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The Histories and Poems of Shakespeare
by William ShakespeareThis Modern Library edition presents all ten histories--each complete and unabridged--in the Shakespearean canon, along with notes and glossary. Here are: King John Richard II Henry IV, Part I Henry IV, Part II Henry V Henry VI, Part I Henry VI, Part II Henry VI, Part III Richard III Henry VIII Included also are the Bard's great narrative poems: Venus and Adonis and The Rape of Lucrece, the two works that first established Shakespeare's reputation, plus all 154 of his sonnets. Presented as well are A Lover's Complaint, The Passionate Pilgrim, and The Phoenix and the Turtle.
The History Plays: An Illustrated Edition
by William ShakespeareIt is part of Shakespeare's extraordinary contribution to our culture that, through his dramas based on English history, he played a unique part in forming our view of ourselves and our nationhood. From King John, in which through Magna Carta the king's absolute power was first limited and the people's freedoms assured, to--almost in his own lifetime--Henry VIII, Shakespeare wrote a series of ten plays portraying the course of history. It represents almost one third of his entire dramatic output.The overarching theme of these plays is the vital importance of the sovereign's legitimacy if the nation is to be stable. They cover revolutionary times and events--the deposition and murder of Richard II, the Wars of the Roses, the usurping of the throne by Richard III--but they always affirm the principle that a legitimate king, circumscribed by an agreed constituion, is the only proper guarantee of the nation's liberties. There are many other ways in which Shakespeare's patriotism has become definitive. In Henry V's St. Crispin's Day speech to the troops before Agincourt, for example, or John of gaunt's 'scepter'd isle' speech, a sense of Englishness is expressed which still lives in English minds today. The E;izabethan's pride in nationhood was perfectly embodied by Shakespeare, but the poetry of it transcends its own time. In this edition the history plays are brought together with a large group of illustrations which echo and amplify their themes. Gloriously vivid images of England's story are presented here, putting the great plays in a magnificent setting.
The History of British Film (Volume 2): The History of the British Film 1906 - 1914
by Rachael LowThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
The History of British Film (Volume 1): The History of the British Film 1896 - 1906
by Jeffrey Richards Roger Manvell Rachael LowThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
The History of British Film (Volume 3): The History of the British Film 1914 - 1918
by Rachael LowThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
The History of British Film (Volume 5): The History of the British Film 1929 - 1939: Documentary and Educational Films of the 1930's
by Low RachaelThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
The History of British Film (Volume 6): The History of the British Film 1929 - 1939: Films of Comment and Persuasion of the 1930's
by Rachael LowThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
The History of British Film (Volume 7): Film Making in 1930's Britain
by Rachael LowThis set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939.Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
The History of Troilus and Cressida
by William ShakespeareShakespeare's tragic and comic dramatization of the Trojan War endures in one of his most intriguing plays. Shakespeare's portrayal of the snares of young love set against a backdrop of a senseless and endless war can be fully appreciated for the beauty of its verse and the profundity of its themes.
The Hollow
by Agatha ChristieDrama / 6m,6f / Interior Set. An unhappy game of romantic follow-the-leader explodes into murder one weekend at The Hollow, home of Sir Henry and Lucy Angkatell. Dr. Cristow is at the center of the trouble when his mistress Henrietta, ex-mistress Veronica, and wife Gerda, simultaneously arrive at The Hollow. Also visiting are Edward (who is in love with Henrietta) and Midge (who loves Edward). Veronica ardently desires to marry Cristow and succeeds in reopening their affair but is unable to get him to divorce his wife. Veronica unwisely states that if she cannot have him, no one shall. Within five minutes Cristow is dead. Nearly everyone has a motive and most had the opportunity. Enter Inspector Colquhoun and Sergeant Penny to solve the crime.
The Hollow Crown: Shakespeare on How Leaders Rise, Rule, and Fall
by Eliot A. CohenWhat Shakespeare&’s plays can teach us about modern-day politics William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe&’s stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity. Henry V&’s inspiring speeches reframe John F. Kennedy&’s appeal, Richard III&’s wantonness illuminates Vladimir Putin&’s brutality, and The Tempest&’s grace offers a window into the presidency of George Washington. An original and incisive perspective, The Hollow Crown shows how Shakespeare&’s works transform our understanding of the leaders who, for good or ill, make and rule our world.
