theory: Embodied Space and Locative Media
by Jason FarmanMobile media – from mobile phones to smartphones to netbooks – are transforming our daily lives. We communicate, we locate, we network, we play, and much more using our mobile devices. In Mobile Interface Theory, Jason Farman demonstrates how the worldwide adoption of mobile technologies is causing a reexamination of the core ideas about what it means to live our everyday lives. He argues that mobile media’s pervasive computing model, which allows users to connect and interact with the internet while moving across a wide variety of locations, has produced a new sense of self among users – a new embodied identity that stems from virtual space and material space regularly enhancing, cooperating or disrupting each other. Exploring a range of mobile media practices – including mobile maps and GPS technologies, location-aware social networks, urban and alternate reality games that use mobile devices, performance art, and storytelling projects – Farman illustrates how mobile technologies are changing the ways we produce lived, embodied spaces.
Mobile Interface Theory: Embodied Space and Locative Media
by Jason FarmanIn this updated second edition, Jason Farman offers a groundbreaking look at how location-aware mobile technologies are radically shifting our sense of identity, community, and place-making practices. Mobile Interface Theory is a foundational book in mobile media studies, with the first edition winning the Book of the Year Award from the Association of Internet Researchers. It explores a range of mobile media practices from interface design to maps, AR/VR, mobile games, performances that use mobile devices, and mobile storytelling projects. Throughout, Farman provides readers with a rich theoretical framework to understand the ever-transforming landscape of mobile media and how they shape our bodily practices in the spaces we move through. This fully updated second edition features updated examples throughout, reflecting the shifts in mobile technology. This is the ideal text for those studying mobile media, social media, digital media, and mobile storytelling.
Modern Acting
by Cynthia BaronEveryone has heard of Method acting . . . but what about Modern acting? This book makes the simple but radical proposal that we acknowledge the Modern acting principles that continue to guide actors' work in the twenty-first century. Developments in modern drama and new stagecraft led Modern acting strategies to coalesce by the 1930s - and Hollywood's new role as America's primary performing arts provider ensured these techniques circulated widely as the migration of Broadway talent and the demands of sound cinema created a rich exchange of ideas among actors. Decades after Strasberg's death in 1982, he and his Method are still famous, while accounts of American acting tend to overlook the contributions of Modern acting teachers such as Josephine Dillon, Charles Jehlinger, and Sophie Rosenstein. Baron's examination of acting manuals, workshop notes, and oral histories illustrates the shared vision of Modern acting that connects these little-known teachers to the landmark work of Stanislavsky. It reveals that Stella Adler, long associated with the Method, is best understood as a Modern acting teacher and that Modern acting, not Method, might be seen as central to American performing arts if the Actors' Lab in Hollywood (1941-1950) had survived the Cold War.
Modern American Drama on Screen
by William Robert Bray R. Barton PalmerFrom its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.
Modern Architecture in Theater: The Experiments of Art et Action
by Gray ReadIf the city is the theatre of urban life, how does architecture act in its many performances? This book reconstructs the spatial experiments of Art et Action, a theatre troupe active in 1920s Paris, and how their designs for theater buildings show how the performance spaces interacted with actors and spectators according to their type.
Modern British Drama on Screen
by William Robert Bray R. Barton PalmerThis collection of essays offers the first comprehensive treatment of British and American films adapted from modern British plays. Offering insights into the mutually profitable relationship between the newest performance medium and the most ancient. With each chapter written by an expert in the field, Modern British Drama on Screen focuses on key playwrights of the period including George Bernard Shaw, Somerset Maugham, Terence Rattigan, Noel Coward and John Osborne and the most significant British drama of the past century from Pygmalion to The Madness of George III. Most chapters are devoted to single plays and the transformations they underwent in the move from stage to screen. Ideally suited for classroom use, this book offers a semester's worth of introductory material for the study of theater and film in modern Britain, widely acknowledged as a world center of dramatic productions for both the stage and screen.
