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Philoctetes

The winner of the Festival of Dionysus in 409 BC, 'Philoctetes' describes the attempt by Neoptolemus and Odysseus to bring disabled master archer, Philoctetes, with them to Troy. The play covers several deep, contentious themes, including moral relativity, trauma, love vs. hatred, and friendship vs. enmity.

Philoktetes

Among the most celebrated plays of ancient Athens, Philoketes is one of seven surviving dramas by the great Greek playwright, Sophocles, now available from Harper Perennial in a vivid and dynamic new translation by award-winning poet James Scully. A powerful tale born out of the blood and chaos of the Trojan War, Philoketes tells the story of a wounded soldier exiled by Odysseus, and the devastating consequences of the abandoned warrior’s dangerously conflicted emotions when his former commander realizes Troy will not fall without Philoktetes and attempts to recruit him once more. This is Sophocles, vibrant and alive, for a new generation.

Philosophers and Thespians

Rokem (art, Tel Aviv U. ) focuses on four specific encounters between philosophers and thespians in order to explore relationships between the discursive practices of theater and philosophy. They are Plato's Symposium and the ancient quarrel between philosophy and poetry, Hamlet as philosopher and thespian, the Nietzsche-Strindberg correspondence, and Walter Benjamin and Bertold Brecht discuss Franz Kafka. In addition, he discusses accidents and catastrophic constellations in performative agendas and the performative storytelling of Walter Benjamin. Annotation c2010 Book News, Inc. , Portland, OR (booknews. com)

Philosophers and Thespians: Thinking Performance

The interaction between philosophy and theater or performance has recently become an important and innovative area of inquiry. Philosophers and Thespians contribute to this emerging field by looking at four direct encounters between philosophers and thespians, beginning with Socrates.

Philosophical Pearls of the Shakespearean Deep

Offers many fresh insights that will give even longtime readers of Shakespeare a new appreciation of the great master.Scholars have long debated the extent of Shakespeare's education. Although his friend and admirer Ben Jonson said of him, "thou hadst small Latine and lesse Greek," Shakespeare's plays reveal a wide familiarity with literary and philosophical works from the Renaissance, the Middle Ages, and the classical age. Philosopher Farhang Zabeeh delves into this fascinating topic in this detailed study of the philosophical influences evident in Shakespeare's plays and sonnets. Readers will be surprised and delighted to discover in Shakespeare unmistakable echoes of Plato, Aristotle, Cicero, Dante, Montaigne, and other famous thinkers. In one chapter, the author makes a convincing case that one of the bard's most famous comic characters, John Falstaff, is a parody of Socrates. In other chapters, he demonstrates indirect references to Plato in Shakespearean passages concerning appearance versus reality, as well as the influence of Aristotle's ethics. Other common philosophical themes evident in the plays concern the nature of time, subjectivity versus objectivity, and political and moral values. This new work offers many fresh insights that will give even longtime readers of Shakespeare a new appreciation of the great master.

Philosophical Readings of Shakespeare

This book offers a close philosophical reading of King Lear and Timon of Athens which provides insights into the groundbreaking ontological discourse on poverty and money. Analysis of the discourse of poverty and the critique of money helps to read Shakespeare philosophically and opens new reflections on central questions of our own time.

Philosophical Shakespeares (Accents on Shakespeare)

Shakespeare continues to articulate the central problems of our intellectual inheritance. The plays of a Renaissance playwright still seem to be fundamental to our understanding and experience of modernity.Key philosophical questions concerning value, meaning and justice continue to resonate in Shakespeare's work. In the course of rethinking these issues, Philosophical Shakespeares actively encourages the growing dissolution of boundaries between literature and philosophy. The approach throughout is interdisciplinary, and ranges from problem-centred readings of particular plays to more general elaborations of the significance of Shakespeare in relation to individual thinkers or philosophical traditions.