The Homecoming: The Homecoming; Old Times; No Man's Land (Modern Plays Ser.)
by Harold PinterAfter having lived in the United States for several years, Teddy brings his wife, Ruth, home for the first time to meet his working-class family in North London, where he grew up and which she finds more familiar than their arid academic life in America. Much sexual tension occurs as Ruth teases Teddy's brothers and father and the men taunt one another in a game of oneupmanship, resulting in Ruth's staying behind with Teddy's relatives as "one of the family" and Teddy and their three sons returning home
The Honest Whore: With The Humours Of The Patient Man, And The Loving Wife (classic Reprint) (Globe Quartos)
by Thomas DekkerFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Horror Plays of the English Restoration (Studies in Performance and Early Modern Drama)
by Anne HermansonA decade after the Restoration of Charles II, a disturbing group of tragedies, dubbed by modern critics the horror or the blood-and-torture villain tragedies, burst onto the London stage. Ten years later they were gone - absorbed into the partisan frenzy which enveloped the theatre at the height of the Exclusion Crisis. Despite burgeoning interest, until now there has been no full investigation into why these deeply unsettling plays were written when they were and why they so fascinated audiences for the period that they held the stage. The author’s contention is that the genre of horror gains its popularity at times of social dislocation. It reflects deep schisms in society, and English society was profoundly unsettled and in a (delayed) state of shock from years of social upheaval and civil conflict. Through recurrent images of monstrosity, madness, venereal disease, incest and atheism, Hermanson argues that the horror dramatists trope deep-seated and unresolved anxieties - engaging profoundly with contemporary discourse by abreacting the conspiratorial climate of suspicion and fear. Some go as far as to question unequivocally the moral and political value of monarchy, vilifying the office of kingship and pushing ideas of atheism further than in any drama produced since Seneca. This study marks the first comprehensive investigation of these macabre tragedies in which playwrights such as Nathaniel Lee, Thomas Shadwell, Elkanah Settle, Thomas Otway and the Earl of Rochester take their audience on an exploration of human iniquity, thrusting them into an examination of man’s relationship to God, power, justice and evil.
The Hours That Remain
by Keith BarkerDenise has spent the last five years dedicated to uncovering the truth behind her sister Michelle's disappearance. Haunted by loose ends, she begins seeing visions of Michelle, who gradually guides her in the right direction. As Denise's marriage and sanity crumble around her, she remains committed to unearthing an unfathomable truth, and coming to terms with a painfully crucial realization—one she has been desperately avoiding.
The House of Atreus
by AeschylusAeschylus was a Greek playwright considered to be the founder of the tragedy. Aeschylus along with Sophocles and Euripides are the three major Greek tragedians whose plays have survived. Before Aeschylus, characters in a play only interacted with the chorus. Aeschylus expanded the number of actors allowing for interaction among the characters. Seven of his 92 plays have survived. The Persian invasion of Greece, which took place during his lifetime, influenced many of his plays. The Oresteia is a trilogy of Greek tragedies written by Aeschylus, which concerns the end of the curse on the House of Atreus. The plays were "Agamemnon," "Choephorae" (The Libation-Bearers), and the "Eumenides" (Furies).
