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My Life After Now
by Jessica VerdiWhat now? Lucy just had the worst week ever. Seriously, mega bad. And suddenly, it's all too much--she wants out. Out of her house, out of her head, out of her life. She wants to be a whole new Lucy. <P><P>So she does something the old Lucy would never dream of. <P>And now her life will never be the same. <P>Now, how will she be able to have a boyfriend? What will she tell her friends? How will she face her family?Now her life is completely different...every moment is a gift. <P>Because now she might not have many moments left.
My Life in Art
by Konstantin StanislavskiKonstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union. Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926. Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it – from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.
My Life in Art (Bloomsbury Revelations Ser.)
by Constantin StanislavskiFirst published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
My Little Golden Book About Greek Gods and Goddesses (Little Golden Book)
by John SazaklisIntroduce young readers to the powerful and mysterious gods and goddesses of ancient Greece with this Little Golden Book!Young children love hearing about the larger-than-life characters and amazing tales of Greek mythology. My Little Golden Book About Greek Gods and Goddesses is full of exciting, colorful illustrations and descriptions of Athena, Zeus, Poseidon, Aphrodite, Hermes, and many more.Look for more Little Golden Book biographies: • Misty Copeland • Frida Kahlo • Iris Apfel • Bob Ross • Queen Elizabeth II • Harriet Tubman
My Mamma Mia Summer: A feel-good sunkissed read to escape with in 2022!
by Annie RobertsonShe has a dream... now she's going to live it!When her beloved grandmother, Marnie, passes away, Laurel is left with a small inheritance and a note telling her to follow her dreams. As she and Marnie always did in difficult times, Laurel turns to her ABBA albums and her favourite film, Mamma Mia! Without pausing for thought, she grabs her passport, dons her best dungarees, and jets off to Skopelos for her own Meryl-inspired adventure...Laurel books into the faded but charming Villa Athena, and befriends its eccentric owner. As she explores the island's famous sights and finds herself caught between the attentions of a handsome writer and the charms of Athena's grandson Nikos, Laurel is having the time of her life... But should she return to her life in London, or could this be where she truly belongs?This summer dust off your passport, pack your best dancing shoes, and escape to Greece on your own Mamma Mia adventure!Read by Candida Gubbins(p) Orion Publishing Group 2018
My Mom and Other Mysteries of the Universe
by Gina Willner-PardoWhen her parents go away for a month-long business trip, Arlie Metcalfe and her little brother, Michael, get to stay with their fun-loving aunt, Isabel. It seems as if it's going to be a month-long vacation, particularly for Arlie, who's looking forward to the time away from her demanding mother. But only a few days into the trip, Arlie's parents are seriously injured in a car accident, and her mother falls into a coma. On the very same day, a new girl arrives in Arlie's fifth-grade class. Casey has the same short brown hair, the same stubbornness, and the same bossiness as Arlie's mother. Is it possible that she is actually Arlie's mother as an eleven-year-old girl? Can Arlie somehow help her mother by befriending Casey? Or is this a gift from the universe for Arlie: a strange and wonderful way to know her mother before she was her mother?
My Nights at the Improv
by Jan SieboldLizzie feels like she's on a thirty-second delay. That's how long it always takes for the brilliant thing she should have said to pop into her head--thirty seconds for her brain to catch up with her life. But Lizzie's never been one to take risks--not with her mom, who worries so much, and especially not now that she's the new kid at school. But once a week Lizzie hides out in the auditorium and watches five strangers in a theater class learn the art of improvisation, where there are no lines, no script--just making it up as they go along. How do they do it? Lizzie wonders. Not just on stage, but in life, too . . .
My Old Lady
by Israel HorovitzFull length, drama / 1m, 2f / Interior / When a down on his luck middle aged man inherits an apartment in Paris, he plans to solve his financial woes by selling it. He arrives on the doorstep and discovers, to his dismay, that the elderly woman living there has lifetime habitation rights under an arcane French law and she is not about to give them up. Because he has no other place to go, she invites him to stay in the spacious apartment. A spiral of friendship, romance with the old lady's outspoken daughter and some uncomfortable revelations about his unmourned father affect all in this poignant play with strong roles for all three actors.
