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Mothering Performance: Maternal Action (Routledge Advances in Theatre & Performance Studies)
by Lena Šimić Emily Underwood-LeeMothering Performance is a combination of scholarly essays and creative responses which focus on maternal performance and its applications from a variety of interdisciplinary perspectives. This collection extends the concept and action of ‘performance’ and connects it to the idea of ‘mothering’ as activity. Mothering, as a form of doing, is a site of never-ending political and personal production; it is situated in a specific place, and it is undertaken by specific bodies, marked by experience and context. The authors explore the potential of a maternal sensibility to move us towards maternal action that is explicitly political, ethical, and in relation to our others. Presented in three sections, Exchange, Practice, and Solidarity, the book includes international contributions from scholars and artists covering topics including ecology, migration, race, class, history, incarceration, mental health, domestic violence, intergenerational exchange, childcare, and peacebuilding. The collection gathers diverse maternal performance practices and methodologies which address aesthetics, dramaturgy, activism, pregnancy, everyday mothering, and menopause. The book is a great read for artists, maternal health and care professionals, and scholars. Researchers with an interest in feminist performance and motherhood, within the disciplines of performance studies, maternal studies, and women’s studies, and all those who wish to gain a deeper understanding of maternal experience, will find much of interest.
Motswasele II
by Leetile Disang RaditladiMotswasele II, the first historical drama written by a Botswanan author, originally published in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press, in 1945, Leetile Disang Raditladi explores the concept of chieftainship and what it means to be a good chief through the characters of two powerful men, Moruakgomo and Motswasele. According to the history of the Bakwena, the two men vied for the throne. Raditladi critiques the tyranny of Motswasele, whose actions are those of a greedy dictator with no regard for his people. His iron-fisted rule, disregard for advice from his council, and the fact that he helps himself to his subjects’ cattle at will cause great unhappiness. He surrounds himself with untrustworthy people who are not of royal blood and know nothing about power. In contrast, Moruakgomo is portrayed as a true leader who is caring, brave, wise, visionary and not above taking advice.In the drama, Motswasele is cautioned against wronging people he may need in the future, and being swayed by false songs of praise. Motswasele II highlights the importance of traditional rule, and the need for a chief to dispense power judiciously and to resolve conflicts where these arise.
Mourning Becomes Electra (SparkNotes Literature Guide Series)
by SparkNotesMourning Becomes Electra (SparkNotes Literature Guide) by Eugene O'Neill Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Mourning Sex: Performing Public Memories
by Peggy PhelanThis is a book about the exhilaration and the catastrophe of embodiment. Analyzing different instances of injured bodies, Peggy Phelan considers what sustained attention to the affective force of trauma might yield for critical theory. Advocating what she calls "performative writing", she creates an extraordinary fusion of critical and creative thinking which erodes the distinction between art and theory, fact and fiction. The bodies she examines here include Christ's, as represented in Caravaggio's painting The Incredulity of St Thomas, Anita Hill's and Clarence Thomas's bodies as they were performed during the Senate hearings, the disinterred body of the Rose Theatre, exemplary bodies reconstructed through psychoanalytic talking cures, and the filmic bodies created by Tom Joslin, Mark Massi, and Peter Friedman in Silverlake Life: The View From Here. This new work by the highly-acclaimed author of Unmarked makes a stunning advance in performance theory in dialogue with psychoanalysis, queer theory, and cultural studies.
Mousetrap: Structure and Meaning in Hamlet
by P. J. AldusThere is scarcely an element of Hamlet that has not received attention many times, yet both general reader and sophisticated critic would generally agree that the character of Hamlet and the full meanings of the play remain mysteries. No less a puzzle is the art of Hamlet, for, while the form of the art is elusive, the feeling of essential meaning is strong. Professor Aldus hopes to enlarge our understanding of Hamlet and our appreciation of Shakespeare as a conscious artist of great subtlety by studying the play's dramatic structure in the light of Aristotle's Poetics and its meaning as literary myth in the light of Plato's Phaedrus. This is a study of Hamlet as literary myth, a figurative mode of art in which structure is basic; yet primal myth, myth in the larger, non-literary sense, becomes part of it too, because the substance of Hamlet seems to be of this kind. Professor Aldus's reading of Hamlet is both radically new and decidedly provocative. A great deal of very careful inquiry has gone into the unearthing of connections which at first sight often seem improbable and tenuous, but which, one comes to find, have an illuminating total unity. Future commentators may not accept all that Professor Aldus has to say about, for example, Ophelia's crown of flowers, but they will hardly be able to ignore it.
