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El Rastro del Fuego: de Notre Dame a la Mole Antonelliana.
by Claudio CalzoniEl Rastro del Fuego de Claudio Calzoni El Rastro del Fuego: de Notre Dame a la Mole Antonelliana. Hay una estela de fuego detrás de la muerte de tantas personas, la destrucción de monumentos que custodian la memoria de la Humanidad y una reliquia, la más importante que la cristiandad ha conservado durante milenios. El juego de ajedrez entre el Bien y el Mal ha comenzado. Los jugadores mueven sus piezas. Ganará el que ponga en jaque al Rey. No es fácil de encontrar pero el rastro del Fuego está en el aire...
The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship
by Michael WainwrightThe Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship examines William Shakespeare’s rationality from a Ramist perspective, linking that examination to the leading intellectuals of late humanism, and extending those links to the life of Edward de Vere, Seventeenth Earl of Oxford. The application to Shakespeare’s plays and sonnets of a game-theoretic hermeneutic, an interpretive approach that Ramism suggests but ultimately evades, strengthens these connections in further supporting the Oxfordian answer to the question of Shakespearean authorship.
Ravage of Life
by Evelyne de la ChenelièreFor three years, Evelyne de la Chenelière wrote on the entrance wall of Montréal’s Espace GO theatre as part of an artistic residency that would profoundly shake her practice. The culmination of this is La vie utile [translated as Ravage of Life], a bold departure from prevailing norms where the author breaks with textual and performative conventions in her dramatization of a multi-faceted instant between life and death.In this experimental play—preceded by an original essay about its creative process—bits and pieces of a family’s realities unfold in a non-linear simultaneity that reflects, with captivating irony, the difficulties encountered when language is expected to facilitate communication.Ravage of Life is a challenging invitation to eviscerate literature and conceive a space where words find their body, freeing poetic expression from grammatical constraints, logic, and structure in order to embrace the limitlessness of living thought.
The Raven (Books That Changed the World)
by Lou ReedThe legendary musician’s distinctive artistic take on Edgar Allan Poe includes “some of the most personal lyrics of his career” (Rolling Stone).One of the most influential and innovative recording artists of the past three decades, Lou Reed has always offered a shrewd view of life in the big city in all its colors. It is no surprise, then, that he considers Edgar Allan Poe a spiritual forefather. In The Raven, Reed immerses himself in Poe’s enigmatic world and sets out to reimagine his work to mesmerizing effect. In 2001 Lou Reed, legendary theater director Robert Wilson, and an all-star cast presented the musical POEtry at the Brooklyn Academy of Music. Reed’s subsequent studio adaptation, The Raven, has been hailed as one of his more daring and challenging albums. Here, accompanied by photographs by the acclaimed artist and director Julian Schnabel, is the definitive text of the CD release. The Raven includes Reed's distinctive takes on Poe’s most celebrated works, as well as song lyrics written for the musical. It is a fascinating meeting between a dark chronicler of the twentieth century and his nineteenth-century counterpart; the work of one iconoclastic genius offering a haunting exploration of another.
The Raven's Gift
by Don ReardenJohn Morgan and his wife can barely contain their excitement upon arriving as the new teachers in a Yup'ik Eskimo village on the windswept Alaskan tundra. But their move proves disastrous when a deadly epidemic strikes and the isolated community descends into total chaos. When outside aid fails to arrive, John's only hope lies in escaping the snow-covered tundra and the hunger of the other survivors--he must make the thousand-mile trek across the Alaskan wilderness for help. He encounters a blind Eskimo girl and an elderly woman who need his protection, and he needs their knowledge of the terrain to survive. The harsh journey pushes him beyond his limits as he discovers a new sense of hope and the possibility of loving again.
