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Multi-media: Video – Installation – Performance
by Nick KayeMulti-media charts the development of multi-media video, installation and performance in a unique dialogue between theoretical analysis and specially commissioned documentations by some of the world’s foremost artists. Nick Kaye explores the interdisciplinary history and character of experimental practices shaped in exchanges between music, installation, theatre, performance art, conceptual art, sculpture and video. The book sets out key themes and concerns in multi-media practice, addressing time, space, the resurgence of ephemerality, liveness and ‘aura’. These chapters are interspersed with documentary artwork and essays by artists whose work continues to shape the field, including new articles from: Vito Acconci The Builders Association John Jesurun Pipilotti Rist Fiona Templeton. Multi-media also reintroduces a major documentary essay by Paolo Rosa of Studio Azzurro in a new, fully illustrated form. This book combines sophisticated scholarly analysis and fascinating original work to present a refreshing and creative investigation of current multi-media arts practice.
Multilingual Dramaturgies: Towards New European Theatre (New Dramaturgies)
by Kasia LechMultilingual Dramaturgies provides a study of dramaturgical practices in contemporary multilingual theatre in Europe. Featuring interviews with international theatremakers, the book gives an insight into diverse approaches towards multilingual theatre and its dramaturgy that reflect cultural, political, and economic landscapes of contemporary Europe, its inhabitants, and its theatres. First-hand accounts are contextualized to reveal a complex set of negotiations involved in the creative and political tasks of staging multilingualism and engaging the audience, as well as in practical issues like funding and developing working models. Using interviews with practitioners from a diverse range of theatrical backgrounds and career levels, and with various models of financial support, Multilingual Dramaturgies also offers an insight into different attitudes towards multilingualism in European theatres. The book illuminates not only the potential for multilingual dramaturgies, but also the practical and creative difficulties involved in making them. By bringing the voices of artists together and providing a critical commentary, the book reveals multilingual dramaturgies as webbed practices of differences that also offer new ways of understanding and performing identity in a European context. Multilingual Dramaturgies sheds light on an exciting theatre practice, argues for its central role in Europe and highlights potential directions for its further development.
Mummers' Plays Revisited (Routledge Advances in Theatre & Performance Studies)
by Peter HarropPeter Harrop offers a reappraisal of mummers’ plays, which have long been regarded as a form of ‘folk’ or ‘traditional’ drama, somehow separate from the mainstream of British theatre. This fresh view of folk and tradition explores how mummers’ plays emerged in an 18th century theatrical environment of popular spouting clubs and private theatricals, yet quickly transformed into ‘traditionary’ drama with echoes of an ancient past. Harrop suggests that by the late 19th century the plays had been appropriated by antiquarians and folklorists, leaving mummer’s plays as a strangely separate and categorised form. This book considers how that happened, and the ways in which these late 19th century ideas were absorbed into the mummers’ plays, providing a new lease of life for them in the 20th and 21st centuries. Ideal for anyone with a specialised interest in this unique form, Mummers’ Plays Revisited spans recent work in theatre history, performance studies and folklore to offer a comprehensive and engaging study.
Murder Go Round
by Fred CarmichaelFull length, comedy / 3m, 5f / Interior / As soon as Pat Kirby arrives for safe keeping at an off season summer cottage with Susan, her Witness Protection Program representative, the laughter and intrigue begin. Pat, the key witness in a murder trial, saw an executive shot for control of his overseas account. As he was wheeled into the operating room, she saw him transmit the numbers needed to access the off shore account, but she can't figure how to find those numbers. Soon the place is swarming with government agents and cohorts of the hit man. Who can Pat trust? Is the resident shopkeeper a substitute? Why does the local interior decorator seem out of place? What about the man who claims to be her husband or the girl claiming to be her daughter? Her protector? The young fellow from which agency? And most of all, the head of the WPP who is experiencing temporary amnesia? Everyone wants the numbers in this hilarious comedy.
Murder In The Cathedral
by T. S. EliotThe action occurs between 2 and 29 December 1170, chronicling the days leading up to the martyrdom of Thomas Becket following his absence of seven years in France. Becket's internal struggle is a central focus of the play.
Murder Is A Game
by Fred CarmichaelComedy mystery / 3m, 5f / Interior / Laughter, suspense, intriguing characters, sparkling dialogue, plot twists and irresistible mystery are all here. A successful, married mystery writing team has dried up so their publisher gives them an anniversary present of a weekend in an old mansion built for a movie set and peoples it with hired characters unknown to each other to act out a murder plot. The couple, Sloan and Toby Bigelow, delight in the game and solve the fake murder but then there is a real murder and further hilarious plot twists. The actors all have delightful opportunities to act as imaginary people and then themselves during this sophisticated, laugh filled mystery evening.