Mouthpiece
by Norah Sadava Norah Sadava Amy NostbakkenWinner of the 2017 Toronto Theatre Critics Award for Best New Canadian PlayWinner of three Dora Mavor Moore AwardsStage Award for Best Performance, 2017 Edinburgh Festival FringeMouthpiece follows one woman, for one day, as she tries to find her voice. Two performers express the inner conflict that exists within a modern woman's head: the push and pull, the past and the present, the progress and the regression. Interweaving a cappella harmony, dissonance, text, and physicality, Mouthpiece is a harrowing, humorous, and heart-wrenching journey into the female psyche.
Move Over, Mrs. Markham
by John Chapman Ray CooneyComedy / 4m, 5f / Combined set / To Sylvie it's the "goose" that she learned from Alistair, but to Philip, Joanna Markham's husband, it's "a variety of geese," and fifteen years of marriage is just about undone along with everything else in this wild zany free for all. Everything from Philip's business deals with Bow Wow Books and Alistair's near escape from Joanna's chiding seduction to the naked G.P.O. girl and the specter of scandal is hilarious. A lot of bedhopping occurs as Sylvie winds up taking Alistair on "walkies" and the amazing Mrs. Markham gets her man her husband! It all takes place in an elegant top floor London flat.
Movement Training for the Modern Actor (Routledge Advances in Theatre & Performance Studies)
by Mark EvansThis book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.
Movement for Actors
by Barbara Adrian Nicole Potter Mary FleischerIn this updated rich resource for actors, renowned movement teachers and directors reveal the physical skills needed for the stage and the screen. Readers will gain remarkable insights into the physical skills and techniques used in a wide variety of performance styles through ready-to-use exercises and approaches. Included in this new edition are chapters covering:Stage combatYoga for actorsMartial artsBody-mind centeringAuthentic movementBartenieff fundamentalsGrotowski-based movementThose who want to pursue serious training will be able to consult the appendix for listings of the best teachers and schools in the country. This inspiring collection is a must-read for all actors, directors, and teachers of theater looking for stimulation and new approaches.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Movement: Onstage and Off
by Robert Barton Barbara Sellers-YoungMovement: Onstage and Off is the complete guide for actors to the most effective techniques for developing a fully expressive body. It is a comprehensive compilation of established fundamentals, a handbook for movement centered personal growth and a guide to helping actors and teachers make informed decisions for advanced study. This book includes: fundamental healing/conditioning processes essential techniques required for versatile performance specialized skills various training approaches and ways to frame the actor’s movement training. Using imitation exercises to sharpen awareness, accessible language and adaptable material for solo and group work, the authors aim to empower actors of all levels to unleash their extraordinary potential.
Movements of Interweaving: Dance and Corporeality in Times of Travel and Migration (Routledge Advances in Theatre & Performance Studies)
by Gabriele Brandstetter Gerko Egert Holger HartungMovements of Interweaving is a rich collection of essays exploring the concept of interweaving performance cultures in the realms of movement, dance, and corporeality. Focusing on dance performances as well as on scenarios of cultural movements on a global scale, it not only challenges the concept of intercultural dance performances, but through its innovative approach also calls attention to the specific qualities of "interweaving" as a form of movement itself. Divided into four sections, this volume features an international team of scholars together developing a new critical perspective on the cultural practices of movement, travel and migration in and beyond dance.
Moves: A Sourcebook of Ideas for Body Awareness and Creative Movement
by Katya Bloom Rosa ShreevesFirst Published in 1998. The aim of this book is to reawaken awareness of the body feels; rekindle imagination; provide starting points for both developing greater self-awareness and creating expressive movement. 'Moves' suggests a wealth of exercises which stem from the natural movement of the body and are therefore accessible to anyone. As you respond to the material in this book you may notice changes in yourself, such as greater physical and emotional freedom, a lessening of anxiety and constriction, a new found sense of flow, flexibility and strength and a greater responsiveness to others and to the environment.
Movie Houses of Greater Newark (Images of America)
by Philip M. ReadFor decades, Newark and its environs have been lit up by the bright neon lights of grand movie palaces and theaters. In the early 20th century, stages that were originally built for vaudeville acts were turned over to silver screens and the flickering images from motion-picture projectors. This new technology ushered Hollywood movies to the East Coast and made cinema accessible for locals to enjoy. Movie houses and palaces provided moviegoers a new type of viewing experience. With ornate interiors and rich architecture, these institutions offered their patrons a beautiful setting to watch classic films. Over time, these establishments evolved and began hosting burlesque shows and rock concerts. Today, many of these downtown landmarks have been demolished, replaced, or adaptively renovated into the modern multiplexes of today. Images of the Paramount and the Mosque Theater help Movie Houses of Greater Newark tell the story of an era when going to the movies was an event.