My Old Lady: Complete Stage Play and Screenplay with an Essay on Adaptation
by Israel HorovitzFamed playwright Israel Horovitz has written more than 70 produced plays, which have been translated in more than 30 languages worldwide. Along the way, he has also written screenplays for film including Author! Author!, starring Al Pacino, as well as the award-winning Sunshine, James Dean, and The Strawberry Statement. At the age of 75, he directed an adaptation of his play My Old Lady, starring Kevin Kline, Maggie Smith, and Kristin Scott Thomas. Now he shares tips and techniques on adapting plays for the screen.The book includes the full script of both the play version and screenplay of My Old Lady, along with an in-depth analysis by Horovitz of the challenges of adapting the written language of a play to the visual language of the screen. He discusses what inspired him to consider adapting the play in the first place, and his diligent efforts to distill the spoken language of the play into the visual language of film. In discussing his adaptation process, Horovitz also reveals his brilliant insights into the creative process itself, as well as how to keep inspired during the course of a lengthy writing career.
My Sister in this House
by Wendy KesselmanWendy Kesselman. Full Length, Drama. New Revised Version . . Characters: 4 female. Combination Interior Set. Winner of the Playbill Award. This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations which led the sisters to commit murder. . "A crucible of psychosexual horror." N.Y. Times . "A subtle, almost tender study of four lonely women whose strange and complex relationship ends in an outrage of violence. . . . A haunting beauty of a play." N.Y. Post
My Sister's Keeper
by Ted AllanIn a tight, dramatic, two-character, two-act play Ted Allan, one of Canada's best-known playwrights, challenges us to think again about love and guilt, about madness and normalcy. My Sister's Keeper was first produced at the 1976 Lennoxville Festival in Quebec. (an earlier version, entitled 'I've Seen You Cut Lemons,' had been directed by Sean Connery at the Fortune Theatre in London in 1970.) It is a play about sensitivity and about victims; about what we do to each other and particularly about what society does to women; about what makes us able to love and what prevents us from allowing ourselves to love. One day 'schizophrenic' Sarah arrives--to stay--at the London flat of her successful, 'normal' brother. The ensuing confrontations lead us, when we can catch our breath, to ask just who it is that is insane, and why?
My Sweetheart's The Man in the Moon
by Don NigroDramatic Comedy . CharacterS: 2 male, 3 female . Unit set. . In the first years of the twentieth century, Evelyn Nesbit, the beautiful, teen-age pin up and chorus girl, was the entrancing center of an explosive and deadly love triangle involving Stanford White, her married lover and the architect of many of the most famous buildings in New York, who liked to push her naked on a red velvet swing, and Harry K. Thaw, the wealthy, manic and demented roller-skating Pittsburgh playboy who married her, beat her with a horse whip, and eventually shot White through the eye socket during a musical performance at the rooftop theatre at White's Madison Square Garden. This wickedly funny play chronicles the grotesque events leading up to and after this notorious murder and Evelyn's wild, strange journey through her American tabloid nightmare as she is hounded by carnivorous reporters, threatened, used, betrayed, bribed, stalked and nearly destroyed by the rich, the corrupt, the violent and the insane. Part of Nigro's ongoing dramatic saga of America in the 20th century that continues with Jules Verne Eats a Rhinoceros, City of Dreadful Night and Traitors, Originally produced at the Open Stage Theatre in Pittsburgh and Off Broadway by the Hypothetical Theatre Company. . "Literate but quirky ... non-realistic theatricality ... smartly ironic ..." Pittsburgh Post-Gazette. . "There was a bit of everything: wealth, fame, insanity, genius, and, in the middle of it all, a beautiful chorus girl ... The sensational story has been adapted for screen and stage ... but the latest play, Don Nigro's "My Sweetheart's The Man In The Moon," might be its most faithful version. It demonstrates admirable nuance and an impressive amount of research ..." NY Times. . "People who think Evelyn Nesbit is only a fictional character from Ragtime may find some surprises in Don Nigro's play, which chronicles the tawdry, twisted love triangle that "the girl in the red velvet swing" shared with master architect (and seducer) Stanford White and millionaire psychopath Harry K. Thaw." Village Voice.