Modern Dance in France: An Adventure (Choreography and Dance Studies Series)
by Jacqueline RobinsonFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Modern Dance in Germany and the United States: Crosscurrents and Influences (Choreography and Dance Studies Series)
by Isa Partsch-BergsohnFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Modern Drama
by W. B. Worthen Joanne Elizabeth Tompkins Ric KnowlesTheatre, like other subjects in the humanities, has recently undergone quintessential changes in theory, approach, and research. Modern Drama - a collection of twelve essays from leading theatre and drama scholars - investigates the contemporary meanings and the cultural and political resonances of the terms inherent in the concepts of 'modern' and 'drama,' delving into a range of theoretical questions on the history of modernism, modernity, postmodernism, and postmodernity as they have intersected with the shifting histories of drama, theatre, and performance. Using incisive analyses of both modern and postmodern plays, the contributors examine varied topics such as the analysis of periodicity; the articulation of social, political, and cultural production in theatre; the re-evaluation of texts, performances, and canons; and demonstrations of how interdisciplinarity inflects theatre and its practice.Including work by Sue-Ellen Case, Elin Diamond, Harry J. Elam Jr, Alan Filewod, Erika Fischer-Lichte, Stanton B. Garner Jr, Shannon Jackson, Loren Kruger, Josephine Lee, David Savran, Michael Sidnell, and Ann Wilson, the collection highlights the importance of continuing to investigate not only critical texts but also the terms of the debate themselves. Incorporating both drama history and modern studies, this compilation will be an invaluable work to all scholars of theatre and drama, and as well as those students of the humanities and modernism.
Modern Drama and the Rhetoric of theater
by W. B. WorthenThe history of drama is typically viewed as a series of inert "styles. " Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Modern Drama by Women 1880s-1930s: An International Anthology
by Katherine E. KellyModern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.
Modern Dramatists: A Casebook of Major British, Irish, and American Playwrights (Studies in Modern Drama #Vol. 14)
by Kimball KingThis comprehensive collection gathers critical essays on the major works of the foremost American and British playwrights of the 20th century, written by leading figures in drama/performance studies.
Modern Korean Drama: An Anthology
by Richard NicholsCarefully selected and represented, the plays in this collection showcase both the fantastic and the realistic innovations of Korean dramatists during a time of rapid social and historical change. Stretching from 1962 to 2004, these seven works tackle major subjects, such as the close of the Choson dynasty and the aftermath of the Korean War, while delving into trenchant cultural issues, such as the marginalization of students who rebel against mainstream education and the role of traditional values in a materialistic society. Longtime scholar of Korea and its vibrant, politically acute theater, Richard Nichols opens with a general overview of modern Korean drama since 1910 and concludes with an appendix describing theater production and audience attendance in Seoul. He chooses works that aren't just for Korean audiences. These texts confront universal themes and situations, tackling the problem of ambition, the trouble with fidelity, and the complexity of sexual and interpersonal relationships. Nichols situates each work critically, historically, and culturally, including brief biographies of playwrights and extensive notes. A bibliography also provides alternative readings and the titles of additional plays currently available in English. Primed for production, these skillful translations provide Western directors with exciting new material for the stage. At the same time, they offer students and scholars a sophisticated survey of the modern Korean dramatic tradition.
Modern Theatres 1950–2020
by David Staples; David HamerModern Theatres 1950–2020 is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America. The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated. An excellent resource for students of theatre planning, theatre architecture and architectural design, Modern Theatres 1950–2020 discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building.
Modern Verse Drama (The Critical Idiom Reissued #33)
by Arnold P. HinchliffeFirst published in 1977, this book provides a clear and well-illustrated analysis of modern verse drama. It studies the work of its chief exponents, T. S. Eliot and Christopher Fry, as well as the genre’s place in the development of modern theatre. It particular focuses on the effect that verse drama has had on an audience’s awareness of language in the theatre, paving the way for dramatists like Pinter, Beckett and Wesker. This book will be of particular interest to those studying modern poetry and drama.
Modern and Contemporary Irish Drama (Norton Critical Editions)
by John HarringtonThis revised and expanded Norton Critical Edition reprints the complete texts of fourteen plays by the major Irish playwrights: W. B. Yeats, Lady Gregory, J. M. Synge, Bernard Shaw, Sean O'Casey, Samuel Beckett, Brian Friel, Conor McPherson, and Marina Carr. The texts are accompanied by John Harrington's introduction to the volume and by his detailed explanatory annotations. “Backgrounds and Criticism” is chronologically organized by playwright and includes prefaces, letters, journal entries, program notes, and interpretative essays for each play in the volume. In order to provide additional context for readers, these materials are preceded by five essays on the early-twentieth-century “The Irish Dramatic Revival” and followed by four essays on the current state of “Theater in Ireland.” A Chronology and a Selected Bibliography are included.