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Queen Amarantha
by Charles BuschComic drama / Charles Busch / 4 m, 2 f / Unit set / Gorgeous costumes and an ornate setting embellish this robust tale of a lonely Garboesque queen who dresses as a man, a duplicitous courtier who loves the boy in the woman, a conniving countess bent on stealing the throne and the foppish royal cousin she marries to secure her ends. Amarantha, constantly torn between love and duty, renounces her thrown for love and her lover to reclaim her throne. The author starred in the title role in the New York production of this cross dressing classic about sexual ambiguity. / "Covers all bases from The Prisoner of Zenda to Richard III to Mary Stuart." N.Y. Post.
Queen Goneril
by Erin ShieldsSet seven years before King Lear, Queen Goneril centres the struggles of Lear’s daughters as they negotiate patriarchal systems built to keep them relegated to the sidelines. In Goneril, we find a natural-born leader. In Regan, a boundary pusher. And in Cordelia, a reluctant peacekeeper. As the three work to dismantle their individual constraints, a storm of inner reckoning begins to brew that reflects their deepest yearnings and mirrors our contemporary world.Whip smart and wide awake, Queen Goneril is another deliciously disruptive adaptation from Erin Shields. In her signature revisionist style, Shields investigates some of our most urgent feminist issues by reimagining the roles of women in classic texts—shifting them from subjects, objects, or witnesses to central figures of both their own lives and the story’s narrative. Queen Goneril lays bare the challenges of maintaining authenticity while achieving authority—how we retain a strong sense of self while twisting around systems meant to make us play small. A compelling story about complicated characters struggling—the way we all struggle—to find their place in this world.
Queen Milli of Galt
by Gary KirkhamComedy / 3m, 3f / Unit set / Based on a true story. A lovely romantic comedy with a handy supply of humor, this play is a genuinely witty exploration of unexpected love. In 1972, the Duke of Windsor (Edward VIII) dies while living in exile at the age of 78. Two weeks later in Canada, an 80 year-old woman from a small town named Galt has her tombstone engraved, claiming to be his wife. A young journalist appears at her door, eager for answers. Flashback to 1919 as Edward, then holding the official title of the Prince of Wales, visits Canada as an emissary of the King. Bored with the pomp and circumstance, he slips away from his official duties and begins a romance with a charming young woman.
Queen of Vaudeville: The Story of Eva Tanguay
by Andrew ErdmanIn her day, Eva Tanguay (1879-1947) was one of the most famous women in America. Widely known as the "I Don't Care Girl"-named after a song she popularized and her independent, even brazen persona-Tanguay established herself as a vaudeville and musical comedy star in 1904 with the New York City premiere of the show My Lady-and never looked back. Tanguay was, at the height of a long career that stretched until the early 1930s, a trend-setting performer who embodied the emerging ideal of the bold and sexual female entertainer. Whether suggestively singing songs with titles like "It's All Been Done Before But Not the Way I Do It" and "Go As Far As You Like" or wearing a daring dress made of pennies, she was a precursor to subsequent generations of performers, from Mae West to Madonna and Lady Gaga, who have been both idolized and condemned for simultaneously displaying and playing with blatant displays of female sexuality.In Queen of Vaudeville, Andrew L. Erdman tells Eva Tanguay's remarkable life story with verve. Born into the family of a country doctor in rural Quebec and raised in a New England mill town, Tanguay found a home on the vaudeville stage. Erdman follows the course of her life as she amasses fame and wealth, marries (and divorces) twice, engages in affairs closely followed in the press, declares herself a Christian Scientist, becomes one of the first celebrities to get plastic surgery, loses her fortune following the Wall Street Crash of 1929, and receives her last notice, an obituary in Variety. The arc of Tanguay's career follows the history of American popular culture in the first half of the twentieth century. Tanguay's appeal, so dependent on her physical presence and personal charisma, did not come across in the new media of radio and motion pictures. With nineteen rare or previously unpublished images, Queen of Vaudeville is a dynamic portrait of a dazzling and unjustly forgotten show business star.
Queen of the Toilet Bowl (Orca Currents)
by Frieda WishinskyWhen Renata is chosen to play the lead role in the school musical, students who used to ignore her start saying hello and congratulating her in the hall. Renata enjoys her newfound acceptance at school until she realizes that Karin, a wealthy girl who expected to get the lead role, will go to great lengths to punish Renata for her success. Renata is not going to give up the role, but how much tormenting will she have to take? This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read!
