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Monologues for Actors of Color: Women
by Roberta UnoActors of colour need the best speeches to demonstrate their skills and hone their craft. Roberta Uno has carefully selected monologues that represent African-American, Native American, Latino, and Asian-American identities. Each monologue comes with an introduction and notes on the characters and stage directions to set the scene for the actor. This new edition now includes more of the most exciting and accomplished playwrights to have emerged over the 15 years since the Monologues for Actors of Color books were first published, from new, cutting edge talent to Pulitzer winners.
Monster High: Catty Noir Finds Her Voice
by Perdita FinnA new Monster High leveled reader movie tie-in! © 2015 Mattel. All Rights Reserved.Passport to Reading Level 2
Monster High: Welcome to Boo York
by Perdita FinnIt's fright lights, big city when the Monster High ghouls head to Boo York. Cleo de Nile is invited to attend a fancy gala celebrating the return of a magical comet and, of course, she brings along her beast friends. But their trip isn't all fun and frightseeing because Nefera, Cleo's sister, uses the comet's powers for her own spooktacularly sneaky plans. Can the monsters unwrap the mystery of the comet in time to stop Nefera?
Monsters in Performance: Essays on the Aesthetics of Disqualification
by Analola Santana Michael ChemersMonsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars explore representation in performance, specifically concerning themselves with attempts at social disqualification of "undesirables." Throughout, the writers employ the concept of "monstrosity" to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical inquiries – including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.
Monsters: A Bedford Spotlight Reader
by Andrew J. HoffmanMonsters seem to be everywhere, and it's easy to see why: they're fun. Young and old pile into movie theaters to watch the latest releases from Hollywood featuring both the scary and the attractive–carnivorous zombies, love-struck vampires, bloodthirsty werewolves, even methodical serial killers.
Monuments and Literary Posterity in Early Modern Drama
by Brian ChalkIn spite of the ephemeral nature of performed drama, playwrights such as Marlowe, Jonson, Webster, Fletcher, and Shakespeare were deeply interested in the endurance of their theatrical work and in their own literary immortality. This book re-evaluates the relationship between these early modern dramatists and literary posterity by considering their work within the context of post-Reformation memorialization. Providing fresh analyses of plays by major dramatists, Brian Chalk considers how they depicted monuments and other funeral properties on stage in order to exploit and criticize the rich ambiguities of commemorative rituals. The book also discusses the print history of the plays featured. The subject will attract scholars and upper-level students of Renaissance drama, memory studies, early modern theatre, and print history.
Monólogo de Molly Bloom
by James JoyceUn hito de la literatura inglesa moderna: el soberbio y pasional soliloquio de Molly Bloom. «[...] me gustaría que algún hombre cualquiera me cogiese alguna vez cuando él está aquí y me besase entre sus brazos no hay cosa como un beso largo y caliente que te baja por el alma casi te paraliza [...]» Cien años después de su publicación, las palabras de Molly Bloom, que cierran el gran canto épico del siglo XX que es el Ulises, siguen dejando a cualquier lector sin aliento. Sin signos de puntuación, a través del denominado «flujo de consciencia», Molly se convierte en una Penélope moderna que toma la palabra y zambulle al lector en sus pensamientos más profundos. Consciente de su complicada situación matrimonial con Leopold Bloom, tan solo le queda echar un vistazo atrás a la infancia, a sus hijos, a sus deseos más íntimos, a su radical mundanidad. Publicado por Sylvia Beach en la mítica librería parisina Shakespeare and Company en 1922, no cabe duda de que el Ulises, la obra magna de James Joyce, marcó un antes y un después en la modernidad literaria. Y no hay mejor manera de celebrar su centenario que leyendo el pasaje que encumbró al escritor irlandés. Sobre la obra y el autor:«Si tuviera que perderse todo lo que se llama literatura moderna y hubiera que salvar dos libros, esos dos libros que podríamos elegir en todo el mundo serían en primer término el Ulises y luego el Finnegans Wake, de Joyce».Jorge Luis Borges «Algo completamente nuevo. Ha logrado superar en intensidad a todos los novelistas de nuestra época.»William Butler Yeats «Ulises de Joyce es el eslabón entre los dos grandes mundos, el clásico y el del caos».George Steiner «Malditamente maravilloso».Ernest Hemingway «Había leído la novela con algo parecido a la veneración [...]. Lo leí con una dedicación queno he vuelto a tener nunca».Juan Gabriel Vásquez, El País «Un libro con el que todos estamos en deuda, y del que ninguno de nosotros puede escapar».T. S. Eliot «Cada página es maravillosa y compensa el esfuerzo».Joyce Carol Oates «Una obra de arte divina que vivirá para siempre».Vladimir Nabokov «Lo devoré en un verano con espasmos de asombro y de descubrimiento».Virginia Woolf «Navegué por primera vez en el Ulises con catorce años. Y digo navegar y no leer porque, como nos recuerda su título, el libro es como un océano; no lo lees, navegas a través de él».John Berger «Joyce está siempre en mi mente, lo llevo a todas partes conmigo. Construyó un universo a partir de un grano de arena: eso fue toda una revelación».Salman Rushdie «A veces pienso que preferiría no haberlo leído: me hace sentir inferior. Volver a mi obra tras un libro así es como si un eunuco quisiera tener voz debarítono».George Orwell
Mooi Street and Other Moves
by Paul SlabolepszyA collection of six plays by South Africa’s leading playwright and actor featuring works written between 1984 and 1993.
