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Oedipus Trilogy: New Versions of Sophocles' Oedipus the King, Oedipus at Colonus, and Antigone
by SophoclesFresh, new translations of Sophocles's three Theban plays by acclaimed theater director Bryan Doerries, which emphasize the contemporary relevance of these classic Greek tragedies.Here are Oedipus the King, Oedipus at Colonus, and Antigone in fresh new versions for contemporary readers and audiences. Each has been the basis for groundbreaking theatrical performances by Theater of War Productions, in which actors present dramatic readings, followed by town hall-style discussions. These forums are designed to confront social issues by evoking raw, personal reactions to themes highlighted in the plays. The Oedipus Project is an innovative digital initiative that presents scenes from Oedipus the King as a catalyst for frank and restorative online conversations about the impact of the COVID-19 pandemic on diverse communities. First performed in 429 BC during the time of a plague that killed one-third of the Athenian population, it is a story of arrogant leadership, ignored prophecy, and a pestilence that ravages the city of Thebes—a story that is as relevant now as it was in its own time. The Oedipus at Colonus Project presents readings of scenes from Sophocles&’ final play, Oedipus at Colonus, for powerful, community-driven conversations about homelessness, the immigration and refugee crises, and the challenges of eldercare during and after the pandemic.Antigone in Ferguson is a pioneering project that fuses dramatic readings from Antigone with live choral music, culminating in powerful, healing discussions about race and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown's death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, Missouri, and premiered at Normandy High School, Michael Brown's alma mater.
The Oedipus Trilogy — Oedipus the King, Oedipus at Colonus, Antigone (First Avenue Classics ™)
by Sophocles SophoclesDisregard for messages from the oracles and gods doesn't turn out well for characters in Greek stories, and Oedipus is no exception. Encompassing murder and betrayal, incest and patricide, this set of three plays follows the life of a man doomed to suffer from birth. Sophocles wrote these classic Greek tragedies in fifth century BCE. This English translation, by F. Storr, was first published in 1912.
Oedipus Tyrannos (The Norton Library #0)
by Sophocles"Oedipus?Tyrannos?is the first Greek play many readers encounter, and this version is their ideal gateway. Emily Wilson's verse line is effortlessly graceful, whether in taut, tense dialogue exchanges or in the lyrical choral odes.”? —JAMES ROMM,?Bard College??
Oedipus Tyrannus
by Sophocles Theodore F. Brunner Luci BerkowitzThe text is accompanied by a wealth of carefully chosen background materials and essays. "Passages from Ancient Authors" includes selections from Homer's Odyssey, Thucydides' account of the plague, and Euripedes' Phoenissae. The best of ancient and modern criticism is represented, encouraging discussion from psychological, religious, anthropological, dramatic, and literary perspectives. Under the heading "Religion and Psychology" are included writings on the Oedipus myth by Martin P. Nilsson, Meyer Fortes, Gordon M. Kirkwood, Thalia Phillies Feldman, and Sigmund Freud. The authors of the selections in "Criticism" are Aristotle, C. M. Bowra, R. C. Jebb, S. M. Adams, A. J. A. Waldock, Albin Lesky, Werner Jaeger, Friedrich Nietzsche, John Jones, D. W. Lucas, Bernard M. W. Knox, Cedric H. Whitman, Richmond Lattimore, Robert Cohen, Francis Fergusson, and H. D. F. Kitto. The special question of Oedipus's guilt or innocence is addressed in essays by J. T. Sheppard, Laszlo Versenyi, P. H. Vellacott, E. R. Dodds, Thomas Gould, and Philip Wheelwright.
Oedipus Tyrannus
by Paul Woodruff Peter Meineck SophoclesPeter Meineck and Paul Woodruff's collaboration on this new translation combines the strengths that have recently distinguished both as translators of Greek tragedy: expert knowledge of the Greek and of the needs of the teaching classicist, intimate knowledge of theatre, and an excellent ear for the spoken word. Their Oedipus Tyrannus features foot-of-the-page notes, an Introduction, stage directions and a translation characterized by its clarity, accuracy, and power.
