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Object Performance in the Black Atlantic: The United States
by Paulette RichardsGiven that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance. Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclaim object performance in the era of Jim Crow segregation and Part Three details how increased educational and economic opportunities along with new media technologies enabled African Americans to use performing objects as a powerful mode of resistance to the objectification of Black bodies. This is an essential study for any students of puppetry and material performance, and particularly those concerned with African American performance and performance in North America more broadly.
Objectives, Obstacles, and Tactics in Practice: Perspectives on Activating the Actor
by Valerie Pye Hillary BucsObjectives, Obstacles, and Tactics in Practice is the first book that compiles practical approaches of the best practices from a range of practitioners on the subject of working with Stanislavski’s "objectives," "obstacles," and "tactics." The book offers instructors and directors a variety of tools from leading acting teachers, who bring their own individual perspectives to the challenge of working with Stanislavski’s principles for today’s actors, in one volume. Each essay addresses its own theoretical and practical approach and offers concrete instructions for implementing new explorations both in the classroom and in the rehearsal studio. An excellent resource for acting and directing instructors at the university level, directing and theatre pedagogy students, high school/secondary theatre teachers, and community theatre leaders, Objectives, Obstacles, and Tactics in Practice serves as a resource for lesson planning and exploration, and provides an encyclopedia of the best practices in the field today.
Objects as Actors
by Melissa MuellerObjects as Actors charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed. As plays, the works were incomplete without physical items--theatrical props. In this book, Melissa Mueller ingeniously demonstrates the importance of objects in the staging and reception of Athenian tragedy. As Mueller shows, props such as weapons, textiles, and even letters were often fully integrated into a play's action. They could provoke surprising plot turns, elicit bold viewer reactions, and provide some of tragedy's most thrilling moments. Whether the sword of Sophocles's Ajax, the tapestry in Aeschylus's Agamemnon, or the tablet of Euripides's Hippolytus, props demanded attention as a means of uniting--or disrupting--time, space, and genre. Insightful and original, Objects as Actors offers a fresh perspective on the central tragic texts--and encourages us to rethink ancient theater as a whole.
Objekte, die die Welt bedeuten: Carl Niessen und der Denkraum der Theaterwissenschaft (Szene & Horizont. Theaterwissenschaftliche Studien #4)
by Nora ProbstDas Buch widmet sich in wissenschaftsgeschichtlicher Perspektive den Anfängen der Theaterwissenschaft in Köln. Es untersucht die Wissenschaftspraktiken des Kölner Institutsgründers Carl Niessen (1890–1969), der das Fach als Forscher, Dozent, Sammler und Kurator über einen Zeitraum von rund 40 Jahren geprägt hat. Besonderes Augenmerk legt diese erste wissenschaftsgeschichtliche Monografie über Niessen auf dessen erweitertes Theaterverständnis, das den Bogen von rituellen Handlungen und cultural performances bis hin zu den Phänomenen des europäischen Gegenwartstheaters spannte. – Ausgangspunkt der Studie ist das Gebäude des im Zweiten Weltkrieg zerstörten Theatermuseums am Salierring in Köln. Durch das virtuelle Abschreiten der Museumsräume werden die durch Niessen initiierten Praktiken der frühen Theaterforschung und -lehre kartografiert und vor dem Hintergrund der Fachentwicklung analysiert.
