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The Fight and Other Writings

Hazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

The Figure of the Monster in Global Theatre: Further Readings on the Aesthetics of Disqualification

Bringing together international perspectives on the figure of the “monster” in performance, this edited collection builds on discussions in the fields of posthumanism, bioethics, and performance studies. The collection aims to redefine “monstrosity” to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant, whether by race, gender, sexuality, nationality, immigration status, or physical or psychological extraordinariness.The book explores themes of race, white supremacy, and migration with the aim of investigating how the figure of the monster has been used to explore representations of race and identity. To these, we add discussions on gender, queer identities, and how the figure of the “monster” has been used to explore the gendered body to finally understand how monstrosity intersects with contemporary issues of technology and the natural world. Navigating the fields of disability studies, performance-centered monster studies, and representation in performance, editors Michael M. Chemers and Analola Santana have brought together perspectives on the figure of the “monster” from across a variety of fields that intersect with performance studies.This book is essential reading for Theatre and Performance students of all levels as well as scholars. It will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.

The Film Director's Intuition: Script Analysis And Rehearsal Techniques

A filmmaker's most precious assets - not just for directing actors, but also for making all the storytelling decision - are his instincts, imagination, and intuition. The author reveals the secrets that can keep an imagination alive and free a director's intuition, so everyone on the set can function at full creativity. You will learn about: sources of imagination ; goals of script analysis ; tools of the storyteller ; the lost art of rehearsal ; and the director's authority.

The Fire and The Rain: A play translated from the Kannada by the author

This play by one of India s foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

The First Frame

In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.

The First German Theatre (Routledge Revivals): Schiller, Goethe, Kleist and Büchner in Performance

First published in 1990. The book surveys of the development of German theatre from a market sideshow into an important element of cultural life and political expression. It examines Schiller as ‘theatre poet’ at Mannheim, Goethe’s work as director of the court theatre at Weimar, and then traces the rapid commercial decline that made it difficult for Kleist and impossible for Büchner to see their plays staged in their own lifetime. Four representative texts are analysed: Schiller’s The Robbers, Goethe’s Iphigenia on Tauris, Kleist’s The Prince of Homburg, and Büchner’s Woyzeck. This title will be of interest to students of theatre and German literature.

The First Part of King Henry IV (The New Cambridge Shakespeare)

This updated edition offers a strongly theatrical perspective on the origins of Shakespeare's The First Part of King Henry IV and the history of its interpretation. The introduction clarifies the play's surprising, de-centred dramatic structure, questioning the dominant assumption that the drama focuses on the education of Prince Hal. It calls attention to the effects of civil war upon a broad range of relationships. Falstaff's unpredictable vitality is explored, together with important contemporary values of honour, friendship, festivity and reformation. Extensive lexical glosses of obscure, ambiguous or archaic meanings make the rich wordplay accessible. The notes also provide a thorough commentary on Shakespeare's transformation of his sources (particularly Holinshed's Chronicles) and suggest alternative stagings. This updated edition contains a new introductory section by Katharine A. Craik, which describes recent stage, film and critical interpretations, and an updated reading list.

The First Part of King Henry the Fourth

This memorable historical drama concerns rebellion against King Henry led by Harry Percy ("Hotspur") and other nobles, complicated by the king's difficulties with his wayward son, Prince Hal. It features a superb blend of courtly intrigue, battlefield action, and low comedy featuring Sir John Falstaff, all expressed in fine blank verse and stirring prose.

The First Part of King Henry the Sixth

The play opens in the aftermath of the death of King Henry V of England (although it was written before Shakespeare's play, Henry V). News reaches England of military setbacks in France, and the scene shifts across the English Channel, to Orleans, where "La Pucelle" (Joan of Arc) is encouraging the Dauphin to resist. She defeats an English army led by Talbot.