Of Bondage
by Amanda BaileyThe late sixteenth-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.Amanda Bailey shows that the early modern theater, itself dependent on debt bonds, was well positioned to stage the complex ethical issues raised by a system of forfeiture that registered as a bodily event. While plays about debt like The Merchant of Venice and The Custom of the Country did not use the language of political philosophy, they were artistically and financially invested in exploring freedom as a function of possession. By revealing dramatic literature's heretofore unacknowledged contribution to the developing narrative of possessed persons, Amanda Bailey not only deepens our understanding of creditor-debtor relations in the period but also sheds new light on the conceptual conditions for the institutions of indentured servitude and African slavery. Of Bondage is vital not only for students and scholars of English literature but also for those interested in British and colonial legal history, the history of human rights, and the sociology of economics.
Of Human Bondage
by Vern ThiessenWhen Philip meets Mildred, a disarming tea-shop waitress, he finds his yearning for art and experience consumed by his intense attraction to her. Mildred, for all her teasing, isn’t all that interested in Philip, but rather in flattery, possessions, and security. Yet Philip, in a powerful haze of passion and pride, obsessively pursues Mildred despite the anguish and emotional carnage that repels and binds them at all costs. Of Human Bondage is a grand story of lust, unrequited love, and the pursuit of beauty.
Of Human Bondage
by Vern Thiessen Heidi Janz Tracy BealerWhen Philip meets Mildred, a disarming tea-shop waitress, he finds his yearning for art and experience consumed by his intense attraction to her. Mildred, for all her teasing, isn’t all that interested in Philip, but rather in flattery, possessions, and security. Yet Philip, in a powerful haze of passion and pride, obsessively pursues Mildred despite the anguish and emotional carnage that repels and binds them at all costs. Of Human Bondage is a grand story of lust, unrequited love, and the pursuit of beauty.
Of Human Kindness: What Shakespeare Teaches Us About Empathy
by Paula Marantz CohenAn award-winning scholar and teacher explores how Shakespeare&’s greatest characters were built on a learned sense of empathy While exploring Shakespeare&’s plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare&’s genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare&’s most famous plays, including Hamlet, Othello, King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat &“the other.&” Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic response to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature&’s power to champion what is best in us.
Of Kings and Clowns: Leadership in Contemporary Egyptian Theatre Since 1967 (Routledge Advances in Theatre & Performance Studies)
by Tiran ManucharyanThis book examines the transformations Egyptian theatre has undergone since 1967. Through detailed analyses of the plays, the book investigates the ways Egyptian theatre represents, formulates, and imagines political and cultural leadership and, by implication, enacts its own leadership. Alongside the work of established playwrights, such as Yusuf Idris, Abul-ʿEla El-Salamouny, Fathia El-ʿAssal and Lenin El-Ramly, it also discusses the input in theatre of a younger generation, reflecting the new transformations in Egyptian theatre following the 2011 revolution. Relating the theoretical underpinnings of its analyses to theoretical discussions by Egyptian playwrights, the book contributes to current English-language scholarship in theatre studies, by providing a discourse largely absent from it. Considering the growing sense in English-language academia on the need for research and education beyond the Western canon this book offers an important addition to the study resources. This book will interest both scholars and students who study the Arab world, and researchers and students with an interest in cultural studies, more specifically twentieth- and twenty-first-century theatre, and literature studies. The book’s specific focus on political theatre and its gender perspective make it also of interest to the fields of political and gender studies.
Of Mice and Men and The Moon Is Down
by John SteinbeckThis Penguin Classics edition celebrates Steinbeck’s dramatic adaptations of his most powerful short novels, Of Mice and Men and The Moon Is Down, featuring a foreword by award-winning actor James Earl Jones. Of Mice and Men represents an experiment in form, as Steinbeck put it, "a kind of playable novel, written in novel form but so scened and set that it can be played as it stands. ” A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. Of Mice and Men received the New York Drama Critics’ Circle Award for Best Play in 1937-1938. A number of acclaimed actors have interpreted the iconic roles of George and Lennie for stage and screen, including James Earl Jones, John Malkovich and Gary Sinise. The Moon Is Down uncovers profound, often unsettling truths about war and human nature. It tells the story of a peaceable town taken by enemy troops, and had an extraordinary impact as Allied propaganda in Nazi-occupied Europe. This Penguin Classics edition of the theatrical adaptations of Steinbeck’s two classic short novels are essential to actors, playwrights, filmmakers and directors studying the dramatic work of the Nobel Prize winning author of The Grapes of Wrath and East of Eden. .