Occult Knowledge, Science, and Gender on the Shakespearean Stage
by Mary Floyd-WilsonBelief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this ground-breaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
Odd
by Hal Corley2m, 2f / Drama / Unit Set / Anna Marie has raised her surly, contentious son Micah alone. Though Micah has long been pharmaceutically treated for his O.D.D. — Oppositional Defiance Disorder — she's desperate to introduce a paternal influence. Anna Marie hires Joe Eskin, an itinerant waiter with a vague past and take-no-prisoners tutoring style. Over one critical autumn Joe brings focus and structure to Micah's daily life. But as he opens incurious Micah's eyes to a world outside his sleepy New Jersey suburb, Joe ingratiates himself into the family and inadvertently stirs in Anna Marie dormant romantic longing. In a revelatory battle royal, Micah realizes that equally combative Joe is a kindred spirit — likely "O.D.D." himself. When Micah attracts the brilliant but volatile Ilona, Joe's Cyrano-like coaching to help Micah romance the older girl segues into near obsession. Though smitten Anna Marie remains oblivious, Ilona slowly realizes that Joe's emotional investment in Micah is invasive and threatening. During a Halloween trip into rain-drenched New York City, Ilona ends Joe's control by confronting him in front of Micah, with life-altering results. Exploring the challenges of teen isolation, single parenting, and our dependence on drug therapy as a panacea, ODD illuminates the terror and heartbreak that bind a unique quartet. / "The transformation of the fringe player to someone possibly acceptable by mainstream or even upper-class society, the man who breezes into town and energizes the young man with a disability, the man with troubles of his own who solves a family's troubles: These are classic human stories and ODD melds them well while bringing them to 2007…ODD asks who is broken — the people whose disorders are gaping, bleeding wounds, or the people weighed down by their life challenges…The winner of Premiere Stages' Play Festival, ODD is an important work at a time when befuddled parents want to fix their kids with a pill: better living through chemistry.” - Gannett/Home News Tribune
Odd Couple: A Comedy in Three Acts
by Neil SimonThis classic comedy opens as a group of the guys assembled for cards in the apartment of divorced Oscar Madison. And if the mess is any indication, it's no wonder that his wife left him. Late to arrive is Felix Unger who has just been separated from his wife. Fastidious, depressed and none too tense, Felix seems suicidal, but as the action unfolds Oscar becomes the one with murder on his mind when the clean-freak and the slob ultimately decide to room together with hilarious results as The Odd Couple is born.
Odd Ducks
by Bryden MacdonaldWelcome to the small town of Tartan Cross, Nova Scotia, where skeletons rattle in closets and past histories are so intertwined that the lives of four fortysomething, eccentric characters have become so complicated that something needs to change. In the comedy, Odd Ducks, award-winning playwright Bryden MacDonald positions his four characters at the brink of existential angst - and the action unfolds from there.At the centre of the drama is Ambrose Archibald, an irredeemable reprobate and the type of guy who rants philosophically at the bar while mooching beer from his friends. He's a narcissist who thinks he's God's gift to women. And he's having an affair with the charming and beautiful Mandy Menzies, who was the high school beauty queen but is now stuck in a marriage of convenience and a life of boredom. Her housekeeper, Estelle Carmichael, has seen it all, but her prickly exterior belies a loving heart. The dryly funny Freddy Durdle is the perfect counter-balance to over-the-top Ambrose.All four oddballs seem stuck in their lives, but searing sarcasm relieves the boredom and crazy, everyday dramas aid their struggle to move on and keep things lightCast of 2 women and 2 men.
Ode to Joy (TCG Edition)
by Craig Lucas"Irresistible . . . intoxicating. . . . Enduringly original sensibility."--New York TimesAdele is a painter and an addict. Through her eyes, we meet her two lovers, Mala and Bill, and follow her destructive relationships over the course of fourteen years. A vulnerable exploration of the interplay between art, love, and addiction, Ode to Joy is an affecting new drama from respected playwright Craig Lucas.Renowned playwright Craig Lucas's newest work is a sensitive look at illness, addiction, and love.Craig Lucas's plays include Missing Persons, Reckless, Blue Window, Prelude to a Kiss, God's Heart, The Dying Gaul, Stranger, Small Tragedy, Prayer for My Enemy, The Singing Forest, and the book for the The Light in the Piazza (music and lyrics by Adam Guettel).
Odin Teatret: Theatre in a New Century
by Adam J. LedgerFocusing on Odin Teatret's latest work, this discussion is updated by drawing on fresh research. The group's productions since 2000 are included and the book offers a reassessment of Odin's actor training. Its community work and legacy are discussed and Barba's intercultural practice is viewed alongside two major Theatrum Mundi productions.
