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Saving Juliet
by Suzanne SelforsMimi Wallingford, Great Granddaughter of Adelaide Wallingford, has the life that most girls dream about, playing Juliet opposite teen heartthrob Troy Summer on Broadway in Shakespeare's famous play. Unfortunately, she has no desire to be an actress, a fact her mother can't seem to grasp. But when she and Troy are magically thrust into Shakespeare's Verona, they experience the feud between the Capulets and Montagues first hand. Mimi realizes that she and Juliet have more in common than Shakespeare's script -- they are both fighting for futures of their own choosing. Mimi feels compelled to help her and with Troy's unexpected help, hopes to give Shakespeare's most famous tragedy a happily-ever-after ending.
Say It Out Loud
by Allison VarnesAn empowering look at finding your voice, facing your fears, and standing up for what's right, from the author of Property of the Rebel Librarian. Charlotte Andrews is perfectly fine being quiet--in fact, she prefers it. When she doesn't speak, people can't make fun of her stutter. But when she witnesses bullying on the school bus and doesn't say anything, her silence comes between her and her best friend. <p><p> As if that wasn't bad enough, her parents signed her up for musical theater. Charlotte doesn't want to speak onstage, but at least she doesn't stutter when she sings. Then, just as she starts to find her voice, the arts program is cut. Charlotte can't stay silent anymore. <p><p> So she begins to write. Anonymous encouraging notes to her classmates. Letters to the school board to save the school musical. And an essay about the end of her best friendship--and her hope that she can still save it. <p><p> Words could save Charlotte Andrews and everything she believes in . . . if she just believes in herself enough to speak up.
Say Uncle, Uncle Silas
by Tim Kelly5m, 9f / Savage murders! Blackmail! Thunderstorms! And yes, Romance! This hilarious spoof of Gothic melodramas suggested by Sheridan LeFanu's Uncle Silas is set at Barnum Hogg, a grim edifice that looks like Wuthering Heights after a fire. Ghosts walk where tombstones stick up like swollen thumbs. Here Maud Ruthyn, a young heiress, finds herself menaced by a creepy relative who makes Sweeney Todd seem like a nice guy. He hires a monstrous governess, Madame De La Rougepot, and schemes to force Maud to marry his brutish son, Dudley. However, Dudley has a secret wife so he formulates another plan to get Maud's fortune a nasty (and uproarious) scheme involving deceit and murder. Will handsome Captain Oakley and sophisticated Lady Monica save Maud? Will the mystery of the locked room be revealed? Wonderfully goofy roles and easy production requirements add up to an audience and cast pleaser by the author of Egad, The Woman in White and The Face on the Barroom Floor.
Scab
by Sheila CallaghanDramtic Comedy / 1-2m, 3f / Simple Set Anima's sphere of desperation and self-destruction is invaded by the arrival of her perky new roommate, Christa. Moved by a particularly malevolent statue of the Virgin Mary and a houseplant named Susan, Anima and Christa soon enter into a profound and intimate friendship that incurs traumatic results. "Brilliantly and poetically rendered...[Callaghan's] playful sense of language and her attunement to her characters are enthralling." - Time Out Chicago "Scab...is a textbook example of promising work, written with a yen for interesting language and liberally salted with well-observed details of the lives of newly minted adults...the play shines." - The New York Times "Darkly funny forays into the surreal...Callaghan shows talent in the inventive fantasy sequences...A stylish production." - The Village Voice
Scandal on Stage: European Theater as Moral Trial
by Theodore ZiolkowskiNew plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. Scandal on Stage looks at ten famous theater scandals of the past two centuries in Germany and France as symptoms of contemporary social, political, ethical, and aesthetic upheavals. The writers and composers concerned, including Schiller, Stravinsky, Strauss, Brecht and Weil, portrayed new artistic and ideological ideas that came into conflict with the expectations of their audiences. In a comparative perspective, Theodore Ziolkowski shows how theatrical scandals reflect or challenge cultural and ethical assumptions and asks whether theatre can still be, as Schiller wrote, a moral institution: one that successfully makes its audience think differently about social, political and ethical questions
The Scandalous Adventures of Sir Toby Trollope: A Comedy In Two Acts
by Ron HouseComedy / 5 m., 2 f., to play 25 roles may be done with as many as 25 actors. / Unit set / It's Tom Jones meets Monty Python in this rollicking comedy from the authors of Bullshot Crummond , El Grande de Coca Cola and Footlight Frenzy . The setting is England, 1784. Sir Toby Trollope is to be hanged by King George III for tax evasion. Toby conspires to save his neck by marrying his imbecilic son Bartholomew to a rich young woman so he can live off her father's wealth. What could possibly go wrong? Plenty! They meet, and quickly offend, England's richest man, Sir Alex Hardegristle who destroys anything he doesn't understand and his beautiful but hallucinatory daughter, Fanny. The Hardegristle madness stems from 600 years of inbreeding. In fear of their lives, the Trollopes flee England on the HMS Bounty. In the ensuing mutiny, they are thrown overboard and into the middle of the Boston Tea Party. They now meet and are quickly swindled by John Hancock, a sleazy insurance salesman; Paul Revere, a fast talking pots and pans vendor hawking his latest invention, Reverware; and George Washington with his spring loaded wooden teeth. Events escalate to Lexington Green, where the Trollopes accidently spark off the American Revolution. But for these buffoons, American might have remained a peace loving British colony. / "Hilarious." Variety.
