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So Therefore...: A Practical Guide For Actors
by Al Ruscio‘Every scene or action or speech has a so therefore. It is the goal, the ultimate statement of the character. You should know the so therefore as you begin your scene ... The climax and the payoff is the so therefore.’ – from Al Ruscio’s Preface When working through a scene with a student, renowned actor and acting teacher Al Ruscio will ask, ‘so therefore, what?’ to urge them to capture the specific actions and desires that define their character at that moment. So Therefore… interweaves tried-and-tested practical exercises with sound advice, and illustrative tales from Ruscio’s remarkable career, to form a training handbook as uniquely pragmatic as his favourite phrase. Breaking down his method into three broad focuses, Ruscio considers: Warming Up – including relaxation, going ‘beneath the words’ and emotional recall; Scene Work – ranging from character analysis to an exploration of action; The Play – discovering its spine, progressing through rehearsals and sustaining a performance. But So Therefore… also reflects wisely on such diverse subjects as Stage versus Film, and Stamina, Luck and Chutzpah. Enriching and generous, it is the culmination of a career that has taken in dozens of major motion pictures, and spans the entire history of television – as well as half a century spent training actors. Al Ruscio graduated from the famed Neighborhood Playhouse School of the Theatre and has been teaching acting for five decades. He has served on the Board of Directors of the Screen Actors Guild and is a current voting member of the Academy of Motion Picture Arts and Sciences.
Sobre el poder (Serie Great Ideas #Volumen 7)
by William ShakespeareIdeas que han cambiado el mundo. A lo largo de la historia, algunos libros han cambiado el mundo. Han transformado la manera en que nos vemos a nosotros mismos y a los demás. Han inspirado el debate, la discordia, la guerra y la revolución. Han iluminado, indignado, provocado y consolado. Han enriquecido vidas, y también las han destruido. Taurus publica las obras de los grandes pensadores, pioneros, radicales y visionarios cuyas ideas sacudieron la civilización y nos impulsaron a ser quienes somos. Éstos son los mejores escritos de Shakespeare sobre el poder en todas sus formas: en el amor, en la guerra, en la política y en la familia. De las desmesuradas ambiciones de Macbeth al frágil control de la autoridad de Ricardo II, de las violentas rivalidades del rey Lear a la exquisita poesía de sus sonetos de amor, estos textos muestran, con sutileza filosófica y agudeza psicológica, cómo los hombres se manipulan y dominan mutuamente. Comentarios sobre la colección Great Ideas: «De veras que la edición es primorosa y pocas veces contenido y continente pueden encontrarse mejor ensamblados y unidos. ¡Qué portadas! Para enmarcar. [...] Ante las Great Ideas, solo cabe quitarse el sombrero. ¡Chapeau!»ABC «Taurus propone un doble envite con este lanzamiento. Por un lado aumenta su compromiso con el ensayo; por otro, recupera el gusto por la estética. A los volúmenes se les ha proporcionado una portada delicada y cuidada (copian el original británico) que invita a la lectura.»La Razón «Un fenómeno editorial.»The Guardian «Aparte de los contenidos, en general muy bien elegidos, son tan bonitos que si los ven seguro que cae alguno.»El País «Ideas revolucionarias, crónicas de exploraciones, pensamientos radicales... vuelven a la vida en estas cuidadísimas ediciones, muy atractivas para nuevos lectores.»Mujer Hoy «Grandes ideas bien envueltas. De Cicerón a Darwin, esta colección entra por los ojos.»Rolling Stone «Original y bella iniciativa la emprendida por Taurus con su colección Great Ideas.»Cambio 16 «Hay libros inmortales, libros únicos que contienen pensamientos y reflexiones capaces de cambiar el mundo, tesoros en miniatura reagrupados en la colección Great ideas.»Diario de León
Social Acupuncture: A Guide To Suicide, Performance And Utopia
by Darren O'DonnellTheatre doesn't have much relevance anymore. Or so acclaimed playwright Darren O'Donnell tells us. The dynamics of unplanned social interaction, he says, are far more compelling than any play he could produce.