The First Stone

“No one remembers why it started—What the first stone was for—And so no one can think of a reason to stop.”Can something torn apart by war be put together again? From the award-winning author of Gas Girls and Sound of the Beast, Donna-Michelle St. Bernard’s The First Stone is an epic-yet-intimate exploration of the harrowing path from violence to forgiveness. In an unnamed village in a country modelled after Uganda, two children are captured by an army and forced to commit unimaginable atrocities while their family longs for their return. Through poetry and song, this insightful drama sheds light on the exploitation of child abductees, the communities from which they are stolen, the determination to bring them home, and the hard road to reconciliation that follows.Expansive in its scope, The First Stone is a profound parable that traces ancestral cycles of violence and the imperatives of transformative justice with staggering clarity. This merciful call for humanity follows one family’s struggle to reunite, measuring the cost of holding on and the grace of letting go.

The Fish Eyes Trilogy

Fish Eyes is the story of Meena, a classically trained Indian dancer who, despite being obsessed with Bollywood movies and her dance career, just wants to be like the rest of her high-school friends. When she develops a massive crush on Buddy, the popular boy at school, Meena contemplates turning down an incredible opportunity to pursue him, even if he barely notices her.Boys With Cars follows Naz, also a classically trained Indian dancer, who dreams of getting out of small town Port Moody to attend the University of British Columbia. But when Buddy causes a stir over Naz at school, Naz’s university plans begin to crumble quickly.Let Me Borrow That Top centres on Candice, a girl who appropriates Meena’s Indian dance skills and bullies Naz after a nasty rumour spreads through the halls of their high school. But like her two enemies, Candice shares a passion for Indian dancing, and has just been accepted to the Conventry School of Bhangra. Will she leave behind the comforts of home to pursue her dreams?

The Flick

"Funny, heartbreaking, sly and unblinking...The Flick may be the best argument anyone has yet made for the continued necessity and profound uniqueness of theater." --Jesse Green, New York "Hilarious and ineffably touching...Ms. Baker's peerless aptitude for exploring how people grope their way toward a sense of equanimity, even as they learn to accept disappointment, is among the things that make her such a gifted writer...This lovingly observed play will sink deep into your consciousness." --Charles Isherwood, New York Times "This hypnotic, heartbreaking micro-epic about movies and moving on is irreducibly theatrical." --David Cote, TimeOut New York In a rundown movie theater in central Massachusetts, three underpaid employees sweep up popcorn in the empty aisles and tend to one of the last thirty-five-millimeter projectors in the state. With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama. ANNIE BAKER'S works include The Aliens (Obie Award), Body Awareness, Circle Mirror Transformation (Obie Award), Nocturama, and an adaptation of Anton Chekhov's Uncle Vanya. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries. Recent honors include a Guggenheim Fellowship, the Steinberg Playwright Award and a New York Drama Critics Circle Award. She is a resident playwright at Signature Theatre.

The Floating Island Plays

Includes The Modern Ladies of Guanabacoa, Fabiola, In the Eye of the Hurricane and Broken Eggs.

The Flood: and other misadventures of the female prisoners of the St. Lawrence Market

“I bore him fourteen children and he had me down here faster than lightning.” In 1887, women were property and could be imprisoned for any reason. Jail was considered a place for the criminal, the disabled, the mentally ill, and the marginalized. In the basement prison below Toronto’s largest market, two women named Mary—one a shunned, pregnant Irish immigrant, the other a vilified Mississauga woman—become an unlikely pair as they form a friendship within their cold, shared cell. Their bond threatens fellow inmate Sophia—who calls herself the first Black woman in Canada and the leader of the prisoners—and she plots to use the women to gain better treatment for herself. But as melting ice water pours into the prison from Lake Ontario, the forgotten women of Toronto must come together to survive. Inspired by true accounts and the history of Toronto’s St. Lawrence Market, The Flood gives voice to the little-known stories of early female prisoners in Canada.

The Flu Season and Other Plays

"Will Eno is one of the finest younger playwrights I have come across in a number of years. His work is inventive, disciplined and, at the same time, wild and evocative. His ear is splendid and his mind is agile."--Edward Albee "An original, a maverick wordsmith whose weird, wry dramas gurgle with the grim humor and pain of life. Eno specializes in the connections of the unconnected, the apologetic murmurings of the disengaged."--Guardian Winner of the 2004 Oppenheimer Award for best New York debut by an American playwright, The Flu Season is a reluctant love story, in spite of itself. Set in a hospital and a theater, it is a play that revels in ambivalence and derives a flailing energy from its doubts whether a love story is ever really a love story. Will Eno has been called "a Samuel Beckett for the Jon Stewart generation" (The New York Times)--he is a playwright with an extraordinary voice and a singular theatrical vision. Also included in this volume are Tragedy: A Tragedy and Intermission.

