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Salomé (Dover Thrift Editions)
by Oscar WildeOutraged by the sexual perversity of this one-act tragedy, Great Britain's Lord Chamberlain banned Salomé from the national stage. Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.
Salted Caramel Dreams: A Swirl Novel (Swirl #4)
by Jackie Nastri BardenwerperFriendship without drama? Dream on!Jasmine has always been best friends with Kiara. They have a secret handshake, plans to open a joint Etsy shop, and even invented a salted caramel drink together at the local cafe. But when Kiara joins the basketball team, she starts to become distant . . . and then she betrays Jasmine's trust. Jasmine has never felt so alone. Eventually, her mom forces her to join drama club—and it's much more fun than she expected! She starts to make new friends, including a very cute boy. Things are looking up! But just as Jasmine is getting used to her new normal, there's a crisis with the play—and Kiara suddenly reaches out. Can the former friends help each other when they need it most?
Salvation of Lonnie McCain
by Richard S. DunlopThe Salvation of Lonnie McCain is a truly funny play, and a meaningful exploration of a vital part of the modern high school: the grade counselor, his problems, his successes, and his failures. Lonny, a bright senior, has earned a D average and is best known for his frequent misbehavior. His counselor tries to find out why so the boy can be helped. Other office problems involving numerous students make this fast-moving play both a delight and education for student and adult audiences alike. Lonny McCain's first tournament experience brought it three big trophies: Best Actor, Best Comedy, and Sweepstakes.
Sam Shepard V8 Pt 3
by Johan CallensThese issues consist of the edited Proceedings of the Shepard conference, organized by the Belgian-Luxembourg American Studies Association and the Free University of Brussels (VUB), which took place in Brussels, 28-30 May 1993. It will be of interest to undergraduates and postgraduates, professors, critics, theater practitioners, writers and those with a keen interest in the fields of literature, theater studies and cultural studies.
Sam Shepard V8 Pt 4 (Routledge Siena Studies In Political Economy Ser.)
by CallensFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Sam Shepard and the Aesthetics of Performance
by Emma CreedonThis book argues that a consideration of Sam Shepard's plays in the context of visual and theoretical Surrealism significantly succours our understanding of his experimental approach. Emma Creedon's study reveals how Shepard's plays rely on a veneer of realism that the playwright then actively exploits and rejects. In this mode, these plays indicate a sophisticated deconstruction of American realism and a manipulation of dramatic conventions; moreover, the incantatory functioning of his dramatic language reveals the influence of such Surrealists as Antonin Artaud. Indeed, this, along with his long admiration for and textual references to Samuel Beckett's plays, positions him as a dramatist working within the European tradition of Absurdism.
Sam Shepard: A Life
by John J. Winters“John Winters offers a master class in literary sleuthing, untangling the many lives and unearthing the origin story of America’s foremost Renaissance man of letters.” —Kelly Horan, coauthor of Devotion and DefianceWith more than fifty–five plays to his credit—including the 1979 Pulitzer Prize–winning Buried Child, an Oscar nod for his portrayal of Chuck Yeager in The Right Stuff, and an onscreen persona that’s been aptly summed up as “Gary Cooper in denim”—Sam Shepard’s impact on American theater and film ranks with the greatest playwrights and actors of the past half–century.Sam Shepard: A Life gets to the heart of Sam Shepard, presenting a compelling and comprehensive account of his life and work.In a new epilogue, added by the author after Shepard’s untimely death in July of 2017, John J. Winters offers a glimpse into the enigmatic author’s last days, when very few knew he was suffering from ALS.