Moving Mountains
by Lawrence RomanComedy / Casting: 3m, 4f / Scenery: Interior (Formerly titled Grapes and Raisins.) Charlie is a 65 year-old widower-turned-Casanova as he pursues the ladies on a beach in Southern California. But he's not interested in those younger girls; he's after "mature women", those who've built up history, depth, and loss. Charlie offers his companionship and insights, and they're all too happy to accept his advances. That is, until he meets Polly, a recent widow who doesn't make things easy for this suitor. Humor is also added by Charlie's daughter, who's shocked to hear about his romantic gallivanting.
Moving Notation (Performing Arts Studies #Vol. 6)
by Jill Beck Joseph ReiserDesigned specifically for university-level study, Moving Notation will benefit students and teachers of both dance and music, offering a complete introduction to the theory and practice of musical rhythm and elementary Labanotation. Performing Arts Studies aims to provide stimulating resource books of both a practical and philosophical nature for teachers and students of the performing arts: music, dance, theatre, film, radio, video, oral poetry, performance art, and multi-media forms.
Moving Performances: Divas, Iconicity, and Remembering the Modern Stage
by Jeanne ScheperFabulous yet fierce, imperious yet impetuous, boss yet bitchy—divas are figures of paradox. Their place in culture is equally contradictory, as they are simultaneously venerated and marginalized, hailed as timeless but then frequently forgotten or exhumed as cult icons by future generations. Focusing on four early twentieth-century divas—Aida Overton Walker, Loïe Fuller, Libby Holman, and Josephine Baker—who were icons in their own time, Moving Performances considers what their past and current reception reveals about changing ideas of race and gender. Jeanne Scheper examines how iconicity can actually work to the diva’s detriment, reducing her to a fetish object, a grotesque, or a figure of nostalgia. Yet she also locates more productive modes of reception that reach to revive the diva’s moving performances, imbuing her with an affective afterlife. As it offers innovative theorizations of performance, reception, and affect, Moving Performances also introduces readers to four remarkable women who worked as both cultural producers and critics, deftly subverting the tropes of exoticism, orientalism, and primitivism commonly used to dismiss women of color. Rejecting iconic depictions of these divas as frozen in a past moment, Scheper vividly demonstrates how their performances continue to inspire ongoing movements.
Moving Relation: Touch in Contemporary Dance (Routledge Advances in Theatre & Performance Studies)
by Gerko EgertMoving Relation explores the notion of touch in the realm of contemporary dance. By closely analyzing performances by well-known European and American choreographers such as Meg Stuart, William Forsythe, Xavier Le Roy, Jared Gradinger and Angela Schubot, this book investigates their usage of touch on the level of movement, experience and affect. Building on the proposition that touch is more than the moment of bodily contact, the author demonstrates the concept of touch as an interplay of movements and multiple relations of proximity. Egert employs both depth, using close descriptions and analyses of dance performances with theoretical investigations of touch, with breadth, working across the fields of performance and dance studies, philosophy and cultural theory. Suitable for scholars and practitioners in the fields of dance and performance studies, Moving Relation uses a process-oriented notion of touch to reevaluate key concepts such as the body, rhythm, emotional expression, subjectivity and audience perception.
Moving Shakespeare Indoors
by Andrew Gurr Farah Karim-CooperShakespeare's Company, the King's Men, played at the Globe, and also in an indoor theatre, the Blackfriars. The year 2014 witnesses the opening of the Sam Wanamaker Playhouse, based on seventeenth-century designs of an indoor London theatre and built within the precincts of the current Globe on Bankside. This volume, edited by Andrew Gurr and Farah Karim-Cooper, asks what prompted the move to indoor theatres, and considers the effects that more intimate staging, lighting and music had on performance and repertory. It discusses what knowledge is required when attempting to build an archetype of such a theatre, and looks at the effects of the theatre on audience behaviour and reception. Exploring the ways in which indoor theatre shaped the writing of Shakespeare and his contemporaries in the late Jacobean and early Caroline periods, this book will find a substantial readership among scholars of Shakespeare and Jacobean theatre history.
Moving Sites: Investigating Site-Specific Dance Performance
by Victoria HunterMoving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it. The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses the following questions: · How do choreographers make site-specific dance performance? · What occurs when a moving body engages with site, place and environment? · How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses? · How can this type of practice inform wider discussions of embodiment, site, space, place and environment? This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments. Dr Victoria Hunter is Senior Lecturer in Dance at the University of Chichester.
