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The Seafarer

by Conor McPherson

Conor McPherson, who [turned] 35 in August, is one of the genuine treasures of the English-language theatre. It is absolutely intoxicating to ponder what he will give us in the future.”—Irish Echo “The unique and extraordinary aspect of McPherson’s writing is the way in which his characters reveal themselves in tiny details which almost imperceptibly build up an extensive picture of the past, present and future, not just of themselves but of Ireland.”—The Sunday Mail (London) Conor McPherson returns to his native Dublin for the setting of his new play, which he will direct in a much-anticipated production at London’s National Theatre in fall 2006. It is Christmas Eve, and James “Sharky” Harkin, erstwhile fisherman/van driver/chauffeur, gathers with friends at the dingy flat he shares with his blind brother to drink booze and play cards. As Christmas Eve becomes Christmas Day, the familiar-looking stranger Mr. Lockhart reminds Sharky of the bargain he made when they last met in prison—and Sharky suddenly finds himself playing a game with the stakes set at his soul. With this magnificently atmospheric new play, McPherson is once again set to enter his audience, this time with a new take on the Faustian theme. Conor McPherson was born in Dublin, where he still lives. His plays include This Lime Tree Bower, St. Nicholas, The Weir, Port Authority, Dublin Carol, and Shining City, which premiered on Broadway in spring 2006. One of Ireland’s leading playwrights, his work has been produced throughout the United Kingdom and the United States.

The Seagull

by Anton Chekhov

Anton Chekhov's The Seagull was written in 1895 and first staged in 1896. It dramatises the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Tréplev. Though the character of Trigorin is considered Chekhov's greatest male role like Chekhov's other full-length plays, The Seagull relies upon an ensemble cast of diverse, fully developed characters. In contrast to the melodrama of mainstream 19th-century theatre, lurid actions (such as Konstantin's suicide attempts) are not shown onstage. Characters tend to speak in ways that skirt around issues rather than addressing them directly; in other words, their lines are full of what is known in dramatic practice as subtext. A play more character driven than plot driven, it remains a staple for theatrical production companies to this day.

The Seagull

by Anton Chekhov

Anton Chekhov's The Seagull was written in 1895 and first staged in 1896. It dramatises the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Tréplev. Though the character of Trigorin is considered Chekhov's greatest male role like Chekhov's other full-length plays, The Seagull relies upon an ensemble cast of diverse, fully developed characters. In contrast to the melodrama of mainstream 19th-century theatre, lurid actions (such as Konstantin's suicide attempts) are not shown onstage. Characters tend to speak in ways that skirt around issues rather than addressing them directly; in other words, their lines are full of what is known in dramatic practice as subtext. A play more character driven than plot driven, it remains a staple for theatrical production companies to this day.

The Seagull

by Anton Chekov Tom Stoppard

The Seagull, a spectacular failure on its first appearance, was the play that, on its second, established Anton Chekhov as an important and revolutionary dramatist. Here, amid the weariness of life in the country, the famous actress Arkadina presides over a household riven with desperate love, with dreams of success and dread of failure. It is her son, Konstantin, who one day shoots a seagull; it is the novelist Trigorin who will one day write the story of the seagull so casually killed; but it is Nina, the seagull herself, whose life to come will rewrite the story. This new translation of The Seagull--made by Tom Stoppard for the Peter Hall Company at the Old Vic in 1997--was produced by The Public Theater/New York Shakespeare Festival in New York City in 2001. The volume also contains an Introduction by Stoppard that indicates some of the problems translators have faced since the first English language Seagull in 1909

The Seagull: An Insiders’ Account of the Groundbreaking Moscow Production

by Anatoly Efros James Thomas

This book is an insiders’ account of the groundbreaking Moscow production of Chekhov's The Seagull directed by Anatoly Efros in 1966, which heralded a paradigm shift in the interpretation and staging of Chekhov’s plays. It is a unique glimpse behind the curtain of the laboratory of new Russian theatre in the twentieth century. Efros' articles about Chekhov and The Seagull, his diaries, interviews and conversations, and most importantly the original rehearsal records combine to form an in-depth account of of the director and his working process. This is an essential book for anyone with an interest in Chekhov and the history of modern Russian theatre.