Queens of Comedy: Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers, and the New Generation of Funny Women
by Susan HorowitzThrough candid personal interviews with Lucille Ball, Carol Burnett, and other visionary performers, Queens of Comedy explores how comediennes have redefined the roles of women in not only the entertainment business, but society as a whole. Detailing both their public and private lives - as well as their many and varied performances - Queen of Comedy examines the impact these women have had on the predominantly male-oriented world of comedy. Performers like Carol Burnett, Joan Rivers, and their more recent counterparts, comediennes Brett Butler and Roseanne, have helped to sift women's roles in comedy from object to subject. This book maps out this shift, providing an often brutally honest picture of women's lives in both the spotlight of comedy and this modern world.
Queer Dramaturgies: International Perspectives on Where Performance Leads Queer (Contemporary Performance InterActions)
by Alyson Campbell Stephen FarrierThis international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.
Queer Nightlife (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Ramon Rivera-Servera Kareem Khubchandani Kemi AdeyemiThe mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).
Queer Performance and Contemporary Ireland: Dissent and Disorientation (Contemporary Performance InterActions)
by Fintan WalshThis book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Queer Performance and Contemporary Ireland: Dissent and Disorientation (Contemporary Performance InterActions)
by Fintan WalshThis book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Queer Philologies: Sex, Language, and Affect in Shakespeare's Time
by Jeffrey MastenFor Jeffrey Masten, the history of sexuality and the history of language are intimately related. In Queer Philologies, he studies particular terms that illuminate the history of sexuality in Shakespeare's time and analyzes the methods we have used to study sex and gender in literary and cultural history. Building on the work of theorists and historians who have, following Foucault, investigated the importance of words like "homosexual," "sodomy," and "tribade" in a variety of cultures and historical periods, Masten argues that just as the history of sexuality requires the history of language, so too does philology, "the love of the word," require the analytical lens provided by the study of sexuality.Masten unpacks the etymology, circulation, transformation, and constitutive power of key words within the early modern discourse of sex and gender--terms such as "conversation" and "intercourse," "fundament" and "foundation," "friend" and "boy"--that described bodies, pleasures, emotions, sexual acts, even (to the extent possible in this period) sexual identities. Analyzing the continuities as well as differences between Shakespeare's language and our own, he offers up a queer lexicon in which the letter "Q" is perhaps the queerest character of all.
Queer Theatre And The Legacy Of Cal Yeomans
by Robert A. SchankeA forgotten yet award-winning playwright, Cal Yeomans was one of the founders of gay theater whose work was fueled by gay liberation and extinguished by the AIDS epidemic. Schanke's examination of his life and legacy allows a rare exploration into this pivotal moment of gay American history.
Queering Childhood in Early Modern English Drama and Culture
by Jennifer Higginbotham Mark Albert JohnstonThis volume analyzes early modern cultural representations of children and childhood through the literature and drama of Shakespeare and his contemporaries. Contributors include leading international scholars of the English Renaissance whose essays consider asexuals and sodomites, roaring girls and schoolboys, precocious princes and raucous tomboys, boy actors and female apprentices, while discussing a broad array of topics, from animal studies to performance theory, from queer time to queer fat, from teaching strategies to casting choices, and from metamorphic sex changes to rape and cannibalism. The collection interrogates the cultural and historical contingencies of childhood in an effort to expose, theorize, historicize, and explicate the spectacular queerness of early modern dramatic depictions of children.
Queering Drag: Redefining the Discourse of Gender-Bending
by Meredith HellerTheatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending: male impersonation in variety and vaudeville (1860–1920); the "sexless" gender-bending of El Teatro Campesino (1960–1980); queer butch acts performed by black nightclub singers, such as Stormé DeLarverie, instigator of the Stonewall riots (1910–1970); and the range of acts that compose contemporary drag king shows. Heller highlights how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods, nor do they provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity, and it models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it also facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Queering Polishness in Polish Theatre Since 2005: Dissenting Bodies
by Jonas VanderschuerenTheatre has long been an art form at the centre of public life in Poland. Whether it is the self-professed poet-prophets of the Romantic era, or the dissident theatre makers working under the strictures of state socialism, the art form has played a vital role in the development of Polish culture and politics in the context of shifting foreign occupations. This book explores the relationship between contemporary Polish theatre makers and contemporary notions of Polishness and argues that queer theory, and specifically a Polish appropriation of queer theory, can be a crucial element to better understand the politicality of the contemporary Polish theatre field. It does this by focusing on critical theatre productions which are produced at the margins of the Polish theatre field, a choice which has been made as the field is dominated by traditional drama theatres which reproduce a Polish variation on the Western canon. This makes smaller, atypical, and independent theatre productions all the more significant, as they signify a refusal to continue the traditional role of the Polish theatre field in reproducing the canon of Polish Romanticism. As such, the book argues that contemporary Polish theatre has been marked by a struggle between those building performances and state authorities that see those creations as a threat to their authority.