Moving Words: Re-Writing Dance
by Gay MorrisMoving Words provides a direct line into the most pressing issues in contemporary dance scholarship, as well as insights into ways in which dance contributes to and creates culture. Instead of representing a single viewpoint, the essays in this volume reflect a range of perspectives and represent the debates swirling within dance. The contributors confront basic questions of definition and interpretation within dance studies, while at the same time examining broader issues, such as the body, gender, class, race, nationalism and cross-cultural exchange. Specific essays address such topics as the black male body in dance, gender and subversions in the dances of Mark Morris, race and nationalism in Martha Graham's 'American Document', and the history of oriental dance.
Mr Price, or Tropical Madness and Metaphysics of a Two- Headed Calf
by Stanislaw Ignacy WitkiewiczThe Polish playwright and artist Stanislaw Ignacy Witkiewicz, known as Witkacy, is now recognized as Poland's leading theatrical innovator of the interwar years and one of the outstanding creative personalities of the European avant-garde. This volume contains two of Witkacy's "tropical" plays inspired by the playwright's trip to Ceylon and Australia in 1914 with his close friend, the anthropologist Bronislaw Malinowski. Mr. Price, or Tropical Madness is a drama of heightened passion and greed among British colonists in Rangoon who seem to have stepped out of Joseph Conrad's tales of the South Seas. Metaphysics of a Two headed Calf, set in New Guinea and Australia, pits savage European imperialists against a native tribal Australia and pits savage European imperialists against a native tribal chieftain whose fetish of a great golden frog offers greater insight into the mystery of existence than the Westerners' shallow rationalism. Both plays puncture the white rulers' poses of superiority and parody their images of the tropical Other. Also included in the volume are Witkacy's Foreword to Metaphysics of a Two-Headed Calf in which the playwright defends his concept of theatre as an autonomous art with a scenic language of its own and an appendix containing a documentary itinerary of Witkacy's journey to Ceylon.
Mr. Bundy
by Jane MartinThis powerful drama examines the fears of parents driven to do "the right thing" when the safety of their daughter is in doubt. A mother and father who learn that the next door neighbor is a convicted child molester consider both vigilance and vigilantism before being forced into action by a pair of child advocacy crusaders. The shocking climax hits a raw nerve, leaving the audience to consider where the line between right and wrong lies. Mr. Bundy was a hit at the 1998 Humana Festival at Actors Theatre of Louisville.
Mr. Peters' Connections
by Arthur MillerProduced in May 1998 in New York and starring Peter Falk, Mr. Peters' Connections takes place, in Miller's own words, in "that suspended state of consciousness when the mind is freed to roam from real memories to conjectures, from trivialities to tragic insights, from terror of death to glorying in one's being alive." Within the confines of his mind, Mr. Peters interacts with the living members of his family and his long-deceased brother and lover, as well as the imaginary Adele, a black bag lady, who is a figment of Peters' imagination and one of Miller's most original characters. "A work of rare honesty and dignity" (Fintan O'Toole, New York Daily News), Mr. Peters' Connections uncoils with ferocious, life-affirming intensity.
Mr. Rickey Calls a Meeting
by Ed SchmidtDrama / 6m / Interior / Joe Louis, Paul Robeson, Bill "Bojangles" Robinson, Jackie Robinson, and Brooklyn Dodgers owner Branch Rickey meet in 1947 to discuss a strategy for dropping a baseball bombshell: promoting a black to the major leagues. That is the premise of this brilliant and timely play. Issues raised include compensation for the possible demise of the Negro leagues and the advisability of one at a time integration. If you want freedom of opportunity, do you play by the white's rules or do you demand that he play by yours?
Mr. Universe: And Other Plays
by Jim GrimsleyGeorge Oppenheimer Award for Best New American Playwright; Bryan Prize for Drama by the Fellowship of Southern Writers. In this collection, critically acclaimed novelist Jim Grimsley reveals his great gifts as a playwright in four powerful, award-winning plays presenting different worlds in collision and convergence. In "Mr. Universe," the rescue of a mute bodybuilder from the gritty streets of New Orleans by a couple of drag queens brings out the best and worst in them. In "The Lizard of Tarsus," an imprisoned Jesus (called J.) is interrogated by an ambitious follower, Paul of Tarsus. In "The Borderland," neighboring families representing two very different social classes are brought together during a storm. And in "Math and Aftermath," the two worlds of pornography and nuclear testing collide during a film shoot in the Marshall Islands. These plays (introduced by Romulus Linney, Reynolds Price, Kaye Gibbons, and Craig Lucas) demonstrate the differences that are matters of perception; together they establish Grimsley as a dramatist with imagination and nerve. A STAGE AND SCREEN BOOK CLUB selection.