My TWP Plays
by Jack Winter Bruce BartonMy TWP Plays presents five important plays written by Jack Winter while he was resident playwright at Toronto Workshop Productions, one of the first great troupes of the experimental and alternative theatre movement. The carnivalesque style of the selected works in this anthology reflects the turbulence, contradictions, and subversion of the social revolution during which they were written and first produced, as well as the cultural politics at a time when Canadian artists were investigating new, noncolonial, and distinctly Canadian forms of expression that would define the nation and challenge received artistic styles and practices. Extensive notes by the playwright and a foreword by the director and dramaturge Bruce Barton (University of Toronto) illuminate an important two-decade period in the evolution of contemporary Canadian theatre, while providing glimpses of the artistic conditions, the cultural environment, and the personal circumstances within which the works were created.Before Compiègne (1963) wildly imagines Joan of Arc's final days.The Mechanic (1964) and its experiments in form and staging offer a contemporary take on Molière and the commedia dell'arte.The Death of Woyzeck (1965) dismantles, reconstructs, and rewrites Georg Büchner's famous fragmentary original of 1837.Ten Lost Years (1974) presents a highly theatricalized full-length dramatization of Barry Broadfoot's collected interviews with Canadian survivors of the Great Depression.You Can't Get Here from There (1975) examines Canada's complicity in the 1973 overthrow of Chilean president Salvador Allende.
My Wide World of Sports
by Liliane Grenier Francesca PassudettiWelcome to the world of Playbooks® and the beginning of a wonderful role-play reading adventure! Playbook® stories are presented in a unique and colorful format and are read out loud by several readers like a play, without memorization, props, or a stage. <p><p>When you read a Playbook®, you and other readers bring the story to life and become the characters. As you read your part out loud, you will have fun expressing and acting like your character. You and the other readers will explore the story plot together and learn what will happen next. It's an exciting journey of discovery that pulls you into the story, and you'll want to read it out loud again and again!
Mystery in Trib 2: Alaska hiking, flying, and gold mining adventure interwoven with a World War II mystery
by Douglas AndersonAs a sequel to Gold in Trib 1, Doug's new book, Mystery in Trib 2 is an interesting blend of fact and fiction; factual in terms of the flying, hiking, and gold-mining two friends enjoyed; fictional in the form of a cleverly woven mystery concerning the loss of a World War II military aircraft. The story is well researched and so masterfully formulated the reader will be hard pressed to separate historical fact from fiction. Mystery in Trib 2 portrays wilderness Alaska accurately and as it can be experienced by anyone fired with a lust for outdoor adventure.
Mysticism in the Theater: What’s Needed Right Now (Routledge Advances in Theatre & Performance Studies)
by Tom BlockMysticism in the Theater introduces theater makers to the power and possibility of using historical mystical ideas to influence all aspects of a production. Historical mysticism represents ideas developed by recognized spiritual thinkers in all religions and time periods: individuals who stilled their ego, and perceived the unity of all, hidden within the apparent multiplicity of existence. This unique manner of spiritual inlay allows theatrical presentations to find the height of artistic expression: art at the intersection of our historical moment and the eternal. This study introduces theater makers to the history of mystical inspiration within performance work and develops strategies for inserting mystical ideas into their productions. The book ties this model into theatre’s history, as mystical ideas and quotes have been inserted into productions from Greek theatre through Shakespeare and into the present day. This book explores how teachings and ideas of specific historical mystical thinkers might influence all aspects of contemporary theatrical productions including writing, directing, acting, stagecraft/set design, lighting design, costume design, sound design, and choreography.
Mythic Imagination and the Actor: Exercises, Inspiration, and Guidance for the 21st Century Actor
by Marissa ChibásIn Mythic Imagination and the Actor, Marissa Chibás draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan. Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor’s deepest creative sources.
Mythic Imagination and the Actor: Exercises, Inspiration, and Guidance for the 21st Century Actor
by Marissa ChibásIn Mythic Imagination and the Actor, Marissa Chibás draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan.Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor’s deepest creative sources.
Mythical Beasts & Beings: A Visual Guide to the Creatures of Folklore (Xist Children's Books)
by Lisa GravesA Mythical Creatures Guide with Stunning Illustrations Lisa Graves takes on monsters, fairies, gods and dragons in this illustrated guide to mythological creatures. Featuring legends from around the world, this collection provides information for fans of mythology, magic and more in a lovely volume.
México libre
by Francisco Ortega19th century Mexico is marked by the War of Independence, the US invasion the French intervention, and reforms. In this period a pattern emerged between Mexican writers' style and political leanings, as Liberals wrote romantic prose and Conservatives displayed more neoclassical stylings. Ortega belonged to the Liberal Romantics.