Queering W. B. Yeats and Gabriele D’Annunzio: Modernist Playwrights (New Directions in Irish and Irish American Literature)
by Zsuzsanna BalázsQueering W. B. Yeats and Gabriele D’Annunzio: Modernist Playwrights challenges the general resistance in scholarship and queer studies to approach Yeats and D’Annunzio through a queer lens because of their controversial affiliations with fascism and elitism, their heterosexuality and their venerated canonical status. This book provides the first fully theorised queer and comparative reading of Yeats’s and D’Annunzio’s drama. It offers the novel contention that due to their increasing involvement in queer and feminist subcultures, their plays feature feelings that are associated with queer historiography and generate ideas that began to be theorised by queer studies more than half a century after the composition of the plays. Moreover, it uncovers an alert, subversive and often coded social commentary in eight key dramatic texts by each playwright and at the same time highlights the thus far neglected commonalities between the plays and the queer historical as well as cultural contexts of these two prominent modernists.
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality
by Adi CabralQueering the Stage: Inclusive Approaches to Performing Gender and Sexuality addresses a history of stereotyping and provides inclusive approaches to navigating gender and sexuality in a way that does not reduce the broad spectrum of LGBTQ+ communities into a single monolith.Butch it up! Be more manly! Add a little swish! Queen out! These instructions make performers feel minimized, erased, and forced to fit in a binary that encourages underdeveloped portrayals of queer identities. This book will guide the reader in performance techniques for confidently embodying the masculine/ feminine, gay/ straight binaries – as concepts of chosen choreography rather than reductive prescriptions – while also providing non- binary exercises to explore and expand the use of the body, voice, heart, and mind to bring life to characters of sexual orientations and gender identities that do and do not align with the actors’ lived experiences. The reader will be presented with multiple tools for analyzing, developing, and embodying a diverse array of characters, empowering them to make their own choices when it comes to performance. While there is no “right” way to teach performance, this book will present tools rooted in trauma- informed practices that aim to prevent and undo harm in a group setting with a facilitator, or individually.This book is written for instructors of theatre performance and acting wishing to expand their curriculum to include queer concepts in their classroom, and actors working in the industry who want to improve their ability performing characters of diverse genders and sexualities.A companion website, available at www.adicabral.com/queering-the-stage, provides additional materials to support exercises given throughout the book.
Questions of Honor
by Kate WelshA stern, rock-hard man stood before Abaigeal Sullivan. No sign of the boy whose playful teases had once turned to stolen kisses and something much, much more. Why, in all the years Joshua Wheaton had been away, had he never made contact, acknowledged her astounding news-that she carried his child? Abby no longer trusted any man, but could she believe Joshua when he claimed he only ever meant to act honorably toward her? There was no doubt he wanted to get closer to her and the son that they had created together.
Quick Bright Things
by Christopher Cook“Everyone hears voices. I’m treated like I’m broken for admitting it.” Can a weekend trip to visit family ever be smooth? Nick was hoping for a quick dinner at his brother Reid’s house when he stopped by with his seventeen-year-old adopted son, Gerome, on their way to meet Gerome’s birth mother. Gerome was recently diagnosed with schizophrenia, and he wants to know more about his family history. Though Reid and his family wreak havoc with their well-meaning but misguided ideas about Gerome’s diagnosis, they manage to convince Nick and his son to stay the night, even after they find Gerome on the roof ready to demonstrate backflips. The dinner pit stop becomes a tense weekend-long event full of claims and questions as the family attempts to “un-crazy” Gerome, leading them all to a dangerous breaking point. With truth, humour, and pathos, Quick Bright Things explores a family’s struggle with understanding mental health, their ways of expressing love, and what it ultimately means to be “okay.”
Quills and Other Plays
by Doug WrightSelected early works from the Pulitzer Prize-winning playwright.Throughout his work, Doug Wright has often combined the personal, the social, and the political, in the process unearthing fundamental truths about life and art while casting an unblinking eye on the dark--and darkly funny--side of human nature. Gathered here are three of Wright's early plays, including Interrogating the Nude, a tongue-in-cheek reimagining of the uproar surrounding the debut of Marcel Duchamp's work in America; Watbanaland, a satiric dissection of yuppie desire and a haunting look at family and faith; and the Obie Award-winning Quills, which explores the boundaries of artistic expression and the dangers of censorship as they played out in the Marquis de Sade's final days at Charenton Asylum.
