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Rebus: Strip Jack, The Black Book and Mortal Causes
by Ian Rankin'Britain's best crime novelist' Daily ExpressSTRIP JACKTo the outside world, MP Gregor Jack is well-liked and successful. But his carefully nurtured career takes a tumble after a 'mistake' during a police raid on a notorious Edinburgh brothel. Then his wife disappears and a couple of bodies float into view where they shouldn't... Rebus soon realises that not only is the MP's image tarnishing fast - but someone wants to strip Jack naked - and Rebus wants to know why.THE BLACK BOOKWhen a close colleague is brutally attacked, Inspector John Rebus is drawn into a case involving a hotel fire, an unidentified body, and a long forgotten night of terror and murder. Pursued by dangerous ghosts and tormented by the coded secrets of his colleague's notebook, Rebus must piece together the most complex and confusing of jigsaws. But not everyone wants the puzzle solved - perhaps not even Rebus himself...MORTAL CAUSESIt is August in Edinburgh and the Festival is in full swing... A brutally tortured body is discovered in one of the city's ancient subterranean streets and marks on the corpse cause Rebus to suspect the involvement of sectarian activists. The prospect of a terrorist atrocity in a city heaving with tourists is almost unthinkable. When the victim turns out to be the son of a notorious gangster, Rebus realises he is sitting atop a volcano of mayhem - and it's just about to erupt.'Rankin's ability to create a credible character, delivering convincing dialogue to complement sinister and hard-hitting plots against vividly detailed atmosphere, is simply awesome' Time Out
Rebus: The New Play
by Ian RankinFrom the No.1 bestselling author of A SONG FOR THE DARK TIMESThe stage debut for the legendary detective John Rebus in this brand new, original story by Ian Rankin, written alongside the award-winning playwright Rona Munro.John Rebus is not as young as he was, but his detective instincts have never left him. And after the daughter of a murder victim turns up outside his flat, he's going to need them at their sharpest.Enlisting the help of his old friend DI Siobhan Clarke, Rebus is determined to solve this cold case once and for all. But Clarke has problems of her own, problems that will put her at odds with her long-time mentor and push him into seeking help from his age-old adversary: 'Big Ger' Cafferty.This haunting story takes Rebus to places he has never been before, sets him and his long-time foe on a collision course and takes us deeper into one of the most satisfying conflicts in modern fiction.Featuring an introduction from Rankin himself, a Q&A between writers Ian and Rona, an interview with the director, and behind-the-scenes production materials, this book is one Rebus fans will not want to miss out on.
Rebus: The New Play
by Ian RankinFrom the No.1 bestselling author of A SONG FOR THE DARK TIMESThe stage debut for the legendary detective John Rebus in this brand new, original story by Ian Rankin, written alongside the award-winning playwright Rona Munro.John Rebus is not as young as he was, but his detective instincts have never left him. And after the daughter of a murder victim turns up outside his flat, he's going to need them at their sharpest.Enlisting the help of his old friend DI Siobhan Clarke, Rebus is determined to solve this cold case once and for all. But Clarke has problems of her own, problems that will put her at odds with her long-time mentor and push him into seeking help from his age-old adversary: 'Big Ger' Cafferty.This haunting story takes Rebus to places he has never been before, sets him and his long-time foe on a collision course and takes us deeper into one of the most satisfying conflicts in modern fiction.Featuring an introduction from Rankin himself, a Q&A between writers Ian and Rona, an interview with the director, and behind-the-scenes production materials, this book is one Rebus fans will not want to miss out on.
Receiving the Stranger in Shakespeare: Hospitality and Hostility in the Plays (Routledge Studies in Shakespeare)
by Joan FitzpatrickHospitality to strangers has become an increasingly prevalent topic in recent years, from political upheavals resulting in the displacement of millions of people, to the emergence of our collective obligations towards strangers during the Covid-19 pandemic. Yet the vexed question of when to welcome or reject strangers is nothing new. In the context of an increasingly multicultural early modern London, where disease, including plague, was often rampant, Shakespeare repeatedly explores the subtle ethical complexities that attend seemingly straightforward acts of hospitality or their refusal. Receiving the Stranger in Shakespeare provides critical analysis of the most important moments of hospitality or its denial in Shakespeare’s plays, situating them historically in order to fully explore Shakespeare's engagement with early modern views. The book explores the plays definitions of the self, self-interest, and otherness and their relevance to make sense of the world, and an exploration of the social, economic, and political particularities that make such distinctions as troublesome as they are necessary. This volume will unravel the various attempts, successful and unsuccessful, to balance these obligations and risks.
