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Milestones in Queer US Theatre (Milestones)
by Dennis SloanThis introduction to queer theatre and performance in the United States explores the pioneering artists that have shaped this ever-changing field across the past two centuries, through ten key moments and movements.Designed for weekly use in queer and LGBTQ+ theatre courses, the ten chosen milestones move chronologically from nineteenth century shifts in the understanding of homosexuality through the queer postmodernist avant-garde to the rise of intersectionality and recognition of trans identities. This clear, dynamic framework uses ‘queer’ as a flexible and intersectional term, addressing sexualities and sexual identities, the people and groups who claim them, and the practices that challenge heteronormative structures.Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.
Milestones in Staging Contemporary Genders and Sexualities (Milestones)
by Emily A. RollieThis introduction to the staging of genders and sexualities across world theatre sets out a broad view of the subject by featuring plays and performance artists that shifted the conversation in their cultural, social, and historical moments.Designed for weekly use in theatre studies, dramatic literature, or gender and performance studies courses, these ten milestones highlight women and writers of the global majority, supporting and amplifying voices that are key to the field and some that have typically been overlooked. From Paula Vogel, Split Britches, and Young Jean Lee to Werewere Liking, Mahesh Dattani, Yvette Nolan, and more, the chapters place artists’ key works into conversation with one another, structurally offering an intersectional perspective on staging genders and sexualities.Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.
Militante Marienfrömmigkeit: Schillers „Jungfrau von Orleans“ und die Politisierung der Religion um 1800 (Studien zu Literatur und Religion / Studies on Literature and Religion #7)
by Ulrich PortDas Buch lotet die Beziehungen zwischen Literatur, Religion, Politik und (Kriegs)gewalt um 1800 aus. Im Zentrum steht Friedrich Schillers Tragödie „Die Jungfrau von Orleans“. Dieses Drama dient als Brennspiegel, umgekehrt auch als Prisma für eine Untersuchung der Revolutionsepoche, die die Interferenzen von Französischer Revolution, Koalitionskriegen, Religion und Literatur in neuem Licht erscheinen lässt. Diskutiert werden das komplexe Verhältnis des Autors Schiller zur Religion, die politische Theologie, die populare Religiosität und die Religionskritik im Aufklärungszeitalter sowie die Dialektik von (theatralisierter) Dechristianisierung und Resakralisierung im ersten Revolutionsjahrzehnt. Besondere Schwerpunkte bilden eine politisierte Marienfrömmigkeit und das literarische Nachleben von Märtyrerdrama und Heiligenlegende um 1800.
Milk
by Emily DevotiDramatic Comedy Characters: 3 male, 3 female. Rural New England, just before Reagan's second term. Meg and Ben are a creditor away from losing their family farm. To the rescue flies a high-powered businessman - in a private chopper no less - offering a tidy sum for a taste of farm life and the pure, raw milk that goes with it. Even before locavores roamed the earth, "back to the land" was hardly as simple as its promise; livestock and humans aren't known for behaving as expected. And so it is Milk, an elegant parable of change set on the cusp of a shifting American landscape. . "There is an engagingly original streak running through her writing... [DeVoti] fills Milk with interesting details (lots of cow knowledge) and unexpected touches." -The New York Times..
Millhouse
by Natale GhentFans of the I, Freddy series and Charlotte's Web will be won over by this charming, delightfully told and illustrated story of a petshop misfit -- a hairless guinea pig with a penchant for Shakespeare. Millhouse is a faint-hearted, hairless guinea pig. A great lover of all things theatrical, most especially the work of William Shakespeare, Milly longs for the limelight and someone to love. However, after the death of his beloved owner, the great actor Sir Roderick Lord Kingswagger, Millhouse is abandoned to a neglected and dusty pet shop filled with other rodents -- some rude, some odd, some cute and some downright frightening. Finding himself a reviled outcast and a target of the nasty Pepper Brown ferret, Millhouse sets about trying to find a way back to the theater and a happy home, and in doing so experiences more drama than he could ever have imagined.
