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Old MacDonald's Noisy Farm: An Adaptation of a Traditional Song
by Jeffrey B. Fuerst6 copies of Script plus Teacher's Guide
Old Time Variety: An Illustrated History
by Richard Anthony Baker&“An illustrated history of good old-fashioned entertainment from names like Tessie O&’Shea, George Formby, and the early days of Bruce Forsyth.&” —Yours As one of the richest sources of diversion for the people of Britain between the end of the First World War and the 1960s, the variety theater emerged from the embers of music hall, a vulgar and rambunctious entertainment that had held the working classes in thrall since the 1840s. Music hall bosses decided they would do better business if a man going to theaters on his own could take his wife and children with him, knowing they would see or hear nothing that would scandalize them. So variety, a gentler, less red-blooded entertainment was gradually established. At the top of the profession were Gracie Fields, a peerless singer and comedienne, and Max Miller, a comic who was renowned for being risqué, but who, in fact, never cracked a dirty joke. They were supported by acts that matched the word variety: ventriloquists, drag artists, animal acts, acrobats, jugglers, magicians and many more. But the variety theater was constantly under threat, first from revue, then radio, the cinema, girlie shows, the birth of rock &’n&’ roll and finally television. By the end of the 1950s, the variety business seemed to have given up, but the recent and extraordinary popularity of talent shows on television has proved the public appetite is still there. Variety could be about to start all over again. &“A priceless record of the people who entertained several generations between the wars and, for a brief time, after WWII . . . thoroughly entertaining.&” —Books Monthly
Old Vic Prefaces: Shakespeare and the Producer
by Hugh HuntOld Vic Prefaces is a collection of the author's talks to the actors on those plays which he produced, while a Director of the Old Vic from 1949 to 1953. The prefaces are unique in that they relate to actual performances, and each preface is followed by a short post-script in which the producer draws attention to some point that arose in production or in rehearsal, which illustrates the sort of problems that confront the producer of a Shakespeare play.
Oleanna (SparkNotes Literature Guide Series)
by SparkNotesOleanna (SparkNotes Literature Guide) by David Mamet Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Oleanna: A Play
by David MametIn David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship, and abuse.
Olive And The Bitter Herbs
by Charles BuschComedy / 3m, 2f / Unit Set / Olive Fisher is an elderly character actress whose claim to fame were the iconic "Gimme the Sausage" commercials of the 1980's. She's a classic New York curmudgeon, at war with the world and in particular her next door neighbors. Her closed-off life is shaken by the appearance of a spectral male figure viewed through her living room mirror. A series of strange and outrageous coincidences reveals that the man in the mirror has intimate links to everyone in Olive's world and most revealingly to Olive, encouraging her that it's never too late to change one's life. / "A colorful, sweet-and-sour Busch dish, laced with plenty of laughs." -- The Associated Press
Olive and the Backstage Ghost
by Michelle SchustermanA ghost story with a literary heart for fans of Neil Gaiman’s Coraline and The Graveyard Book. Theater kids and ghost-story readers alike will find new meaning in the term stage fright. All great theaters have their ghosts. . . . After Olive Preiss freezes during a theater camp audition, she flees in despair. She finds herself at Maudeville, a beautiful old theater that she’s never noticed before. She enters, goes onstage, and sings her song. “Thank you for that lovely audition, darling,” comes a voice from the shadows. “I believe I have just the part for you.” Olive is thrilled to work with Maude Devore, the glamorous actress who owns the theater, and her eclectic cast of misfits. Yet gradually there are signs that Maudeville isn’t exactly what it seems. Sometimes—just for a moment!—it feels wrong. As opening day approaches, Olive’s doubts and fears grow. But no matter what, this show must go on . . . and on . . . and on. . . . “Equal parts heart and bone-deep creepiness.” —Claire Legrand, author of The Cavendish Home for Boys and Girls
Olivier
by Philip ZieglerHollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.
Olivier
by Philip ZieglerHollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.