“An excellent biography . . . Mr. Winters is especially good on the backstage of one of Mr. Shepard’s most frequently revived works, True West . . . Mr. Winters has an interesting story to tell, and he recounts it ably, bringing us close to a figure who, he admits, avoids intimacy.” —The Wall Street Journal“A new, thoroughly researched biography . . . Winters does indeed capture a personality more anxious and self–doubting than previous biographers have grasped.” —The Washington Post“Meticulously presents the facts of Shepard’s complex life along with incisive descriptions and analyses of diverse productions of Shepard’s demanding and innovative plays . . . Winters portrays Shepard as a magnetic, enigmatic, and multitalented artist drawing on a deep well of loneliness and self–questioning, keen attunement to the zeitgeist, and penetrating insight into human nature.” —Booklist (starred review)
Sam Shepard: Seven Plays
by Sam ShepardBrilliant, prolific, uniquely American, Pulitzer prizewinning playwright Sam Shepard is a major voice in contemporary theatre. And here are seven of his very best: Buried Child, Curse of the Starving Class, The Tooth of Crime, La Turista, Tongues, Savage Love, True West
Samagra Ekankika FYBA - SPPU: समग्र एकांकिका एफ.वाय.बी.ए. - सावित्रीबाई फुले पुणे यूनिवर्सिटी
by Premanand Gajviया एकांकिकांविषयी कोणतेही भाष्य करणं उचित ठरणार नाही. हा कलावंतांचा, रसिकांचा अधिकार. तरीही एक सांगितलं पाहिजे. "घोटभर पाणी' ही एकच एकांकिका प्रेमानंद गज्वीनी लिहिली असती नि नंतर काहीच लिहिलं नसतं तरी गज्वीचं नाव मराठी नाटयवाङ्मयाच्या इतिहासात सन्मानानं घेतलं गेलं असतं." असं म्हटलं गेलंय. अशा या एकांकिकेचे एकूण ३००० प्रयोग झाले असून ४५७ पारितोषिकं तिला प्राप्त झाले आहेत. या एकांकिकेचा इंग्रजीसह सर्व भारतीय भाषात अनुवाद झालेला आहे. आता पर्यंत लिहिलेल्या सोळा एकांकिका या पुस्तकात समग्र स्वरुपात प्रकाशित होत आहेत.
Samhain: October 1901 - November 1908 (Routledge Revivals)
by W. B. YeatsFirst published in 1970, this book includes all of the annual editions and also a final pamphlet of Samhain: October 1901 – November 1908, a literary magazine edited by W. B. Yeats. Samhain was one of the several magazines that the Irish Literary Theatre (later to become The Abbey Theatre) produced and it was born when the original magazine, Beltaine, came to an end in 1900. Yeats’s editorial role was essential to the publication which served to publicize the work of the Theatre, promote current works of Irish playwrights and challenging those of their English opponents.The magazine mainly consists of a series of essays on the theatre in Dublin, and supplementing these are explanations and discussions of new plays, excerpts from which are often included. This book will be of interest to those with an interest in Yeats, early nineteenth-century literature, and Irish theatre.
Sampling and Remixing Blackness in Hip-hop Theater and Performance
by Nicole Hodges PersleySampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness, this book asks how such engagements with Hip-hop in performance can be both dangerous and a space for finding cultural allies. Featuring the work of some of the visionaries of Hip-hop theater including Lin-Manuel Miranda, Sarah Jones and Danny Hoch, this book explores the work of groundbreaking Hip-hop theater and performance artists who have engaged Hip-hop's Blackness through popular performance. The book challenges how we understand the performance of race, Hip-hop and Blackness in the age of Instagram, TikTok and Facebook. In a cultural moment where racial identity is performed through Hip-hop culture's resistance to the status quo and complicity in maintaining it, Hodges Persley asks us to consider who has the right to claim Hip-hop's blackness when blackness itself is a complicated mixtape that offers both consent and resistance to transgressive and inspiring acts of performance.
Samuel Beckett (Routledge Revivals)
by Francis DohertyOriginally published in 1971, this book elucidates Beckett’s work in the light of his concern with literary form. This is seen as an increasingly compressed and dense medium for the purer and purer statement of his view of man’s existence, and Beckett’s Man is seen as the medium for the articulation of a view of the world which is both comically cruel and anti-theological, but not atheist. The book discusses his work as a novelist and playwright – his best-known play, Waiting for Godot, being seen in the context of his many other important plays, and more than twenty years of previous writing.
