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Mind-Travelling and Voyage Drama in Early Modern England
by David McinnisDrawing on a wide range of drama from across the seventeenth century, including works by Marlowe, Heywood, Jonson, Brome, Davenant, Dryden and Behn, this book situates voyage drama in its historical and intellectual context between the individual act of reading in early modern England and the communal act of modern sightseeing.
Mindy Kim and the Summer Musical (Mindy Kim #9)
by Lyla LeeFresh off the Boat meets Junie B. Jones in this adorable chapter book series following Mindy Kim, a young Asian American girl—in this ninth novel, Mindy steps into the spotlight.Mindy can&’t wait to be in a local community theater production of Cinderella with her BFF, Sally! Mindy has her sights on the lead role. But instead of Cinderella, Mindy ends up being cast as the evil stepsister! Mindy is worried that means people might see her as mean. Can Mindy figure out a way to make the role her own?
Mini, the Super Watermelon
by Dianna Cleveland Liliane GrenierFor children in grades 2nd - 5th Grade. Includes character roles written at Playbooks Reading Stages 2-5. <p><p>Story Synopsis: What comes to mind when you think of watermelons? You might think how sweet and delicious they are, or how large and heavy they are. But did you know watermelons are also super foods packed with vitamins, and they contain Lycopene, an anti-oxidant that helps rid the body of damaging substances? There are also miniature watermelons that are just as delicious and nutritious, but grow to a much more practical size? Well, this is just what Mini, the only miniature watermelon in her patch, learns when she decides to wander away from the vine all by herself. Even though the large, oval-shaped watermelons make fun of her for being so little and round, Mini learns at a nearby Farmer's Market that small watermelons are what everyone wants! Discover Mini's superpowers and some interesting facts about watermelon in this adorable story about a powerful little heroine.
Minneapolis Rehearsals: Tyrone Guthrie Directs Hamlet
by Alfred RossiThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.
Minstrel Traditions: Mediated Blackface in the Jazz Age
by Kevin James ByrneMinstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship
Minus Some Buttons
by Mark DunnComedy / 3m, 4f / Unit set / This totally delightful comedy by the author of Belles, is about what happens at Graceland Elementary School when a new teacher is hired. Penny who, shall we say, is minus some buttons is a con artist. The victim of an autocratic school environment as a child, Penny appears to have dedicated her life to breathing some fresh air into the schoolroom, much to the consternation of principal Clarence Olander who looks out his office window one morning to see Penny's pupils throwing their desks out the window! Is Penny a complete lunatic or is she the only one at Graceland Elementary School with any sense whatsoever. Audiences of all ages are sure to delight in the antic comedy in this wonderful play.
The Miracle Worker: A Play
by William GibsonNO ONE COULD REACH HER Twelve-year-old Helen Keller lived in a prison of silence and darkness. Born deaf, blind, and mute, with no way to express herself or comprehend those around her, she flew into primal rages against anyone who tried to help her, fighting tooth and nail with a strength born of furious, unknowing desperation. Then Annie Sullivan came. Half-blind herself, but possessing an almost fanatical determination, she would begin a frightening and incredibly moving struggle to tame the wild girl no one could reach, and bring Helen into the world at last....
Mirror Game
by Dennis FoonWhen abusive behaviour surfaces in the lives of four friends, the teenagers are forced to examine how learned behaviour can be mirrored by victims and home situations reflected in the school until, finally, the choice to break the damaging cycles is made. In this powerful and moving play which speaks honestly and intelligently to teens, Dennis Foon examines the cyclical nature of physical and psychological abuse.