Moonlight Cocktail
by Steven KeyesFull Length, Comedy 3 m, 2 f Unit set This bittersweet comedy of human errors opens in an East Texas trailer park where tensions are at the boiling point. Waitress and aspiring actress Patsy Tyson is preparing for her local theatre debut, arousing her ne'r do well husband Ed's suspicions as a growing attraction develops with her leading man. Casting a wary eye on the lovebirds, Ed enlists his reluctant pal Duke to join the production. As the romantic complications mount, opening night approaches and they all must finally face a harsh reality in the light of day. With a style that takes realism to the borders of the ridiculous, Moonlight Cocktail explores human follies with an effortless and lyrical humor. "Tightly written and entertaining [with] well-rounded characters."-Backstage
Moral Reform in Comedy and Culture, 1696-1747 (Performance In The Long Eighteenth Century: Studies In Theatre, Music, Dance Ser.)
by Aparna GollapudiIn the first half of the eighteenth century, a new comic plot formula dramatizing the moral reform of a flawed protagonist emerged on the English stage. The comic reform plot was not merely a generic turn towards morality or sentimentality, Aparna Gollapudi argues, but an important social mechanism for controlling and challenging political and economic changes. Gollapudi looks at reform comedies by dramatists such as Colley Cibber, Susanna Centlivre, Richard Steele, Charles Johnson, and Benjamin Hoadly in relation to emergent trends in finance capitalism, imperial nationalism, political factionalism, domestic ideology, and middling class-consciousness. Within the context of the cultural anxieties engendered by these developments, Gollapudi suggests, the reform comedies must be seen not as clichéd and moralistic productions but as responses to vital ideological shifts and cultural transvaluations that impose a reassuring moral schema on everyday conduct. Thoroughly researched and elegantly written, Gollapudi's study shows that reform comedies covered a range of contemporary concerns from party politics to domestic harmony and are crucial for understanding eighteenth-century literature and culture.
More Alternative Shakespeare Auditions for Women
by Simon DunmoreFollowing on his successful Alternative Shakespeare Auditions for Women, Simon Dunmore presents even more underappreciated speeches that will make a classical audition sound fresh.
More Art in the Public Eye
by Emma Drew Micaela Martegani Jeff KasperMore Art in the Public Eye offers critical insight into the ever-growing field of socially engaged public art by demonstrating how the committed collaboration of artists, community members, and cultural producers can meaningfully impact our collective futures. Presented through the lens of More Art's fifteen-year history, the public art projects featured in this book expose issues of systemic inequality and injustice, stoke debate, and inspire alternatives. Artists and participants reflect on their works in newly conducted interviews, while essays from thinkers and actors in the field help situate the projects and the mission of socially engaged art in terms of greater cultural and political paradigms. More Art in the Public Eye establishes the framework for the conditions under which organizations like More Art operate, highlights the many meta-questions behind socially engaged public art, and seeks to amplify the wide array of voices that make up a project.Contributors. Rebecca Amato, Michael Birchall, Ofri Cnaani, Michelle Coffey, Jennifer Dalton, Emma Drew, Pablo Helguera, Mary Jane Jacob, Jessica Lynne, Jeff Kasper, Kimsooja, Micaela Martegani, Andrea Mastrovito, Tony Oursler, William Powhida, Ernesto Pujol, Michael Rakowitz, Kirk Savage, Dread Scott, Andres Serrano, Gregory Sholette, Xaviera Simmons, Krzysztof Wodiczko
More Than A Movie: Ethics In Entertainment
by E. Miguel ValentiIn More Than a Movie, producer and entertainment attorney F. Miguel Valenti presents a compelling argument for the creative community to consider the consequences of its products, from movies to TV to the Internet. Valenti refrains from attacking the industries in which he himself works, but argues for reflection on the part of those who create media. More Than a Movie takes a pioneering first step toward outlining the issues in an insider fashion, and provides the tools to make ethical decisions about creating for the big and small screens. More Than a Movie is written to stimulate debate in professional and academic arenas, and for the enjoyment of everyone who loves entertainment.