Olympia
by VoltaireYet it is too soon. When I possess the crown, your faithful eyes Shall be the witnesses of all my deeds. Stay in this porch, the priestesses to-day Present Olympia to the powers divine: This day in secret she must expiate, Sins which are even to herself unknown. This day a better life I shall begin. O! dear Olympia, may you never know The heinous crime that's hardly yet effaced, To whom your birth you owe, what blood I've shed. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
On Angels and Devils and Stages Between: Contemporary Lives in Contemporary Dance (Choreography and Dance Studies Series #Vol. 19)
by David WoodFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
On Cue (Orca Currents)
by Cristy WatsonCan Randi find a way to make it all work out? Randi wants to be an actress and is excited about practicing her craft in drama class. So she is devastated to learn the program has been cut. When her friends put together a successful proposal to have drama class taught as an extracurricular activity, Randi is thrilled—until reality sinks in. Extracurriculars are scheduled after school, and after school, Randi is expected to take care of her brother, Toby, who is autistic. Will Randi have to choose between her passion and her family? This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.
On Directing
by Harold Clurman“A straightforward, tasteful, and articulate account of what it is to bring a play to palpitating life upon a stage” (The New York Times Book Review). In this classic guide to directing, we are taken logically from the choice of the play right through every aspect of its production to performances and beyond. Harold Clurman, director of such memorable productions as A Member of the Wedding and Uncle Vanya, describes the pleasures and perils of working with such celebrated playwrights and actors as Marlon Brando, Arthur Miller, Julie Harris, and Lillian Hellman. He also presents his own directing notes for ten of his best-known productions.
On Directing Film
by David MametCalling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing—from script to cutting room—to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University's film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking. "Passion, clarity, commitment, intelligence—just what one would expect from Mamet." —Sidney Lumet, Academy Award-nominated director of 12 Angry Men, Dog Day Afternoon, Network, and The Verdict
On Directing Shakespeare (Routledge Library Editions: Shakespeare in Performance)
by Ralph BerryFor producers and directors planning a production, several questions inevitably arise: Which play is appropriate for the contemporary audience? Should the text and setting be altered? Twelve leading contemporary directors answer these questions in interviews in this book and shed light on what Shakespeare means to them and to their audiences. Originally published in 1977.
On Directing and Dramaturgy: Burning the House
by Eugenio Barba"A theatre which is able to speak to each spectator in a different and penetrating language is not a fantastic idea, nor a utopia. This is the theatre for which many of us, directors and leaders of groups, trained for a long time....." - from the Introduction On Directing is Eugenio Barba's unprecedented account of his own life and work. This is a major retrospective of Barba's working methods, his practical techniques, and the life experiences which fed directly into his theatre-making. On Directing is an inspirational resource. It is a dramaturgy of dramaturgies, and a professional autobiography, from one of the most significant and influential directors and theorists working today. It provides unique insights into a philosophy and practice of directing for the beginning student, the experienced practitioner, and everyone in between.
On Directing: Interviews with Directors
by Gabriella Giannachi and Mary LuckhurstThe profession of directing is barely a century old. On Directing considers the position of the director in theater and performance today. What is a director? How do they begin work on a play or performance? What methods are used in rehearsal? Is the director an enabler, a collaborator or dictator? As we enter the new millennium, is the very concept of directing under increasing threat from changes in thinking and practice? The full diversity of today's approaches to directing are explored through a series of interviews with leading contemporary practitioners. On Directing is a landmark book about the director's craft.
On Ecstasy
by Barrie Kosky'My polish grandmother made a chicken soup like no other chicken soup. To this day, it has, to my knowledge and experience, never been bettered ... Her chicken soup was the Caravaggio of soups. The Rainer Marie Rilke of soups. The Arturo Benedetti Michelangeli of soups.'A compelling and entertaining stoyteller, Barrie Kosky explores the feelings of intense joy and delight, as well as the power and terror that is ecstasy.
On Edge: Performance at the End of the Twentieth Century
by Cynthia CarrThrough her engaged and articulate essays in the Village Voice, C. Carr has emerged as the cultural historian of the New York underground and the foremost critic of performance art. On Edge brings together her writings to offer a detailed and insightful history of this vibrant brand of theatre from the late 70s to today. It represents both Carr's analysis as a critic and her testament as a witness to performances which, by their very nature, can never be repeated.Carr has organized this collection both chronologically and thematically, ranging from the emphasis on bodily manipulation/endurance in the 70s to the underground club scene in New York to an insider's analysis of the Tompkins Square Riot as a manifestation of the cultural and social conflicts that underlie much of performance art. She examines the transgressive and taboo-shattering work of Ethyl Eichelberger, Karen Finley, and Holly Hughes; documents specific performances by Annie Sprinkle and Lydia Lunch; and maps the development of such artists as Robbie McCauley, Blue Man Group, and John Jesurun. She also describes the "cross-over" phenomenon of the mid-80s and considers the far-right backlash against this mainstreaming as cultural reactionaries sought to curb the influence of these new artists.CONTRIBUTORS: Linda Montano, Chris Burden, G.G Allin, Jean Baudrillard, Patty Hearts, Dan Quayle, Anne Magnouson, John Jesurun, John Kelly, Shu Lea Changvv, Diamanda Galas, Salley May, Rafael Mantanez Ortiz, Sherman Fleming, Kristine Stiles, Laurie Carlos, Jessica Hafedorn, Robbie McCormick, Karen Finley, Poopo Shiraishi, Donna Henes, Holey Hughe, Ela Troyano, Michael Smith, Harry Koipper, John Sex, Nina Jagen, Ethyl Eichelberge, Marina Abramovic, Ulay.