The Raven's Gift
by Don ReardenWinner, Alaskan Novel of the Year, 2011 Shifting from contemporary Eskimo village life to a gripping post-apocalyptic nightmare, The Raven's Gift dares to confront the terrifying possibility of an impending catastrophic loss of human life--and love. Lured north to a Yup'ik village on the Alaskan tundra in search of adventure, John Morgan and his wife Anna can barely contain their excitement. But something is about to go terribly wrong. What happens when an epidemic strikes--and no one comes to help? Don Rearden lives in the mountain community of Bear Valley, Alaska, and is an Associate Professor of Developmental Studies at the University of Alaska, Anchorage, where he teaches young writers how to develop their creative voices. textpublishing. com. au 'The Raven's Gift has a winning plot, characters we've never met before, and intriguing details of a world most of us will never venture to--creating a read that opens our eyes and finds the fault lines of a heart in one breathless sitting. ' Jodi Picoult 'Don Rearden has created a kind of allegory for a people and place at risk, a generous and honest portrait of Yup'ik communities. His Alaska is one you won't yet have seen. ' David Vann, author of bestselling novels Legend of a Suicide and Caribou Island 'The book is fantastic, one of the best books about Alaska I have ever read. It calls to mind Cormac McCarthy and Stephen King, but at the same time it is all its own. The Raven's Gift is the story of a couple teaching in a remote Alaskan village when a epidemic sweeps through. People are dying in isolation, and others descending into savage violence. It is a survival story and an edge-of-the-seat thriller. ' Eoywyn Ivy, author of The Snow Child 'The Raven's Gift is a disturbingly believable tale of a world on the edge, given the slight push to send it over. Rearden knows his Alaska, his snow and cold, the isolation in these pages enough to make you pull up the blankets and wonder what you'd do without rescue, without communication, with no one to go to for help, no one coming to the rescue. Like McCarthy's The Road, there are pages in here you might shy away from reading, but hang on, once you start, you'll be along for the ride. ' Pete Fromm author of Indian Creek Chronicles and How This All Started. An epic adventure, a work of mythical proportions, never to be forgotten. ' Daniel Quinn, author of bestselling novels Ishmael and The Story of B 'A post-apocalyptic novel that will set your hair on end. ' Sun Times 'The Raven's Gift is both thriller and love story, a tale full of anthropological suspense and with a stunning geographical tour of Alaska thrown in for good measure It is exciting and fascinating, completely compelling and some of the most original writing I have read in a very long time. Snuggle up on a cold winter's night and enjoy!' ABC Queensland, Weekend Bookworm
Ravenscroft
by Don NigroMystery / 1m, 5f / Simple unit set This psychological drama is a thinking person's Gothic thriller, a dark comedy that is both funny and frightening. On a snowy night, Inspector Ruffing is called to a remote house to investigate the headlong plunge of Patrick Roarke down the main staircase. He becomes involved in the lives of five alluring and dangerous women: Marcy, the beautiful Viennese governess with a past; Mrs. Ravenscroft, the flirtatious lady of the manor; Gillian, her charming but possibly demented daughter; Mrs. French, the formidable and passionate cook, and Dolly, a terrified maid. They lead him through a bewildering labyrinth of contradictory versions of Patrick's demise and that of the late Mr. Ravenscroft. There are ghosts on the staircase, skeletons in the closet, and much more than the Inspector bargained for. His investigation leads into own tortured soul and the nature of truth itself. You will not guess the ending, but you will be teased, seduced, bewildered, amused, frightened and led to a dark encounter with truth or something even stranger.