The Odin Teatret Archives
by Mirella SchinoThe Odin Teatret Archives presents collections from the archives of one of the foremost reference points in global theatre. Letters, notes, work diaries, articles, and a wealth of photographs all chart the daily activity that underpins the life of Odin Teatret, telling the adventurous, complex stories which have produced the pioneering work that defines Odin's laboratory approach to theatre. Odin Teatret have been at the forefront of theatrical innovation for over fifty years, devising new strategies for actor training, knowledge sharing, performance making, theatrical alliances, and ways of creating and encountering audiences. Their extraordinary work has pushed boundaries between Western and Eastern theatre; between process and performance; and between different theatre networks across the world. In this unique volume, Mirella Schino brings together a never before seen collection of source materials which reveal the social, political, and artistic questions facing not just one groundbreaking company, but everyone who tries to make a life in the theatre.
Odysseus at Troy: Ajax, Hecuba and Trojan Women
by Stephen Esposito Robin Mitchell-Boyask Euripides Sophocles Diskin ClayThis book contains translations of three plays:Ajax, Hecuba, and Trojan Women. They are all centered around the mythological theme of the Greek warrior, Odysseus, hero of the Trojan War. All three plays are complete, with notes and introductions, plus an introduction to the volume with background to the story which was one of the most popular themes and one of the most written about Greek hero in Greek literature. Written during a tumultuous age of sophists and demagogues, these three plays (c. 450-425 BCE) bear witness to the gradual degradation of Odysseus' character. In presenting the unexpected devolution of a renowned mythic figure, the plays examine numerous themes relevant to contemporary American political life: the profound psychological consequences of brought on by the stress of war and why a once proud and noble warrior might commit suicide; and the dehumanizing darkness that descends upon innocent female war-victims when victors use act on false political necessity.
The Odyssey
by Geraldine Mccaughrean HomerThis book describes the epic journey of Odysseus, the hero of Ancient Greece...After ten years of war, Odysseus turns his back on Troy and sets sail for home. But his voyage takes another ten years and he must face many dangers - Polyphemus the greedy one-eyed giant, Scylla the six-headed sea monster and even the wrath of the gods themselves - before he is reunited with his wife and son.
The Odyssey of Homer ( An Adapted Classic)
by Homer Henry I. ChristHomer's great epic describes the many adventures of Odysseus, Greek warrior, as he strives over many years to return to his home island of Ithaca after the Trojan War. His colorful adventures, his endurance, his love for his wife and son have the same power to move and inspire readers today as they did in Archaic Greece, 2800 years ago.
Odyssey Works: Transformative Experiences for an Audience of One
by Abraham Burickson Rick Moody Ayden LerouxOdyssey Works infiltrates the life of one person at a time to create a customtailored, life-altering performance. It may last for one day or a few months and consists of experiences that blur the boundaries of life and art--is that subway mariachi band, used book of poetry, or meal with a new friend real or a part of the performance? Central to this book is their 2013 performance for Rick Moody, author of The Ice Storm. His Odyssey lasted four months and included a fake children's book, introducing the themes of his performance, and a cello concert in a Saskatchewan prairie (which Moody almost missed after being stopped at customs with, suspiciously, no idea why he was traveling to Canada). The book includes Moody's interviews with Odyssey Works, an original short story by Amy Hempel, and six proposals for a new theory of making art.