Reception
by Marsha SheinessThis play by the acclaimed author of The Spelling Bee takes place in the offices of Serendipity Publications. Because of the absence of the Director of Personnel, Deborah Silver, receptionist, has to deal with two candidates for a job vacancy-- both men, one black and one white-- all the while coping with the various calls which come in. How Deborah handles this difficult job forms the core of this true to life play about the business world. A perfect play for schools!
Reckless and Other Plays
by Craig LucasThis volume combines some of Craig Lucas' best known work, including Reckless ("a bittersweet fable for our time"--Frank Rich, The New York Times) and Blue Window (". . . the clarity of a Mozart quintet. And it is faultlessly spun. "--Dan Sullivan, The Los Angeles Times) with his newest play, Stranger. The three plays continue the author's exploration of the nature of relationships in an ever increasingly distant society. Craig Lucas is the author of Prelude to a Kiss, both a success on Broadway and as a motion picture, The Dying Gaul, God's Heart, Missing Persons and Longtime Companion. He is currently at work on numerous projects for theatre and film. Also available by Craig Lucas What I Meant Was: New Plays and Selected One Acts PB $17. 95 1-55936-159-X * USA Prelude to a Kiss and Other Plays PB $16. 95 1-55936-193-X * USA
Reckless and Other Plays
by Craig LucasThis volume combines some of Craig Lucas' best known work, including Reckless ("a bittersweet fable for our time"--Frank Rich, The New York Times) and Blue Window ("...the clarity of a Mozart quintet. And it is faultlessly spun."--Dan Sullivan, The Los Angeles Times) with his newest play, Stranger. The three plays continue the author's exploration of the nature of relationships in an ever increasingly distant society.Craig Lucas is the author of Prelude to a Kiss, both a success on Broadway and as a motion picture, The Dying Gaul, God's Heart, Missing Persons and Longtime Companion. He is currently at work on numerous projects for theatre and film.Also available by Craig Lucas What I Meant Was: New Plays and Selected One Acts PB $17.95 1-55936-159-X * USA Prelude to a Kiss and Other Plays PB $16.95 1-55936-193-X * USA
Reclaiming Greek Drama for Diverse Audiences: An Anthology of Adaptations and Interviews
by Melinda PowersReclaiming Greek Drama for Diverse Audiences features the work of Native-American, African-American, Asian-American, Latinx, and LGBTQ theatre artists who engage with social justice issues in seven adaptations of Sophocles’ Antigone, Euripides’ Trojan Women, Hippolytus, Bacchae, Alcestis, and Aristophanes’ Frogs, as well as a work inspired by the myth of the Fates. Performed between 1989 and 2017 in small theatres across the US, these contemporary works raise awareness about the trafficking of Native-American women, marriage equality, gender justice, women’s empowerment, the social stigma surrounding HIV, immigration policy, and the plight of undocumented workers. The accompanying interviews provide a fascinating insight into the plays, the artists’ inspiration for them, and the importance of studying classics in the college classroom. Readers will benefit from an introduction that discusses practical ways to teach the adaptations, ideas for assignments, and the contextualization of the works within the history of classical reception. Serving as a key resource on incorporating diversity into the teaching of canonical texts for Classics, English, Drama and Theatre Studies students, this anthology is the first to present the work of a range of contemporary theatre artists who utilize ancient Greek source material to explore social, political, and economic issues affecting a variety of underrepresented communities in the US.
Reconsidering National Plays in Europe
by Suze Poll Rob ZalmThis volume frames the concept of a national play. By analysing a number of European case studies, it addresses the following question: Which play could be regarded as a country's national play, and how does it represent its national identity? The chapters provide an in-depth look at plays in eight different countries: Germany (Die Räuber, Friedrich Schiller), Switzerland (Wilhelm Tell, Friedrich Schiller), Hungary (Bánk Bán, József Katona), Sweden (Gustav Vasa, August Strindberg), Norway (Peer Gynt, Henrik Ibsen), the Netherlands (The Good Hope, Herman Heijermans), France (Tartuffe, Molière), and Ireland. This collection is especially relevant at a time of socio-political flux, when national identity and the future of the nation state is being reconsidered.
