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Sexuality, Gender and Identity: Critical Issues in Dance Education
by Doug Risner and Julie A. Kerr-BerrySexuality is a difficult topic for all educators. Dance teachers and educators are not immune to these educational challenges, especially given the large number of children, adolescents, and young adults who pursue dance study and performance. Most troubling is the lack of serious discourse in dance education and the development of educative strategies to promote healthy sexuality and empowered gender identities in proactive ways. This volume, focused on sexuality, gender, and identity in dance education, expands this developing area of study and investigates diverse perspectives from public schools, private sector dance studios and schools, as well as college and university dance programs. By openly bringing issues of sexuality and gender to the forefront of dance education and training, this book straightforwardly addresses critical challenges for engaged educators interested in age appropriate content, theme and costume; the hyper-sexualization of children and adolescents; sexual orientation and homophobia; the hidden curriculum of sexuality and gender; sexual identity; the impact of contemporary culture; and mass media, and sexual exploitation. The original research provides a frank discussion, highlighting practical applications and offering insights and recommendations for today’s educational environment in dance. This book was originally published as a special issue of the Journal of Dance Education.
Sez She
by Jane MartinFull Length, Comedy. . Characters: 5 female. Bare stage with chairs. Written to be performed by five actresses, this sequel to Jane Martin's last monologue play picks up where VITAL SIGNS left off - in these funnier, stranger days of the 21st century. Reveling in virtues of brevity that include hilarity, surprise and homespun philosophy, these monologues roam the range of contemporary perspective on everything from sexual harassment to sleeping in theaters to the erotic appeals of silence. Whether biking across Massachusetts with 23,000 lawyers or reflecting on the meaning of a Pekinese dog with a picket fence stake through its heart, these characters know how to take the stage and make the most of their five minutes of fame.
Shades of Autumn & Chutes
by David PatersonShades of Autumn: After not seeing his father for many years, Douglas is alerted by a worried neighbor and returns to his childhood home where his elderly parent is displaying signs of senility. Douglas relocates his father into a small apartment near his own. The move triggers an emotional journey through time as Douglas growing up with his emotionally distant and gruff yet caring father. Scenes traverse three decades of joy and pain, regrets and discoveries. Chutes: In a distant nation during a recent war, two wayward American paratroopers are trapped by their chute strings in the jungle canopy miles behind enemy lines. The green recruit and the grizzled veteran prove to be much alike in their personal agonies and desire to survive as they are captured, imprisoned, hospitalized to recover and returned home.
Shadowlands
by William NicholsonDramatizes the relationship between the British writer and his American wife, whose death was a turning point in his philosophical outlook
Shadowplay
by Clare AsquithIn 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved. Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.
Shadows (BFI Film Classics)
by Ray CarneyShadows (1959), John Cassavetes' first film as director, ends with the title card - 'The film you have just seen was an improvisation'. Just before his death, however, Cassavetes confessed to Ray Carney something he had never before revealed - that much of his so-called 'masterpiece of improvisation' was actually written by him and Robert Alan Aurthur, a professional Hollywood screenwriter. In the ten years that followed Carney tracked down all of the surviving members of the cast and crew in order to piece together the true story of the making of Shadows. This book is the result of that research. Carney takes the reader behind the scenes to follow every step in the creation of the film - chronicling the hopes and dreams, the struggles and frustrations, and the ultimate triumph of their collaboration on one of the seminal masterworks of American independent film-making.
Shai & Emmie Star in Break an Egg! (A Shai & Emmie Story #1)
by Nancy Ohlin Quvenzhané Wallis Sharee MillerFrom Academy Award–nominated actress Quvenzhané Wallis comes the first story in a brand-new series about best friends Shai and Emmie, two third graders destined for superstardom.Shai Williams was born to be a star (or a veterinarian—and maybe a dentist). She attends a special elementary school for the performing arts, and her grandma Rosa and aunt Mac-N-Cheese are both actresses. So Shai is shocked when she doesn’t get the lead role in the third-grade musical. Instead, the part goes to the new girl, Gabby Supreme, who thinks she is better than everyone else. To add insult to injury, Ms. Gremillion has now asked Shai to help Gabby with the role. Shai reluctantly agrees and enlists Emmie to help, but Gabby isn’t going to make it easy. As opening night draws near, Shai discovers that making a new friend is sometimes like putting on a show—it requires dedication, patience, and lots and lots of practice.