Scandalously Wed to the Captain (Mills And Boon Historical Ser. #3)
by Joanna JohnsonBound to a stranger…in a secret ceremony!With her finances, reputation and heart all broken by a family scandal, Grace Linwood seeks employment. But the lady she’s companion to isn’t long for this world. She’s intent on seeing Grace protected and quickly wed to her son, curt and closed-off Captain Spencer Dauntsey. With little choice, all Grace can say is “I do”…but who is the man she has just married?
The Scarlet Letter (The Norton Library)
by Nathaniel. Hawthorne Justine S. MurisonOne of the most influential novels in American literature, The Scarlet Letter is the story of a Puritan woman who conceives a child through an affair and her subsequent struggle to overcome sin, shame, and social stigma. Edited by Justine S. Murison, the Norton Library edition features the text of the third (1850) edition of the novel, with explanatory endnotes and an introduction that situates the work in its historical and literary contexts.
The Scarlet Pimpernel: Large Print (The Psammead Ser. #Vol. 1)
by Baroness OrczyBaroness Orczy's classic tale of adventure during the French Revolution. Also available as an unabridged audiobook, read by Julian Rhind-Tutt.Paris, 1792. The Terror has begun. Every day, scores of the French nobility are delivered to the guillotine. Trapped in the capital, they have no way of escape. But rumours abound of a league of young English gentlemen who are risking their lives to spirit French aristocrats away to safety across the Channel. Led by a man known only as the 'Scarlet Pimpernel', they leave no trace behind them save a single note. Determined to stop them, ruthless spymaster Chauvelin travels to England and embarks on a quest to uncover the identity of their leader, forcing the Scarlet Pimpernel and his men to summon all their courage and wits to evade capture and stay alive.PRAISE FOR THE SCARLET PIMPERNEL"Anyone who feels that their outward manner is but a travesty of their inner self can hardly fail to respond to THE SCARLET PIMPERNEL" - Independent"The Baroness Orczy invented the "masked avenger" genre of fiction - the swashbuckling hero of dual identity. Her progeny include Zorro, Superman, The Lone Ranger and many others." - Audiofile Magazine
The Scarlet Pimpernel
by Baroness OrczyA brand new, unabridged recording of Baroness Orczy's classic tale of adventure, read by Julian Rhind-Tutt.Paris, 1792. The Terror has begun. Every day, scores of the French nobility are delivered to the guillotine. Trapped in the capital, they have no way of escape. But rumours abound of a league of young English gentlemen who are risking their lives to spirit French aristocrats away to safety across the Channel. Led by a man known only as the 'Scarlet Pimpernel', they leave no trace behind them save a single note. Determined to stop them, ruthless spymaster Chauvelin travels to England and embarks on a quest to uncover the identity of their leader, forcing the Scarlet Pimpernel and his men to summon all their courage and wits to evade capture and stay alive. (P)2018 Hodder & Stoughton Limited
Scene Design and Stage Lighting
by W. Oren Parker R. Craig WolfThis established and respected text for courses in scene design and stage lighting offers a contemporary viewpoint from two experienced authors. The authors highlight current trends, such as the importance of collaboration in the theatrical process.
Scene Design and Stage Lighting
by W. Oren Parker R. Craig Wolf Dick BlockPacked with professional information and cutting-edge technologies, SCENE DESIGN AND STAGE LIGHTING, Ninth Edition, equips you with the most up-to-date coverage available on scenery, lighting, sound, and technology. Completely current, the exciting new ninth edition mirrors the best of real-world practices. Vibrant color production photographs support the text and spotlight examples of contemporary work. Scenery design and technology coverage includes a strong emphasis on modern technology, while changes in the lighting section reflect the latest practices. Coverage of sound for the theatre reflects the digital age in which we live and work. The text also includes an expanded section on television design, as well as greater emphasis on health and safety issues. The authors emphasize collaboration in all sections of the new text, and they provide insight via interviews with professional lighting and scenery designers in two features: "Working Professionals" and "Designers at Work. " Reflecting current professional practice, SCENE DESIGN AND STAGE LIGHTING, Ninth Edition, offers in-depth coverage of a broad range of topics, making it the most detailed and comprehensive text available in the scenic and lighting design and technology fields.