Milton the Mole
by Carol Pugliano-Martin Karen Leon Anne FloundersPerform this script about the unique features that make animals different from one another.
Milwaukee Movie Theaters: A Pictorial History Of Milwaukee's Movie Theaters (Images of America)
by Larry WidenPrior to World War II, there were 90 single-screen movie theaters in Milwaukee. By 1960, that number had been reduced by half. With the arrival of television for the home market, the golden age of the movie theater in Milwaukee was dead. Yet their ghosts continue to haunt the old neighborhoods. Churches, warehouses, stores, nightspots, and other businesses now occupy the former Tivoli, Paris, Roosevelt, and Savoy Buildings. Others are simply vacant hulks, decaying from the inside out. The Elite, Regent, Lincoln, and Warner are but a few of the many silent sentinels from the days when Milwaukee was in love with the movies.
Milwaukee's Live Theater (Images of America)
by Jonathan WestMilwaukee's live theater scene is the sum of several exciting parts. For many, Milwaukee live theater means world-class productions done by resident actors at one of the nation's leading regional theaters. For others, it has been defined by the machinations of a respected experimental theater troupe that traveled throughout Europe in the 1980s and was once honored with an Obie Award. There was a time when Milwaukee live theater meant a big top arena where some of the biggest stars of American musical theater frolicked and played for local audiences. Audiences in Milwaukee have enjoyed the classics, new plays, and contemporary hits performed by never-say-die producers who boast personalities larger than the stages their companies play upon. The Milwaukee theater style is not fussy or overblown. It is informed by a thrilling past, buoyant future, unsurpassed community support, and unfailing devotion to solid midwestern work ethics channeled into artistic innovation. Simply put, Milwaukee's live theater scene is the best-kept artistic secret in the United States.
Mime Very Own Book
by Josh Poncemime" Perry Scott Allen Perry Eric Curtis Adam Mock Doug JonesA hilarious visual smorgasbord, this vibrant photo narrative offers a quiet, introspective look into life as a silent emoter. Replete with images of actor and mime artist Doug Jones shot against an array of artistic and real-world backdrops, this social commentary spoofs pop culture and fairy tale favorites. Witty photo parodies include Frank 'n mime, Marilyn Mime-roe, Mime-hammad Ali, Mime a Llama ding-dong, and Mimeageddon, as well as the "Once Upon a Mime" tales in which the big bad wolf gets bested in a series of mime encounters based on Little Red Miming Hood and the Three Little Pigs-poking fun at legendary personalities, characters, and moments while showcasing photographer Eric Curtis's trademark vision.
Mime into Physical Theatre: A UK Cultural History 1970–2000
by Simon Murray Mark EvansThis is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.
Mime, Music and Drama on the Eighteenth-Century Stage
by Edward Nye"The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre"--
Mina Tonight!
by H. W. Robertson Jr.Comedy \ 5 m., 4 f. \ Int. \ Mina Tonight! is a raucous comedy that takes place on the set of a cable access talk show in South Carolina. Show host Mina Dean Beasely is a sarcastic firebrand whose guests personify supermarket tabloid headlines. A hairdresser who reveals she is carrying an alien love child, a country music performer whose near death electrocution left her with psychic powers, and a janitor who may be a supposedly dead celebrity are just some of the folks Mina serves up to her audience. However, Mina has a problem believing the fantastic tales she hears and it is only when the janitor reveals his true identity that she realizes "you can have the eyes of a hawk and still be blind as a bat." Set against a background of aluminum condominiums (trailers) and those who live in them, Mina Tonight! is a campy look at extraordinary events happening to incredibly ordinary people. It features wonderful roles for women ages 20-50 and is filled with ideal monologues for character and scene work.
Mind of Society
by ProvencalFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Mind over Matter (Superhuman)
by R. T. MartinOn his sixteenth birthday, Parker discovers he's developed the power of telekinesis. He's excited to use his new ability to stop some high school bullies, forming a ragtag crew with his friends. But after almost hurting someone by accident, Parker questions whether or not he wants to use his powers at all. That is, until a bullying prank goes wrong and one of his friends needs his help. Then Parker will have to decide if interfering is a risk he's willing to take.