Razzle Dazzle: The Battle for Broadway
by Michael Riedel&“A vivid page-turner&” (NPR) detailing the rise, fall, and redemption of Broadway—its stars, its biggest shows, its producers, and all the drama, intrigue, and power plays that happened behind the scenes.&“A rich, lovely, debut history of New York theater in the 1970s and eighties&” (Kirkus Reviews, starred review), Razzle Dazzle is a narrative account of the people and the money and the power that turned New York&’s gritty back alleys and sex-shops into the glitzy, dazzling Great White Way. In the mid-1970s Times Square was the seedy symbol of New York&’s economic decline. Its once shining star, the renowned Shubert Organization, was losing theaters to make way for parking lots and losing money. Bernard Jacobs and Jerry Schoenfeld, two ambitious board members, saw the crumbling company was ripe for takeover and staged a coup and staved off corporate intrigue, personal betrayals and criminal investigations. Once Jacobs and Schoenfeld solidified their power, they turned a collapsed theater-owning holding company into one of the most successful entertainment empires in the world, spearheading the revitalization of Broadway and the renewal of Times Square. &“For those interested in the business behind the greasepaint, at a riveting time in Broadway&’s and New York&’s history, this is the ticket&” (USA TODAY). Michael Riedel tells the stories of the Shubert Organization and the shows that re-built a city in grand style—including Cats, A Chorus Line, and Mamma Mia!—revealing the backstage drama that often rivaled what transpired onstage, exposing bitter rivalries, unlikely alliances, and inside gossip. &“The trouble with Razzle Dazzle is…you can&’t put the damn thing down&” (Huffington Post).
RD vol 41 num 12
by The University of Chicago PressThis is volume 41 issue 12 of Renaissance Drama. Renaissance Drama explores the rich variety of theatrical and performance traditions and practices in early modern Europe and intersecting cultures. The sole scholarly journal devoted to the full expanse of Renaissance theatre and performance, the journal publishes articles that extend the scope of our understanding of early modern playing, theatre history, and dramatic texts and interpretation, encouraging innovative theoretical and methodological approaches to these traditions, examining familiar works, and revisiting well-known texts from fresh perspectives.
Re: A Theoretical and Practical Guide (Worlds of Performance)
by Gabrielle Cody Rebecca SchneiderRe: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.
Re: Producing Women's Dramatic History
by D. A. HadfieldWithin the last generation, Canadian drama, like other literary forms, has seen the emergence of works by women that re-vision the role of women in history. However, in order to write themselves into theatre history, women have had to negotiate a complex journey through both pages and stages, a network of public production that is highly politically charged at every turn. This book examines the strategies employed by seven feminist productions that have managed to achieve a canonic place in the recorded history of Canadian theatre. All of the plays under consideration here exist (or have existed) in at least one published script form. However, Dorothy Hadfield’s purpose here is not to analyze these scripts for the definitive meaning of the narratives in these plays, nor is she trying to suggest how a reader or audience should inevitably read them. Instead, Hadfield is trying to account for how and why these scripts came to exist in published form, given the strong implicit connection between publication and a public assumption of "good” or "successful” theatre. In a system where textual visibility leads to opportunities for study, reproduction and validation for both play and playwright, the permanence of script publication can have real economic and ideological advantages. By analyzing publicity materials, photos, programs, reviews, box office and theatre records, it is possible to trace the process of creating a theatrical "success,” as well as to assess what effect that critical verdict has on the shape of the script publications of these works. In effect, by placing the textual artifacts left behind by these performances in the context of their production and reception, in part through a carefully constructed ideological compatibility throughout the production process, it is possible to investigate how the politics of the theatrical process influences what we perceive as "good” playwriting.
(What is Theatre?)
by L. Bailey McDanielLooking at a century of American theatre, McDaniel investigates how race-based notions of maternal performance become sites of resistance to cultural and political hierarchies. This book considers how the construction of mothering as universally women's work obscures additional, equally constructed subdivisions based in race and class.
Re-Dressing the Canon: Essays on Theatre and Gender
by Alisa SolomonRe-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.