The Seagull

by Laurence Senelick Anton Chekhov

"Senelick's accomplishment is astounding."--Library Journal Anton Chekhov is a unique force in modern drama, his works cherished for their brilliant wit and insight into the human condition. In this stunning new translation of one of Chekhov's most popular and beloved plays, Laurence Senelick presents a fresh perspective on the master playwright and his groundbreaking dramas. He brings this timeless trial of art and love to life as memorable characters have clashing desires and lose balance in the shifting eruptions of society and a modernizing Russia. Supplementing the play is an account of Chekhov's life; a note on the translation; an introduction to the work; and variant lines, often removed due to government censorship, which illuminate the context in which they were written. This edition is the perfect guide to enriching our understanding of this great dramatist or to staging a production.

The Seagull Book of Plays

by Joseph Kelly

The best-priced alternative to full-length anthologies, this collection offers a compelling blend of classroom favorites and contemporary literary works. Contained in a portable, flexible volume, you’ll find it fits perfectly into a variety of introductory courses.

Searching for Juliet: The Lives and Deaths of Shakespeare's First Tragic Heroine

by Sophie Duncan

'A thirteen-year-old girl is at a party. A boy, slightly older, sees her. Juliet. This book is about that girl.'A cultural, historical and literary exploration of the birth, death and legacy of the ultimate romantic heroine - Shakespeare's Juliet Capulet.Juliet Capulet is the heartbeat of the world's most famous love story. She is an enduring romantic icon. And she is a captivating, brilliant, passionate teenage girl who is read and interpreted afresh by each new generation.Searching for Juliet takes us from the Renaissance origin stories behind William Shakespeare's child bride to the boy actor who inspired her creation onstage. From enslaved people in the Caribbean to Italian fascists in Verona, and real-life lovers in Afghanistan. From the Victorian stage to 1960s cinema, Baz Luhrmann and beyond.Sophie Duncan draws on rich cultural and historical sources and new research to explore the legacy and reach of Romeo and Juliet far beyond the literary sphere. With warmth, wit and insight, she shows us why Juliet is for now, for ever, for everyone.(P)2023 Hodder & Stoughton Limited

Searching for Juliet: The Lives and Deaths of Shakespeare's First Tragic Heroine

by Sophie Duncan

'Witty and scholarly'JONATHAN BATE, SUNDAY TELEGRAPH'Thrilling'GUARDIAN'Illuminating . . . as vital and provocative as the character herself'LITERARY REVIEW'Buoyant'TIMES LITERARY SUPPLEMENT'An astonishing tour-de-force'MARION TURNER, author of The Wife of Bath: A BiographyWho is Juliet Capulet?Daughter of VeronaLovestruck TeenagerRomantic IconTragic HeroineRebelSearching for Juliet takes us from the Renaissance origin stories behind Shakespeare's child bride to enslaved people in the Caribbean, Italian fascists in Verona, and real-life lovers in Afghanistan. From the Victorian stage to 1960s cinema, Baz Luhrmann, and beyond. Drawing on rich cultural and historical sources and new research, Sophie Duncan shows us why Juliet is for now, for ever, for everyone.

Seascape

by Edward Albee

Dealing with an almost surreal Howard Hughes-like figure, a bearded recluse who is the richest man in the world, this often comic and brilliantly revealing allegory continues the playwright's preoccupation with the mythic aspects of American life. <P><P> Pulitzer Prize Winner

Seascape: The Entire Appalling Business

by Edward Albee

“Hats off, and up in the air! A major dramatic event.” The New York Times On the heels of the success of Edward Albee’s The Collected Plays of Edward Albee, Overlook brings back—in a stand-alone volume—one of Albee’s most cherished plays, a fantastic story of what it means to be alive—winner of the 1975 Pulitzer Prize for Drama. On a deserted stretch of beach, a middle-aged couple relaxes after a picnic lunch and converse idly about home, family, and their life together. She sketches; he naps. Then, suddenly, they are joined by two sea creatures, a pair of lizards from the depths of the ocean, with whom they engage in a fascinating dialogue. The emotional and intellectual reverberations of this bizarre conversation will linger in the heart and the mind long after the curtain falls—or the last page is turned.