Samuel Beckett Comment C'est How It Is And / et L'image: A Critical-Genetic Edition Une Edition Critic-Genetique
by Samuel BeckettThis book contains the English and French texts and a complete record of the genesis of each. Besides Comment C'est How It Is, O'Reilly has included L'Image and an excerpt from Comment C'est that was published later in another volume.
Samuel Beckett and BBC Radio
by Matthew Feldman Erik Tonning David AddymanThis book is the first sustained examination of Samuel Beckett's pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett's work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett's radio plays and various "adaptations" (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising--for readers of Beckett and for scholars of radio, "late modernism," and post-war British culture more broadly.
Samuel Beckett and Catastrophe
by Mariko Hori Tanaka Yoshiki Tajiri Michiko TsushimaSamuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis. Responding to the post-catastrophic situations in the twentieth century, Beckett created characters who often seem to have been through an unknown catastrophe. Although the importance of catastrophe in Beckett has been noted sporadically, there has been no substantial attempt to discuss his aesthetics and work in relation to it. This collection will therefore serve as the first sustained study to explore the theme of catastrophe in Beckett and will be a highly significant contribution to Beckett studies.
Samuel Beckett and Disability Performance (New Interpretations of Beckett in the Twenty-First Century)
by Hannah SimpsonBeckett’s plays have attracted a striking range of disability performances – that is, performances that cast disabled actors, regardless of whether their roles are explicitly described as ‘disabled’ in the text. Grounded in the history of disability performance of Beckett’s work and a new theorising of Beckett’s treatment of the impaired body, Samuel Beckett and Disability Performance examines four contemporary disability performances of Beckett’s plays, staged in the UK and US, and brings the rich fields of Beckett studies and disability studies into mutually illuminating conversation. Pairing original interviews with the actors and directors involved in these productions alongside critical analysis underpinned by recent disability and performance theory, this book explores how these productions emphasise or rework previously undetected indicators of disability in Beckett’s work. More broadly, it reveals how Beckett’s theatre compulsively interrogates alternative embodiments, unexpected forms of agency, and the extraordinary social interdependency of the human body.
Samuel Beckett and the Visual Arts
by Conor CarvilleSamuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. <P><P>Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes.<P> Draws on a wide range of new sources, both published and unpublished.<P> Demonstrates the changes in Beckett's thinking about art and aesthetics over his career.<P> Reorients Beckett's relationships with modernism, late modernism and the avant-gardes.
Samuel Beckett's Critical Aesthetics
by Tim LawrenceThis book considers how Samuel Beckett’s critical essays, dialogues and reflections drew together longstanding philosophical discourses about the nature of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry. It also pays attention to Beckett’s writing for little-magazines in France from the 1930s to the 1950s, before going on to consider how the style of Beckett’s late prose recalls and develops figures and themes in his critical writing. By providing a long-overdue assessment of Beckett’s work as a critic, this study shows how Beckett developed a new aesthetic in knowing dialogue with ideas including phenomenology, Kandinsky’s theories of abstraction, and avant-garde movements such as Surrealism. This book will be illuminating for students and researchers interested not just in Beckett, but in literary modernism, the avant-garde, European visual culture and philosophy.
Samuel Beckett's Krapp's Last Tape (The Fourth Wall)
by Daniel Sack"We lay there without moving. But under us all moved, and moved us." - Krapp Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape (1958) with a general reader in mind. Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors. Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.
Samuel Beckett: A Casebook (Casebooks On Modern Dramatists Ser. #25)
by Jennifer M. JeffersFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Samuel Beckett: Anatomy of a Literary Revolution
by Pascale CasanovaIn this fascinating new exploration of Samuel Beckett&’s work, Pascale Casanova argues that Beckett&’s reputation rests on a pervasive misreading of his oeuvre, which neglects entirely the literary revolution he instigated. Reintroducing the historical into the heart of this body of work, Casanova provides an arresting portrait of Beckett as radically subversive—doing for writing what Kandinsky did for art—and in the process presents the key to some of the most profound enigmas of Beckett&’s writing.