Odysseys of Recognition: Performing Intersubjectivity in Homer, Aristotle, Shakespeare, Goethe, and Kleist (New Studies in the Age of Goethe)
by Ellwood WigginsLiterary recognition is a technical term for a climactic plot device. Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity. Through strategic readings of Aristotle, this elegantly written, innovative study recovers an understanding of interpersonal recognition that has become strange and counterintuitive. Penelope in Homer’s Odyssey offers a model for agency in ethical knowledge that has a lot to teach us today. Early modern and eighteenth-century characters, meanwhile, discover themselves not deep within an impenetrable self, but in the interpersonal space between people in the world. Recognition, Wiggins contends, is the moment in which epistemology and ethics coincide: in which what we know becomes manifest in what we do. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Oedipus
by VoltaireŒdipus was written when Voltaire was but nineteen years of age. It was played for the first time in 1718, and ran for forty-five nights. Du Frêsne, a celebrated actor, and of the same age as the author, played the part of Œdipus; and Madame Desmarêts, a famous actress, did Jocaste, and soon after quitted the stage. In this edition, the part of Philoctetes is restored, and stands exactly as it was in the first representation. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
Oedipus at Colonos
by SophoclesOedipus was the son of King Laius and Queen Jocasta. Before he was born, his parents consulted the Oracle at Delphi. The Oracle prophesied that Oedipus would murder his father and marry his mother. In an attempt to prevent this prophecy's fulfillment, Laius ordered Oedipus's feet to be bound together, and pierced with a stake. Afterwards, the baby was given to a herdsman who was told to kill him. Unable to go through with his orders, he instead gave the child to a second herdsman who took the infant, Oedipus, to the king of Corinth, Polybus. Polybus adopted Oedipus as his son. Oedipus was raised as the crown prince of Corinth. Many years later Oedipus was told that Polybus was not his real father. Seeking the truth, he sought counsel from an Oracle and thus started the greatest tragedy ever written. The middle of the three Theban plays, 'Oedipus at Colonos' (Colonus) describes the end of Oedipus' tragic life, during which the blinded Oedipus discusses his fate as related by the oracle, and claims that he is not fully guilty.
Oedipus at Colonus
by David MulroyOedipus at Colonus is the third in Sophocles' trilogy of plays about the famous king of Thebes and his unhappy family. It dramatizes the mysterious death of Oedipus, by which he is transformed into an immortal hero protecting Athens. This was Sophocles' final play, written in his mid-eighties and produced posthumously. Translator David Mulroy's introduction and notes deepen the reader's understanding of Oedipus' character and the real political tumult that was shaking Athens at the time that Sophocles wrote the play. Oedipus at Colonus is at once a complex study of a tragic character, an indictment of Athenian democracy, and a subtle endorsement of hope for personal immortality. As in his previous translations of Oedipus Rex and Antigone, Mulroy combines scrupulous scholarship and textual accuracy with a fresh poetic style. He uses iambic pentameter for spoken passages and short rhymed stanzas for choral songs, resulting in a text that is accessible and fun to read and perform.
Oedipus at Colonus (Dover Thrift Editions)
by SophoclesThis outstanding drama of classical antiquity, part of the Cadmean trilogy that includes Oedipus Rex and Antigone, was first presented in 405 B.C. Thought to be among Sophocles' last works, it represents the great playwright's crowning achievement in depicting the painful quest for truth and self-knowledge that leads to spiritual triumph.Blinded and disgraced, Oedipus dwells quietly in Thebes until the kingdom is roiled by discord attributed to his presence and the curse put upon him by the gods. The citizens banish their erstwhile sovereign to years of lonely exile. Finally, the aging king finds refuge in a sacred olive grove at Colonus, near Athens. In the meantime, Oedipus' two sons wage a struggle for control of Thebes. Secure in the protection of Theseus, ruler of Athens, and faithfully attended by his daughters Antigone and Ismene, Oedipus is a towering tragic figure whose final years comprise a moving portrayal of the perseverance of human dignity in the face of an incomprehensible and impersonal universe.Students, teachers, and lovers of classical drama will welcome this inexpensive edition of an enduring literary and theatrical landmark.
Oedipus at Kolonos
by SophoclesAmong the most celebrated plays of ancient Athens, Oedipus at Kolonos is one of seven surviving dramas by the great Greek playwright, Sophocles, now available from Harper Perennial in a vivid and dynamic new translation by award-winning poet Robert Bagg. Oedipus at Kolonos continues the story of Thebes’s tragic, now-blinded hero in the last days of his life, as he attempts to answer for his shocking crimes of incest and patricide, and seeks forgiveness before his impending death. This is Sophocles, vibrant and alive, for a new generation.
