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Puppetry and Dramaturgy: Western European Plays for Puppet Theatre, 1582–2020 (Palgrave Studies in Theatre and Performance History)

by Didier Plassard

This open access book presents the results and conclusions of research conducted by the author, and assisted by a team of young researchers brought together in the PuppetPlays project funded by the European Research Council. It is the first international survey to examine Western European puppetry through a systematic study of its repertoires, composed by writers or by the puppeteers themselves. From improvised farces to the refined Baroque operas, from the parodies of institutional stages to the experiments of Modernism, from chivalric epics to contemporary dramaturgy, puppet repertoires are extraordinarily diverse. Their performances have been for centuries the only kind of theatre that many people could attend, but also a means of dramaturgical innovation. Their plays have crossed linguistic, geographical and social boundaries, adapting and spreading the great myths and classics of Western culture, and helping to build Europe's cultural identity. The analysis of these repertoires sheds new light on the history of theatre and society. When and how did puppet theatre compete with actors&’ theatre? When and how did it serve as a laboratory for new dramaturgies? Why do writers and performing artists chose to use them today? These questions can only be answered through a close examination of the many forgotten or unpublished sources collected by the PuppetPlays project.

Purity

by Thomas Bradshaw

Dark Satire. Characters: 5 male, 3 female (Some doubling possible) . Modular sets . In Purity, a refined and prominent African-American English professor's life is turned upside down when a new, 'more black' professor is hired in his department and challenges his authenticity, his marriage to a white woman, and his entire way of life. This way of life consists of literature, booze, cocaine binges, and pedophilia. From realism to fantasy, Purity takes us on a journey from the Ivy League to the ante-bellum South to the fields of Ecuador and back again, ending on a note of shocking violence. . "Thomas Bradshaw's "Purity" lures you with a goofy, comic touch, and he and the game, energetic cast can make your laughs catch in your throat." - The New York Times . "Authentically hard-hitting and provoking...... Thomas Bradshaw wants to use the theatre to poke and prod his audience away from complacency and toward social action... It's work that's designed to make us think and feel after we leave the theatre; that's got to be a good thing." - Nytheatre.com . "A whip smart exercise in sublime discomfort..... Squarely confronting social taboos, Purity unabashedly raises incredibly relevant questions about race in contemporary America -- but don't expect Bradshaw to offer any answers. Instead he opens a Pandora's box of power, exploitation, and fantasy, handing it over to us to make of it what we will." - Backstage . "Purity finally achieves the trifecta of what it had been after all along - it frightens, it provokes and it causes contemplation. For those who have pushed through the more repellent moments of Purity, there is something satisfying here." - American Theatre Web . "Vicious and harrowing... a profoundly disturbing play" -New York Sun. This play contains scenes of a graphic sexual and violent nature that may not be suitable for all audiences.

Purple Rising: Celebrating 40 Years of the Magic, Power, and Artistry of The Color Purple

by Lise Funderburg Scott Sanders

One of Oprah&’s Favorite Things of 2023 Celebrate the 40th anniversary of the Pulitzer Prize–winning masterpiece The Color Purple—as well as the acclaimed 1985 film from Steven Spielberg, the Tony-winning Broadway musical, and the all-new film adaptation with this gorgeously designed exploration of the novel&’s enduring legacy, featuring contributions from Alice Walker, Oprah Winfrey, Steven Spielberg, Colman Domingo, Fantasia Barrino, Danny Glover, and more. Since its publication in 1982, The Color Purple has resonated with generations of readers across the globe. The novel catapulted author Alice Walker to international fame, brought Oprah Winfrey and Whoopi Goldberg acting acclaim in the 1985 film adaptation, and inspired theatrical productions around the world, including the Tony Award–winning Broadway musical. This cultural touchstone—which so profoundly touches on race, family, survival, spirituality, sisterhood, and love in all forms—continues to beget new iterations, most recently a feature film. Now, an in-depth exploration celebrates The Color Purple&’s ever-expanding legacy as never before: Purple Rising features oral histories and fresh anecdotes based on more than fifty original interviews, as well as vibrant, never-before-seen images. It reveals the crucial real-life experiences that inspired the novel, and the transcendent humanity of its themes that continue to connect with audiences, each new adaptation speaking to the changing times and cultural contexts. Creators, actors, producers, activists, cultural critics, and well-known fans comment on the power of Walker&’s story and how it has affected their lives and artistic choices, including Whoopi Goldberg, Taraji P. Henson, Danielle Brooks, Halle Bailey, Blitz Bazawule, Jon Batiste, H.E.R., Salamishah Tillet, Ricky Dillard, Gabrielle Union, and many more. An insightful and vivid celebration of an enduring classic, Purple Rising is the ultimate gift for fans of all ages and a true celebration of Black joy, storytelling, and achievement.