Social Capacity Building through Applied Theatre: Developing Imagination, Emotional and Reflective Skills in the Human Services (Learning Through Theatre)
by John O'Toole Au Yi-ManAs experts in both applied theatre and education, Au Yi-Man and John O’Toole outline how applied theatre techniques can be used to support workers in the human services to develop crucial skills such as resilience, imagination, critical thinking, and reflection.Highlighting under-emphasised skills and qualities in the human services professions, this book combines theory with context-specific practice to support capacity building across sectors. Drawing on a detailed study of NGO workers learning to use applied theatre techniques in professional development, the book offers insight into the learning and experiences of the participants and how these can be applied to future training programs. The book also provides a deeper understanding of how adult learners, from different backgrounds and levels of experience, approach their professional training. Rich with resources, the book features complete course examples, including theatre of the oppressed, process drama, and educational theatre, as core drama techniques.Opening up new opportunities for applied theatre practitioners and educators, this book is a must-read for teachers in any human services field intending to use drama or applied theatre in their training.
Social Dramas: Literature and Language in Early-Modern England.
by David A. PostlesHow the repeated social tropes and paradigms of the City comedies give us an in-depth look into everyday London society in the early 17th-century.Although literature is often assumed to belong to the sphere of representation rather than constituting an accurate reflection of social reality, early-modern English drama can tell us much about social attitudes in the early seventeenth century. The City comedies were, in particular, composed by authors who were embedded in the mundane social existence of London, in its quotidian transactions and exchanges, in its less salubrious contexts of debt, drinking, death and incarceration. To elucidate the complex social attitudes of the City urban elite, five particular themes are explored: the symbolism of attire; matrimonial talk; the use of money (coin) as metaphor and metonymy; “over-exuberance” towards the opportunity of the “New World”; and continuing differences of speech and customary language use. Although the dramatists had slightly differing allegiances, their commentaries all illuminate “middling” society in the City of London.“This new work by David Postles raises important questions in an innovative manner. It will certainly be welcomed by the historical community.” —Bernard Capp, FBA, Dept of History, University of Warwick“David Postles is one of the most innovative social historians writing today.” —Nigel Goose, Professor of Social and Economic History, University of Hertfordshire“This book will be significant reading for all those working in the field. It will be warmly received by readers and reviewers, and will remain a work of reference for scholars and students for the future.” —Greg Walker, Regius Professor of Rhetoric and English Literature, University of Edinburgh
A Social History of British Performance Cultures 1900-1939: Citizenship, surveillance and the body
by Maggie B. GaleThis book provides a new social history of British performance cultures in the early decades of the twentieth century, where performance across stage and screen was generated by dynamic and transformational industries. Exploring an era book-ended by wars and troubled by social unrest and political uncertainty, A Social History of British Performance Cultures 1900–1939 makes use of the popular material cultures produced by and for the industries – autobiographies, fan magazines and trade journals, as well as archival holdings, popular sketches, plays and performances. Maggie B. Gale looks at how the performance industries operated, circulated their products and self-regulated their professional activities, in a period where enfranchisement, democratization, technological development and legislation shaped the experience of citizenship. Through close examination of material evidence and a theoretical underpinning, this book shows how performance industries reflected and challenged this experience, and explored the ways in which we construct our ‘performance’ as participants in the public realm. Suited not only to scholars and students of British theatre and theatre history, but to general readers as well, A Social History of British Performance Cultures 1900–1939 offers an original intervention into the construction of British theatre and performance histories, offering new readings of the relationship between the material cultures of performance, the social, professional and civic contexts from which they arise, and on which they reflect.
Social Justice in Spanish Golden Age Theatre (Toronto Iberic)
by Erin Alice Cowling Tania De Miguel Magro Mina García Jordán Glenda Y. Nieto-CuebasThis collection of original new essays focuses on the many ways in which early modern Spanish plays engaged their audiences in a dialogue about abuse, injustice, and inequality. Far from the traditional monolithic view of theatrical works as tools for expanding ideology, these essays each recognize the power of theatre in reflecting on issues related to social justice. The first section of the book focuses on textual analysis, taking into account legal, feminist, and collective bargaining theory. The second section explores issues surrounding theatricality, performativity, and intellectual property laws through an analysis of contemporary adaptations. The final section reflects on social justice from the practitioners’ point of view, including actors and directors. Social Justice in Spanish Golden Age Theatre reveals how adaptations of classical theatre portray social justice and how throughout history the writing and staging of comedias has been at the service of a wide range of political agendas.