Philosophy and the Puzzles of Hamlet: A Study of Shakespeare's Method

Shakespeare's famous play, Hamlet, has been the subject of more scholarly analysis and criticism than any other work of literature in human history. For all of its generally acknowledged virtues, however, it has also been treated as problematic in a raft of ways. In Philosophy and the Puzzles of Hamlet, Leon Craig explains that the most oft-cited problems and criticisms are actually solvable puzzles. Through a close reading of the philosophical problems presented in Hamlet, Craig attempts to provide solutions to these puzzles. The posing of puzzles, some more conspicuous, others less so, is fundamental to Shakespeare's philosophical method and purpose. That is, he has crafted his plays, and Hamlet in particular, so as to stimulate philosophical activity in the "judicious" (as distinct from the "unskillful") readers. By virtue of showing what so many critics treat as faults or flaws are actually intended to be interpretive challenges, Craig aims to raise appreciation for the overall coherence of Hamlet: that there is more logical rigor to its plot and psychological plausibility to its characterizations than is generally granted, even by its professed admirers. Philosophy and the Puzzles of Hamlet endeavors to make clear why Hamlet, as a work of reason, is far better than is generally recognized, and proves its author to be, not simply the premier poet and playwright he is already universally acknowledged to be, but a philosopher in his own right.

Philosophy, Analytic Aesthetics, and Theater

Bringing together the latest research and perspectives in the fields of analytic philosophy and theater studies, this collection of essays provides a reflection of how these two fields have emerged and intersected in the twenty-first century.With contributions from leading scholars in the field and emerging voices, Philosophy, Analytic Aesthetics, and Theater provides new insights into the field of philosophy and theater. Structured in three parts, Part I, "Epistemology," explores perspectives on theater as a knowledge-making system, the conventions of theater, and reflects on current practice that engages with aesthetics. Part II, "Politics and Ethics," draws on an evaluation of the ways in which theater and democracy interact, as well as the current conversations around ethical issues within the performance space. And finally, Part III, "Theater and Other Arts," takes a look at the ways in which philosophy has interacted with the art of dance, musical theater, and film, looking beyond the traditional confines of actors, stage, and audience.Edited by Michael Y. Bennett, these essays introduce the latest research in philosophy and theater in an accessible and engaging manner. The book is ideal for advanced undergraduate and postgraduate students, scholars of theater and performance studies, and philosophy students and scholars with an interest in theater.

Physical Actor Training: What Shall I Do with the Body They Gave Me?

If, as an actor, your body is your 'instrument' - and the only way you can express the internal impulses of the character you’re playing - what happens when the body-mind, ‘psychophysical’ connection is lost? Andrei Droznin, Russia's foremost teacher of physical actor training, calls this loss the 'desomatization' of the human body, and argues that these connections urgently need to be restored for full expressivity. This is a genuinely unique book which links theory to practice by a man who has worked at the very top of Russian theatre; a movement specialist who has taught at the Moscow Art Theatre as well as drama schools all over the world. Beautifully translated by Natasha Fedorova, this volume will excite and inspire a new generation of English-language readers.

Physical Dramaturgy: Perspectives from the Field

What is physical dramaturgy? While the traditional dramaturg shares research intellectually, the physical dramaturg does so viscerally and somatically. By combining elements of text, history, dramatic structure, and the author’s intent with movement analysis and physical theatre pedagogies, the physical dramaturg gives actors the opportunity to manifest their work in a connected and intuitive manner and creates a field that is as varied and rich as the theatre itself. Physical Dramaturgy: Perspectives from the Field explores the ways in which this unique role can benefit the production team during the design and rehearsal phases of both traditional and devised productions. Individual chapters look at new ways of approaching a wealth of physical worlds, from the works of Shakespeare and other period playwrights to the processes of Jerzy Grotowski, Lloyd Williamson, Richard Schechner, and Michael Chekhov, and devising original works in a variety of contexts from Pig Iron, Dell’Arte International, Bill Bowers and mime, Tectonic Theater Project, and Liz Lerman’s Dance Exchange. This anthology gives dramaturgs, actors, and directors new ways of looking at existing methods and provides examples of how to translate, combine, and adapt them into new explorations for training, rehearsal, or research.

Physical Theatres: A Critical Introduction

This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicite and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Extensive cross references ensure that Physical Theatres: A Critical Introduction can be used as a standalone text or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance. New to this edition: a chapter on The Body and Technology, exploring the impact of digital technologies on the portrayal, perception and reading of the theatre body, spanning from onstage technology to virtual realities and motion capture; additional profiles of Jerzy Grotowski, Wrights and Sites, Punchdrunk and Mike Pearson; focus on circus and aerial performance, new training practices, immersive and site-specific theatres, and the latest developments in neuroscience, especially as these impact on the place and role of the spectator.