Murder Is Fun!
by Catherine BlankenshipComedy / Catherine Blankenship / 7m, 7f / Captain Brown of the Homicide Squad asks the audience to solve a murder for him in this mystery satire. A composer has died under mysterious circumstances. His son, daughter, fiancee, servant and a lawyer re-enact incidents leading to his demise. Unable to deduce the guilty person, characters in the audience quarrel until the doctor breaks the case with a surprising statement. Originally produced at the Yale Experimental Theatre.
Murder Most Queer: The Homicidal Homosexual In The American Theater
by Jordan SchildcroutThe "villainous homosexual" has long stalked America's cultural imagination, most explicitly in the figure of the gay murderer, a character in dozens of plays. But as society's understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by gay theater artists themselves to explore darker fears and desires. "Murder Most Queer" examines the shifting meanings of murderous gay characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. "Murder Most Queer" works to expose the forces that create the homophobic paradigm that imagines sexual and gender nonconformity as dangerous and destructive and to show how theater artists--and for the most part gay theater artists--have rewritten and radically altered the significance of the homicidal homosexual. Jordan Schildcrout argues that these figures, far from being simple reiterations of a homophobic archetype, are complex and challenging characters who enact trenchant fantasies of empowerment, replacing the shame and stigma of the abject with the defiance and freedom of the outlaw, giving voice to rage and resistance. These bold characters also probe the darker anxieties and fears that can affect gay lives and relationships. Instead of sentencing them to the prison of negative representations, this book analyzes the meanings in their acts of murder, confronting the real fears and desires condensed in those dramatic acts.
Murder On The Rerun
by Fred CarmichaelComedy mystery / 2m, 5f / Interior / Takes a different approach to mystery as a ghost tries to find out who murdered her in a witty, sophisticated, yet suspenseful look at the upper crust of Hollywood. The curtain rises to find Jane, Oscar winning screen writer, dead at the bottom of the stairs in a Vermont ski lodge. Her four friends and husband are saying she fell. "I was pushed!" she says as her ghost rises. Aided by Kitty, a rather wanton adviser from "up there," Jane is brought ahead to the present, three years after the murder, where the same group is gathered. They are all famous film makers with an intense hate love relationship; Jane's husband who has married an ambitious ingenue, a heading for middle age leading lady, an arrogant director, and Hollywood's reigning gossip columnist. The five suspects join together to keep the possible murder quiet for reasons of their own but their relationship busts apart with their mutual distrust. Woven through the suspense in humorous, acidic, and revealing comedy is an extraordinary whodunit with a surprise denouement when the murderer is revealed. All the roles are lengthy with well defined characters. For the unusual and audience pleasing combination of comedy, intrigue, and suspense, this is a must!
Murder Room
by Jack SharkeyMystery Comedy / 3m., 3f. / Int. When this zany spoof of British mysteries opened in Sydney, Australia, reviewers spouted phrases like "a great vehicle for three ladies," "a plethora of hilarious situations," and "this is a romp!" "Really a minor gem ... witty and sophisticated." - Newcastle Morning Herald "Murder has never been this funny. A spoof of all crime thrillers ... it is good clean mirth all the way. The quick, smart, extremely well timed dialogue of Jack Sharkey comes through loud and clear [with] never a dull moment." - Times "There are secret chambers, secret panels and trap lids galore. They're all operated by the most ridiculous contrivances and gloriously mucked up.... A high, mad melodrama." - Frank Harris
Murder at Cafe Noir
by David Landau Nikki SternMystery / 4m, 3f / The most popular mystery dinner show in the country, Murder at Cafe Noir has enjoyed weekly productions coast to coast since its premiere in 1989. This forties detective story come to life features Rick Archer, P.I., out to find a curvaceous runaway on the forgotten island of Mustique, a place stuck in a black and white era. The owner of the Cafe Noir has washed ashore, murdered, and Rick's quarry was the last person seen with him. He employs his hard boiled talents to find the killer. Was it the French madame and club manager, the voodoo priestess, the shyster British attorney, the black marketeer or the femme fatale? The audience votes twice on what they want Rick to do next and these decisions change the flow of this comic tribute to the Bogart era.