Re-Enacting the Past: Heritage, Materiality and Performance
by Mads Daugbjerg, Rivka Syd Eisner and Britta Timm KnudsenWhat is re-enactment and how does it relate to heritage? Re-enactments are a ubiquitous part of popular and memory culture and are of growing importance to heritage studies. As concept and practice, re-enactments encompass a wide range of forms: from the annual ‘Viking Moot’ festival in Denmark drawing thousands of participants and spectators, to the (re)staged war photography of An-My Lê, to the Titanic Memorial Cruise commemorating the centennial of the ill-fated voyage, to the symbolic retracing of the Berlin Wall across the city on 9 November 2014 to mark the 25th anniversary of its toppling.Re-enactments involve the sensuousness of bodily experience and engagement, the exhilarating yet precarious combination of imagination with ‘historical fact’, in-the-moment negotiations between and within temporalities, and the compelling drive to re-make, or re-presence, the past. As such, re-enactments present a number of challenges to traditional understandings of heritage, including taken-for-granted assumptions regarding fixity, conservation, originality, ownership and authenticity. Using a variety of international, cross-disciplinary case studies, this volume explores re-enactment as practice, problem, and/or potential, in order to widen the scope of heritage thinking and analysis toward impermanence, performance, flux, innovation and creativity.This book was originally published as a special issue of the International Journal of Heritage Studies.
Re-imagining Western European Geography in English Renaissance Drama
by Monica Matei-ChesnoiuFocusing on how citizens of early modern England tried to locate themselves and their nation through geography and travel writing, Monica Matei-Chesnoiu explores theatrical representations of Western European space and ethnography. Geographic discourses share many features with drama in that they appeal to the readers' and audience's curiosity and imagination. Playwrights use information derived from geography treatises as vehicles to allegorize contemporary English issues in a dialogical mode. While geography and travel texts provide an objective synthesis in describing Western European nations, dramatic interaction destabilizes any preconceived notions and submits contrastive views on imagined global European communities. This book explores representations of France, Spain, Germany, the Low Countries, and Denmark in a wide range of geography texts and offers fresh readings of Shakespeare, Jonson, Marlowe, Middleton, Dekker, Massinger, Marston, and others.
Re-performance, Mourning and Death: Specters of the Past (Adaptation in Theatre and Performance)
by Sarah JuliusThis book examines the recent trend for re-performance and how this impacts on the relationship between live performance and death. Focusing specifically on examples of performance art the text analyses the relationship between performance, re-performance and death, comparing the process of re-performance to the process of mourning and arguing that both of these are processes of adaptation and survival. Using a variety of case studies, including performances by Ron Athey, Julie Tolentino, Martin O’Brien, Sheree Rose, Jo Spence and Hannah Wilke, the book explores performances which can be considered acts of re-performance, as well as performances which examine some of the critical concerns of re-performance, including notions of illness, loss and death. By drawing upon both philosophical and performance studies discourses the text takes a novel approach to the relationship between re-performance, mourning and death.
Re-playing Shakespeare in Asia
by Poonam Trivedi Minami RyutaIn this critical volume, leading scholars in the field examine the performance of Shakespeare in Asia. Emerging out of the view that it is in "play" or performance, and particularly in intercultural / multicultural performance, that the cutting edge of Shakespeare studies is to be found, the essays in this volume pay close attention to the modes of transference of the language of the text into the alternative languages of Asian theatres; to the history and politics of the performance of Shakespeare in key locations in Asia; to the new Asian experimentation with indigenous forms via Shakespeare and the consequent revitalizing and revising of the traditional boundaries of genre and gender; and to Shakespeare as a cultural capital world wide. Focusing specifically on the work of major directors in the central and emerging areas of Asia – Japan, China, India, Korea, Taiwan, Singapore, Indonesia and the Philippines - the chapters in this volume encompass a broader and more representative swath of Asian performances and locations in one book than has been attempted till now.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training
by Maria PorterRe-Purposing Suzuki: A Hybrid Approach to Actor Training introduces a system of text analysis that synthesizes physical, psychological, and vocal components in order to truthfully embody heightened texts and contexts. By understanding how the author has re-purposed Suzuki and other physical training methods, as well as Stanislavski, readers will gain an awareness of how to analyze a particular training method by extrapolating its key components and integrating it into a holistic, embodied approach to text analysis. The book explores a method of physical scoring via Rules of the Body and Rules of Composition, as well as a method of approaching heightened texts from Greek drama to post-modern playwrights that draws on the individual actor’s imagination and experience and integrates voice, mind, and body. Readers will be able to either replicate this approach, or apply the logic of its building blocks to assemble their own personal creative process applicable to a variety of performance genres. This is a source book for actors, theatre students, practitioners, and educators interested in assembling tools derived from different sources to create alternative approaches to actor training. While the process outlined in the book evolves in a classroom setting, the components of the pedagogy can also be practiced by individuals who are interested in finding new ways to explore text and character and bring them into their own personal practice.