Social Practice Art in Turbulent Times: The Revolution Will Be Live (Routledge Research in Art and Politics)
by Eric J. Schruers Kristina OlsonThis volume is an anthology of current groundbreaking research on social practice art. Contributing scholars provide a variety of assessments of recent projects as well as earlier precedents, define approaches to art production, and provide crucial political context. The topics and art projects covered, many of which the authors have experienced firsthand, represent the work of innovative artists whose creative practice is utilized to engage audience members as active participants in effecting social and political change. Chapters are divided into four parts that cover history, specific examples, global perspectives, and critical analysis.
Social Works: Performing Art, Supporting Publics
by Shannon Jackson‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.
The Society Bride (Latin Lovers)
by Fiona Hood-StewartRamon Villalba is handsome, gifted and wealthy. So why would hewant a bride of convenience?Nena Carvajal is an exquisitely beautiful young heiress who needsprotecting from fortune hunters. It would be no hardship for Ramon toenjoy the pleasures of an arranged marriage with her. Ramon isconfident he can tame his headstrong virgin wife. But Nena hadexpected to marry for love…
Socrate. Lever du jour dans la caverne
by Ariel Pytrell Antony Gautier Morales"Dans Socrate. Lever du jour dans la caverne, Ariel Pytrell adapte plusieurs épisodes clés de la vie d'un des philosophes les plus remarquables de la civilisation grecque. Grâce à un jeu méta théâtral brillant, parsemé de moments d'intrigue, de tendresse, de conflit, d'humour, de tragédie et de dialogues poétiques, Pytrell réussit à recréer effectivement un personnage historique, en chair et en os, pour un public moderne. Il nous invite à célébrer la vie de cette grande figure, mais dans ce cas nous trinquons avec une coupe sinistre. Avec chaque goutte que nous savourons, une scène de plus se déroule dans cette œuvre, à la fois énigmatique, magique et perspicace, dont la structure caléidoscopique continue de tourner jusqu'au lever du jour ; c'est-à-dire jusqu'à ce que nous voyions la lumière et découvrions la vérité." Susan P. Berardini | Ph. D Associate Professor of Spanish, Pace University, NY -------------------------------- "Même dans sa cellule, seul avec lui-même dans ces moments extrêmes, Socrate n'a jamais cessé sa recherche de la quintessence de la vie. Deux mille cinq cents ans après, comme s'il était un disciple contemporain du grand philosophe, l'amoureux de la Grèce antique et dramaturge argentin Ariel Pytrell, dans cette merveilleuse œuvre « Socrate. Lever du jour dans la caverne », assuma la responsabilité de transmettre l'atmosphère des derniers moments de la vie du philosophe..." Eleni Leivaditou de Bulgari | Ambassadrice de Grèce en Argentine
Socrates
by VoltaireSocrates is a play in three acts about Socrates and the events of his trial and eventual death. Satirical in nature it takes aim at government authority and organized religion. Voltaire's contempt for government and religion come through clearly in this play. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
Sócrates. Amanhecer na caverna
by Ariel Pytrell Juliana Fernandes e Manuela FerreiraDescrição do livro “Sócrates, o criador do Iluminismo grego, não fundou um sistema filosófico [...]. Até mesmo em sua cela, em companhia de si mesmo, naqueles momentos extremos, Sócrates jamais deteve a busca pela quintessência da vida. Dois mil e quinhentos anos depois, como se fosse um discípulo contemporâneo do grande filósofo, o amante do helênico e dramaturgo argentino Ariel Pytrell, nesta maravilhosa obra, Sócrates. Amanhecer na caverna, assumiu a responsabilidade de transmitir [...] a atmosfera dos últimos momentos da vida do filósofo”. Eleni Leivaditou de Bulgari, Embaixadora da Grécia na Argentina “Em Sócrates. Amanhecer na caverna, Ariel Pytrell dramatiza vários episódios essenciais na vida de um dos filósofos mais destacados da civilização grega. Mediante um jogo metateatral brilhante, salpicado por momentos de intriga, ternura, conflito, humor, tragédia e diálogos poéticos, Pytrell logra recriar efetivamente um protagonista histórico, de carne e osso, para um público moderno. Convida-nos a celebrar a vida desta grande figura, mas neste caso, brindamos com uma taça sinistra. Com cada gota que saboreamos, desenvolve-se mais uma cena nesta obra que é, ao mesmo tempo, enigmática, mágica e perspicaz, cuja estrutura caleidoscópica segue girando até o amanhecer; ou seja, até que vejamos a luz e descubramos a verdade”. Susan P. Berardini, Ph. D, Associate Professor of Spanish, Pace University, NY