Mirror up to Shakespeare: Essays in Honour of G.R. Hibbard
by Jack Cooper GrayGeorge Hibbard has always endorsed T.S. Eliot's idea that 'we must know all of Shakespeare's work in order to know any of it,' and this idea, implicit in the first essay in this volume, informs the whole collection, written in honour of one of Canada's leading Shakespearian editors and scholars. The two essays which begin the collection present broad overviews of Elizabethan drama and discuss Shakespeare's first great editor, Theobald. Together with the final essay – on publication and performance in early Stuart drama – these form the frame of the mirror held up to Shakespeare in the other eighteen essays, whether they of general themes running through some or all of Shakespeare's plays or the plays his contemporaries, or whether they treat of specific plays. There is an especially rich concentration on Macbeth and Coriolanus.
Mirrors and Windows: Connecting with Literature, Level 3
by Emc Publishing StaffMirrors and Windows
Mirrors & Windows: Connecting with Literature Level IV
by Brenda Owens9th Grade Literature textbook
Mis cabellos: ¿Mal para quién?
by Iris Albuquerque"Mis cabellos, ¿mal para quién?" Se trata de un relato narrado por Laura, una mujer negra, dónde nos cuenta la historia de su vida, pero enfocándose en los traumas y prejuicios que vivió desde la escuela. En este libro también vive un poco de la historia de Julio y Rita, amigos inseparables de Laura. Y de una forma triste y a veces divertida, Laura nos cuenta sobre sus miedos, sus sueños y sus dramas. Momentos marcados en su infancia, adolescencia e inicio de su adultez. Ella busca formas de encarar los hechos sin necesidad de sufrir mucho por ello, y principalmente, de vivir una vida adulta sin traumas. Y entre lágrimas y sonrisas, los romances no dejan de existir en la historia de Laura, volviendo la lectura apasionante y envolvente. ¡No es revuelta, es libertad!
The Misadventures of the Family Fletcher
by Dana Alison LevyMeet the Fletchers. <P><P>Their year will be filled with new schools, old friends, a grouchy neighbor, hungry skunks, leaking ice rinks, school plays, wet cats, and scary tales told in the dark! <P><P> There's Sam, age twelve, who's mostly interested in soccer, food, and his phone; Jax, age ten, who's psyched for fourth grade and thinks the new neighbor stinks, and not just because of the skunk; Eli, age ten (but younger than Jax), who's thrilled to be starting this year at the Pinnacle School, where everyone's the smart kid; and Frog (not his real name), age six, who wants everyone in kindergarten to save a seat for his invisible cheetah. Also Dad and Papa. <P><P>WARNING: This book contains cat barf, turtle pee, and some really annoying homework assignments. Perfect for fans of The Penderwicks and James Patterson's Middle School series, this seriously funny, modern family adventure features two dads, four adopted boys, and a variety of pets.
The Misanthrope
by MolièreMolière understood profoundly what makes us noble, pathetic, outrageous and funny, and in his splendid comedies satirized human folly to perfection. One of the best of his plays — and one of the greatest of all comedies — is The Misanthrope, first performed in 1666, when the King of France himself had assumed patronage of Molière's company, and the actor/playwright was at the height of his career.Spotlighting the absurdities of social and literary pretension, The Misanthrope shows us a man who is quick to criticize the hypocrisies, inconsistencies and faults of others, yet remains blind to his own. As "the misanthrope" grows more and more irritable with others, the play becomes more and more entertaining, even as a happy ending for the hero seems less and less likely.
The Misanthrope
by Richard Wilbur MolièreMolière understood profoundly what makes us noble, pathetic, outrageous and funny, and in his splendid comedies satirized human folly to perfection. One of the best of his plays — and one of the greatest of all comedies — is The Misanthrope, first performed in 1666, when the King of France himself had assumed patronage of Molière's company, and the actor/playwright was at the height of his career. Spotlighting the absurdities of social and literary pretension, The Misanthrope shows us a man who is quick to criticize the hypocrisies, inconsistencies and faults of others, yet remains blind to his own. As "the misanthrope" grows more and more irritable with others, the play becomes more and more entertaining, even as a happy ending for the hero seems less and less likely.
