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The Miracle Worker: A Play
by William GibsonNO ONE COULD REACH HER Twelve-year-old Helen Keller lived in a prison of silence and darkness. Born deaf, blind, and mute, with no way to express herself or comprehend those around her, she flew into primal rages against anyone who tried to help her, fighting tooth and nail with a strength born of furious, unknowing desperation. Then Annie Sullivan came. Half-blind herself, but possessing an almost fanatical determination, she would begin a frightening and incredibly moving struggle to tame the wild girl no one could reach, and bring Helen into the world at last....
Mirror Game
by Dennis FoonWhen abusive behaviour surfaces in the lives of four friends, the teenagers are forced to examine how learned behaviour can be mirrored by victims and home situations reflected in the school until, finally, the choice to break the damaging cycles is made. In this powerful and moving play which speaks honestly and intelligently to teens, Dennis Foon examines the cyclical nature of physical and psychological abuse.
Mirror up to Shakespeare: Essays in Honour of G.R. Hibbard
by Jack Cooper GrayGeorge Hibbard has always endorsed T.S. Eliot's idea that 'we must know all of Shakespeare's work in order to know any of it,' and this idea, implicit in the first essay in this volume, informs the whole collection, written in honour of one of Canada's leading Shakespearian editors and scholars. The two essays which begin the collection present broad overviews of Elizabethan drama and discuss Shakespeare's first great editor, Theobald. Together with the final essay – on publication and performance in early Stuart drama – these form the frame of the mirror held up to Shakespeare in the other eighteen essays, whether they of general themes running through some or all of Shakespeare's plays or the plays his contemporaries, or whether they treat of specific plays. There is an especially rich concentration on Macbeth and Coriolanus.
Mirrors and Windows: Connecting with Literature, Level 3
by Emc Publishing StaffMirrors and Windows
Mirrors & Windows: Connecting with Literature Level IV
by Brenda Owens9th Grade Literature textbook
Mis cabellos: ¿Mal para quién?
by Iris Albuquerque"Mis cabellos, ¿mal para quién?" Se trata de un relato narrado por Laura, una mujer negra, dónde nos cuenta la historia de su vida, pero enfocándose en los traumas y prejuicios que vivió desde la escuela. En este libro también vive un poco de la historia de Julio y Rita, amigos inseparables de Laura. Y de una forma triste y a veces divertida, Laura nos cuenta sobre sus miedos, sus sueños y sus dramas. Momentos marcados en su infancia, adolescencia e inicio de su adultez. Ella busca formas de encarar los hechos sin necesidad de sufrir mucho por ello, y principalmente, de vivir una vida adulta sin traumas. Y entre lágrimas y sonrisas, los romances no dejan de existir en la historia de Laura, volviendo la lectura apasionante y envolvente. ¡No es revuelta, es libertad!
The Misadventures of the Family Fletcher
by Dana Alison LevyMeet the Fletchers. <P><P>Their year will be filled with new schools, old friends, a grouchy neighbor, hungry skunks, leaking ice rinks, school plays, wet cats, and scary tales told in the dark! <P><P> There's Sam, age twelve, who's mostly interested in soccer, food, and his phone; Jax, age ten, who's psyched for fourth grade and thinks the new neighbor stinks, and not just because of the skunk; Eli, age ten (but younger than Jax), who's thrilled to be starting this year at the Pinnacle School, where everyone's the smart kid; and Frog (not his real name), age six, who wants everyone in kindergarten to save a seat for his invisible cheetah. Also Dad and Papa. <P><P>WARNING: This book contains cat barf, turtle pee, and some really annoying homework assignments. Perfect for fans of The Penderwicks and James Patterson's Middle School series, this seriously funny, modern family adventure features two dads, four adopted boys, and a variety of pets.
The Misanthrope
by MolièreMolière understood profoundly what makes us noble, pathetic, outrageous and funny, and in his splendid comedies satirized human folly to perfection. One of the best of his plays — and one of the greatest of all comedies — is The Misanthrope, first performed in 1666, when the King of France himself had assumed patronage of Molière's company, and the actor/playwright was at the height of his career.Spotlighting the absurdities of social and literary pretension, The Misanthrope shows us a man who is quick to criticize the hypocrisies, inconsistencies and faults of others, yet remains blind to his own. As "the misanthrope" grows more and more irritable with others, the play becomes more and more entertaining, even as a happy ending for the hero seems less and less likely.
The Misanthrope
by Richard Wilbur MolièreMolière understood profoundly what makes us noble, pathetic, outrageous and funny, and in his splendid comedies satirized human folly to perfection. One of the best of his plays — and one of the greatest of all comedies — is The Misanthrope, first performed in 1666, when the King of France himself had assumed patronage of Molière's company, and the actor/playwright was at the height of his career. Spotlighting the absurdities of social and literary pretension, The Misanthrope shows us a man who is quick to criticize the hypocrisies, inconsistencies and faults of others, yet remains blind to his own. As "the misanthrope" grows more and more irritable with others, the play becomes more and more entertaining, even as a happy ending for the hero seems less and less likely.
