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The Contemporary Art Scene in Syria: Social Critique and an Artistic Movement (Routledge Advances in Art and Visual Studies)
by Charlotte BankThis book focuses on the expanding contemporary art scene in Syria, particularly Damascus, during the first decade of the twenty-first century. The decade was characterized by a high degree of experimentation as young artists began to work with artistic media that were new in Syria, such as video, installation and performance art. They were rethinking the role of artists in society and looking for ways to reach audiences in a more direct manner and address socio-cultural and socio-political issues. The Contemporary Art Scene in Syria will be of interest to scholars of global and Middle Eastern art studies, and also to scholars interested in the recent social and cultural history of Syria and the wider Middle East.
The Contemporary Chinese Historical Drama: Four Studies
by Rudolf G. WagnerChina's "Great Leap Forward" of 1958-1961 was a time of official rejoicing over the achievements of Communism, but it was also a time of immense suffering. Growing dissent among intellectuals stimulated creativity as writers sought to express both their hope for the success of the revolution and their dissatisfaction with the Party leadership and policies. But the uneasy political climate and the state's control over literature prevented writers from directly addressing the compelling problems of the time. Rather, they resorted to a variety of sophisticated and time-honored forms for airing their grievances, including the historical drama. Rudolf Wagner examines three of these plays written and performed between 1958 and 1963 in an effort to decode their hidden political and cultural meanings. He also provides a broad survey of the politics of the historical drama in China, suggesting further avenues of inquiry into the relationship between literature and the state. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
The Contemporary Ensemble: Interviews with Theatre-Makers
by Duška Radosavljević‘Dr. Radosavljević has an excellent and extensive grasp of her subject, and deep understanding of not only the history of these groups, but how they function, and how each contributes to the field of ensemble theatre.’ – David Crespy, University of Missouri, USA Questions of ensemble – what it is, how it works – are both inherent to a variety of Western theatre traditions, and re-emerging and evolving in striking new ways in the twenty-first century. The Contemporary Ensemble draws together an unprecedented range of original interviews with world-renowned theatre-makers in order to directly address both the former and latter concerns. Reflecting on ‘the ensemble way of working’ within this major new resource are figures including: Michael Boyd, Hermann Wündrich, Yuri Butusov, Max Stafford-Clark, Elizabeth LeCompte, Lyn Gardner, Adriano Shaplin, Phelim McDermott; and Emma Rice; representing companies including: The RSC; The Berliner Ensemble; The Satirikon Theatre; Out of Joint; The Wooster Group; Kneehigh Theatre; Song of the Goat; The Riot Group; The Neo-Futurists; Shadow Casters; and Ontroerend Goed. All 22 interviews were conducted especially for the collection, and draw upon the author’s rich background working as scholar, educator and dramaturg with a variety of ensembles. The resulting compendium radically re-situates the ensemble in the context of globalisation, higher education and simplistic understandings of ‘text-based’ and ‘devised’ theatre practice, and traces a compelling new line through the contemporary theatre landscape.
The Contemporary Monologue: Men (Monologue And Scene Bks.)
by Michael Earley Philippa KeilFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Contemporary Monologue: Women
by Michael EarleyFirst published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Contrast
by Royall TylerThe first play professionally performed in the United States The Contrast by Royall Tyler A Comedy WITH AN INTRODUCTION BY THOMAS J. McKEE
The Copenhagen Papers: An Intrigue
by Michael Frayn David BurkeIn a brilliant coda to the play Copenhagen, Michael Frayn receives mysterious letters that take him back to the theme of his bestselling novel, Headlong -- human folly, this time his own.Michael Frayn's Copenhagen has established itself as one of the finest pieces of drama to grace the stage in recent years. The subject of the Tony-winning play is the strange visit the German nuclear physicist Werner Heisenberg made to his former mentor, scientist Niels Bohr, in Nazi-occupied Copenhagen and the quarrel that ensued. Heisenberg's intentions on that visit, for good or for evil, have long intrigued and baffled historians and scientists. One day, during the British run of Copenhagen, Frayn received a curious package from a suburban housewife, which contained a few faded pages of barely legible German writings. These pages, which she claimed to have found concealed beneath her floorboards, seemed to cast a remarkable new light on the mystery at the heart of play. As more material emerged -- specifically notes that appeared to give instructions on how to put up a table-tennis table but perhaps containing important encoded information -- actor David Burke, who was playing Niels Bohr, began to display extreme, even suspicious interest in Frayn's growing obsession with cracking the riddle of the papers. And Frayn, for his part, lost all sense of certainty. Was he the victim of an elaborate hoax? By turns comic and profound, The Copenhagen Papers explores the conundrum that is always at the heart of Frayn's work -- human gullibility and the eternal difficulty of knowing why we do what we do.