Murder at Minsing Manor
by Michael SimonAdvanced Groups Mystery/Farce / 8 m, 2 f (with doubling) / 1 set / The first Ridiculous Theatrical Company production by outside playwrights brims with irreverent wit. Horror show host Marius Mintsingue is killed on the air, much to the dismay of would be detectives Buddy and Bob (pubescent boys played by women) who are his biggest fans. Mintsingue's cross dressing lover, finds herself the head of Mintsingue Manor, a Gothic mansion in postwar suburbia. While the murderer stalks, she struggles to support the household without implicating herself by collecting on the will or insurance, to protect Mintsingue's live in protege (a half man/half woman sideshow veteran) and to keep at bay the forces of authority. Bob and Buddy's sleuthing unintentionally brings this mystery to its shattering conclusion. / "Happy, dizzy and very pleasurable." N.Y. Times.
Murder by Accident: Medieval Theater, Modern Media, Critical Intentions
by Jody EndersOver fifty years ago, it became unfashionable--even forbidden--for students of literature to talk about an author's intentions for a given work. InMurder by Accident, Jody Enders boldly resurrects the long-disgraced concept of intentionality, especially as it relates to the theater. Drawing on four fascinating medieval events in which a theatrical performance precipitated deadly consequences, Enders contends that the marginalization of intention in critical discourse is a mirror for the marginalization--and misunderstanding--of theater. Murder by Accidentrevisits the legal, moral, ethical, and aesthetic limits of the living arts of the past, pairing them with examples from the present, whether they be reality television, snuff films, the "accidental" live broadcast of a suicide on a Los Angeles freeway, or an actor who jokingly fired a stage revolver at his temple, causing his eventual death. This book will force scholars and students to rethink their assumptions about theory, intention, and performance, both past and present.
Murder in Green Meadows
by Douglas PostTHE STORY: Thomas Devereaux, a successful architect and local contractor, and his beautiful wife, Joan, have just moved into their dream house in the quiet suburban town of Green Meadows when they are visited by their new neighbors, Carolyn and Jeff.
Murder in the Cathedral: Verse Drama
by T. S. EliotT. S. Eliot's most famous drama, a retelling of the murder of the archbishop of CanterburyMurder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time."The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times
Murder on Reserve
by Thomas HischakMystery / 4m, 5f, 1 extra / Interior / In the small midwestern town of Sanford, the impossible has happened: someone has strangled crotchety old Faulkner Seaton in the reference section of the local library while the dusty old landmark was open. Most puzzling of all is the fact that nobody in the place saw or heard a thing. Inspector Trigg and his assistant, Lt. Elizabeth Roberts, are brought in from St. Louis to solve the mystery, only to discover the most unlikely collection of suspects: a meticulous librarian, his repressed assistant, a talkative small time speculator, a sweet high school girl, an elderly hypochondriac, a cynical library worker and a colorful drifter. It develops that old Seaton had stumbled into something important in the reference section and a missing book becomes the only clue. Trigg and Roberts set a trap to catch the murderer that results in a thrilling and revealing conclusion. Vivid characters and a plot that keeps the audience guessing make this whodunit an enjoyable romp for any theatre group.
Murder on the Nile
by Agatha ChristieDrama, 8m,5f, Interior Set. Simon Mostyn has recently married Kay Ridgeway, a rich woman, having thrown over his former lover Jacqueline. The couple are on their honeymoon on a paddle steamer on the Nile, accompanied by a bevy of memorable characters. Among those present are Canon Pennefather, Kay's guardian, and Jacqueline, who has been dogging their footsteps all through the honeymoon. During the voyage Jacqueline works herself into a state of hysteria and shoots at Simon, wounding him in the knee. A few moments later Kay is found shot in her bunk. By the time the boat reaches its destination, Canon Pennefather has laid bare an audacious conspiracy and has made sure the criminals shall not go free.