The Folger Guide to Teaching A Midsummer Night's Dream (Folger Shakespeare Library)

The authoritative guide to teaching Shakespeare&’s A Midsummer Night&’s Dream, The Folger Guide to Teaching A Midsummer Night&’s Dream is an invaluable resource for teachers, students, and Shakespeare fans alike.In A Midsummer Night&’s Dream, Shakespeare stages the workings of love. Theseus and Hippolyta, about to marry, are figures from mythology. In the woods outside Theseus&’s Athens, two young men and two young women sort themselves out into couples—but not before they form first one love triangle, and then another. Also in the woods, the king and queen of fairyland, Oberon and Titania, battle over custody of an orphan boy; Oberon uses magic to make Titania fall in love with a weaver named Bottom, whose head is temporarily transformed into that of a donkey by a hobgoblin or &“puck,&” Robin Goodfellow. Finally, Bottom and his companions ineptly stage the tragedy of &“Pyramus and Thisbe.&” The Folger Guide to Teaching A Midsummer Night&’s Dream Includes: -An explanation of the Folger methodology for teaching Shakespeare -Scholarly essays from experts in the field -A five-week breakdown of digestible lesson plans -Resource links for a deeper dive into the world of Shakespeare This guide is an essential part of any teacher&’s toolkit.

The Folger Guide to Teaching Hamlet (Folger Shakespeare Library)

Created by experts from the world&’s largest and most well-respected Shakespeare archive, The Folger Guide to Teaching Hamlet provides an innovative approach to teaching and understanding one of Shakespeare&’s most well-known plays.Hamlet follows the form of a revenge tragedy, in which the hero, Hamlet, seeks vengeance against the man he learns is his father&’s murderer—his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its mysteries. Among them: Should Hamlet believe a ghost? What roles do Ophelia and her family play in Hamlet&’s attempts to know the truth? Was his mother, Gertrude, unfaithful to her husband or complicit in his murder, or both? How do the visiting actors cause the truth to begin to reveal itself? The Folger Guides to Teaching Shakespeare series is created by the experts at the Folger Shakespeare Library, the nation&’s largest archive of Shakespeare material and a leading center for both the latest scholarship and education on all things Shakespeare. Based on the proven Folger Method of teaching and informed by the wit, wisdom, and experiences of classroom teachers across the country, the guides offer a lively, interactive approach to teaching and learning Shakespeare, offering students and readers of all backgrounds and abilities a pathway to discovering the richness and diversity of Shakespeare&’s world. Filled with surprising facts about Shakespeare, insightful essays by scholars, and a day-by-day, five-week teaching plan, these guides are an invaluable resource for teachers, students, and Shakespeare fans alike.

The Folger Guide to Teaching Macbeth (Folger Shakespeare Library)

Created by experts from the world&’s largest and most well-respected Shakespeare archive, The Folger Guide to Teaching Macbeth provides an innovative approach to teaching and understanding one of Shakespeare&’s most well-known plays.In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. The result was Macbeth, a bloody, supernatural tale of power found and lost, and of betrayal. The Folger Guides to Teaching Shakespeare series is created by the experts at the Folger Shakespeare Library, the nation&’s largest archive of Shakespeare material and a leading center for both the latest scholarship and education on all things Shakespeare. Based on the proven Folger Method of teaching and informed by the wit, wisdom, and experiences of classroom teachers across the country, the guides offer a lively, interactive approach to teaching and learning Shakespeare, offering students and readers of all backgrounds and abilities a pathway to discovering the richness and diversity of Shakespeare&’s world. Filled with surprising facts about Shakespeare, insightful essays by scholars, and a day-by-day, five-week teaching plan, these guides are an invaluable resource for teachers, students, and Shakespeare fans alike.