Reconstructing Performance Art: Practices of Historicisation, Documentation and Representation (Routledge Advances in Theatre & Performance Studies)
by Tancredi GusmanThis book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. Performance art emerged internationally between the 1960s and 1970s crossing disciplinary boundaries between performing arts and visual arts. Because of the challenge it posed to the ontologies and paradigms of these fields, performance art has since stimulated an ongoing debate on the most appropriate means to document, preserve and display it. Tancredi Gusman brings together international scholars from different disciplinary fields to examine methods, media, and approaches by which this art form has been represented and (re)activated over time and its transnational history reconstructed. Through contributions and case studies spanning various countries, regions and artistic fields, the authors outline an innovative theoretical-methodological framework for capturing the processes and strategies for transmitting the tangible and intangible heritage of performance art. This book will be of great appeal to students, researchers, and practitioners in the fields of Theatre and Performance Studies as well as Visual Arts and Art History, who have an interest in performance art, its history and presence in the contemporary artistic and cultural landscape.
Reconstruction of the Poet: Uncollected Works of Zbigniew Herbert
by Zbigniew HerbertFrom one of Poland's most acclaimed poets comes a new collection of poems and plays spanning almost five decades and translated for the first time.Encapsulating the prolific work of the poet and playwright Zbigniew Herbert, Reconstruction of the Poet is both a celebration of a profound life of letters and a wide-ranging collection of never-before-published work that casts new light on a much-loved poet. Spanning from 1950 to 1998, this volume of work contains three plays—The Philosophers’ Cave, The Other Room, and Reconstruction of the Poet—and over fifty poems. This collection takes readers through the mind of a man attempting to look at the ruins of a postwar world while seeking living sources of European culture, with poems commemorating contemporaries fallen in wartime, elevating erotic experience and friendship, and exploring political and metaphysical passions.A rich expansion of previously published works by Herbert, Reconstruction of the Poet is both an introduction for readers who might still be unfamiliar with this important poet’s work and a fresh invitation for reflection for his longtime readers.
Recording Women: A Documentation of Six Theatre Productions (Routledge Revivals)
by Geraldine CousinFirst Published in 2000, Recording Women documents the work of three leading feminist theatre companies, Sphinx Theatre Company, Scarlett Theatre and Foresight Theatre, through a combination of interviews with theatre practitioners and detailed descriptions of productions in performance. Each of the six productions is innovative in content and style.Scarlett Theatre’s Paper Walls and Foresight Theatre’s Boadicea: The Red-Bellied Queen employ a skillful mixture of text, music, physical performance, humour and seriousness to explore, respectively, domestic abuse and rape (of women and community). Scarlett Theatre’s The Sisters and Sphinx’s Voyage in the Dark adapt existing texts. The sisters is a ritualized re-enactment of Chekhov’s Three Sisters in which only the female characters from the play appear. Voyage in the Dark uses film-noir-like theatrical effects and the insistent rhythms of the tango to evoke the rootlessness and sense of alienation that characterizes Jean Rhys’s novel. Slap (Foursight Theatre) and Goliath (Sphinx) are both one woman shows. Slap, performed by Naomi Cooke, explores images of motherhood, including lesbian motherhood and the concept of virgin birth. Goliath, performed by Nicola McAuliffe, is a dramatization, by Bryony Lavery, of Beatrix Campbell’s powerful study of the 1991 riots in Cardiff, Oxford and Tyneside. This is a must read for scholars and researchers of theatre studies.
Recreating Historic Dress: Clothing Gems from the Hereford Museum Clothing Collection, with Patterns
by Nancy E. HillsRecreating Historic Dress: Clothing Gems from the Hereford Museum Clothing Collection, with Patterns compiles patterns and information for 25 never-before-published garments from the historic clothing collection at the Hereford Museum and Art Gallery Resource Centre, Hereford, UK.An accurate study of dress is dependent on the very close and careful examination of existing garments. Nancy Hills has conducted a detailed analysis of a range of garments, spanning the years 1755 through to 1954, carefully exploring what they can tell us and translating them into paper patterns. Each featured garment contains a detailed description, the pattern, historical context, and images of the full article of clothing and construction details from inside the garment. This book features an eclectic selection of clothing, including a comfortable 18th-century cotton caraco often worn for work, leisure, travel, or pregnancy, a simple cotton print dress worn in 1834 as a wedding dress, and two dresses, one from 1936 and one from 1954, that show a more elite pedigree, with their labels of popular London designers.This book will be of interest to experienced costume designers and technicians, cutters and drapers, intermediate students of theatrical costume design, and historical reenactors.