Of the Fields, Lately
by David FrenchA son returns after an absence of two years to find both his mother and family friend Wiff trying to sustain his father, Jacob. A heart attack has forced Jacob out of work, and he can't reconcile himself to his frightening situation. The characters all discover something about themselves under this pressure of imminent death. Of the Fields, Lately won the Chalmers Award in 1973.
Off-Broadway/Off-West End: American Influence on the Alternative Theatre Movement in Britain 1956–1980
by David WeinbergDavid Weinberg argues that American experimental theater practice was a key factor in the development of the alternative theater movement in Britain during the period 1956–1980. He covers the activities of the experimental theater groups associated with Jim Haynes, Charles Marowitz, Nancy Meckler, and Ed Berman, four expatriate American theater practitioners living in Britain. In addition, he also examines important American-based groups—Living Theatre (1947), Open Theatre (1964), La MaMa (1960), and Bread and Puppet (1965)—which performed in Britain and which made an impact during the same period, as well as a wide range of indigenous British groups—Pip Simmons (1968), Foco Novo (1972–1989), Joint Stock (1974–1989), institutions—RSC (1961), Royal Court (1956)—and individuals such as Max Stafford-Clark, Thelma Holt, John Arden, Ann Jellicoe, and the Portable playwrights (1968–1972), which in one way or another were influenced by American exemplars. Weinberg's study is essential reading for everyone seeking a more comprehensive and dynamic understanding of the forces which shaped the alternative theatrer movement in Britain.
Off Headset: Essays On Stage Management Work Life And Career (Backstage)
by Rafael Jaen Christopher SadlerOff Headset is a collection of chapters containing essays by a richly diverse group of stage management professionals and educators covering the challenges stage managers face on the job, in their lives, and in their careers. The book starts with the intersectional history of stage managers and the actors' union. In "Part 1: Work," the contributors share a wide range of experiences, from regional theatre and Broadway to operas and cruises—and even running with the circus. The essays in "Part 2: Life" explore the relevance of stage managers claiming their identity, their resilience, and practicing self-care. Finally, in "Part 3: Career," readers receive aspirational and business advice for life in the real world: leadership, networking, unemployment, managing demanding calendars, and career planning. The book ends with a moment of pause during tech—a direct response to the absence we have been enduring throughout the COVID-19 pandemic and a tribute to a world we used to take for granted. Intertwining practical advice with personal anecdotes, Off Headset: Essays on Stage Management Work, Life, and Career is the perfect accompaniment to students studying stage management in a university setting and professionals working in the field.
Off Nevsky Prospekt: St Petersburg's Theatre Studios in the 1980s and 1990s
by Elena MarkovaOff Nevsky Prospekt is the first study to be published in English of the exceptionally rich and diverse theatre studio movement which has flourished in St Petersburg during the 1980s and '90s. Professor Markova charts the development of the theatre studios - from their beginnings as a reaction to the repressive atmosphere of the Soviet period and through the "theatre bacchanalia" of the Perestroika years. She then surveys today's vibrant scene, with analyses of key productions and interviews with many of the central figures, and describes how theatre studios have subverted the conventions of the past to create a new dialogue with the changing society from which their audience is drawn.
Office and Duty in King Lear: Shakespeare’s Political Theologies (Palgrave Shakespeare Studies)
by Alexander ThomThis book advances five original readings of Shakespeare's King Lear, influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp Lear’s encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office. Lear also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like petit treason, civil death, and waivery into political theological studies, complicating Agamben’s models. Goneril’s treason shows the sovereign’s consort and children are consecrated lives too. Lear’s crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book’s conclusion, through Hannah Arendt, reconsiders Lear’s persistent association with the Holocaust.
Office Hours
by Norm FosterIt's a Friday afternoon in the big city and, in six different offices, six different stories are unfolding at the same time. However, they are all connected somehow, from the figure skater on the ledge, to the novelist in the closet. A madcap race towards quitting time.