Scene Design And Stage Lighting
by R. Craig Wolf Dick BlockNow in full color and packed with professional information and cutting-edge technologies, SCENE DESIGN AND STAGE LIGHTING, Tenth Edition, equips you with the most up-to-date coverage available on scenery, lighting, sound, and technology. Completely current, the exciting new tenth edition has two new chapters on digital integration in scene design and lighting design (Chapters 12 and 13), a new chapter on getting work in the profession (Chapter 28), and mirrors the best of real-world practices. Vibrant color production photographs support the text and spotlight examples of contemporary work. The book retains its strong emphasis on modern technology, with many changes in the lighting design and sound design chapters, reflecting the latest practices. The text also includes an expanded section on television design, as well as an emphasis on health and safety issues. The authors emphasize collaboration in all sections of the text, and they provide insight via interviews with professional lighting and scenery designers in two features: "Working Professionals" and "Designers at Work." Reflecting current professional practice, SCENE DESIGN AND STAGE LIGHTING, Tenth Edition, offers in-depth coverage of a broad range of topics, making it the most detailed and comprehensive text available in the scenic, lighting, and sound design fields.
Scene Painting Projects for Theatre
by Stephen G. SherwinThe art, practice, and technique of scene painting is an essential part of theatre design. A scenic artist is responsible for translating the vision of the scenic designer to the realized scenery.Unlike all other scene painting books, this text will take you step-by-step through actual individual scene painting projects. Each project is commonly used in theatrical productions and each project builds upon the skills learned in the previous lesson. From wood and marble, to foliage and drapery, this book will teach the you how to become a skilled scenic painter.
The Scenebook For Actors: Great Monologs and Dialogs from Contemporary and Classical Theatre
by Norman A. Bert Arthur L. ZapelThis book explains how to find the right audition monolog for your voice, your face, your style, your stage persona. Includes tips on how to develop your audition monolog for performance and how to build a systematic file of scenes for your personal working repertoire.
Scenery: Draughting and Construction for Theatres, Museums, Exhibitions and Trade Shows
by John BlurtonThis practical book looks at the types of drawing used, equipment, materials commonly specified, surveying, and also covers building floors, flats, cloths, windows, doors, trucks, staircases, roofs, revolves, multi-story structures, and bridges. By addressing both theater and the commercial world this book will be of real help to a broad range of people in the theater industry.
Scenes and Monologs from the Best New Plays: An Anthology of New Dramatic Writing from Professionally Produced American Plays
by Roger EllisThis book is a practical resource for acting and directing students of all ages middle through high school, college, and professionals young and old. Its 30 duet scenes and eight monologues include a fair sampling of the late 20th-century work of playwrights across the United States. These excerpts are highly original in that few people can claim to have read or seen them performed, though they have all been produced regionally. The gallery of characters contained in these pages offers readers an arresting and kaleidoscopic reflection of American society. The literary styles one encounters here demonstrate the range and power of American writers who will continue to shape theatrical techniques for years to come. Overall, this anthology provides a generous sampling of vital and compelling treatments of our social, artistic, and spiritual experiences of the late 20th century.
Scenes For Mandarins: The Elite Theater Of The Ming (Translations From The Asian Classics)
by Cyril BirchMing drama represents the classical Chinese theater at its most mature and exquisite. Between 1368 and 1644, more than four hundred playwrights produced over l,500 plays, ranging from one-act skits to massive, operatic works with fifty scenes or more. As a performing art, Ming theater - with its polished singing, enchanting music, fantastic plotting, and intricate choreography - has never been surpassed. <p><p> In China, well-known Ming plays are common cultural reference points to this day, and favorite scenes still form staples of the classical repertoire. But although a handful of plays have been translated in their entirety, until now there has been no general critical introduction to the subject available to readers in English. <p> Scenes for Mandarins fills this need, surrounding translated highlights from six of the best-loved plays of the Ming period with lively, entertaining commentary on each play. The narrative of pioneer Ming scholar Cyril Birch provides the context necessary to help Western readers grasp the scope of a genre that spanned the great diversity of Chinese society - from the popular to the elite; from the poor, arid northern regions to the lush gentility of the south.