The Costume Designer's Toolkit: The Process of Creating Effective Design (The Focal Press Toolkit Series)
by Holly Poe DurbinThe Costume Designer’s Toolkit explores the wide-ranging skills required to design costumes for live performance in theatre, dance, opera, and themed entertainment. Arranged in chronological order to create a design, each chapter describes tools, strategies, and techniques costume designers use to create lively and believable characters within a story environment. The book provides a step-by-step outline of the costume design process beginning with developing as an artist and creating an artistic vision for a script. It covers a wide range of topics, including: Assessing the scope of a production Understanding design thinking and the creative process Project management and budget forecasting Collaborating with and leading creative teams Current practices in costume rendering and communication Mixing purchased, rented, stock, and built costumes to form a design Designing a garment with impact Fitting costumes on performers Combining grit and grace for a successful career Each topic includes case studies and tips from experienced professionals, identifies vital skills, describes techniques, and reveals the essential elements of artistic leadership, collaboration, and cultural acumen. The Costume Designer’s Toolkit is the perfect guidebook for the student, aspiring, or early-career costume designer, to be used alone or in costume design university courses.
The Costume Supervisor’s Toolkit: Supervising Theatre Costume Production from First Meeting to Final Performance (The Focal Press Toolkit Series)
by Rebecca PrideThe Costume Supervisor’s Toolkit explores the responsibilities of a Costume Supervisor within a theatrical, opera or dance production company. Rebecca Pride provides an insight into all manner of processes, beginning with a definition of the role, and offers explanations of the timeline from the first design meetings, leading all the way up to managing fittings and final rehearsals. This how-to guide outlines best working practices, including building a team and creating a Costume Bible, whilst also providing helpful resources such as sizing guides, a list of useful addresses, and case studies from renowned theatrical organizations.
The Costumes of Burlesque: 1866-2018
by Coleen ScottThe Costumes of Burlesque: 1866-2018 is the first volume to inclusively document burlesque costume from its birth in the 1860’s through the global burlesque movement in 2018. This lushly illustrated book presents the history and development of this American art form by documenting the origins, influencers, and genuine articles that created its aesthetic. Showcases of legendary performers, including Lydia Thompson, Gypsy Rose Lee, Sally Rand, Bettie Page, Kitten Natividad, and Dita Von Teese, demonstrate costume styles through the years. This guide gives readers a clear view of how burlesque costume looked and why. It teaches collectors, burlesque performers, and fans alike to recognize vintage pieces for what they are and to design their own costumes with inspiration from the originals. By including detailed costume documentation, over 400 images, and interviews with prominent costume designers such as Catherine D’Lish and Garo Sparo, The Costumes of Burlesque brings 150 years of burlesque costume history to life.