The Misanthrope and Other Plays
by Jean-Baptiste MoliereIn the seventeenth century, Molière raised comedy to the pitch of great art and, three centuries later, his plays are still a source of delight. He created a new synthesis from the major comic traditions at his disposal. This collection demonstrates the range of Molière's comic vision, his ability to move between the broad and basic ploys of farce to the more subtle and sophisticated level of high comedy. The Misanthrope appears along with Such Preposterously Precious Ladies, Tartuffe, A Doctor Despite Himself, The Would-Be Gentleman, and Those Learned Ladies.
The Misanthrope And Other Plays: A New Selection
by John Wood Molière David CowardMolière understood profoundly what makes us noble, pathetic, outrageous and funny, and in his splendid comedies satirized human folly to perfection. One of the best of his plays — and one of the greatest of all comedies — is The Misanthrope, first performed in 1666, when the King of France himself had assumed patronage of Molière's company, and the actor/playwright was at the height of his career. <p><p> Spotlighting the absurdities of social and literary pretension, The Misanthrope shows us a man who is quick to criticize the hypocrisies, inconsistencies and faults of others, yet remains blind to his own. As "the misanthrope" grows more and more irritable with others, the play becomes more and more entertaining, even as a happy ending for the hero seems less and less likely.
The Misanthrope And Tartuffe
by MolièreIn brilliant rhymed couplets, Pulitzer Prize-winning poet Richard Wilbur renders two of seventeenth-century French playwright Moliere's comic masterpieces into English, capturing not only the form and spirit of the language but also its substance.The Misanthrope is a searching comic study of falsity, shallowness, and self-righteousness through the character of Alceste, a man whose conscience and and sincerity are too rigorous for his time. In Tartuffe, a wily, opportunistic swindler manipulates a wealthy prude and bigot through his claims of piety. This latter translation earned Wilbur a share of the Bollingen Translation Prize for his critically-acclaimed work of this satiric take on religious hypocrisy."Mr. Wilbur has given us a sound, modern, conversational poetry and has made Moliere's The Misanthrope brilliantly our own."—The New York Times Book Review"Richard Wilbur's translation of Tartuffe is a continuous delight from beginning to end."—Pulitzer Prize and National Book Award-winning poet Richard Eberhart
Mise en scène, Acting, and Space in Comics (Palgrave Studies in Comics and Graphic Novels)
by Geraint D'ArcyThis book explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.
The Miser and Other Plays
by Jean-Baptiste MoliereMolière combined all the traditional elements of comedy - wit, slapstick, spectacle and satire - to create richly sophisticated and enduringly popular dramas. The Miser is the story of Harpagon, a mean-spirited old man who becomes obsessed with making money out of the marriage of his children, while The Hypochondriac, another study in obsession, is a brilliant satire on the medical profession. The School for Wives, in which an ageing domestic tyrant is foiled in his plans to marry his young ward, provoked such an outcry that Molière followed it with The School for Wives Criticized - a witty retort to those who disapproved of the play's supposed immorality. And while Don Juan is the darkest and most tragic of all the plays in this collection, it still mocks the soullessness of the skinflint with scathing irony.
Miss Julie
by David French August StrindbergDavid French's adaptation of August Strindberg's disturbing and enduring drama of the transgressive affair between the daughter of a count and the count's man-servant has an eerie contemporary feel about it. French has sharpened the psychodramas of the original - scenes of desire, anger, jealousy, coercion, manipulation, exploitation, arrogance, dominance, submission, and deceit. Cast of 2 women and 1 man.
Miss Julie: A Play (Dover Thrift Editions)
by August StrindbergMiss Julie is a naturalistic play written in 1888 by August Strindberg. It is set on Midsummer's Eve on the estate of a count in Sweden. The young woman of the title is drawn to a senior servant, a valet named Jean, who is particularly well-traveled, well-mannered and well-read. The action takes place in the kitchen of Miss Julie's father's manor, where Jean's fiancée, a servant named Christine, cooks and sometimes sleeps while Jean and Miss Julie talk.
Miss Julie (Dover Thrift Editions Ser.)
by August StrindbergIn Miss Julie, a willful young aristocrat, whose perverse nature has already driven her fiancé to break off their engagement, pursues and effectively seduces her father's valet during the course of a Midsummer's Eve celebration. The progress of that seduction and the play's stunning denouement shocked Swedish audiences who first attended the play in 1889.Despite its controversial debut, this now-classic drama, inspired by the new ideas of naturalism and psychology that swept Europe in the late 19th century, helped to shape modern theater, and remains one of the most potent-and most frequently performed-of modern plays. The full text of Miss Julie is reprinted here as translated by Edwin Björkman, complete with Strindberg's critical preface to the play, considered by many to be one of the most important manifestos in theater history.
