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A Reckless Desire: Breconridge Brothers Book 3 (Breconridge Brothers)
by Isabella BradfordFor fans of Julia Quinn, Eloisa James and Sarah MacLean, comes Isabella Bradford's enthralling new trilogy of London's most scandalous rakes, the Breconridge Brothers, who are about to lose their hearts...Though charming and handsome, Lord Rivers Fitzroy, the youngest Breconridge brother, is more inclined to dusty books than brazen women. But when his father insists he marries, he vows to make the most of his last days as a bachelor.And what better way than in the company of a troupe of Italian dancers, where he's challenged to a wager he can't resist: turn the players' meek and mousy cousin into the first lady of the London stage.But he gets more than he bargained for with Lucia di Rossi. She has her own past to overcome and her own starlit aspirations. As the lines between performance and passion become blurred will finding the spotlight mean losing their hearts?Catch the rest of the dazzling series! Don't miss A Wicked Pursuit and A Sinful Decption. Before the Breconridge Brothers, came the Wylder sisters. Don't miss a moment of the romantic and captivating debut trilogy from Isabella Bradford: When You Wish Upon a Duke, When The Duchess Said Yes and When The Duke Found Love.
Reclaiming Greek Drama for Diverse Audiences: An Anthology of Adaptations and Interviews
by Melinda PowersReclaiming Greek Drama for Diverse Audiences features the work of Native-American, African-American, Asian-American, Latinx, and LGBTQ theatre artists who engage with social justice issues in seven adaptations of Sophocles’ Antigone, Euripides’ Trojan Women, Hippolytus, Bacchae, Alcestis, and Aristophanes’ Frogs, as well as a work inspired by the myth of the Fates. Performed between 1989 and 2017 in small theatres across the US, these contemporary works raise awareness about the trafficking of Native-American women, marriage equality, gender justice, women’s empowerment, the social stigma surrounding HIV, immigration policy, and the plight of undocumented workers. The accompanying interviews provide a fascinating insight into the plays, the artists’ inspiration for them, and the importance of studying classics in the college classroom. Readers will benefit from an introduction that discusses practical ways to teach the adaptations, ideas for assignments, and the contextualization of the works within the history of classical reception. Serving as a key resource on incorporating diversity into the teaching of canonical texts for Classics, English, Drama and Theatre Studies students, this anthology is the first to present the work of a range of contemporary theatre artists who utilize ancient Greek source material to explore social, political, and economic issues affecting a variety of underrepresented communities in the US.
The Recognition of Sakuntala (Dover Thrift Editions: Plays)
by KalidasaWhile out on a hunting trip, a king encounters a lovely maiden, and the course of their secret romance sweeps the audience from a forest hermitage to a dazzling palace to ethereal celestial realms. The tale of King Dusyanta and Śakuntala, who meet by chance and are separated by a curse, was derived from an episode in the Mahabharata, India's grand religious epic. The Recognition of Śakuntala, written in the 5th century by the greatest of the ancient Indian playwrights, offers a classic introduction to Indian theater and aesthetics.In addition to its enchanting love story, this play presents a religious drama. It promotes the doctrine of karma, in which all experiences are influenced by actions from earlier in life, and it represents an allegory of the relationship between the worshiper and the sacred. Students of drama, religious studies, and world literature will appreciate this affordable and accessible edition of a timeless play.
Reconsidering National Plays in Europe
by Rob Zalm Suze PollThis volume frames the concept of a national play. By analysing a number of European case studies, it addresses the following question: Which play could be regarded as a country's national play, and how does it represent its national identity? The chapters provide an in-depth look at plays in eight different countries: Germany (Die Räuber, Friedrich Schiller), Switzerland (Wilhelm Tell, Friedrich Schiller), Hungary (Bánk Bán, József Katona), Sweden (Gustav Vasa, August Strindberg), Norway (Peer Gynt, Henrik Ibsen), the Netherlands (The Good Hope, Herman Heijermans), France (Tartuffe, Molière), and Ireland. This collection is especially relevant at a time of socio-political flux, when national identity and the future of the nation state is being reconsidered.
Reconstructing Performance Art: Practices of Historicisation, Documentation and Representation (Routledge Advances in Theatre & Performance Studies)
by Tancredi GusmanThis book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. Performance art emerged internationally between the 1960s and 1970s crossing disciplinary boundaries between performing arts and visual arts. Because of the challenge it posed to the ontologies and paradigms of these fields, performance art has since stimulated an ongoing debate on the most appropriate means to document, preserve and display it. Tancredi Gusman brings together international scholars from different disciplinary fields to examine methods, media, and approaches by which this art form has been represented and (re)activated over time and its transnational history reconstructed. Through contributions and case studies spanning various countries, regions and artistic fields, the authors outline an innovative theoretical-methodological framework for capturing the processes and strategies for transmitting the tangible and intangible heritage of performance art. This book will be of great appeal to students, researchers, and practitioners in the fields of Theatre and Performance Studies as well as Visual Arts and Art History, who have an interest in performance art, its history and presence in the contemporary artistic and cultural landscape.