The Costumes of Hollywood: Highlights from The Collection of Motion Picture Costume Design
by Larry McQueen Coleen ScottThe Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century.All costumes featured are from The Collection of Motion Picture Costume Design, one of the world’s largest private collections, curated over thirty-five years by leading Hollywood costume historian and archivist, Larry McQueen. The book presents full costumes on display in addition to close-ups, and rarely seen interior details of some garments. Iconic costumes, including many with Academy Award nominations, from Some Like It Hot, Hello Dolly, Cabaret, Rear Window, Ben Hur, Mildred Pierce, Angel, Masters of the Universe, The Piano, The Hunger Games, and so many others are featured. This book gives the audience a rare and heretofore unpublished insight into what collecting, restoring, and reproducing entails, and highlights differences between private collecting and museum-backed collections. The Costumes of Hollywood details the significance of the designer, costume, and wearer via thorough research, interviews, and Larry McQueen’s behind-the-scenes knowledge of collecting and working as an archivist in Hollywood.Within the entertainment field, this book will be of interest to professional costume designers and technicians in film, theatre, and performance, as well as students of film production, history, and costume design and construction. The Costumes of Hollywood will also enrich and entertain anyone with an interest in costume design in film and collecting.
The Countess of Pembroke's Arcadia (The Old Arcadia)
by Katherine Duncan-Jones Philip SidneyPhilip Sidney was in his early twenties when he wrote his `Old' Arcadia for the amusement of his younger sister, the Countess of Pembroke. The book, which he called 'a trifle, and that triflingly handled', reflects their youthful vitality. The `Old' Arcadia tells a romantic story in a manner comparable to that of Shakespeare's early comedies. It is divided into five `Acts', and abounds in lively speeches, dialogues, and quasi-dramatic tableaux. Two young princes, Pyrocles and Musidorus, disguise themselves as an Amazon and a shepherd to gain access to the Arcadian Princesses, who have been taken into semi-imprisonment by their father to avoid the dangers foretold by an oracle. As a vehicle for Sidney's prophetic ideas about English versification, the `Old' Arcadia also includes over seventy poems in a wide variety of metres and genres. In clarity, symmetry, and coherence the `Old' version is greatly superior both to the ambitious but unfinished `New' Arcadia and the amalgamated, `composite' version, a hybrid monster which Sidney himself never envisaged.
The Country House
by Donald Margulies"Margulies is literate and intellectually stimulating. His ideas and language hold our attention and earn our respect."--New York"Donald Margulies has an unerring sense of language and the ability to penetrate deeply into the darkness of tangled human emotions."--VarietyGathering in their Berkshire home, a family of actors wrestles with fame, art, and (as always) each other. Brought back together for a melancholy purpose, the solemnity is quickly undercut by restless egos and inflamed temperaments. When the events of the weekend go off-script, secrets are spilled and bonds are broken. Inspired by--and often directly referencing -Chekhov's pastoral comedies, this witty and compelling new comedy unfolds in a fragile old home brimming with memories, new love, and discarded dreams.A funny and poignant comedy about a family of actors, from Pulitzer Prize-winning playwright Donald Margulies.Donald Margulies has won a Lucille Lortel Award, an American Theatre Critics Award, two Los Angeles Drama Critics Awards, two Obie Awards, two Dramatists Guild Hull-Warriner Awards, one Tony Award nomination, six Drama Desk Award nominations, two Pulitzer Prize nominations, and one Pulitzer Prize. His works have been performed on and off Broadway, and at major theaters across the United States, as well as a host of international cities.
The Country Wife: A Comedy, As It Is Acted At The Theatre-royal. Written By Mr. Wycherley
by William WycherleyOriginally performed and published in 1675, this five-act play parodies the vices and hypocrisies of Restoration London. The plot centers on the eponymous country wife, Margery, whose suspicious husband, Mr. Pinchwife, keeps her isolated. On a rare outing to the theater, Margery encounters the aptly named Mr. Horner. A notorious rake who feigns impotence to trick his way into the intimate company of married ladies, Horner soon schools Margery in the art of deception and realizes Pinchwife's worst fears. Bursting with racy dialog and bawdy humor, this comic masterpiece offers an enduring blend of cynicism, satire, and farce. The elegance of the play's construction and the glamour of its setting provide a piquant contrast to its earthy celebration of lust and human folly. The Country Wife has been periodically vilified for its immorality but remains ever popular for its lively characters, witty double entendres, and sophisticated drama.