Miss Julie: A Play
by August Strindberg Neil LabuteIn his electrifying new adaptation of August Strindberg's Miss Julie, Neil LaBute, provocateur of the theater as much as Strindberg himself, transports the classic play of power, class and seduction to an estate on Long Island's Gold Coast just before the stock market crash of 1929. Against a glittering jazz-age backdrop, mistress of the house Julie and ambitious servant John face off in a gripping, night-long encounter. As the balance of power shifts often and dangerously---sometimes with exquisite subtlety, sometimes stark brutality---LaBute masterfully reinterprets Strindberg's timeless erotic struggle between a man and a woman. This thrilling, essential Miss Julie, which had its world premiere at the Geffen Playhouse in 2013 with Lily Rabe as Julie, Logan Marshall-Green as John, and Laura Heisler as Kristine, superbly embodies both the passionate spirit of the original and the unflinching style of Neil LaBute.
Miss Margarida's Way
by Roberto AthaydeBlack Comedy / 1m, 2f / Estelle Parsons created a sensation in New York as the title character, a teacher who runs her classroom with an iron fist, velvet glove not included! Banned, then censored in Brazil, the playwright's homeland, Miss Margarida's Way is a searing drama that looks deeply into the heart of power. Audiences and critics in over 50 countries have cheered this allegory about totalitarianism which uses as its' central metaphor a classroom. Miss Margarida teaches, teases and taunts her eighth grade class through mathematics, geography, history and her own private curriculum. Unbalanced by sexual frustrations she can only express in aggression focused on her students, Miss Margarida is an engaging monster; a dictator with the audience as her student body.
Miss Witherspoon and Mrs. Bob Cratchit's Wild Christmas Binge: Two Plays (Books That Changed the World)
by Christopher DurangFrom one of theater’s most outrageous comic talents, two plays—one a Pulitzer Prize in Drama finalist, the other a twisted take on Christmas classics.In this book, Christopher Durang, the criminally funny author of Sister Mary Ignatius Explains It All for You, presents two plays about death, religion, and a creamy Christmas pudding. In Miss Witherspoon—named one of the Ten Best Plays of 2005 by both Time and Newsday—Veronica, a recent suicide whose cantankerous attitude has not improved in the afterlife, discovers that the one thing worse than the world she left behind is having to go back for seconds. Ordered to cleanse her “brown tweedy aura,” Veronica resists being reincarnated (as a trailer-trash teen or an overexcited Golden Retriever), only to find that she may be mankind’s last, best hope for survival. In Mrs. Bob Cratchit’s Wild Christmas Binge, a sassy ghost once again attempts to shake Scrooge from his holiday humbug, but the whole family-friendly affair is deliciously derailed by Mrs. Cratchit’s drunken insistence on stepping out of her miserable, treacly role. Morals are subverted, starving yet plucky children sing carols, and somebody’s goose is cooked as Durang lovingly skewers A Christmas Carol, It’s a Wonderful Life, and many more to create a brand-new, cracked Christmas classic.
Missing: A play
by John KaniMissing is the story of Robert Khalipa, an ANC cadre living in exile, who is very senior in the organisation but is left out of the negotiations and almost forgotten in Sweden. Robert has a wealthy Swedish wife, Anna, and they have a daughter who is a practising doctor in a hospital in Stockholm. There is also Robert’s protégé Peter Tshabalala, junior in the organisation, yet he gets the call to return to South African to join the democratic government. What follows is a story of conspiracies, lies, back stabbing and disappointments. Robert and his family are faced with the challenges of a South Africa that has changed radically from the one he remembers from more than thirty years ago. The government, in his opinion, does not seem to uphold the principles enshrined in the Freedom Charter. There is also conflict within his own family. Robert wants to stay in South Africa, while his wife and daughter want to go back to Sweden. Their love is tested to breaking point and difficult decisions have to be made by every individual. As with Kani’s very successful and often-performed previous play, Nothing but the Truth, the ambiguities of freedom and of personal commitment are explored in this play.
Missing
by Florence Gibson MacdonaldCarol's own marriage is dragged into the spotlight and it seems that everyone is harbouring their own toxic secrets; things are certainly not as they seem. Inspired by a true story, Florence Gibson MacDonald digs at the secrets that hide behind family bonds and examines the complacency and complicitness of community. A story about love, companionship, trust, and loyalty, Gibson MacDonald reveals what can be found when we choose to look at what lurks just below the surface of those we love.
**Missing**: Staging Motherhood in 21st Century North American Theatre & Performance (Routledge Advances in Theatre & Performance Studies)
by Aoise StratfordThis anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration. Across the breadth of these themes, we interrogate the cultural implications and politics of how we script, perform, receive, and define mothers, challenging many of the normalizing and patriarchal tropes associated with the mother-as-character. This book includes critical essays examining twenty-first century dramatic literature, first-hand ethnographic accounts of motherhood in practice, interviews, feminist manifestos, and artist reflections. In its deliberately curated variety, this collection seeks to resist homogeneity and offer instead a range of approaches to key questions: what versions of motherhood get staged, and why? And how do dramatic representations tell us about the role of mothers in our own fraught contemporary moment? This collection will be of great interest to those in academia who are teaching, researching, or studying in the fields of Theatre and Performance Studies, American Studies, and Feminist and Gender Studies.