Shakespeare
by Anthony BurgessLike Burgess's early novel, Nothing Like the Sun: A Story of Shakespeare's Love-Life, this equally delightful factual treatment of what we know of the Bard combines Burgess's stimulating erudition and his well-informed imagination. The result is at once a speculative biography, a theatrical history, and a re-creation of the Elizabethan age. Whether a vivid retracing of the evolution Elizabethan theater, a bravura reconstruction of the first performance of Hamlet, an infiltration of the intricacies of the court of the Virgin Queen, or an elegy on the era's end with the distrastrous Essex Rebellion, Burgess -- author of the classic A Clockwork Orange -- sets the stage for England's most glorious time and turns the spotlight on the figure of William Shakespeare. <p><p>"Animated by affection and an understanding of the creative imagination that only a creative writer can bring to bear."—Atlantic Monthly<p> "A smooth-flowing narrative, often enlivened by Anthony Burgess's Joycean appetite for linguistic fantasy."—Economist<p> "Bright, racy...knowledgeable and humorous, alternately sensible and quirky."—Terry Eagleton, Commonweal <p>"Burgess's wonderfully well-stocked mind and essentially wayward spirits are just right for summoning up an apparition of the Bard...."—Daily Telegraph
Shakespeare
by Johann Gottfried HerderWithout Johann Gottfried Herder (1744–1803), we simply would not understand Shakespeare in the way we do. In fact, much literature and art besides Shakespeare would neither look the same nor be the same without the influence of Herder's "Shakespeare" (1773). One of the most important and original works in the history of literary criticism, this passionate essay pioneered a new, historicist approach to cultural artifacts by arguing that they should be judged not by their conformity to a set of conventions imported from another time and place, but by the effectiveness of their response to their own historical and cultural context. Rejecting the authority of a dominant and stifling French neoclassicism that judged eighteenth-century plays by the criteria of Aristotle, Herder's "Shakespeare" signaled a break with the Enlightenment, the approach of Romanticism, and the arrival of a distinctly modern form of aesthetic appreciation.With a vivid new translation and a fascinating introduction by Gregory Moore, this edition of Herder's classic will speak to today's readers with undiminished power and persuasiveness.
Shakespeare
by Kiernan RyanFirst published in 1989, this 3rd edition, a critical study of Shakespeare, has been revised, updated and expanded with new material, so it is twice the size of the first edition. The section on Shakespearean comedy now includes an essay on Shakespeare's first scintillating experiment in the genre, The Comedy of Errors, and a study of his most perplexing problem play, Measure for Measure. ; A new last chapter, ' Dreaming on things to come - Shakespeare and the Future of Criticism, reveals how much modern criticism can learn from the appropriation of Shakespeare by Oscar Wilde, George Bernard Shaw and James Joyce
Shakespeare
by Mark Van Doren34 chapters of critical and interpretative comment on each of the Bard's plays with another chapter on his poems
Shakespeare & Company: When Action is Eloquence
by Tina Packer Bella MerlinShakespeare & Company: When Action is Eloquence is the first comprehensive insight into this internationally acclaimed company founded in 1978 in Lenox, Massachusetts, by actor-director Tina Packer and voice pioneer Kristin Linklater, with the transformative power of Shakespeare’s language at its heart. Why act Shakespeare? What’s his relevance in the twenty-first century? Compelling answers to these questions lie at the center of this highly accessible journey into Shakespeare & Company’s aesthetics and practice. Drawing on hitherto unpublished material – including notebooks, lectures, interviews, rehearsal diaries – and the Company’s newly collated archive, this book provides insight into a working theatre company and sheds light on the role Shakespeare plays in our modern world. It also details: Shakespeare & Company’s founding and early history Its aesthetic based on the Elizabethan theatre’s principles of the Art of Rhetoric; Structure of the Verse; Voice and Movement; Clown; Fight; and Actor/Audience Relationship Vocational components of its Training Intensives Practical pedagogy of its Education programs Insights into its unique approaches to Performance Impact and legacy of its three lifetime founding members: Dennis Krausnick (Director of Training), Kevin G. Coleman (Director of Education) and Tina Packer (founding artistic director). Actors, directors, students, educators, scholars and theatre-lovers alike will find practical acting strategies, inspirational approaches to theatre making and lively insights into the sustaining of a unique and robust theatre company that has been thriving for over 40 years.