On Further Reflection: 60 Years of Writing
by Jonathan MillerA selection of his best writing from the last six decades and compiled for the first time, On Further Reflection is a showcase of Jonathan Miller's distinguished thoughts on art, science, and many topics in between. Actor, doctor, sculptor, TV personality, director of both film and opera--Sir Jonathan Miller's career covers a vast range of artistic endeavors and intellectual pursuits. Common amongst all of these trades, though, is Miller's exceptional talent for writing about them. Because his work has been published in locations as numerous and diverse as his interests, On Further Reflection is the necessary gathering-together of excerpts from Miller's best and most memorable pieces from the last six decades, and serves as a staggering indicator of the depth and variety of his preoccupations. The collection features his writing on mesmerism and neurology, art history and drama; it contains thoughts on how we interact with our own bodies, and how television changed in the wake of the Kennedy assassination. For each extract he provides a small introduction, placing the writing in the context of his work in the arts and sciences. Miller casts light on many oft-overlooked aspects of the world, and reminds us with his trademark wit and perception that to this day he is a unique presence on the cultural scene. A celebration of one of our finest minds, On Further Reflection brings together the best of Jonathan Miller for the first time in one collection.
On Further Reflection: 60 Years of Writing
by Jonathan MillerA selection of his best writing from the last six decades and compiled for the first time, On Further Reflection is a showcase of Jonathan Miller's distinguished thoughts on art, science, and many topics in between. Actor, doctor, sculptor, TV personality, director of both film and opera—Sir Jonathan Miller's career covers a vast range of artistic endeavors and intellectual pursuits. Common amongst all of these trades, though, is Miller’s exceptional talent for writing about them. Because his work has been published in locations as numerous and diverse as his interests, On Further Reflection is the necessary gathering-together of excerpts from Miller’s best and most memorable pieces from the last six decades, and serves as a staggering indicator of the depth and variety of his preoccupations. The collection features his writing on mesmerism and neurology, art history and drama; it contains thoughts on how we interact with our own bodies, and how television changed in the wake of the Kennedy assassination. For each extract he provides a small introduction, placing the writing in the context of his work in the arts and sciences. Miller casts light on many oft-overlooked aspects of the world, and reminds us with his trademark wit and perception that to this day he is a unique presence on the cultural scene. A celebration of one of our finest minds, On Further Reflection brings together the best of Jonathan Miller for the first time in one collection.
On Hamlet
by Salvador MadariagaPublished in the year 1964, On Hamlet is a valuable contribution to the field of Performance.
On Power
by William ShakespeareThese are Shakespeare's greatest writings on power in all its forms - in love, in war, in politics and in the family. From Macbeth's vaulting ambition to Richard II's fragile grip on authority, from the violent rivalries of King Lear to the exquisite poetry of the love sonnets, these pieces show, with philosophical subtlety and psychological acuity, how we manipulate and dominate each other.Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
On Stage (Fountas & Pinnell LLI Red #Level Q)
by Karen BaickerMonkeying around Jayne loved being part of the class play. But a classmate's teasing just might spoil her fun. If she doesn't figure out how to stop him, she's just gonna go ape!
On Stage: Theater Games and Activities for Kids
by Lisa Bany-WintersLights, camera, play! With this second edition of On Stage: Theater Games and Activities for Kids, budding thespians will have fun under the footlights as they choose from more than 125 theater games that spark creativity, boost confidence, and encourage collaboration. They'll learn all about how to make a stage performance great with improvisational games such as Freeze, Party Quirks, the Yes Game, and Gibberish; they'll make puppets, discover makeup secrets, and design and build a set. This revised and expanded edition features 35 new improvisational games and ready-to-use monologues, scenes, and short plays. Whether playing alone or in a group, everyone can have theater fun with On Stage!