Pushing up the Sky: Seven Native American Plays for Children

by Joseph Bruchac Teresa Flavin

From acclaimed Native American storyteller Joseph Bruchac comes a collection of seven lively plays for children to perform, each one adapted from a different traditional Native tale. <P><P>Filled with heroes and tricksters, comedy and drama, these entertaining plays are a wonderful way to bring Native cultures to life for young people. Each play has multiple parts that can be adjusted to suit the size of a particular group and includes simple, informative suggestions for props, scenery, and costumes that children can help to create. Introductory notes and beautiful, detailed illustrations add to young readers' understanding of the seven Native nations whose traditions have inspired the plays.

Pushover

by Jack Sharkey

One act musical \ 2 m., 3 f. plus chorus. \ Back drop. \ This unusual musical tells the story of Samson with reverence for biblical facts, yet with an eye to the wryly incongruous behavior of its hero-- and his impact upon the young Israelites who look up to him, despite his casual approach to his vows. Musical styling will surprise and delight you, ranging as it does from waltz to beguine to ragtime, perfectly suited to the widely varying moods of the plot. The much reprised and hilarious "Sincerity Rag" will start your audiences' feet tapping.

Putting It Together: How Stephen Sondheim And I Created Sunday In The Park With George

by James Lapine

Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

Putting It Together: How Stephen Sondheim and I Created "Sunday in the Park with George"

by James Lapine

A NEW YORK TIMES BESTSELLERA behind-the-scenes look at the making of the iconic musical Sunday in the Park with GeorgePutting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize–winning classic.

Pyaasa & Letters to My Grandma

by Thomas Jones Anusree Roy

Set in Calcutta, Pyaasa tells the story of Chaya, an eleven-year-old untouchable who dreams of nothing more than learning her times tables. When Chaya's mother begs a woman from a higher caste to give Chaya a job at a local tea stall, Chaya's journey from childhood to adulthood begins and ends over ten days. A moving and heartfelt play, Pyaasa illustrates with subtlety and nuanced truth the inequalities and injustices that persist through the Indian caste system.Winner of the 2008 Dora Mavor Moore Award for Outstanding New Play and Outstanding PerformanceIn the haunting Letters to My Grandma, Malobee unearths letters detailing her grandmother's fight to survive the 1947 partition of India, which resonates with Malobee's own struggles to create a new life in present-day Toronto. A grand multi-generational tale of hatred, regret, love, and forgiveness, Letters to my Grandma weaves the remarkable stories of these two women together, inextricably linking their histories and delving into how the hatred bred between Hindus and Muslims in the Old World consumes families in Canada today.

Pygmalion

by Bernard Shaw

Eccentric phonetics professor takes a bet to turn a Cockney flower girl into a lady of quality with hilarious results and keen social satire.

Pygmalion

by George Bernard Shaw

Speech professor Henry Higgins successfully teaches Eliza Doolittle to speak and act like a duchess, but she adamantly refuses to be his creation.

Pygmalion

by George Bernard Shaw

One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. <P><P>An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system. <P>In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. <P>In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork. <P>The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. <P>A staple of college drama courses, it is still widely performed.

Pygmalion and Major Barbara

by George Bernard Shaw

George Bernard Shaw was the greatest British dramatist after Shakespeare, a satirist equal to Jonathan Swift, and a playwright whose most profound gift was his ability to make audiences think by provoking them to laughter. In one of his best-loved plays,Pygmalion,which later became the basis for the musicalMy Fair Lady,Shaw compels the audience to see the utter absurdity and hypocrisy of class distinction when Professor Henry Higgins wagers that he can transform a common flower girl into a lady—and then pass her off as a duchess—simply by changing her speech and manners. InMajor BarbaraShaw spins out the drama of an eccentric millionaire, a romantic poet, and a misguided savior of souls, Major Barbara herself, in a topsy-turvy masterpiece of sophisticated banter and urbane humor. His brilliant dialogue, combined with his use of paradox and socialist theory, never fails to tickle, entertain—and challenge. From the Paperback edition.

Père nazi, fils juif

by Lázaro Droznes Julien Saunier

Cette fiction dramatique raconte l’incroyable histoire basée sur une histoire vraie du fils d’un officier Allemand de la Wehrmacht, décoré pour son courage pendant la Seconde Guerre Mondiale, qui s’est convertit au judaïsme, qui abandonna l’Allemagne et partit en Israël pour se convertir en citoyen israélien. Sa participation dans la guerre du Liban, et sa confrontation avec les palestiniens le mènent au même croisement qu’a dû affronter son père ans auparavant. Il doit affronter le dilemme de tout soldat : tous les ordres sont-ils légaux, et doit-on tous les respecter ? Quelle est la limite de l’obéissance ? La discipline militaire dispense-t-elle le combattant de ses droits moraux et éthiques ? Toute la responsabilité appartient à personne la plus haute gradée de l’organisation militaire, ou la responsabilité est partagée avec les niveaux intermédiaires ? Cette histoire confirme ce que les grecs savaient déjà : personne ne peut éviter son propre destin. Peut-importe ce que l’ont fait, il nous retrouve toujours.