The Courtesan's Memory, Voice, and Late Ming Drama
by Peng XuPeng Xu’s The Courtesan’s Memory, Voice, and Late Ming Drama argues that courtesans of the era played an active role in the theater and their impact manifested in Chinese literary history, albeit concealed or erased. In the late Ming dynasty (1368–1644), theater was dominated by male performers with professional actresses largely absent from the stage, unlike in the Yuan dynasty (1271–1368), where women performed without restriction in theater troupes. Despite the prevailing assumption that women played no part in the theatrical movement, The Courtesan’s Memory, Voice, and Late Ming Drama illuminates how courtesans, as serious theater artists and playwrights, left a significant mark on the male-dominated dramatic and literary landscapes. This study profoundly remaps the textbook narratives of gender bias, challenges modern prejudices prevalent in the literary history of Chinese drama, and reveals how theatrical conditions and writing styles shifted to accommodate courtesan performances. Utilizing a wide range of sources such as scripts, city guides, biographies, diaries, letters, wood-block illustrations, and paintings, this study distinguishes itself from earlier studies of Chinese courtesans by not thematizing courtesans for their allegorical values, but rather pinpointing their agency in shaping the features of Chinese theater and recognizing courtesans as a source of creativity and development in the medium. Xu’s focus on courtesan performance culture allows for fresh readings of canonical Chinese plays, opening up new ways of understanding the history of Chinese drama written by women, thus deviating from standard historiography based solely on the writings of men.
The Crackwalker
by Judith ThompsonTeresa is sexy, seductive, and mentally challenged. Worshipped by her boyfriend, she turns tricks at $5, is addicted to Tim Hortons' doughnuts, lies without thinking, and overflows with endless kindness, but she continues to hold on to her limitless innocence. The Crackwalker captures the music, the dialect, and the unpretty realities of the inner city. First produced thirty years ago, Thompson's striking portrayal of the discarded class in Canada continues to move audiences today.
The Craft and Art of Scenic Design: Strategies, Concepts, and Resources
by Robert KlingelhoeferThe Craft and Art of Scenic Design: Strategies, Concepts, and Resources explores how to design stage scenery from a practical and conceptual perspective. Discussion of conceptualizing the design through script analysis and research is followed by a comprehensive overview of execution: collaboration with directors and other designers, working with spaces, developing an effective design process, and the aesthetics of stage design. This book features case studies, key words, tip boxes, definitions, and chapter exercises. Additionally, it provides advice on portfolio and career development, contracts, and working with a union. This book was written for university-level Scenic Design courses.
The Craft of Comedy: The 21st Century Edition
by Athene Seyler Stephen Haggard"a work on the art and craft of comedy as important in its own way as works by Stanislavski and Chekhov" – Oxford Theatre Companion In 1939, a young, inexperienced actor wrote to a famous actress of his acquaintance, asking for advice on playing comedy. She responded enthusiastically, and they corresponded variously over the next year. The Craft of Comedy, a record of these exchanges, soon emerged as one of the few classic texts in the field of comedy acting. This major new edition takes a brilliant book and makes it better. Editor Robert Barton has devised extensive supplementary material, including: An introduction to the correspondents, the culture of the time, and the evolution of their book; Summaries, definitions, and exercises and practice scenes for readers wishing to explore Athene Seyler’s invaluable advice; Photographs, additional essays by Seyler, and a guide to easily accessed video clips of her performing. Seyler’s lucid guidance, and Barton’s scrupulous editorship, ensure this legendary work’s rightful status is restored: as one of the great practical guides to the craft of comedy, and an essential resource for actors and students of acting.