The House of Blue Leaves and Chaucer in Rome: Two Plays
by John GuareFrom an American playwright who “is in a class by himself,” two acclaimed plays linked by a character who comes of age in the sixties. (The New York Times)In John Guare’s classic play The House of Blue Leaves, winner of the New York Drama Critics Circle Award for best play, the Pope is visiting New York, and eighteen-year-old Ronnie goes AWOL from the army to come home to New York and blow up the Pope as he passes his house. In his new play, Chaucer in Rome, it is the year 2000, and Ron and his wife come to Rome to search for their son. With his inimitable wit and understanding, Guare has written two scathingly funny satires on the warping hunger for fame, and the betrayal involved in creating art.Praise for The House of Blue Leaves:“Splendid . . . a joyful affirmation of life and of John Guare’s artistry.” —The New York Times“A woozy, fragile, hilarious heartbreaker . . . the writing is lush with sad, ironic wisdom about fame, love, and deluded values.” —USA TodayPraise for Chaucer in Rome:“Guare makes us become voyeurs even as we scorn voyeurism—thus offering a titillating, troubling commentary on life.” —USA Today“Guare’s most disciplined, merciless yet lovable work since Six Degrees of Separation and maybe his best yet.” —New York Newsday
The House of the Swing - A real life story: A real life story
by Franklin A. Díaz LárezLuis had it all: money, respect, power and love. But when fate struck a harsh blow, he had to sacrifice money, respect and power in a fight to keep the most important thing: the love of his life. Luis and his wife had to leave their homeland of Venezuela with their three-year-old girl and move to Galicia, Spain to obtain treatment for her cancer. Besides the ravages of disease, they would face xenophobia, racism, discrimination, evil, and human cruelty. Their struggle would lead through hope and despair, and take Luis on a journey through memories of the past as he reached out toward the future. This story based on real life is, above all, the story of a desperate struggle to retain love through illness, loss of fortune and a very dysfunctional family. As Luis fights for the future of his family, he journeys through memory into the history of his Venezuelan family. His odyssey, narrated in first person, includes magic realism, brutal violence, lyrical beauty and sublime love.
The Human Touch: Redefining the Art of British Contemporary Improvisational Theatre (ISSN)
by Chloé ArrosThe Human Touch is a book focused on the creative processes at work in British contemporary improvisational theatre and how these processes draw on the humanity of the participants: their cognitive abilities, their lives, and their relationships to each other. Vulnerability is a main feature of both the book and of improvisational theatre, both part of the hurdles that improvisers face and a creative tool. Through a study of improvisation and vulnerability, the book teaches us both what makes improvisational theatre so human and opens the door to a reflection about how to use humanity and human emotions in performance. Most importantly, it delves into the cognitive and physiological processes at work in improvisation, a topic which is missing from most manuals and studies offered to students. This book is addressed to theatre students and provides both an important overview of the form’s history and a challenge to what is usually taught about improvisation.
The Humans
by Stephen Karam"A kind, warm, beautifully observed and deeply moving new play, a celebration of working-class familial imperfection and affection and a game-changing work for this gifted young playwright."-Chicago Tribune"Karam is in rare form here, showing a remarkable ear for the way families converse... For all the characters' woes, this is a warm, funny, sharply observed portrait of their abiding connections with one another." -Time Out ChicagoBreaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate Thanksgiving at his daughter's apartment in lower Manhattan. Unfolding over a single scene, this "delirious tragicomedy" (Chicago Sun-Times) by acclaimed young playwright Stephen Karam "infuses the traditional kitchen-sink family drama with qualities of horror in his portentous and penetrating work of psychological unease" (Variety), creating an indelible family portrait.Stephen Karam's plays include Speech & Debate and Sons of the Prophet, a finalist for the 2012 Pulitzer Prize and the winner of the 2012 Drama Critics Circle, Outer Critics Circle, Lucille Lortel and Hull-Warriner awards for Best Play. Born and raised in Scranton, PA, he lives in New York City.
The Hunchback of Notre Dame (Adapted)
by Victor Hugo Malvina G. VogelThis novel has been adapted into 10 short chapters that will excite the reluctant reader as well as the enthusiastic one. Key words are defined and used in context. Multiple-choice questions require the student to recall specific details, sequence the events, draw inferences from story context, develop another name for the chapter, and choose the main idea. Let the Classics introduce Kipling, Stevenson, and H. G. Wells. Your students will embrace the notion of Crusoe's lonely reflections, the psychological reactions of a Civil War soldier at Chancellorsville, and the tragedy of the Jacobite Cause in 18th Century Scotland. In our society, knowledge of these Classics is a cultural necessity. Improves fluency, vocabulary and comprehension.
The Hutchinson Atlas of World War II Battle Plans: Before And After
by Stephen BadseyThis text contrasts 21 World War II battle plans with their actual outcome. Each in-depth battle essay is complemented by original maps, producing fresh insight into the technical aspects of warfare that drove the last worldwide conflict of the 20th century. An overall introduction gives a strategic overview of the whole of the war, and places the individual battles into context. The battles are presented in seven groups of three, and each group is introduced by a short essay on the common theme for the group.
The Hutchinson Dictionary of Ancient and Medieval Warfare
by HutchinsonFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.