Pérola de Lótus - livro 2: a sombra da cerejeira

by Mariela Saravia Ana Paula Ruth Lima

Com a morte de Donovan, Kiele deixe de se sentir parte de Londres e de Adolf, aquele homem que tanto ama, pois seu sangue inglês foi à maldição de seu povo. Trabalha em diferentes ofícios, até que chega a uma família londrina estabelecida na China e se transforma na instrutora da filha de um poderoso empresário. Rubén Mosses é um homem de poder, que procura a forma de fazê-la sua amante, mas quando Kiele está disposta da lhe dar uma relação extra-matrimonial, estoura a Segunda Guerra do Ópio, que a obriga se separar daquela família que a acolheu por seis anos e, sobretudo, da menina Catarina que nessa época já era uma jovem de quinze anos. Diante da noticia de que a China se encontra em Guerra de novo, Adolf McColl realiza a viajem para China que estava adiando, agora não em busca de tecidos para seu império, mas sim para proteger a única mulher que amou e segue amando. Mas, as visões da morte não o deixam em paz, e a dúvida de não saber se Kiele está viva ou morta, lhe torturam até o cansaço.

Pérola de Lótus: Uma intrusa

by Mariela Saravia Ana Paula Ruth Lima

Ishi é uma menina de treze anos, que vê o mundo de uma forma bem particular, vive fechada em sua cabana sob a custódia de sua família. Num descuido, conhece Tian e com ele descobre o primeiro amor junto com um novo mundo, longe dos maus tratos que vive em sua casa. Meses mais tarde, ante de estourar a Guerra do Ópio, seus pais tem a possibilidade de vendê-la a um mercador inglês, quem decide pagá-la como seu maior patrimônio. A chegada de Ishi em Londres será desajeitada e angustiosa. Aprenderá novos trabalhos com muitas dificuldades, mas também descobrirá aí a verdadeira paixão e amor nas mãos de Adolf, um jovem aristocrático de nobre coração. Contudo, o amor entre raças sempre foi um castigo para qualquer família de posse, e Ishi vai pagá-lo com desprezo. Terminada a Guerra do Ópio, Ishi deixa de se sentir parte de Londres e daquele homem que tanto ama, pois seu sangue inglês foi a maldição de seu povo oriental. Poderá o tempo reuni-los outra vez, para que se amem sem rancores?

QLab 3 Show Control

by Jeromy Hopgood

Used from Broadway to Britain's West End, QLab software is the tool of choice for many of the world's most prominent sound, projection, and integrated media designers. QLab 3 Show Control: Projects for Live Performances & Installations is a project-based book on QLab software covering sound, video, and show control. With information on both sound and video system basics and the more advanced functions of QLab such as MIDI show control, new OSC capabilities, networking, video effects, and microphone integration, each chapter's specific projects will allow you to learn the software's capabilities at your own pace. Tutorials and additional resources are featured at www.focalpress.com/cw/hopgood.

QLab 4: Projects in Video, Audio, and Lighting Control

by Jeromy Hopgood

Used from Broadway to Britain's West End, QLab software is the tool of choice for many of the world's most prominent sound, projection, and integrated media designers. QLab 4: Projects in Video, Audio, and Lighting Control is a project-based book on QLab software covering sound, video, lighting, and show control. With information on audio, video, and lighting system basics and the more advanced functions of QLab such as show control, network capabilities, projection mapping, video effects, and cue cart integration, each chapter's specific projects will allow you to learn the software's capabilities at your own pace. In addition to the text, a companion website hosts project files, instructional videos, and more.

Queen Amarantha

by Charles Busch

Comic drama / Charles Busch / 4 m, 2 f / Unit set / Gorgeous costumes and an ornate setting embellish this robust tale of a lonely Garboesque queen who dresses as a man, a duplicitous courtier who loves the boy in the woman, a conniving countess bent on stealing the throne and the foppish royal cousin she marries to secure her ends. Amarantha, constantly torn between love and duty, renounces her thrown for love and her lover to reclaim her throne. The author starred in the title role in the New York production of this cross dressing classic about sexual ambiguity. / "Covers all bases from The Prisoner of Zenda to Richard III to Mary Stuart." N.Y. Post.