Socrates and Aristophanes
by Leo StraussIn one of his last books, Socrates and Aristophanes, Leo Strauss's examines the confrontation between Socrates and Aristophanes in Aristophanes' comedies. Looking at eleven plays, Strauss shows that this confrontation is essentially one between poetry and philosophy, and that poetry emerges as an autonomous wisdom capable of rivaling philosophy. "Strauss gives us an impressive addition to his life's work—the recovery of the Great Tradition in political philosophy. The problem the book proposes centers formally upon Socrates. As is typical of Strauss, he raises profound issues with great courage. . . . [He addresses] a problem that has been inherent in Western life ever since [Socrates'] execution: the tension between reason and religion. . . . Thus, we come to Aristophanes, the great comic poet, and his attack on Socrates in the play The Clouds. . . [Strauss] translates it into the basic problem of the relation between poetry and philosophy, and resolves this by an analysis of the function of comedy in the life of the city." —Stanley Parry, National Review
Sola ante el peligro
by Nora RobertsDe la autora número 1 en ventas del New York Times llega su última gran novela, la historia de una mujer que camina sin miedo por el filo del peligro... pero que debe reunir todo su coraje para permitir que el amor llame de nuevo a su puerta.A sus treinta y dos años, Phoebe MacNamara es la negociadora jefe del departamento de policía de la ciudad sureña de Savannah. Cada día arriesga su vida para salvar la de otros empleando únicamente sus hábiles dotes de persuasión. Es un trabajo que la absorbe por entero, para el que sabe que ha nacido. Fuera de él solo queda espacio para un estrecho círculo: su madre, su hermano, su avispada y precoz hija de siete años, y unos leales amigos. Un universo pequeño, que la exaspera a veces pero sin el cual no podría vivir, al que ahora querría entrar DuncanSwift. Desde que la vio salvar a un hombre dispuesto a suicidarse, Duncan se ha sentido intrigado y atraído por la mezcla de firmeza y sensibilidad que emana de Phoebe. Por eso pone en juego todo su encanto y simpatía para acercarse a ella, derribar poco a poco los muros que ha levantado a su alrededor y demostrarle que estará a su lado cuando el peligro se cierna, implacablemente, sobre la joven.
Soliciting Temptation
by Erin ShieldsIn a sweaty hotel room, a lonely businessman and a young woman meet for sex. Somewhere between reality and fantasy, the sex becomes talk and the talk becomes dangerous. Nothing is off limits in this battle of morality, economics and desire. This witty, dark and sexually charged new play by Governor General's Award–winner Erin Shields shines a light on the complexities of sex tourism and our preconceptions about love.
La Solución Carrero: Empezar de Nuevo (Serie Carrero #3)
by L. T. MarshallJAKE CARRERO y EMMA ANDERSON: el jefe y la Asistente Personal que pasaron de colegas a amigos y amantes, y que han quedado destrozados por un estúpido error de él. Hay tantas cosas en su relación que no se han reparado o no se han dicho. Y ninguno de los dos sabe si podrán reparar el daño y volver a encontrarse. No solo su relación es imperfecta y necesita una base mejor, sino que aún tienen un problema que se cierne sobre ellos en forma de Marissa Hartley. También están los amigos, que tienen el corazón igual de roto, y las madres, que no hacen más que decepcionar. Esta es la última entrega de la historia de Emma y Jake. ¿Será la gota que colme el vaso de su relación? Personajes que te harán reír, llorar y jadear, y tal vez sentir un poco de calor en tu interior. Contiene lenguaje y contenido adulto. * * * * * * El Libro 3 es el tercer libro de la Serie Carrero Original. También hay libros extra para cada Trío de la Serie: El punto de vista de Jake, su libro POV, se puede encontrar en mi Página de Autor de Amazon.