Red Doc> (Vintage Contemporaries Ser.)
by Anne CarsonA literary event: a follow-up to the internationally acclaimed poetry bestseller Autobiography of Red ("Amazing" -- Alice Munro) that takes its mythic boy-hero into the twenty-first century to tell a story all its own of love, loss, and the power of memory. In a stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called "G," into manhood, and through the complex labyrinths of the modern age. We join him as he travels with his friend and lover "Sad" (short for Sad But Great), a haunted war veteran; and with Ida, an artist, across a geography that ranges from plains of glacial ice to idyllic green pastures; from a psychiatric clinic to the somber housewhere G's mother must face her death. Haunted by Proust, juxtaposing the hunger for flight with the longing for family and home, this deeply powerful verse picaresque invites readers on an extraordinary journey of intellect, imagination, and soul.
Red Like Fruit
by Hannah MoscovitchMeet Lauren, a journalist in the midst of covering a high-profile domestic violence case while a growing sense of unease pervades her thoughts. Now meet Luke, whom Lauren has asked to tell her story to the audience. Through Luke’s voice, Lauren reflects on buried memories of sexual experiences from her adolescence. Are these experiences just a part of being a woman, or are they trauma? And does Luke have the authority to help her understand her own life?From the Governor General’s Literary Award–winning playwright of Sexual Misconduct of the Middle Classes, Hannah Moscovitch is at the height of her dramatic powers in this masterful provocation about the role men’s voices play in women’s stories. Through an ingenious metatheatrical device, Red Like Fruit courageously interrogates the messy contradictions and complexities of complicity, consent, power, and truth in the post #MeToo era.
Red Scare On Sunset
by Charles BuschFull Length, Comedy \ 5 m, 3 f \ Unit set \ This Off-Broadway hit is set in 1950's Hollywood during the blacklist days. This is a hilarious comedy that touches on serious subjects by the author of Vampire Lesbians of Sodom. Mary Dale is a musical comedy star who discovers to her horror that her husband, her best friend, her director and houseboy are all mixed up in a communist plot to take over the movie industry. Among their goals is the dissolution of the star system! Mary's conversion from Rodeo Drive robot to McCarthy marauder who ultimately names names, including her husband's, makes for outrageous, thought provoking comedy. The climax is a wild dream sequence where Mary imagines she's Lady Godiva, the role in the musical she's currently filming. Both right and left are skewered in this comic melodrama. \ "You have to champion the ingenuity of Busch's writing which twirls twist upon twist and spins into comedy heaven."-Newsday
Red Sneaks
by Elizabeth SwadosTeen Groups \ Musical \ 4 m., 4 f. \ Unit set. \ This free wheeling contemporary musical for teens is a loose adaptation of the The Red Shoes, transposed to today's urban jungle. The allegorical montage of songs, scenes and monologues centers around a welfare hotel resident who is persuaded by a mysterious young drifter to accept a pair of glittery red sneakers. Whoever is wearing them may wish for anything-- and every wish comes true, but the easy way out turns out to be a fast trip to an early death. \ "The most refreshing thing about The Red Sneaks ... is the chance to hear youths rather than adults talk about the nightmarish pressures of urban life." - The New York Times
Redeeming the Reclusive Earl: A Steamy Historical Romance
by Virginia HeathAn annoyance to lovers, opposites attract Regency romp! His heart is a fortress And she&’s trespassing! After losing all he holds dear in a horrific fire, Max Aldersley, Earl of Rivenhall, shuns the world—until he catches Effie Nithercott digging holes on his estate! He banishes the intrepid archaeologist and the unsettled feelings she arouses within him. But she returns, even more determined and infuriatingly desirable than before! He wonders just how deep she is prepared to dig—so far that she&’ll reach the man beneath his scars…? Previously published Look out for Virginia Heath&’s latest Harlequin Historical, part of A Season to Wed: Only an Heiress Will Do by Virginia Heath The Viscount&’s Forbidden Flirtation by Sarah Rodi Their Second Chance Season by Ella Matthews The Lord&’s Maddening Miss by Lucy Morris
Redface: Race, Performance, and Indigeneity (Performance and American Cultures)
by Bethany HughesConsiders the character of the “Stage Indian” in American theater and its racial and political impact Redface unearths the history of the theatrical phenomenon of redface in nineteenth- and twentieth-century America. Like blackface, redface was used to racialize Indigenous peoples and nations, and even more crucially, exclude them from full citizenship in the United States. Arguing that redface is more than just the costumes or makeup an actor wears, Bethany Hughes contends that it is a collaborative, curatorial process through which artists and audiences make certain bodies legible as “Indian.” By chronicling how performances and definitions of redface rely upon legibility and delineations of race that are culturally constructed and routinely shifting, this book offers an understanding of how redface works to naturalize a very particular version of history and, in doing so, mask its own performativity.Tracing the “Stage Indian” from its early nineteenth-century roots to its proliferation across theatrical entertainment forms and turn of the twenty-first century attempts to address its racist legacy, Redface uses case studies in law and civic life to understand its offstage impact. Hughes connects extensive scholarship on the “Indian” in American culture to the theatrical history of racial impersonation and critiques of settler colonialism, demonstrating redface’s high stakes for Indigenous and non-Indigenous alike. Revealing the persistence of redface and the challenges of fixing it, Redface closes by offering readers an embodied rehearsal of what it would mean to read not for the “Indian” but for Indigenous theater and performance as it has always existed in the US.