Nagauta: The Heart of Kabuki Music
by William P. MalmThis study of Japanese music explore Nagauta or literally "long song"--the delicate and complex music that accompanies kabuki theater--in great detail.The Kabuki theater of Japan has achieved a growing reputation as one of the world's most brilliant achievements in the field of theater. And the number of studies made on the subject in the West has been considerable. Yet, in spite of the fact that so much of the unique brilliance of the kabuki stage depends on the character of its music, the manner in which it is used, and its integral connection with the development of the dramatic impact of the plays, very little has been written on this phase of the genre.Of particular interest are the attempts to explore the various approaches to form music in the vast repertoire of this living art music. The playing techniques of the instruments are explained, and the relations of each instrument's music to the vocal line and to the overall design is shown.The analysis is accompanied by two compete transcription of nagauta in Western notation. These transcriptions are the first complete scores of nagauta ever printed. Additional musical examples, bibliography, discography, and glossary-index add value to the text.
Naked Lunch
by William S. BurroughsDelirious, nonlinear ravings of a junkie in hell. Also includes excerpts from the Boston trial where it was declared not obscene in 1966.
Naked Playwriting: The Art, the Craft, and the Life Laid Bare
by William Missouri Downs Robin U. RussinOffers a playwriting course, from developing a theme through plotting and structuring a play, developing characters, creating dialog, formatting the script, and applying methods that aid the actual writing and rewriting processes. This book also provides guidance on marketing and submitting play scripts for both contests and production.
Nakli Waris: नकली वारिस
by Surender Mohan Pathak"नकली वारिस" सुरेंद्र मोहन पाठक द्वारा लिखा गया एक रोमांचक रहस्य उपन्यास है, जिसमें धोखाधड़ी, पहचान की गुत्थी और षड्यंत्र की जटिल कहानी बुनी गई है। कहानी काठमांडू के एक होटल से शुरू होती है, जहां एक अमीर उद्योगपति राजा शिवप्रताप सिंह की कथित बेटी काजल रहस्यमय परिस्थितियों में पाई जाती है। लेकिन जल्द ही, घटनाओं का ऐसा चक्र शुरू होता है, जिससे उसकी असली पहचान पर सवाल उठने लगते हैं। जब डॉक्टर सूर्यदेव थापा को इस मामले की सच्चाई का अहसास होता है, तो उसे जान से मारने की कोशिश की जाती है। पत्रकार सुनील, जो हमेशा सच्चाई की खोज में रहता है, इस गुत्थी को सुलझाने में जुट जाता है। क्या काजल वास्तव में राजा शिवप्रताप सिंह की बेटी है, या उसके नाम पर कोई और वारिस बनने की साजिश कर रहा है? यह उपन्यास पाठकों को रहस्य और सस्पेंस के जाल में बांधकर अंत तक रोमांचित रखता है।
Naming Thy Name: Cross Talk in Shakespeare's Sonnets
by Elaine ScarryA fascinating case for the identity of Shakespeare’s beautiful young manSHAKESPEARE’S SONNETS ARE indisputably the most enigmatic and enduring love poems written in English. They also may be the most often argued-over sequence of love poems in any language. But what is it that continues to elude us? While it is in part the spellbinding incantations, the hide-and-seek of sound and meaning, it is also the mystery of the noble youth to whom Shakespeare makes a promise—the promise that the youth will survive in the breath and speech and minds of all those who read these sonnets. “How can such promises be fulfilled if no name is actually given?” Elaine Scarry asks. This book is the answer. Naming Thy Name lays bare William Shakespeare’s devotion to a beloved whom he not only names but names repeatedly in the microtexture of the sonnets, in their architecture, and in their deep fabric, immortalizing a love affair. By naming his name, Scarry enables us to hear clearly, for the very first time, a lover’s call and the beloved’s response. Here, over the course of many poems, are two poets in conversation, in love, speaking and listening, writing and writing back. In a true work of alchemy, Scarry, one of America’s most innovative and passionate thinkers, brilliantly synthesizes textual analysis, literary criticism, and historiography in pursuit of the haunting call and recall of Shakespeare’s verse and that of his (now at last named) beloved friend.