Queen Goneril

by Erin Shields

Set seven years before King Lear, Queen Goneril centres the struggles of Lear’s daughters as they negotiate patriarchal systems built to keep them relegated to the sidelines. In Goneril, we find a natural-born leader. In Regan, a boundary pusher. And in Cordelia, a reluctant peacekeeper. As the three work to dismantle their individual constraints, a storm of inner reckoning begins to brew that reflects their deepest yearnings and mirrors our contemporary world.Whip smart and wide awake, Queen Goneril is another deliciously disruptive adaptation from Erin Shields. In her signature revisionist style, Shields investigates some of our most urgent feminist issues by reimagining the roles of women in classic texts—shifting them from subjects, objects, or witnesses to central figures of both their own lives and the story’s narrative. Queen Goneril lays bare the challenges of maintaining authenticity while achieving authority—how we retain a strong sense of self while twisting around systems meant to make us play small. A compelling story about complicated characters struggling—the way we all struggle—to find their place in this world.

Queen Milli of Galt

by Gary Kirkham

Comedy / 3m, 3f / Unit set / Based on a true story. A lovely romantic comedy with a handy supply of humor, this play is a genuinely witty exploration of unexpected love. In 1972, the Duke of Windsor (Edward VIII) dies while living in exile at the age of 78. Two weeks later in Canada, an 80 year-old woman from a small town named Galt has her tombstone engraved, claiming to be his wife. A young journalist appears at her door, eager for answers. Flashback to 1919 as Edward, then holding the official title of the Prince of Wales, visits Canada as an emissary of the King. Bored with the pomp and circumstance, he slips away from his official duties and begins a romance with a charming young woman.

Queen of Vaudeville: The Story of Eva Tanguay

by Andrew Erdman

In her day, Eva Tanguay (1879-1947) was one of the most famous women in America. Widely known as the "I Don't Care Girl"-named after a song she popularized and her independent, even brazen persona-Tanguay established herself as a vaudeville and musical comedy star in 1904 with the New York City premiere of the show My Lady-and never looked back. Tanguay was, at the height of a long career that stretched until the early 1930s, a trend-setting performer who embodied the emerging ideal of the bold and sexual female entertainer. Whether suggestively singing songs with titles like "It's All Been Done Before But Not the Way I Do It" and "Go As Far As You Like" or wearing a daring dress made of pennies, she was a precursor to subsequent generations of performers, from Mae West to Madonna and Lady Gaga, who have been both idolized and condemned for simultaneously displaying and playing with blatant displays of female sexuality.In Queen of Vaudeville, Andrew L. Erdman tells Eva Tanguay's remarkable life story with verve. Born into the family of a country doctor in rural Quebec and raised in a New England mill town, Tanguay found a home on the vaudeville stage. Erdman follows the course of her life as she amasses fame and wealth, marries (and divorces) twice, engages in affairs closely followed in the press, declares herself a Christian Scientist, becomes one of the first celebrities to get plastic surgery, loses her fortune following the Wall Street Crash of 1929, and receives her last notice, an obituary in Variety. The arc of Tanguay's career follows the history of American popular culture in the first half of the twentieth century. Tanguay's appeal, so dependent on her physical presence and personal charisma, did not come across in the new media of radio and motion pictures. With nineteen rare or previously unpublished images, Queen of Vaudeville is a dynamic portrait of a dazzling and unjustly forgotten show business star.

Queen of the Toilet Bowl (Orca Currents)

by Frieda Wishinsky

When Renata is chosen to play the lead role in the school musical, students who used to ignore her start saying hello and congratulating her in the hall. Renata enjoys her newfound acceptance at school until she realizes that Karin, a wealthy girl who expected to get the lead role, will go to great lengths to punish Renata for her success. Renata is not going to give up the role, but how much tormenting will she have to take? This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read!

Queens of Comedy: Lucille Ball, Phyllis Diller, Carol Burnett, Joan Rivers, and the New Generation of Funny Women

by Susan Horowitz

Through candid personal interviews with Lucille Ball, Carol Burnett, and other visionary performers, Queens of Comedy explores how comediennes have redefined the roles of women in not only the entertainment business, but society as a whole. Detailing both their public and private lives - as well as their many and varied performances - Queen of Comedy examines the impact these women have had on the predominantly male-oriented world of comedy. Performers like Carol Burnett, Joan Rivers, and their more recent counterparts, comediennes Brett Butler and Roseanne, have helped to sift women's roles in comedy from object to subject. This book maps out this shift, providing an often brutally honest picture of women's lives in both the spotlight of comedy and this modern world.

Queer Dramaturgies: International Perspectives on Where Performance Leads Queer (Contemporary Performance InterActions)

by Alyson Campbell Stephen Farrier

This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.

Queer Nightlife (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)

by Ramon Rivera-Servera Kareem Khubchandani Kemi Adeyemi

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).

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