Mind-Travelling and Voyage Drama in Early Modern England
by David McinnisDrawing on a wide range of drama from across the seventeenth century, including works by Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, this book situates voyage drama in its historical and intellectual context between the individual act of reading in early modern England and the communal act of modern sightseeing.
Mindy Kim and the Summer Musical (Mindy Kim #9)
by Lyla LeeFresh off the Boat meets Junie B. Jones in this adorable chapter book series following Mindy Kim, a young Asian American girl—in this ninth novel, Mindy steps into the spotlight.Mindy can&’t wait to be in a local community theater production of Cinderella with her BFF, Sally! Mindy has her sights on the lead role. But instead of Cinderella, Mindy ends up being cast as the evil stepsister! Mindy is worried that means people might see her as mean. Can Mindy figure out a way to make the role her own?
Mini, the Super Watermelon
by Dianna Cleveland Liliane GrenierFor children in grades 2nd - 5th Grade. Includes character roles written at Playbooks Reading Stages 2-5. <p><p>Story Synopsis: What comes to mind when you think of watermelons? You might think how sweet and delicious they are, or how large and heavy they are. But did you know watermelons are also super foods packed with vitamins, and they contain Lycopene, an anti-oxidant that helps rid the body of damaging substances? There are also miniature watermelons that are just as delicious and nutritious, but grow to a much more practical size? Well, this is just what Mini, the only miniature watermelon in her patch, learns when she decides to wander away from the vine all by herself. Even though the large, oval-shaped watermelons make fun of her for being so little and round, Mini learns at a nearby Farmer's Market that small watermelons are what everyone wants! Discover Mini's superpowers and some interesting facts about watermelon in this adorable story about a powerful little heroine.
Minneapolis Rehearsals: Tyrone Guthrie Directs Hamlet
by Alfred RossiThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.
Minstrel Traditions: Mediated Blackface in the Jazz Age
by Kevin James ByrneMinstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship
Minus Some Buttons
by Mark DunnComedy / 3m, 4f / Unit set / This totally delightful comedy by the author of Belles, is about what happens at Graceland Elementary School when a new teacher is hired. Penny who, shall we say, is minus some buttons is a con artist. The victim of an autocratic school environment as a child, Penny appears to have dedicated her life to breathing some fresh air into the schoolroom, much to the consternation of principal Clarence Olander who looks out his office window one morning to see Penny's pupils throwing their desks out the window! Is Penny a complete lunatic or is she the only one at Graceland Elementary School with any sense whatsoever. Audiences of all ages are sure to delight in the antic comedy in this wonderful play.
Mirror Game
by Dennis FoonWhen abusive behaviour surfaces in the lives of four friends, the teenagers are forced to examine how learned behaviour can be mirrored by victims and home situations reflected in the school until, finally, the choice to break the damaging cycles is made. In this powerful and moving play which speaks honestly and intelligently to teens, Dennis Foon examines the cyclical nature of physical and psychological abuse.
Mirror up to Shakespeare: Essays in Honour of G.R. Hibbard
by Jack Cooper GrayGeorge Hibbard has always endorsed T.S. Eliot's idea that 'we must know all of Shakespeare's work in order to know any of it,' and this idea, implicit in the first essay in this volume, informs the whole collection, written in honour of one of Canada's leading Shakespearian editors and scholars. The two essays which begin the collection present broad overviews of Elizabethan drama and discuss Shakespeare's first great editor, Theobald. Together with the final essay – on publication and performance in early Stuart drama – these form the frame of the mirror held up to Shakespeare in the other eighteen essays, whether they of general themes running through some or all of Shakespeare's plays or the plays his contemporaries, or whether they treat of specific plays. There is an especially rich concentration on Macbeth and Coriolanus.
Mirrors & Windows: Connecting with Literature Level IV
by Brenda Owens9th Grade Literature textbook