The Folger Guide to Teaching Othello (Folger Shakespeare Library)

The authoritative guide to teaching Shakespeare&’s Othello, The Folger Guide to Teaching Othello is an invaluable resource for teachers, students, and Shakespeare fans alike.In Othello, William Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona that begins with elopement and mutual devotion and ends with jealous rage and death. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet the couple&’s strong love would potentially easily overcome these differences were it not for Iago, who sets out to destroy Othello. Iago&’s false insinuations about Desdemona&’s infidelity draw Othello into his schemes, and Desdemona is subjected to Othello&’s horrifying verbal and physical assaults. The Folger Guide to Teaching Othello includes: -An explanation of the Folger methodology for teaching Shakespeare -Scholarly essays from experts in the field -A five-week breakdown of digestible lesson plans -Resource links for a deeper dive into the world of Shakespeare This guide is an essential part of any teacher&’s toolkit.

The Folger Guide to Teaching Romeo and Juliet (Folger Shakespeare Library)

Created by experts from the world&’s largest and most well-respected Shakespeare archive, The Folger Guide to Teaching Romeo and Juliet provides an innovative approach to teaching and understanding one of Shakespeare&’s most well-known plays.Romeo and Juliet is one of Shakespeare&’s most well-known plays, and certainly the one most commonly taught in schools. It&’s the story of star-crossed young lovers who can&’t come together because they live in a society governed by blood feuds, violent duels and acts of retribution. Shakespeare&’s tale of Romeo and Juliet, the adults who fail to help them, and the price that is ultimately paid by so many is a moving story that gives us some of the most familiar and memorable passages in the English language. The Folger Guides to Teaching Shakespeare series is created by the experts at the Folger Shakespeare Library, the nation&’s largest archive of Shakespeare material and a leading center for both the latest scholarship and education on all things Shakespeare. Based on the proven Folger Method of teaching and informed by the wit, wisdom, and experiences of classroom teachers across the country, the guides offer a lively, interactive approach to teaching and learning Shakespeare, offering students and readers of all backgrounds and abilities a pathway to discovering the richness and diversity of Shakespeare&’s world. Filled with surprising facts about Shakespeare, insightful essays by scholars, and a day-by-day, five-week teaching plan, these guides are an invaluable resource for teachers, students, and Shakespeare fans alike.

The Fool in European Theatre

Why is folly essential to the functioning of a healthy society? Why is theatre a natural home for madness? The answers take the reader on a journey embracing Shakespeare and Jonson, Brecht and Beckett, B#65533;chner and Boal. From Falstaff to Fo via Figaro, this study examines the art of telling truth to power and surviving long enough to have a laugh.

The Forbidden Phoenix

Sun Wukong's path, however, becomes a test of strength, agility, and character as he comes face to face with mysterious, enchanting, and heartless creatures. Inspired by the Chinese opera, The Forbidden Phoenix's lyricism brings us to a world where Chinese parables are woven with the painful history of the immigrant men who suffered greatly to build Canada's railroad in the 1800s. Playwright Marty Chan and composer Robert Walsh create a musical rife with stylized characters, lending itself to a performance brimming with acrobatics, slapstick, and martial arts.

The Foundations

The Four of Us: A Play

From the author of Bach at Leipzig (Faber, 2005) comes a play about loyalty, integrity, and the price of success. When Benjamin's first novel vaults him into literary stardom, his friend David, a struggling playwright, is thrilled for his newfound success . . . or is he? Should Benjamin help David by using his new connections? Can David even expect such favors from his friend? More importantly, who should pick up the tab at lunch? Hailed as a writer who "makes the kinds of stylistic gambles that should be applauded" (Eric Grode, The New York Sun), Itamar Moses proves once again with this inventive exploration of the evershifting ground of friendship that he is a playwright to watch. The Four of Us had its off-Broadway premiere in March 2008 at Manhattan Theatre Club."Clever [and] smart…[The Four of Us] suggests that Moses will be displaying a big range as his career unfolds."--The San Diego Union-Tribune

The Foursome

Rick, Ted, Donnie, and Cameron are home for their fifteen-year college reunion; a great time to go out for a game of golf and catch up on each other’s lives. Unlike their college days, the conversation doesn’t include talk of beer and final exams, but of colonoscopies, home-security systems, alcoholism, Buddhism, and more.