Quint and Miss Jessel at Bly
by Don NigroDramaCharacters: 2 male, 1 female. Unit Set. Peter Quint is sent by his lifelong employer, the Master of Bly, to be the servant in charge of a remote English country house where Miss Jessel has just arrived to be governess to the orphaned children of the master's brother. The ultimately deadly love triangle that results forms a darkly funny and erotic Gothic love story. These are the lovers who haunt Henry James's The Turn of the Screw. Quint is brilliant, sardonic and angry, a man of great abilities trapped by birth into a subservient role he hates. Miss Jessel is beautiful, headstrong, troubled, and deeply infatuated with the master. As Quint and Miss Jessel's affair develops, the rivalry between servant and master builds to a frightening and haunting climax.
Quiver
by Anna Chatterton“She doesn’t care about me; she doesn’t even want to see me; she just pretends she does.” Shy, fourteen-year-old Maddie wasn’t expecting to have to worry about taking care of herself just yet. Her sixteen-year-old party-girl sister Bea has scandalously moved in with their mom’s ex-boyfriend, and in turn their brassy mother Sheila has run straight to the comfort of another lover. Maddie is finding that an empty apartment is quiet and lonely, even though her time is normally spent reading comics in her closet. Feeling abandoned and vulnerable, she turns to her favourite superhero, Arrowette. Armed with a backpack filled with a bow and arrows, she embarks on a radical plan to join the army, where she thinks she will find a new family she can count on. Meanwhile, Bea is second-guessing the whole dating an older man thing, and Sheila defends her unorthodox sexual candour, entertaining the ideals of freedom. When Bea and Sheila decide to come home for Maddie’s birthday, they’re faced with the pointed arrow of Maddie’s newfound power and the startling reality of the kind of family they’ve become.
Quotable Shakespeare (Quotable Ser.)
by Max MorrisThis entertaining collection gathers together William Shakespeare's wisest and wittiest quotations. Quotable Shakespeare proves that brevity is the soul of wit and is sure to delight all lovers of the Bard's uniquely perceptive and influential works.
Quotable Shakespeare (Quotable Ser.)
by Max MorrisThis entertaining collection gathers together William Shakespeare's wisest and wittiest quotations. Quotable Shakespeare proves that brevity is the soul of wit and is sure to delight all lovers of the Bard's uniquely perceptive and influential works.
Qué haréis con este libro
by José SaramagoToda la obra dramática del Premio Nobel de Literatura portugués reunida en un solo volumen por primera vez en español: una perfecta combinación de ideas plenamente vigentes y maestría literaria. «La memoria es el dramaturgo que todos tenemos dentro. Pone en escena e inventa un disfraz para cada ser vinculado con nosotros. La distancia entre lo que fue una persona y lo que se recuerda de ella es literatura.»José Saramago José Saramago se llamaba a sí mismo «el dramaturgo involuntario» porque siempre sintió que su contribución a ese género venía marcada por circunstancias azarosas. Pero incluso así, su genio creativo dio luz a las cinco obras teatrales que se reúnen ahora en este volumen: La noche (1979), ¿Qué haré con este libro? (1980), La segunda vida de Francisco de Asís (1987), In Nomine Dei (1993) y Don Giovanni o El disoluto absuelto (2005). Salvo La noche e In Nomine Dei, se publican por primera vez en castellano. Con la hondura propia de toda su obra -aunque revestida de una aparente simplicidad-, brilla en estas piezas magistrales la ironía del autor y la agudeza de sus reflexiones. Los grandes héroes dejan paso a los hombres y mujeres sencillos que, desde la honestidad y la firmeza de sus convicciones, luchan por la libertad, la justicia y un futuro mejor. Ambientadas en lugares y épocas distintos que van desde el Portugal del triunfo de la revolución de los Claveles o el renacentista del poeta Camões, a la Alemania de la reforma luterana, la Italia de don Giovanni o la intemporalidad deslocalizada de una empresa en crecimiento, en ellas las grandes cuestiones que caracterizan el pensamiento del autor están expuestas sin enjuiciamientos ni sentencias. Todas ellas son parte de un diálogo que Saramago mantiene para siempre, desde cada una de las páginas que escribió, con sus lectores.