El recorrido de un corazón
by M. HermassiEl recorrido de un corazón es la historia de un hombre de 34 años quien fue sometido a un trasplante de corazón. Por rumores se entera de que el corazón que recibió pertenece a una joven que murió en un accidente automovilístico. La historia hace que se tome las cosas muy en serio, decide hacer su investigación, llegar a la chica en cuestión, y conocer su historia. Atrapado en su propio juego, esta historia se convierte con el tiempo en una obsesión para él. A pesar del secreto para mantener el anonimato de los donantes de órganos, se las arregla por medios sutiles, y una paciencia sin límite, llegar a ella, para conocer a sus padres. Encuentra el cementerio donde está enterrada, con su foto y su nombre. Se llama Irene, 22 años. Una historia irreal nace entre él y la difunta, un amor imposible toma forma. Comienza a amar a aquella cuyo corazón sigue latiendo en su pecho. Las cosas se complican cuando se entera de que tiene una hermana gemela que vive en algún lugar de África, o trabaja como enfermera en una ONG. Decide ocultarlo todo, e ir en busca de la que se parece como dos gotas de agua a Irene. Un amor teñido de drama y pasión, un amor poderoso y frágil, por estos ingredientes insólitos, toma forma de una aventura llena de tormentas y buen tiempo.
Red Doc> (Vintage Contemporaries Ser.)
by Anne CarsonA literary event: a follow-up to the internationally acclaimed poetry bestseller Autobiography of Red ("Amazing" -- Alice Munro) that takes its mythic boy-hero into the twenty-first century to tell a story all its own of love, loss, and the power of memory. In a stunningly original mix of poetry, drama, and narrative, Anne Carson brings the red-winged Geryon from Autobiography of Red, now called "G," into manhood, and through the complex labyrinths of the modern age. We join him as he travels with his friend and lover "Sad" (short for Sad But Great), a haunted war veteran; and with Ida, an artist, across a geography that ranges from plains of glacial ice to idyllic green pastures; from a psychiatric clinic to the somber housewhere G's mother must face her death. Haunted by Proust, juxtaposing the hunger for flight with the longing for family and home, this deeply powerful verse picaresque invites readers on an extraordinary journey of intellect, imagination, and soul.
Red Earth and Pouring Rain by Vikram Chandra
by Vikram ChandraIn Vikram Chandra's astonishing first novel, the gods Hanuman, Ganesha and Yama descend on a house in an Indian city to vie for the soul of a wounded monkey. A bargain is struck: the monkey must tell a story, and if he can keep his audience entertained, he shall live.The result is Red Earth and Pouring Rain, a tale of nineteenth century India: of Sanjay, a poet, and Sikander, a warrior; of hoofbeats thundering through the streets of Calcutta and the birth of a luminous child; of great wars and love affairs and a city gone 'mad with poetry'. And woven into this tapestry of stories is a second, totally modern narrative, the adventures of a young Indian criss-crossing America in a car with his friends and his eventual return to his homeland.
The Red Hand: Stories, reflections and the last appearance of Jack Irish
by Peter TemplePeter Temple held crime writing up to the light and, with his poet's ear and eye, made it his own incomparable thing.Peter Temple started publishing novels late, when he was fifty, but then he got cracking. He wrote nine novels in thirteen years. Along the way he wrote screenplays, stories, dozens of reviews.When Temple died in March 2018 there was an unfinished Jack Irish novel in his drawer. It is included in The Red Hand, and it reveals the master at the peak of his powers. The Red Hand also includes the screenplay of Valentine's Day, an improbably delightful story about an ailing country football club, which in 2007 was adapted for television by the ABC. Also included are his short fiction, his reflections on the Australian idiom, a handful of autobiographical fragments, and a selection of his brilliant book reviews. .
The Red Hot Chili Peppers: An Oral/Visual History
by The ChiliThe Red Hot Chili Peppers is the iconic band's audacious look back at their thirty-year odyssey—in their own words and accompanied by more than 300 spectacular photos and ephemera. Intimate, breathtaking, and outrageous, this is the essence of the Red Hot Chili Peppers."I am struck with the moments of these photos, the feelings of the times they were taken, and where we were at on our beautiful and happy-sad journey. It's pretty fucking heavy, actually, like thinking how much we have changed over the years, and all the different dynamics of our lives that shaped us, and also realizing so clearly that nothing has changed at all—we're all still just trying to get it on, make something great."It is all here, nothing can hide: all the honesty, the pretense, the courage and one-of-a-kind-ness, the unbridled joy, the melancholy, and the shields we put up to shelter our scared, vulnerable little selves."—Flea
The Red Letter Plays
by Suzan-Lori Parks"In the Blood is an extraordinary new play...It is truly harrowing...we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with "a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron.'"--Margo Jefferson, The New York TimesThe playwright who "has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way [John Heilpern, New York Observer and Vogue]," has written two haunting riffs on Hawthorne's The Scarlett Letter: In the Blood and Fucking A.Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children--"my treasures, my five joys"--who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available--abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her.These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today.Suzan Lori-Parks is also the author of The America Play and Other Works and Venus, both published by TCG. She lives in Brooklyn, New York.