The Misanthrope and Other Plays
by Jean-Baptiste MoliereIn the seventeenth century, Molière raised comedy to the pitch of great art and, three centuries later, his plays are still a source of delight. He created a new synthesis from the major comic traditions at his disposal. This collection demonstrates the range of Molière's comic vision, his ability to move between the broad and basic ploys of farce to the more subtle and sophisticated level of high comedy. The Misanthrope appears along with Such Preposterously Precious Ladies, Tartuffe, A Doctor Despite Himself, The Would-Be Gentleman, and Those Learned Ladies.
The Misanthrope And Other Plays: A New Selection
by John Wood Molière David CowardMolière understood profoundly what makes us noble, pathetic, outrageous and funny, and in his splendid comedies satirized human folly to perfection. One of the best of his plays — and one of the greatest of all comedies — is The Misanthrope, first performed in 1666, when the King of France himself had assumed patronage of Molière's company, and the actor/playwright was at the height of his career. <p><p> Spotlighting the absurdities of social and literary pretension, The Misanthrope shows us a man who is quick to criticize the hypocrisies, inconsistencies and faults of others, yet remains blind to his own. As "the misanthrope" grows more and more irritable with others, the play becomes more and more entertaining, even as a happy ending for the hero seems less and less likely.
The Misanthrope And Tartuffe
by MolièreIn brilliant rhymed couplets, Pulitzer Prize-winning poet Richard Wilbur renders two of seventeenth-century French playwright Moliere's comic masterpieces into English, capturing not only the form and spirit of the language but also its substance.The Misanthrope is a searching comic study of falsity, shallowness, and self-righteousness through the character of Alceste, a man whose conscience and and sincerity are too rigorous for his time. In Tartuffe, a wily, opportunistic swindler manipulates a wealthy prude and bigot through his claims of piety. This latter translation earned Wilbur a share of the Bollingen Translation Prize for his critically-acclaimed work of this satiric take on religious hypocrisy."Mr. Wilbur has given us a sound, modern, conversational poetry and has made Moliere's The Misanthrope brilliantly our own."—The New York Times Book Review"Richard Wilbur's translation of Tartuffe is a continuous delight from beginning to end."—Pulitzer Prize and National Book Award-winning poet Richard Eberhart
Mise en scène, Acting, and Space in Comics (Palgrave Studies in Comics and Graphic Novels)
by Geraint D'ArcyThis book explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.
The Miser and Other Plays
by Jean-Baptiste MoliereMolière combined all the traditional elements of comedy - wit, slapstick, spectacle and satire - to create richly sophisticated and enduringly popular dramas. The Miser is the story of Harpagon, a mean-spirited old man who becomes obsessed with making money out of the marriage of his children, while The Hypochondriac, another study in obsession, is a brilliant satire on the medical profession. The School for Wives, in which an ageing domestic tyrant is foiled in his plans to marry his young ward, provoked such an outcry that Molière followed it with The School for Wives Criticized - a witty retort to those who disapproved of the play's supposed immorality. And while Don Juan is the darkest and most tragic of all the plays in this collection, it still mocks the soullessness of the skinflint with scathing irony.
Miss Julie
by David French August StrindbergDavid French's adaptation of August Strindberg's disturbing and enduring drama of the transgressive affair between the daughter of a count and the count's man-servant has an eerie contemporary feel about it. French has sharpened the psychodramas of the original - scenes of desire, anger, jealousy, coercion, manipulation, exploitation, arrogance, dominance, submission, and deceit. Cast of 2 women and 1 man.
Miss Julie: A Play (Dover Thrift Editions)
by August StrindbergMiss Julie is a naturalistic play written in 1888 by August Strindberg. It is set on Midsummer's Eve on the estate of a count in Sweden. The young woman of the title is drawn to a senior servant, a valet named Jean, who is particularly well-traveled, well-mannered and well-read. The action takes place in the kitchen of Miss Julie's father's manor, where Jean's fiancée, a servant named Christine, cooks and sometimes sleeps while Jean and Miss Julie talk.