Seascape with Sharks and Dancer

by Don Nigro

Drama / Casting: 1m, 1f / Scenery: Interior This fine work in the Pendragon cycle of plays enjoyed a sold out, critically acclaimed production at the world famous Oregon Shakespeare Festival. The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

Second Chance Summer

by Sarah Kapit

Breaking up is hard to do, especially when it's with your best friend. Can these two ex-besties survive summer camp together? Maddie and Chloe have always been best friends, until last year, when Chloe’s popularity and budding fame as an actor left Maddie in the dust one too many times. Their friendship is over, and they’re both ready to move on.But when the girls arrive at summer camp, they discover that the universe isn’t ready to let go of this friendship just yet: They’re cabinmates, and each of them has to spend the summer with her ex–best friend. Is it time to try again, or are they doomed to drift apart for good?

Second Chances: Shakespeare and Freud (The Anthony Hecht Lectures in the Humanities Series)

by Stephen Greenblatt Adam Phillips

A powerful exploration of the human capacity for renewal, as seen through Shakespeare and Freud In this fresh investigation, Stephen Greenblatt and Adam Phillips explore how the second chance has been an essential feature of the literary imagination and a promise so central to our existence that we try to reproduce it again and again. Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter. Both Shakespeare and Freud believed that we can narrate our life stories as tales of transformation, of momentous shifts, constrained by time and place but often still possible. Ranging from The Comedy of Errors to The Winter&’s Tale, and from D. W. Winnicott to Marcel Proust, the authors challenge readers to imagine how, as Phillips writes, &“it is the mending that matters.&”

Second Lady

by Jack Sharkey

Comedy / 3m, 4f / Interior / Thanks to an idiotic childhood promise, Presidential candidate Andrew Wright is engaged to Bertha Desiree Sprock a lady as lovely as her name. His unscrupulous campaign manager convinces Bertha she is the target of assassins and he cajoles Veronica Parkhurst, an absolute doll, to stand in for Bertha at the convention. Veronica so captivates the delegates that they want her as Andrew's running mate and Andrew and Veronica fall in love. Will Bertha spill the beans and destroy Andrew's career if he doesn't marry her? What is the codeword that causes the Secret Service to blast anyone who leaves the hotel suite? Why would the Queen of England audition for the Dallas cheerleaders? Where do you find a hotel chef who can provide hemlock? This is one of the most hyperactive political satires ever to romp across a stage.

The Second Part of King Henry IV (The New Cambridge Shakespeare)

by William Shakespeare Giorgio Melchiori

Melchiori offers a fresh approach to the text of The Second Part of King Henry IV, which he sees as an unplanned sequel to the First Part, itself a 'remake' of an old, non-Shakespearean play. The Second Part deliberately exploits the popular success of Sir John Falstaff, introduced in Part One; the resulting rich humour gives a comic dimension to the play which makes it a unique blend of history, morality play and comedy. Among modern editions of the play this is the one most firmly based on the quarto. It presents an eminently actable text, by showing how Shakespeare's own choices are superior for practical purposes to suggested emendations, and by keeping interference in the original stage directions to a minimum, in order to respect, as Shakespeare did, the players' freedom. This updated edition includes a new introductory section by Adam Hansen describing recent stage, film and critical interpretations.

The Second Part of King Henry the Fourth

by William Shakespeare

Picking up where Henry IV, Part One left off after the Battle of Shrewsbury, Henry IV, Part Two is the story of England's King Henry IV during his final months of life, his reconciliation with his wayward heir, and his eventual death.

The Second Part of King Henry the Sixth

by William Shakespeare

Shakespeare's Henry VI plays dramatize contemporary as much as Elizabethan issues: the struggle for power, the manoeuvres of politicians, social unrest, and civil war.