Red Scare On Sunset
by Charles BuschFull Length, Comedy \ 5 m, 3 f \ Unit set \ This Off-Broadway hit is set in 1950's Hollywood during the blacklist days. This is a hilarious comedy that touches on serious subjects by the author of Vampire Lesbians of Sodom. Mary Dale is a musical comedy star who discovers to her horror that her husband, her best friend, her director and houseboy are all mixed up in a communist plot to take over the movie industry. Among their goals is the dissolution of the star system! Mary's conversion from Rodeo Drive robot to McCarthy marauder who ultimately names names, including her husband's, makes for outrageous, thought provoking comedy. The climax is a wild dream sequence where Mary imagines she's Lady Godiva, the role in the musical she's currently filming. Both right and left are skewered in this comic melodrama. \ "You have to champion the ingenuity of Busch's writing which twirls twist upon twist and spins into comedy heaven."-Newsday
Red Sneaks
by Elizabeth SwadosTeen Groups \ Musical \ 4 m., 4 f. \ Unit set. \ This free wheeling contemporary musical for teens is a loose adaptation of the The Red Shoes, transposed to today's urban jungle. The allegorical montage of songs, scenes and monologues centers around a welfare hotel resident who is persuaded by a mysterious young drifter to accept a pair of glittery red sneakers. Whoever is wearing them may wish for anything-- and every wish comes true, but the easy way out turns out to be a fast trip to an early death. \ "The most refreshing thing about The Red Sneaks ... is the chance to hear youths rather than adults talk about the nightmarish pressures of urban life." - The New York Times
The Redemption of Things: Collecting and Dispersal in German Realism and Modernism (Signale: Modern German Letters, Cultures, and Thought)
by Samuel FrederickCollecting is usually understood as an activity that bestows permanence, unity, and meaning on otherwise scattered and ephemeral objects. In The Redemption of Things, Samuel Frederick emphasizes that to collect things, however, always entails displacing, immobilizing, and potentially disfiguring them, too. He argues that the dispersal of objects, seemingly antithetical to the collector's task, is essential to the logic of gathering and preservation. Through analyses of collecting as a dialectical process of preservation and loss, The Redemption of Things illustrates this paradox by focusing on objects that challenge notions of collectability: ephemera, detritus, and trivialities such as moss, junk, paper scraps, dust, scent, and the transitory moment. In meticulous close readings of works by Gotthelf, Stifter, Keller, Rilke, Glauser, and Frisch, and by examining an experimental film by Oskar Fischinger, Frederick reveals how the difficulties posed by these fleeting, fragile, and forsaken objects help to reconceptualize collecting as a poetic activity that makes the world of scattered things uniquely palpable and knowable.
Redheaded Stepchild
by Johnnie WalkerNicholas is a twelve-year-old with red hair whose dad just remarried. This makes Nicholas a redheaded stepchild. Literally. And tomorrow at lunch, the biggest boy in grade six plans to beat him up—he even made a Facebook event about it. Should Nicholas skip school? His new stepmom, a chain-smoking, ex-Jehovah’s Witness golf pro named Mary-Anne, doesn’t want him playing hooky. His secret alter ego, the fabulous and charismatic Rufus Vermilion, thinks his ginger genetics will doom him either way. But when events in the schoolyard leave both Mary-Anne and Rufus speechless, it’s up to Nicholas to pick up the pieces and do some serious growing up.
Rediscovering Renaissance Witchcraft
by Marion GibsonRediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the ‘Witch Finder Generall’ Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare’s Macbeth and Middleton’s The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.
Rediscovering Stanislavsky
by Maria ShevtsovaKonstantin Stanislavsky (1863–1938) was one of the most innovative and influential directors of modern theatre and his system and related practices continue to be studied and used by actors, directors and students. Maria Shevtsova sheds new light on the extraordinary life of Stanislavsky, uncovering and translating Russian archival sources, rehearsal transcripts, production scores and plans. This comprehensive study rediscovers little-known areas of Stanislavsky's new type of theatre and its immersion in the visual arts, dance and opera. It demonstrates the fundamental importance of his Russian Orthodoxy to the worldview that underpinned his integrated System and his goals for the six laboratory research studios that he established or mentored. Stanislavsky's massive achievements are explored in the intricate and historically intertwined political, cultural and theatre contexts of Tsarist Russia, the 1917 Revolution, the volatile 1920s, and Stalin's 1930s. Rediscovering Stanislavksy provides a completely fresh perspective on his work and legacy.