Shakespeare (Shakespeare Survey Ser. #Series Number 7)
by Allardyce NicollFirst published in 1952. An invaluable introduction to Shakespeare, this book places Shakespeare's work and criticism against the background of Elizabethan life in its historical, social, political, religious, linguistic and literary aspects. Contents include: The Problem of Interpretation; Shakespeare at Work; Man and Society; Man and the Universe; The Inner Life.
Shakespeare / Not Shakespeare
by Christy Desmet Natalie Loper Jim CaseyThis essay collection addresses the paradox that something may at once "be" and "not be" Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier's "Shakespearean rhizome," which co-opts Deleuze and Guattari's concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between "Shakespeare" and "not Shakespeare" through a number of critical lenses--networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts--and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
Shakespeare A to Z: The Essential Reference to His Plays, His Poems, His Life and Times, and More
by Charles BoyceWhat famous essayist insisted that Shakespeare's play were unfit for performance? Which two plays center on the Hundred Years' War? In which scene of Romeo and Juliet does the nurse report--falsely--that Juliet is dead and thus seal Romeo's tragic fate? The answers are easily found in Shakespeare A to Z, the only single-volume reference to virtually everything one needs--or wants--to know about the Bard. Wonderfully informative, this comprehensive work includes 3,000 entries and 50 illustrations.
Shakespeare After All
by Marjorie GarberA brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country&’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare&’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
Shakespeare Among the Courtesans: Prostitution, Literature, and Drama, 1500-1650 (Anglo-Italian Renaissance Studies)
by Duncan SalkeldCourtesans - women who achieve wealth, status, or power through sexual transgression - have played both a central and contradictory role in literature: they have been admired, celebrated, feared, and vilified. This study of the courtesan in Renaissance English drama focuses not only on the moral ambivalence of these women, but with special attention to Anglo-Italian relations, illuminates little known aspects of their lives. It traces the courtesan from a wry comedic character in the plays of Terence and Plautus to its literary exhaustion in the seventeenth-century dramatic works of Dekker, Marston, Webster, Middleton, Shirley and Brome. The author focuses especially on the presentation of the courtesan in the sixteenth century - dramas by Shakespeare, Marlowe, and Lyly view the courtesan as a symbol of social disease and decay, transforming classical conventions into English prejudices. Renaissance Anglo-Italian cultural and sexual relations are also investigated through comparisons of travel narratives, original source materials, and analysis of Aretino's representations of celebrated Italian courtesans. Amid these fascinating tales of aspiration, desire and despair lingers the intriguing question of who was the 'dark lady' of Shakespeare's sonnets.
Shakespeare And Macbeth: The Story Behind the Play
by Stewart Ross Kenneth Branagh Tony KarpinskiHistorical finding and current critical thinking are woven together to tell the fascinating story of how Shakespeare conceived and wrote one of his greatest plays. As readers watch the production being mounted, Ross's narrative and Karpinski's carefully researched illustrations bring Shakespeare's world to vivid life. Full-color and black-and-white illustrations.
Shakespeare And The Ethics Of Appropriation
by Alexa Huang Elizabeth RivlinMaking an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
Shakespeare And The Political Way
by Elizabeth FrazerStudies of Shakespeare and politics often ask the question whether his dramas are on the side of aristocratic or monarchical sovereign authority, or are on the side of those who resist; whether he endorses a standard view of male and patriarchal authority, or whether his cross-dressing heroines put him among feminist thinkers. Scholars also show that Shakespeare's representations of rule, revolt, and arguments about laws and constitutions draw on and allude to stories and real events that were contemporaneous for him, as well as historical ones. <p><p> Building on scholarship about Shakespeare and politics, this book argues that Shakespeare's representations and stagings of political power, sovereignty, resistance, and controversy are more complex. The merits of political life, as opposed to life governed by monetary exchange, religious truth, supernatural power, military heroism, or interpersonal love, are rehearsed in the plots. And the clashing and contradictory meanings of politics -- its association with free truthful speech but also with dishonest hypocrisy, with open action and argument as much as occult behind the scenes manoevring -- are dramatized by him, to show that although violence, lies, and authoritarianism do often win out in the world there is another kind of politics, and a political way that we would do well to follow when we can. The book offers original readings of the characters and plots of Shakespeare's dramas in order to illustrate the subtlety of his pictures of political power, how it works, and what is wrong and right with it.