Physical Theatres: A Critical Reader

Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.

Phèdre: Avec Commentaires Choisis Des Meilleurs Commentateurs Fran?ais Augment's De Remarques Par Otto Fiebig Et Stanislas Lep (Dover Thrift Editions: Plays Ser.)

Based on Euripides' Hippolytus, this play by one of France's greatest playwrights is a magnificent example of character exposition. When the title character, Hippolytus' stepmother, receives false information that her husband, Theseus, is dead, Phèdra reveals a passionate love for her stepson — an act that eventually spells doom for both characters.

Picnic

This title collects four plays by American playwright William Inge, including Come Back Little Sheba, Picnic, Bus Stop, and The Dark at the Top of the Stairs.

Picolé de pera

O tão aguardado início no programa de estudos Erasmus, na Suécia, logo se revela um encontro desagradável com um universo no qual violência, sexualidade e abuso se sobrepõem. O protagonista, e também autor, narra os primeiros doze dias de estada no país escandinavo, entre a pequena cidade de Uddevalla e a grande e cosmopolita Gotemburgo, a difícil convivência com sua coinquilina, Lena, e um sentimento de inadequação que, mais tarde, culminará em uma crise pessoal e psicológica.

Pictures in the Air: The Story of the National Theatre of the Deaf

Now available in paperback; ISBN 1-56368-140-4

Pieces of the Sky

Drama / 4m, 1f / Interior / This drama by the author of The Great Gilly Hopkins and Finger Painting in a Murphy Bed focuses on a strange, intense friendship that develops during World War II in Nebraska. Sarah is an independent and determined middle aged mother who runs a diner in Deliverance and worries about her son, a soldier fighting in Europe. She becomes the Jewish mailman's only friend in town, partly because she feels that a good relationship with the man who brings notices of war deaths will somehow shield her son from harm. Sarah and Joshua put together complex jigsaw puzzles to pass the time, until Sarah thinks he has betrayed her.

Piercing

Three tales spin a web of suspense, impending violence and tragedy that haunt the sleek façade of a city.

Piercing the Structure of Tradition: Flute Performance, Continuity, and Freedom in the Music of Noh Drama

What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition, Mariko Anno investigates flute performance as a space to explore the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Issō School nohkan players maintain to this day the continuity of their musical traditions in three contemporary Noh plays influenced by Yeats. Her ethnographic approach draws on interviews with performers and case studies, as well as her personal reflection as a nohkan performer and disciple under the tutelage of Noh masters. She argues that traditions of musical style and usage remain influential in shaping contemporary Noh composition and performance practice, and the existing freedom within fixed patterns can be understood through a firm foundation in Noh tradition.

Pies for Simple Simon: An Adaptation of a Nursery Rhyme

NIMAC-sourced textbook

Pig Girl

At 4:00 a.m. on a secluded farm, a woman fights to take her life back from a serial killer as her desperate sister and a haunted police officer reach across time and distance in an attempt to rescue her.

Pillars of Society

Pink Mist

From the author of I Saw a Man comes a powerful drama in verse that captures both the trauma of modern warfare and the difficulty of transitioning back to normal life after combat. In early 2008, three young friends from Bristol decide to join the army and are deployed to the conflict in Afghanistan. Within a short space of time the three men return to the women in their lives—a wife, a mother, a girlfriend—all of whom must now share the psychological and physical aftershocks of military service. Written from the points of view of each soldier, Sheers explores not only their experiences in the field of battle, but also the grueling process of recovery following a debilitating injury, the strain of PTSD on a new marriage, and the emotional toll of survivor's guilt among soldiers and their loved ones at home. Drawing on interviews with soldiers and their families, Pink Mist illuminates the enduring human cost of war and its all too often devastating effect upon the young lives pulled into its orbit. A work of great dramatic power, documentary integrity, and emotional intensity.

Pinter at 70: A Casebook (Casebooks on Modern Dramatists #Vol. 30)

This comprehensive and authoritative casebook includes cornerstone essays on Pinter's creative process, his politics, film adaptations, and acting career. It also includes a collection of photos found nowhere else that document Pinter's "golden time"--his early acting days in Ireland--, a substantial introduction, a chronology, and bibliography.