Murder to Music: A Libby Sarjeant Murder Mystery (A Libby Sarjeant Murder Mystery Series #8)
by Lesley Cookman'With fascinating characters and an intriguing plot, this is a real page turner' KATIE FFORDE praise for the seriesAn addictive and unputdownable crime mystery novel perfect for fans of Agatha Christie, Dorothy L. Sayers, Faith Martin, J.R. Ellis, LJ Ross, Miss Marple and Midsummer Murders!Lesley Cookman's bestselling series featuring amateur sleuth Libby Sarjeant is back for its eighth instalment!Amateur detective Libby Sarjeant and psychic investigator Fran Castle are invited to look into a house that is reputedly haunted by a seemingly musical ghost. For once, Libby can be as nosy as she likes without being accused of getting in the way of a police investigation.However, when they unearth 50-year-old graves in the gardens, the police are bound to cramp their style.Someone alive today doesn't want them interfering either, and their lives are in danger as they try to unravel the mystery of their Debussy playing ghost._____________________________________________________ Praise for the bestselling series:'I could not put down.... Would recommend this series to everyone' ***** Reader review'...if you miss the good old days of Agatha Christie and Dorothy L Sayers then why not give Lesley Cookman's excellent books a go' ***** Reader review'I love Libby Sarjeant and have read all of the books, which I will read again. All the characters are believable and the plots are good' ***** Reader review'A great series of books that I can't put down. Thank you' ***** Reader review 'A great book full of twists but I really like the relationships and friendships that are forming over each book' ***** Reader review
Murder to Music: A Libby Sarjeant Murder Mystery (A\libby Sarjeant Murder Mystery Ser. #8)
by Lesley Cookman'With fascinating characters and an intriguing plot, this is a real page turner' KATIE FFORDE praise for the seriesAn addictive and unputdownable crime mystery novel perfect for fans of Agatha Christie, Dorothy L. Sayers, Faith Martin, J.R. Ellis, LJ Ross, Miss Marple and Midsummer Murders!Lesley Cookman's bestselling series featuring amateur sleuth Libby Sarjeant is back for its eighth instalment!Amateur detective Libby Sarjeant and psychic investigator Fran Castle are invited to look into a house that is reputedly haunted by a seemingly musical ghost. For once, Libby can be as nosy as she likes without being accused of getting in the way of a police investigation.However, when they unearth 50-year-old graves in the gardens, the police are bound to cramp their style.Someone alive today doesn't want them interfering either, and their lives are in danger as they try to unravel the mystery of their Debussy playing ghost._____________________________________________________ Praise for the bestselling series:'I could not put down.... Would recommend this series to everyone' ***** Reader review'...if you miss the good old days of Agatha Christie and Dorothy L Sayers then why not give Lesley Cookman's excellent books a go' ***** Reader review'I love Libby Sarjeant and have read all of the books, which I will read again. All the characters are believable and the plots are good' ***** Reader review'A great series of books that I can't put down. Thank you' ***** Reader review 'A great book full of twists but I really like the relationships and friendships that are forming over each book' ***** Reader review
Murderous Crossing
by David LandauFull Length / Comedic Mystery / 4m, 3f / Interior The year is 1923 and audience members are passengers on board the HMS Victoria as it crosses the English Channel. The famous Inspector Clurrot has tracked down a homicidal mastermind hiding out on board. Meanwhile, the ship is the vessel of matrimony for the Contessa Follette and John D. Rothchild - a marriage encouraged through financial need and murderous greed. But not everything is as it seems, and it turns out that the English Channel isn't the only thing being crossed. Audience members are recruited to stand in for the best man, bridesmaid, mother of the groom, and father of the bride in this Agatha Christie style comic mystery.
Music \= Cultures in Contact: Convergences and Collisions (Musicology #16)
by Margaret J. Kartomi Stephen BlumFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Music and Gender in English Renaissance Drama (Routledge Advances in Theatre & Performance Studies)
by Katrine K. WongThis book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.
Music and Sound in European Theatre: Practices, Performances, Perspectives (Routledge Advances in Theatre & Performance Studies)
by David Roesner Tamara Yasmin QuickThe need for a research volume on European theatre music and sound is almost self-evident.Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand ‘theatre music’. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners.It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.
Music as a Chariot: The Evolutionary Origins of Theatre in Time, Sound, and Music
by Richard K. ThomasMusic as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts. Beginning with a discussion on the origin and nature of time, the author takes us on an evolutionary journey to discover how music, language and mimesis co-evolved, eventually coming together to produce the complex way we experience theatre. The book integrates the evolutionary neuroscience of the human brain into this journey, offering practical implications and applications for the auditory expression of this concept—namely the fundamental techniques artists use to create sound scores for theatre. With contributions from directors, playwrights, actors and designers, Music as a Chariot explores the use of music to carry ideas into the human soul—a concept that extends beyond the theatrical to include film, video gaming, dance, or anywhere art is manipulated in time.
Music in Cinema (Film and Culture Series)
by Michel ChionMichel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer.Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.