More Things in Heaven and Earth: Shakespeare, Theology, and the Interplay of Texts (Richard E. Myers Lectures)
by Paul S. FiddesShakespeare’s plays are filled with religious references and spiritual concerns. His characters—like Hamlet in this book’s title—speak the language of belief. Theology can enable the modern reader to see more clearly the ways in which Shakespeare draws on the Bible, doctrine, and the religious controversies of the long English Reformation. But as Oxford don Paul Fiddes shows in his intertextual approach, the theological thought of our own time can in turn be shaped by the reading of Shakespeare’s texts and the viewing of his plays.In More Things in Heaven and Earth, Fiddes argues that Hamlet’s famous phrase not only underscores the blurred boundaries between the warring Protestantism and Catholicism of Shakespeare’s time; it is also an appeal for basic spirituality, free from any particular doctrinal scheme. This spirituality is characterized by the belief in prioritizing loving relations over institutions and social organization. And while it also implies a constant awareness of mortality, it seeks a transcendence in which love outlasts even death. In such a spiritual vision, forgiveness is essential, human justice is always imperfect, communal values overcome political supremacy, and one is on a quest to find the story of one’s own life. It is in this context that Fiddes considers not only the texts behind Shakespeare’s plays but also what can be the impact of his plays on the writing of doctrinal texts by theologians today. Fiddes ultimately shows how this more expansive conception of Shakespeare is grounded in the trinitarian relations of God in which all the texts of the world are held and shaped.
Mormons in Paris: Polygamy on the French Stage, 1874-1892 (Scènes francophones: Studies in French and Francophone Theater)
by Corry Cropper and Christopher M. FloodIn the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Mormons, Musical Theater, and Belonging in America (Music in American Life)
by Jake JohnsonThe Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.
Mortified
by Amy RutherfordA woman runs into her former abuser and is surprised by the power he still holds over her. In an attempt to uncover the truth of what really happened between them, she recalls her adolescent self: a synchronized swimmer struggling to make sense of the world around her. Humorous and dark, Mortified explores sex, shame, and transformation and how we reckon with the traumatic experiences that have shaped us.
Moscow Performances II: The 1996-1997 Season
by John FreedmanThis is a collection of John Freedman's reviews and articles, most originally written for the Moscow Times, in which he focuses his expert critical eye on the directors, writers and actors who held centre stage during the 1996-97 theatre season in Moscow. The book looks at the debut of promising new artists and directors at the Moscow Art Theatre celebrating its 100th anniversary this year and offers a wealth of insight into the latest developments in Russian theatre. Freedman illuminates all of the season's noteworthy trends and events in clear, informed and unapologetically opinionated reports. More than just an overview of the stars and highlights, Moscow Performances II observes at close range the playhouses and the people who make up the ever-changing face of contemporary Russian theatre today. This volume is generously illustrated with photographs of featured productions and will be a useful reference for students, professors, writers, directors and actors in the fields of Russian studies, theatre studies, theatre history and contemporary culture.