Scenes from Bourgeois Life (Theater: Theory/Text/Performance)
by Nicholas RidoutScenes from Bourgeois Life proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, characterized by the cultivation of distance. In Nicholas Ridout’s formulation, this distance is produced and maintained at two different scales. First is the distance of the colonial relation, not just in miles between Jamaica and London, but also the social, economic, and psychological distances involved in that relation. The second is the distance of spectatorship, not only of the modern theatregoer as consumer, but the larger and pervasive disposition to observe, comment, and sit in judgment, which becomes characteristic of the bourgeois relation to the rest of the world. This engagingly written study of history, class, and spectatorship offers compelling proof of “why theater matters,” and demonstrates the importance of examining the question historically.
Scenes from Greek Drama (Sather Classical Lectures #34)
by Bruno SnellThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.
Scenic Art for the Theatre: History, Tools and Techniques
by Susan Crabtree Peter BeudertNow in its Third Edition, Scenic Art for the Theatre: History, Tools and Techniques continues to be the most trusted source for both student and professional scenic artists. With new information on scenic design using Photoshop, Paint Shop Pro and other digital imaging softwares this test expands to offer the developing artist more step-by-step instuction and more practical techniques for work in the field. It goes beyond detailing job functions and discussing techniques to serve as a trouble-shooting guide for the scenic artist, providing practical advice for everyday solutions.
Scenic Automation Handbook
by Gareth ConnerScenic automation has earned a reputation of being complicated and cantankerous, a craft best left to the elite of our industry. Not sure of the difference between a VFD, PLC, or PID? If you have dreamed of choreographing scene changes with computerized machinery, but get lost in the technical jargon the Scenic Automation Handbook will guide you along the road to elegant automation. Adopting a pragmatic approach, this book breaks down any automation system into five points, known as the Pentagon of Power. Breaking down a dauntingly complex system into bite- size pieces makes it easy to understand how components function, connect, and communicate to form a complete system. Presenting the fundamental behaviors and functions of Machinery, Feedback Sensors, Amplifiers, Controls, and Operator Interfaces, the Scenic Automation Handbook demystifies automation, reinforcing each concept with practical examples that can be used for experimentation. Automation is accessible – come along and learn how!
The Scenic Charge Artist's Toolkit: Tips, Templates, and Techniques for Planning and Running a Successful Paint Shop in the Theatre and Performing Arts (The Focal Press Toolkit Series)
by Jennifer Rose IveyThe Scenic Charge Artist’s Toolkit is a comprehensive guide to managing a theatrical paint shop. This book introduces the many different options available to a scenic charge artist, as well as the fundamental expectations and responsibilities of planning and running a shop. From the pre-production organization, budgeting, sampling, and sealing, to practical lessons in efficiency and shop maintenance, this text provides options to organize a paint shop no matter the size of the shop, show, or company. Filled with templates for labor and time estimation; tips on leadership and collaboration; techniques for painting and planning textures efficiently; and sustainable practices in health, safety, and wellness, this book provides guidance and practices to successfully manage the inevitable changes in theatre planning and production. It also offers tips and reference material on employment options, gaining employment, and excelling in this profession. Written for early career scenic artists in theatre and students of Scenic Art courses, The Scenic Charge Artist’s Toolkit fills in the gaps of knowledge for scenic artists in the budgeting, planning, and running of shops at summer stock, educational institutions, or freelance working environments. The text includes access to additional online resources such as extended interviews, downloadable informational posters and templates for budgeting and organizing, and videos walking through the use of templates and the budgeting process.
Scenic Design and Lighting Techniques: A Basic Guide for Theatre
by Rob Napoli Chuck GlomanBasic. This is the key word in Scenic Design and Lighting Tecniques: A Basic Guide for Theatre, written by two seasoned professionals with over twenty years of experience. This book is designed to show you how to turn a bare stage into a basic set design, without using heavy language that would bog you down. From materials and construction to basic props and lighting, this book explains all you will need to know to build your set and light it.
The Scenography of Howard Barker: The Wrestling School Aesthetic 1998-2011 (Routledge Advances in Theatre & Performance Studies)
by Lara Maleen KippInfluential contemporary British playwright and director Howard Barker has been engaging with the scenography of the Wrestling School’s productions since 1998. Despite this active involvement in the design of set, costume, lighting, and sound, no in-depth published study on this aspect of his work exists to date. This monograph therefore offers the first comprehensive and detailed analysis of Barker’s scenographic practice. Combining aesthetic analysis of play texts and production records with original interview materials, this book presents the first full-length foray into Barker’s scenography. It features extracts from conversations with designers working with Barker, and with Barker himself. In addition, it presents the first printed versions of select set and costume designs by Barker. With the first fully detailed analysis of Barker’s scenographic work, this book will be a vital read for scholars and postgraduates of Barker Studies, contemporary British and European drama, theatre, and scenography.