Re-Situating Public Theatre in Contemporary France: Theatres and Their Publics
by Ifigenia GonisThis book examines the dynamics of the relational and spatial politics of contemporary French theatrical production, with a focus on four theatres in the Greater Paris region. It situates these dynamics within the intersection of the histories of the public theatre and theatre decentralization in France, and the dialogues between live performances and the larger frameworks of artistic direction and programming as well as various imaginations of the “public”. Understanding these phenomena, as well as the politics that underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics.
Re-Visioning Lear’s Daughters
by Lesley Kordecki Karla KoskinenKing Lear is believed by many feminists to be irretrievably sexist. Through detailed line readings supported by a wealth of critical commentary, Re-Visioning Lear's Daughters reconceives Goneril, Regan, and Cordelia as full characters, not stereotypes of good and evil.
Reaching for Starlight
by Donna-Michelle St. BernardReenie wants to dance, following in her mother’s footsteps. Just like the rest of her ensemble, she believes she has what it takes to earn the coveted solo at the year-end recital. But when she notices that their strict maestra is not holding everyone to the same “traditional” standard—particularly Maia, the other Black girl in the class—Reenie is determined to stop her friend from being counted out of the competition. Frustrated with not being understood by her mother and filled with a new-found passion to fight a broken system, Reenie hatches a plan with her classmates but doesn’t realize where her quick journey towards justice missed the mark with her friend.Reaching for Starlight is a compassionate story about the way we are told to move through a world not made for us, whether together or alone.
Reactivations: Essays on Performance and Its Documentation
by Philip AuslanderMost people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation as a specific discursive use of media that arose in the middle of the 20th century alongside such forms of performance as the Happening and that is different, both discursively and as a practice, from traditional theater and dance photography. Philip Auslander explores the phenomenal relationship between the spectator who experiences the performance from the document and the document itself. The document is not merely a secondary iteration of the original event but a vehicle that gives us meaningful access to the performance itself as an artistic work.
Reader's Guide to Military History (Reader's Guiides Ser.)
by Charles MessengerThis book contains some 600 entries on a range of topics from ancient Chinese warfare to late 20th-century intervention operations. Designed for a wide variety of users, it encompasses general reviews of aspects of military organization and science, as well as specific wars and conflicts. The book examines naval and air warfare, as well as significant individuals, including commanders, theorists, and war leaders. Each entry includes a listing of additional publications on the topic, accompanied by an article discussing these publications with reference to their particular emphases, strengths, and limitations.
Reading Breath in Literature (Palgrave Studies in Literature, Science and Medicine)
by Peter Garratt Arthur Rose Stefanie Heine Naya Tsentourou Corinne SaundersThis open access book presents five different approaches to reading breath in literature, in response to texts from a range of historical, geographical and cultural environments. Breath, for all its ubiquity in literary texts, has received little attention as a transhistorical literary device. Drawing together scholars of Medieval Romance, Early Modern Drama, Fin de Siècle Aesthetics, American Poetics and the Postcolonial Novel, this book offers the first transhistorical study of breath in literature. At the same time, it shows how the study of breath in literature can contribute to recent developments in the Medical Humanities.
Reading Contemporary Performance: Theatricality Across Genres
by Meiling Cheng Gabrielle H. CodyAs the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.