Shakespeare Between the World Wars: The Anglo-American Sphere
by Robert SawyerShakespeare Between the World Wars draws parallels between Shakespearean scholarship, criticism, and production from 1920 to 1940 and the chaotic years of the Interwar era. The book begins with the scene in Hamlet where the Prince confronts his mother, Gertrude. Just as the closet scene can be read as a productive period bounded by devastation and determination on both sides, Robert Sawyer shows that the years between the World Wars were equally positioned. Examining performance and offering detailed textual analyses, Sawyer considers the re-evaluation of Shakespeare in the Anglo-American sphere after the First World War. Instead of the dried, barren earth depicted by T. S. Eliot and others in the 1920s and 1930s, this book argues that the literary landscape resembled a paradoxically fertile wasteland, for just below the arid plain of the time lay the seeds for artistic renewal and rejuvenation which would finally flourish in the later twentieth century.
Shakespeare Beyond Doubt
by Stanley Wells Paul EdmondsonDid Shakespeare write Shakespeare? The authorship question has been much treated in works of fiction, film and television, provoking interest all over the world. Sceptics have proposed many candidates as the author of Shakespeare's works, including Francis Bacon, Christopher Marlowe and Edward De Vere, the seventeenth Earl of Oxford. But why and how did the authorship question arise and what does surviving evidence offer in answer to it? This authoritative, accessible and frequently entertaining book sets the debate in its historical context and provides an account of its main protagonists and their theories. Presenting the authorship of Shakespeare's works in relation to historiography, psychology and literary theory, twenty-three distinguished scholars reposition and develop the discussion. The book explores the issues in the light of biographical, textual and bibliographical evidence to bring fresh perspectives to an intriguing cultural phenomenon.
Shakespeare Beyond English
by Susan Bennett Christie CarsonTackling vital issues of politics, identity and experience in performance, this book asks what Shakespeare's plays mean when extended beyond the English language. From April to June 2012 the Globe to Globe Festival offered the unprecedented opportunity to see all of Shakespeare's plays performed in many different world languages. Thirty-eight productions from around the globe were presented in six weeks as part of the World Shakespeare Festival, which formed a cornerstone of the Cultural Olympics. This book provides the only complete critical record of that event, drawing together an internationally renowned group of scholars of Shakespeare and world theatre with a selection of the UK's most celebrated Shakespearean actors. Featuring a foreword by Artistic Director Dominic Dromgoole and an interview with the Festival Director Tom Bird, this volume highlights the energy and dedication that was necessary to mount this extraordinary cultural experiment.
Shakespeare Dwelling: Designs for the Theater of Life
by Julia Reinhard LuptonGreat halls and hovels, dove-houses and sheepcotes, mountain cells and seaside shelters—these are some of the spaces in which Shakespearean characters gather to dwell, and to test their connections with one another and their worlds. Julia Reinhard Lupton enters Shakespeare’s dwelling places in search of insights into the most fundamental human problems. Focusing on five works (Romeo and Juliet, Macbeth, Pericles, Cymbeline, and The Winter’s Tale), Lupton remakes the concept of dwelling by drawing on a variety of sources, including modern design theory, Renaissance treatises on husbandry and housekeeping, and the philosophies of Hannah Arendt and Martin Heidegger. The resulting synthesis not only offers a new entry point into the contemporary study of environments; it also shows how Shakespeare’s works help us continue to make sense of our primal creaturely need for shelter.
Shakespeare Left and Right (Routledge Revivals)
by Ivo KampsShakespeare Left and Right brings together critics, strikingly different in their politics and methodologies, who are acutely aware of the importance of politics on literary practice and theory. Should, for example, feminist criticism be subjected to a critique by voices it construes as hostile to its political agenda? Is it possible to present a critique of feminist criticism without implicitly impeding its politics? And, in the light of recent political events should the Right pronounce the demise of Marxism as a social science and interpretive tool? The essays in Shakespeare Left and Right, first published in 1991, present a tug of war about ideology, acted out over the body of Shakespeare. Part One focuses on the challenge thrown down by Richard Levin's widely discussed "Feminist Thematics and Shakespearean Tragedy". Part Two considers these issues in relation to critical practice and the reading of specific plays. This book should be of interest to undergraduates and academics interested in Shakespeare studies.