Oh, Fudge!
by Monk FerrisComedy / 3m, 4f / Interior / In this hard boiled comic mystery sequel to the ever-popular Murder at Cafe Noir, ex-private eye Nick Archer is now the confused manager of Cafe Noir on the island of Mustique. He is confronted with a corpse on the dock, a mysterious femme fatale, a French blackmailer and a businessman who wants both the cafe and the woman. Rick is arrested after the blackmailer is murdered in his club. It is up to the audience to convince the magistrate that he is innocence. A tribute to Casablanca with many references to the classic movie, Noir Suspicions is guaranteed to delight audiences whether or not they are familiar with Murder at Cafe Noir
OH, WILD WEST!
by Culture Clash"Midway through Water & Power comes a scene so perfectly written, so chilling and yet so hilarious [it] encapsulates all the anger and social criticism fueling [the play], beginning with the agonizing realization (also central to Culture Clash's smash Chavez Ravine) that the fates of the L.A. many are held in the hands of the often capricious and heartless few."--VarietyFor Zorro in Hell:"The funniest show the Bay Area comedy troupe has ever written. Culture Clash uses the story [of Zorro] as a starting point for a devastatingly hilarious satire of just about everything Californians hold dear."--Contra Costa TimesIn this trio of plays, Culture Clash rewrites California's past in the performance troupe's own irreverent comic style, interweaving pop culture with their home state's local history. In Chavez Ravine, called "a hell-raising home run" by Variety, they cover the land grab that uprooted an entire community and built Dodger Stadium. In Water & Power, the topic is the assimilation of Latinos and their rise to political influence. And in Zorro in Hell, Culture Clash re-imagines early California through the eyes of the original masked man.Culture Clash is Richard Montoya, Ric Salinas, and Herbert Siguenza. Founded in San Francisco's Mission District on Cinco de Mayo in 1984, they have become the most prominent Chicano/Latino performance troupe in the United States. Their work ranges from sketch comedy to full-length plays and adaptations of Greek classics, and has been produced at universities and theaters throughout the country.
Oidipous at Colonus
by Sophocles Ruby BlondellThis is an English translation of Sophocles’ tragedy of Oedipus who is banished from Thebes and confronts an array of obstacles that stand between him and the death he craves. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
Oil and Water
by Robert ChafeIn 1942 the USS Truxtun, a ship carrying over a hundred sailors, ran aground on the Burin Peninsula in Newfoundland, killing most of its men. Oil and Water is the incredible true story of the sole African American survivor of the wreck, Lanier Phillips, the first black man to be seen by some of the residents of the town of St. Lawrence. A haunting and hopeful tale of two cultures, Oil and Water is an honest legend that still resonates with power seventy years later.
Oklahoma!: The Making of an American Musical (Broadway Legacies Ser.)
by Tim CarterThe backstage story of the timeless Broadway hit, and how Rodgers and Hammerstein brought it to life: &“Meticulously researched&” (Publishers Weekly). Oklahoma! premiered on Broadway in 1943 under the auspices of the Theatre Guild, and today it is performed more frequently than any other Rodgers and Hammerstein musical. In this book, Tim Carter offers the first fully documented history of the making of this celebrated American musical. Drawing on research from rare theater archives, manuscripts, journalism, and other sources, Carter records every step in the development of Oklahoma! The book is filled with rich and fascinating details about how Rodgers and Hammerstein first came together, the casting process, how Agnes de Mille became the show&’s choreographer, and the drafts and revisions that ultimately gave the musical its final shape. Carter also shows the lofty aspirations of both the creators and producers and the mythmaking that surrounded Oklahoma! from its very inception, and demonstrates just what made it part of its times.
The Old Gray Mare IS What She Used to Be: An adaptation of a traditional song
by Jeffrey B. Fuerst Gary Currant Carrie SmithNIMAC-sourced textbook
Old Love
by Norm Foster"The story spans three decades and half a dozen meetings between Bud, a salesman, and Molly, his boss's wife. One of them is smitten from the very first meeting—the other, let's just say—less so. The story is straightforward, easy to follow and funny, often very funny. Canada's pre-eminent comic playwright Norm Foster has written a clever and witty dialogue celebrating the pursuit of love, the kind of love that makes you breathe just a little bit faster. Charmingly written, with just a few curse words for effect, Foster's use of one-liner's serve the script well and has the audience smiling, chuckling and laughing throughout the entire play." —The Hub