Moscow Performances: The New Russian Theater 1991-1996 (Russian Theatre Archive Ser. #Vol. 12.)
by John FreedmanThe reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before. While focusing on the work of Moscow's leading directors - Pyotr Fomenko, Kama Ginkas, Valery Fokin, Anatoly Vasilyev, Konstantin Raikin, Sergei Zhenovach, Yury Lyubimov, and many others - also included in its review are key productions by many of the renowned guests who bring their art to the Russian capital. Essays on St. Petersburg's Lev Dodin (of the Maly Drama Theatre), Lithuania's Eimuntas Nekrosius, Georgia's Robert Sturua, and Germany's Peter Stein confirm that Moscow's position as a "theatrical mecca" has not diminished since Anatoly Lunacharsky coined the phrase in the 1920s. In addition to recording Freedman's immediate and opinionated responses to Moscow stage developments in the 1990s, Moscow Performances contains a wealth of information about the struggles and occasional triumphs of a new generation of talented but as yet unknown playwrights, the successes of the best actors, and the social and financial trends which have had such an impact on Russian theatre in the post-Soviet period.
Mosley Street Melodramas V2
by William P. JohnsonThe laughs never stop with this collection of four Holiday themed Melodramas. No holds are barred as television favorites to some traditional Christmas classics get skewered in these light-hearted parodies. Each show has a diverse set of characters designed to put a modern spin on the spirit of the Melodrama. CHEER for the heroic, but frustrated Prairie Magician. BOO the villainous land baron with the hypnotic hairpiece, and OOH-AAH the four young single ladies adjusting to life in Manhattan (Kansas). These interactive Melodramas are simple to produce and appeal to all types of groups. Both cast and audience alike will have an uproariously good time!
Mother Courage (SparkNotes Literature Guide Series)
by SparkNotesMother Courage (SparkNotes Literature Guide) by Bertolt Brecht Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Mother Courage and Her Children
by Eric Bentley Bertolt BrechtDrama / 18m, 5f, extras / Interior, 5 Exteriors This German play was written in 1939 and was first produced in Zurich in 1941. In America, it was published in English right away (1941, by New Directions) but did not reach Broadway till 1963 - in a memorable production directed by Jerome Robbins and starring Anne Bancroft. It had, of course, by that time been produced to much acclaim all over the world. When Bertolt Brecht directed the play in Munich (1950), Eric Bentley, Assistant Director, at his bidding started to translate the play into English. He was eventually to make several different English versions of it. The most interesting of these is published here. It was a collaboration with the eminent French composer Darius Milhaud. Together they made this remarkable contribution to musical theatre.
Mother Queens And Princely Sons
by Sid RayThis study explores representations of the Madonna and Child in early modern culture. It considers the mother and son as a conceptual, religio-political unit and examines the ways in which that unit was embodied and performed. Of primary interest is the way mothers derived agency from bearing incipient rulers. By focusing on agency and authority, the book traces a pattern between the symbiotic unity of Madonna and Child and other influential, dimorphic concepts, what author Sid Ray calls 'accolated bodies, ' in early modern thought: the king's two bodies, marital coverture, and the doctrine of the hypostatic union of man and God in Christ, each with its variation on how the two bodies in question share authority. Attuned to Catholic historical and cultural reverberations of the Madonna and Child and debates about the origins of power, this book reassesses the mother-son unit, focusing on its inversion of conventional gender roles and potential to destabilize and redefine the ways in which gender and power operate. Ultimately, the book argues that representations of the mother-son unit contested Protestant patriarchal authority by offering meritocratic and egalitarian alternatives to established models of governance.
Mother's Daughter
by Kate HennigIn this stunning third part to Kate Hennig’s powerful Queenmaker series, England’s first queen regnant finds herself fighting xenophobia, religious nationalism, and strained familial bonds in the power struggle that dubs her Bloody Mary. Upon the death of King Edward VI, the thirty-eight-year-old princess Mary—daughter of Henry VIII and Katherine of Aragon—wrests the throne from Edward’s deemed heir. But Mary’s mother appears from the vaults of memory, and adamantly questions the motives of Mary’s cousin Jane and her half-sister Bess, despite Mary’s affection for them both. As the kingdom splits along Roman Catholic and Protestant lines, Mary walks a gauntlet of squabbling ethics and politics, and is forced to make some tough decisions. Should she execute her opponents before it’s too late, the way her father did? Should she scramble to find a husband who can give her a rightful heir? And can she trust her mother, her sister, or even herself?
Mother's Love
by Fernando Pérez RodríguezA young single mother unexpectedly learns that her eight-year-old son is fighting for his life. She will do whatever it takes, both possible and impossible, to try to save her little one's life. Mother's Love is a novel about love, struggle and overcoming, one that will set your pulse racing and even bring a tear or two. Discover the limit of a mother's love for her son when his life is in danger!