The Crafty Art of Playmaking
by Alan AyckbournA Laurence Olivier Award–winning playwright shares his tricks of the trade for beginning and experienced stage writers and directors.“A practical and disciplined look . . . After 44 years at his profession, Ayckbourn knows what he's talking about.” ―Washington Post Book WorldFrom helpful hints on writing to tips on directing, this book provides a complete primer for the newcomer and a refresher for those with more experience. Written in Alan Ayckbourn's signature style that combines humor, seriousness, and a heady air of sophistication, The Crafty Art of Playmaking is a must-have for aspiring playwrights, students of drama, and anyone who has ever laughed their way through one of Ayckbourn's plays.“An entrancing read―no matter what part you play in playmaking.” ―Back Stage“A polished gem of theater lore.” ―Publishers Weekly Annex
The Creation And Re-creation Of Cardenio
by Gary Taylor Terri BourusDid Shakespeare really join John Fletcher to write Cardenio, a lost play based on Don Quixote? With an emphasis on the importance of theatrical experiment, a script and photos from Gary Taylor's recent production, and essays by respected early modern scholars, this book will make a definitive statement about the collaborative nature of Cardenio.
The Creation of the World and Other Business
by Arthur MillerA master dramatist's humorous retelling of the biblical creation story as a parable for our time Breathing new life into timeless biblical tales, Arthur Miller charmingly reimagines the Book of Genesis from the temptation of Adam and Eve to the fraternal tragedy of Cain and Abel. In the beginning, God, generally satisfied with his creation, is nonetheless perplexed by Adam and Eve--why won't they multiply? It takes wily Lucifer to interest them in anything more than playing handball in the Garden of Eden, but their new knowledge comes at a price. The first family is exiled from paradise--just as Lucifer is banned from heaven--and a fallen, morally ambiguous state becomes the destiny of humankind. Though The Creation of the World and Other Business was Arthur Miller's first Broadway comedy, it is full of the searching insight and sparkling dialogue that distinguish his best dramas.
The Creative Critic: Writing as/about Practice
by Katja Hilevaara Emily OrleyAs practitioner-researchers, how do we discuss and analyse our work without losing the creative drive that inspired us in the first place? Built around a diverse selection of writings from leading researcher-practitioners and emerging artists in a variety of fields, The Creative Critic: Writing as/about Practice celebrates the extraordinary range of possibilities available when writing about one’s own work and the work one is inspired by. It re-thinks the conventions of the scholarly output to propose that critical writing be understood as an integral part of the artistic process, and even as artwork in its own right. Finding ways to make the intangible nature of much of our work ‘count’ under assessment has become increasingly important in the Academy and beyond. The Creative Critic offers an inspiring and useful sourcebook for students and practitioner-researchers navigating this area. Please see the companion site to the book, http://www.creativecritic.co.uk, where some of the chapters have become unfixed from the page.
The Creative Spirit: An Introduction to Theatre
by Stephanie ArnoldIncludes discussion of each playwright's other works, sources, timelines for historical and cultural context, and the production of the plays.
The Creative Spirit: An Introduction to Theatre
by Stephanie ArnoldFocusing on the collaborative and creative processes that go into productions, The Creative Spirit: An Introduction to Theatre introduces students to the theatre through the plays themselves and the people who write them, create them, and act in them. The book provides a rich context for each play with a discussion of the playwright's other works, sources for the play, timelines that present historical and cultural background, and a section on a particular production of the play to give students a sense of the theatre industry at close hand. The Creative Spirit includes complete scripts of five plays: August Wilson's Joe Turner's Come and Gone, Wakako Yamauchi's And the Soul Shall Dance, Tony Kushner's Angels in America, Milcha Sanchez-Scott's Dog Lady, and Nilo Cruz's Anna in the Tropics.
The Creative Spirit: An Introduction to Theatre
by Stephanie ArnoldFocusing on the collaborative process, The Creative Spirit 6e introduces students to theatre through the plays themselves and the playwrights, directors, actors, and designers who combine their talents to create the theatre event. The Creative Spirit provides a rich context for each play included, with a discussion of the playwright's biography and sources, historical and cultural timelines, and a case study of a particular production of the play so that students can experience theatre from the inside. All of the materials for a complete course are presented together in one volume.