Second Summer

by Gary Richards

Comedy / 2m, 3f / Interiors / A good natured, affable man embittered by the death of his beloved wife reluctantly sells his business and home in Brooklyn and moves to Florida. In what he thought would be "God's waiting room," he finds a world of new possibilities as single women his age flock to charm the new, available man. This play by the author of Dividends is about the rebirth of an elderly man who finds that the long dormant teenager in himself still exists. It celebrates the richness of the mature life experience in a warmhearted comedy that clearly demonstrates it's not how old you are, it's how your are old!

The Second Wave: British Drama for the Seventies (Routledge Revivals)

by John Russell Taylor

In the 1970s the revolution that had swept the British theatre in the 1950s had already become accepted as the new establishment. Areas that had been previously regarded as remote ideals - including permanent repertory companies, a lively provincial theatre and an extensive spread of avant-garde and fringe theatrical activities - were now considered commonplace. In this title, first published in 1971, John Russell Taylor assesses the prospects of the British theatre at the start of the 1970s and indicates its points of weakness and its strengths. In this context are placed the key figures among the Second Wave of dramatists, and detailed critical commentaries on the work of writers such as David Mercer, Tom Stoppard and Peter Terson. This is an indispensable introduction for any student with an interest in the history and development of the British theatre and the people who have played instrumental roles in this.

The Secret History of Magic: The True Story of the Deceptive Art

by Peter Lamont Jim Steinmeyer

Pull back the curtain on the real history of magic – and discover why magic really matters If you read a standard history of magic, you learn that it begins in ancient Egypt, with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic. It is a history of people from humble roots, who made and lost fortunes, and who deceived kings and queens. In order to survive, they concealed many secrets, yet they revealed some and they stole others. They engaged in deception, exposure, and betrayal, in a quest to make the impossible happen. They managed to survive in a world in which a series of technological wonders appeared, which previous generations would have considered magical. Even today, when we now take the most sophisticated technology for granted, we can still be astonished by tricks that were performed hundreds of years ago. The Secret History of Magic reveals how this was done. It is about why magic matters in a world that no longer seems to have a place for it, but which desperately needs a sense of wonder.

The Secret History of the Future

by James Still

Comedy \ 5m, 3f \ Unit set \ Originally produced at The Kennedy Center, this humorous journey into history sends three modern teens to 15th Century Spain. They befriend the heir to the throne, Mona Lisa and Leonardo da Vinci, confront the Inquisition and turn history on its ear. This ninety minute play has been successfully cast with both teens and adults and is popular with school and family audiences. \ "Shows a past which contains the future, and offers all the characters a wider, deeper world view."-- USA Today.

Secret Life of a Mother

by Hannah Moscovitch

The raw and untold secrets of pregnancy, miscarriage, childbirth, and mothering are revealed in this true story of motherhood for the twenty-first century. A playwright writes an exposé of modern motherhood full of her own darkly funny confessions and taboo-breaking truths. One of her real-life friends, an actress, performs the piece, and through it her own experiences of motherhood start to surface. These mothers are not the butts of jokes, the villains, or the perfect angels of a household. This empowered and relatable play was written collaboratively between award-winning theatre artists Hannah Moscovitch, Maev Beaty, and Ann-Marie Kerr, with co-creator Marinda de Beer. Uplifting and full of love, Secret Life of a Mother is a generous and powerful act of truth-telling for anyone who has thought about, been, loved, known—or come from—a mother.

The Secret Life of The American Musical: How Broadway Shows Are Built

by Jack Viertel

In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next--by design or by accident, by emulation or by rebellion--from Oklahoma! to Hamilton and onward.

The Secret Life of the American Musical: How Broadway Shows Are Built

by Jack Viertel

A New York Times BestsellerFor almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical?In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward.Structured like a musical, The Secret Life of the American Musical begins with an overture and concludes with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales. The ultimate insider, Viertel has spent three decades on Broadway, working on dozens of shows old and new as a conceiver, producer, dramaturg, and general creative force; he has his own unique way of looking at the process and at the people who collaborate to make musicals a reality. He shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically. The Secret Life of the American Musical makes you feel as though you’ve been there in the rehearsal room, in the front row of the theater, and in the working offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit.

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