Redreaming the Renaissance: Essays on History and Literature in Honor of Guido Ruggiero (The Early Modern Exchange)
by Douglas G. Biow Alessandro Arcangeli Suzanne Magnanini Joanne M. Ferraro Paula Findlen Julia L. Hairston Konrad Eisenbichler Meredith K. Ray Courtney Quaintance Albert Russell Ascoli Nicholas Terpstra Massimo RospocherRedreaming the Renaissance seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.
REED in Review
by Audrey Douglas Sally-Beth MacleanIn 2002, the Records of Early English Drama (REED) project marked its twenty-fifth anniversary with a special series of sessions at the International Medieval Congress at Leeds University. The REED sessions were designed to allow critical reflection on the past, present, and future of the project as it entered the twenty-first century. Thirteen essays amplifying the content of selected conference papers, and a fourteenth submitted at the editors' invitation, make up REED in Review.Contributors to the collection describe the conception and early years of REED, assess the project's impact on recent and current scholarship, and anticipate or propose stimulating new directions for future research. Individual essays address a wide variety of subjects, from the impact of REED research on Shakespeare textual editing, Robin Hood, patronage, and Elizabethan theatre studies, to a thought provoking redefinition of 'drama,' details of recent ground-breaking research in Scottish records, and the broadening possibilities for editorial and research relationships with information technology. The editors' introduction and a select bibliography, with commentary and a list of REED-related publications by editors and scholars from a variety of disciplines, make up the remainder of this landmark volume.
Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment (Reproducing Shakespeare)
by Thomas CartelliIn the Shakespeare aftermath—where all things Shakespearean are available for reassembly and reenactment—experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an undoing and a redoing, above all a doing differently of what otherwise continues to be enacted as the same. Rooted in the modernist avant-garde, this revisionary approach to models of the past is advanced by theater artists and filmmakers whose number includes Romeo Castellucci, Annie Dorsen, Peter Greenaway, Thomas Ostermeier, Ivo van Hove, and New York’s Wooster Group, among others. Although the intermedial turn taken by such artists heralds a virtual future, this book demonstrates that embodiment—in more diverse forms than ever before—continues to exert expressive force in Shakespearean reproduction’s turning world.
The Reeves Tale
by Don NigroComedic Drama / 4m, 2f / A modern retelling of a spirited and lusty chapter in The Canterbury Tales , this addition to the author's cycle of Pendragon plays is set in 1972. The disreputable Reeves family has rented the decaying Pendragon mansion in east Ohio. Strange happenings begin to plague the family's crude and brutal patriarch and his angry wife, luscious daughter and demented grandfather-in-law as well as their two boarders, both lustful college drop-outs. Eerie colors appear in the yard at night, trees seem to move around, animals disappear and there is something at the bottom of the well. This funny and frightening work was first produced in New York by the Red Moon Ensemble and is part of the series Pendragon Plays
References to Salvador Dalí Make Me Hot and Other
by José RiveraSurrealism, magic realism and expressionism are the hallmarks of Jose Rivera's influential body of work. This new volume collects the author's plays written in the past five years, including References to Salvador Dalí Make Me Hot ("effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage."--The Journal News), Sueño (a reworking for Pedro Calderón's Life is a Dream) and Sonnets for an Old Century, the author's most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright José Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. "Rivera has a messianic mission to replace old and dying creeds with vibrant new visions."--Robert Brustein, New RepublicAlso available by José Rivera Marisol and Other Plays PB $15.95 1-55936-136-0 * USA
Reflections From Shakespeare: A Series of Lectures (Routledge Library Editions: Study of Shakespeare)
by Lena AshwellOriginally published in 1926, this title was edited from a series of lectures the author gave to raise money for her theatre group the Lena Ashwell Players. Through her work as a producer the author gained a deeper knowledge of a number of Shakespeare’s plays and in order to support her work gave a number of lectures on "Women in Shakespeare". This title was perhaps the first book by a woman of the profession, appealing to the public for a larger and deeper understanding of Shakespeare: the man, his life, and that group of tragedies in which he fathomed Hell, then scaled the Heavens.
Reflections of Women in Antiquity
by Helene P. FoleyPublished in the year 1981, Reflections of Women in Antiquity is a valuable contribution to the field of Performance.
The Reformation of Emotions in the Age of Shakespeare
by Steven MullaneyThe crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries--audiences as well as playwrights--reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare's first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge their shared differences. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.