The Oedipus Cycle
by SophoclesThe most celebrated plays of ancient Athens in vibrant new translations by award-winning poet Robert Bagg Sophocles' three great masterpieces, gathered here in one volume, dramatize the inexplicable animosity directed at three generations of Thebes' royal family by Apollo, the inscrutable god who terrifies and deceives his victims into acts of incest, betrayal, and kin murder. These fifth-century BCE family dramas--Oedipus the King, Oedipus at Kolonos, and Antigone--are fraught with horrific crises, confrontations, and excruciating choices, all of which still rivet theatergoers and readers in the twenty-first century. Bagg's translations are modern in idiom while faithful to the Greek. They preserve the complexity of Sophocles' characters and their dialogue (whether searingly raw, subtly inflected, or infused with humor) and render Sophocles' choral odes in resonant poetry. The three plays of The Oedipus Cycle, already proven stageworthy, refresh and clarify Sophocles' narratives for a new generation about to discover timeless sources of pleasure and illumination in classical Greek drama. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]
The Oedipus Cycle: Antigone, Oedipus at Colonus, and Oedipus Rex (The Oedipus Cycle #1)
by SophoclesThe doomed king of Thebes brings shame on his family in this iconic three-play cycle of ancient Greek literature, a foundational work of Western drama. Oedipus Rex: As a young man, Oedipus was told of a prophecy that he would kill his father and marry his mother. Fleeing his home to escape his destiny, he becomes the king of Thebes by marrying the former king&’s widow. But now Thebes is cursed until Oedipus discovers who killed his predecessor—a mystery that will lead him to his own doom. Oedipus at Colonus: Blind and exiled from his own country, Oedipus takes up residence in Colonus while his two sons battle for the throne of Thebes. An oracle has pronounced that the location of their disgraced father&’s final resting place will determine which of them will win. But an old enemy has his own plans for the burial. Antigone: The war is over and Thebes&’s ruler, Creon, decrees that the body of Polynices—Oedipus&’s son—is not to be buried. But Antigone, the late warrior&’s sister, answers to a higher authority. When she breaks the law to bury her brother with proper rites, her act of civil disobedience will unleash great upheaval.
Oedipus for Kids
by Gil Varod2m 1f / Musical Comedy / Unit set / Unfolding in real-time, Oedipus for Kids! turns the audience into attendees of the latest performance of the Fuzzy Duck Theatre Company, a three-person troupe dedicated to performing the classics for children. Having had success with previous offerings such as Uncle Tommy's Cabin, company founder Alistair has decided that the next logical step is tackling Sophocles' Oedipus Rex with songs such as "What's It Like When Ya Get The Plague?" and "A Little Complex." But all is not as pleasant as it seems with the Fuzzy Ducks: Alistair is in the middle of a bitter divorce with troupe member Catalina, who suspects something is up when she learns that tonight's audience includes the executives from sponsor Beanz! Coffee for Kids. Evan, the third troupe member, is a newly-trained recent hire with questionable acting methods. He uses these to play Oeddy, "a little boy a lot like you," who runs away from home when he finds out that he is destined to do something terrible to his Mommy and Daddy. On his journey, he meets a shady Baklava dealer named King Laius, a magical mythological coffee-drinking puppet named Sphinxy, and the Theban Queen, Jocasta, who wants to marry him regardless of their disproportionate age difference. While King Oedipus tries to solve the exciting mystery of who murdered the former king, the off-stage disagreements between the cast members spill onstage. The three insult each other, inflict flesh wounds, and fornicate during intermission. When Catalina learns that her ex-husband has bought her share in the Fuzzy Ducks only to sell it to Beanz! Coffee for ten times net value, Catalina decides to sabotage the production. What was once a misguided--albeit--educational theatrical experience swiftly spirals into a Charybdis-like whirlpool of suck, and Catalina's revenge leads to a darkly comic denouement. Please note: this play is not for young audiences.
The Oedipus Plays of Sophocles: Oedipus The King; Oedipus At Colonus; Antigone
by Paul Roche SophoclesRevising and updating his classic 1958 translation, Paul Roche captures the dramatic power and intensity, the subtleties of meaning, and the explosive emotions of Sophocles' great Theban trilogy. In vivid, poetic language, he presents the timeless story of a noble family moving toward catastrophe, dragged down from wealth and power by pride, cursed with incest, suicide, and murder.