Samuel Beckett’s Italian Modernisms: Tradition, Texts, Performance (Routledge Advances in Theatre & Performance Studies)
by Michela Bariselli Davide Crosara Antonio Gambacorta Mario MartinoIn the wake of both Joycean and Dantean celebrations, this volume aims to investigate the fecund influence of Italian culture on Samuel Beckett’s work, with a specific focus on the twentieth century.Located at the intersection of historical avant-garde movements and a renewed interest in tradition, Italian modernism reimagined Italy and its culture, projecting it beyond the shadow of fascism. Following in Joyce’s footsteps, Samuel Beckett soon became an attentive reader of Italian modernist authors. These had a profound effect on his early work, shaping his artistic identity. The influence of his early readings found its way also into Beckett’s postwar writing and, most poignantly, in his theatre. The contributions in this collection rekindle the debate around Beckett as modernist author through the lenses of Italian culture.This study will be of particular interest to students and scholars in theatre and performance studies, Italian studies, English studies, and comparative literature.
Samuel Beckett’s Legacies in American Fiction: Problems in Postmodernism (New Interpretations of Beckett in the Twenty-First Century)
by James BaxterSamuel Beckett’s Legacies in American Fiction provides an overdue investigation into Beckett’s rich influences over American writing. Through in-depth readings of postmodern authors such as Robert Coover, Donald Barthelme, Thomas Pynchon, Don DeLillo, Paul Auster and Lydia Davis, this book situates Beckett’s post-war writing of exhaustion and generation in relation to the emergence of an explosive American avant-garde. In turn, this study provides a valuable insight into the practical realities of Beckett’s dissemination in America, following the author’s long-standing relationship with the countercultural magazine Evergreen Review and its dramatic role in redrawing the possibilities of American culture in the 1960s. While Beckett would be largely removed from his American context, this book follows his vigorous, albeit sometimes awkward, reception alongside the authors and institutions central to shaping his legacies in 20th and 21st century America.
Samuel Beckett’s Theatre in America
by Natka BianchiniA study of the 30-year collaboration between playwright Samuel Beckett and director Alan Schneider, Bianchini reconstructs their shared American productions between 1956 and 1984. By examining how Beckett was introduced to American audiences, this book leads into a wider historical discussion of American theatre in the mid-to-late 20th century.
Samuel Phelps and Sadler's Wells Theatre
by Shirley S. AllenThis is the definitive biography of the actor Samuel Phelps (1804-1878) who brought the Shakespeare’s original plays back to the forefront of theatre after over 100 years of derived versions, and revolutionized theater design in the 20th Century. In an era when performances of Shakespeare’s works had been replaced with derived versions of themselves, Phelps became known for his exquisite productions of Shakespeare that were faithful to their original versions. Phelps revolutionized Shakespearean theatre when he took over management of Sadler’s Wells Theatre. As manager and director, he brought to each production—whether of Shakespeare or of Restoration or contemporary pieces—his own total concept, in which acting, setting, and staging were integrated under his supervision to produce fresh, striking effects. He preserved the best of the traditional past; he pioneered in directions the theatre would follow for decades afterward. This carefully researched and fluently written book covers the full range of Phelps’s half-century career, with special emphasis on his fruitful decades at Sadler’s Wells and on his work as performer and producer of Shakespearian drama. Scholar Shirley S. Allen presents the background against which Phelps worked: the theatrical monopoly, traditional techniques of acting, the repertory system, the advent of melodrama, and the social milieu. She also examines Phelps’s important contemporaries in the theatre—Macready, Charles Kean, Ben Webster, Mrs. Warner, and more—especially as their careers were intertwined with his. This book, first published in 1971, is widely considered the definitive work on Phelps and adds substantially to our understanding of the London stage and of Victorian England.