Redheaded Stepchild
by Johnnie WalkerNicholas is a twelve-year-old with red hair whose dad just remarried. This makes Nicholas a redheaded stepchild. Literally. And tomorrow at lunch, the biggest boy in grade six plans to beat him up—he even made a Facebook event about it. Should Nicholas skip school? His new stepmom, a chain-smoking, ex-Jehovah’s Witness golf pro named Mary-Anne, doesn’t want him playing hooky. His secret alter ego, the fabulous and charismatic Rufus Vermilion, thinks his ginger genetics will doom him either way. But when events in the schoolyard leave both Mary-Anne and Rufus speechless, it’s up to Nicholas to pick up the pieces and do some serious growing up.
Rediscovering Renaissance Witchcraft
by Marion GibsonRediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the ‘Witch Finder Generall’ Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare’s Macbeth and Middleton’s The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.
Rediscovering Stanislavsky
by Maria ShevtsovaKonstantin Stanislavsky (1863–1938) was one of the most innovative and influential directors of modern theatre and his system and related practices continue to be studied and used by actors, directors and students. Maria Shevtsova sheds new light on the extraordinary life of Stanislavsky, uncovering and translating Russian archival sources, rehearsal transcripts, production scores and plans. This comprehensive study rediscovers little-known areas of Stanislavsky's new type of theatre and its immersion in the visual arts, dance and opera. It demonstrates the fundamental importance of his Russian Orthodoxy to the worldview that underpinned his integrated System and his goals for the six laboratory research studios that he established or mentored. Stanislavsky's massive achievements are explored in the intricate and historically intertwined political, cultural and theatre contexts of Tsarist Russia, the 1917 Revolution, the volatile 1920s, and Stalin's 1930s. Rediscovering Stanislavksy provides a completely fresh perspective on his work and legacy.
Redreaming the Renaissance: Essays on History and Literature in Honor of Guido Ruggiero (The Early Modern Exchange)
by Albert Russell Ascoli Paula Findlen Joanne M. Ferraro Nicholas Terpstra Suzanne Magnanini Konrad Eisenbichler Courtney Quaintance Meredith K. Ray Alessandro Arcangeli Massimo Rospocher Julia L. Hairston Douglas G. BiowRedreaming the Renaissance seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.
Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment (Reproducing Shakespeare)
by Thomas CartelliIn the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an undoing and a redoing, above all a doing differently of what otherwise continues to be enacted as the same. Rooted in the modernist avant-garde, this revisionary approach to models of the past is advanced by theater artists and filmmakers whose number includes Romeo Castellucci, Annie Dorsen, Peter Greenaway, Thomas Ostermeier, Ivo van Hove, and New York’s Wooster Group, among others. Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment—in more diverse forms than ever before—continues to exert expressive force in Shakespearean reproduction’s turning world.
References to Salvador Dalí Make Me Hot and Other
by José RiveraSurrealism, magic realism and expressionism are the hallmarks of Jose Rivera's influential body of work. This new volume collects the author's plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."--The Journal News), Sueño (a reworking for Pedro Calderón's Life is a Dream) and Sonnets for an Old Century, the author's most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."--Robert Brustein, New RepublicAlso available by José Rivera Marisol and Other Plays PB $15.95 1-55936-136-0 * USA