Soluzione Carrero: Un nuovo inizio (Serie Carrero. Volume 3 #3)
by L. T. MarshallSINOSSI Un nuovo inizio Capitolo finale della trilogia dedicata a Emma e Jake. Jake Carrero ed Emma Anderson, il capo e la sua assistente, sono passati dall’essere colleghi e amici a innamorati. Ora stanno soffrendo molto a causa dello stupido errore commesso da Jake. Nella loro relazione c’è così tanto che non è stato ancora risolto o detto. E nessuno dei due sa se il danno potrà essere riparato e se troveranno un modo per tornare insieme. Non solo la loro relazione è imperfetta e ha bisogno di basi migliori, ma su di essa incombe ancora un problema di nome Marissa Hartley. E infine, ci sono i loro amici dal cuore spezzato e la madre di Emma che non fa altro che deluderla. Questa è l’ultima puntata della storia di Emma e Jake. Sarà la fine della loro relazione? I personaggi di questo romanzo vi faranno ridere, piangere, sussultare e forse proverete nei loro confronti anche un po’ di affetto. I contenuti e il linguaggio sono adatti a un pubblico adulto.
Somatic Voices in Performance Research and Beyond (Routledge Voice Studies)
by Christina KapadochaSomatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis. Voice work and theoretical ideas emerge from dance, acting and performance training while they also move beyond commonly recognized somatics and performance processes. From philosophies and pedagogies to ethnic-racial and queer studies, this collection advances embodied aspects of voices, the multidisciplinary potentialities of somatic studies, vocal diversity and inclusion, somatic modes of sounding, listening and writing voice. Methodologies that can be found in this collection draw on: eastern traditions body psychotherapy-somatic psychology Alexander Technique, Feldenkrais Method Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy Fitzmaurice Voicework, Linklater Technique, Roy Hart Method post-Stanislavski and post-Grotowski actor-training traditions somaesthetics The volume also includes contributions by the founders of: Shin Somatics, Body and Earth, Voice Movement Integration SOMart, Somatic Acting Process This book is a polyphonic and multimodal compilation of experiential invitations to each reader’s own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19–20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.
Some Enchanted Evenings: The Glittering Life and Times of Mary Martin
by David KaufmanMary Martin was one of the greatest stars of her day. Growing up in Texas, she was married early to Benjamin Hagman and gave birth to her first child, Larry Hagman. She was divorced even more quickly. Martin left little Larry with her parents and took off for Hollywood. She didn't make a dent in the movie industry and was lured to New York where she found herself auditioning for Cole Porter and his new show "Leave It to Me!". After she sang the bawdy "My Heart Belongs to Daddy", she ended up on the cover of Life magazine. Six years later, she became the Toast of Broadway when she starred in "South Pacific". After that, she flew as "Peter Pan", yodeled in "The Sound of Music", took "Hello, Dolly!" on the road and shared a four-poster with Robert Preston in "I Do! I Do!". Her personal life was just as interesting: In NYC, she met and married Richard Halliday, a closeted upper-class homosexual who adored her, Broadway and interior decorating (though probably not in that order). They were a powerful twosome. There were rumors about Martin, too, being in a lesbian relationship with both Janet Gaynor and Jean Arthur. Peopled with legends like Ethel Merman, Ezio Pinza, Noel Coward and a starry cast of thousands, David Kaufman's "Some Enchanted Evenings" is the delectable story of the one and only Mary Martin, a woman who described herself as a chicken farmer from Texas only to become Peter Pan and capture America's heart.
Some Facets of King Lear: Essays in Prismatic Criticism
by F. T. Flahiff Rosalie ColieThe image of the prism, with its multiple refractions, offers some sense of the inexhaustible variety of a work of art. Like a prism, King Lear is attractive; like a prism, it is a multiply shaped thing; like a prism, it is an object of admiration, as well as an instrument of analysis. The essays in this book – forming neither a casebook nor a 'perplex' – were written because their authors wanted to understand something specific about this very complicated play. Throughout, the emphasis is on Shakespeare's consciousness of his craft, on his critical use of the materials, notions, and devices available to him – on the play (prism-like) as an instrument of analysis. Although the different contributors have occasionally influenced one another's readings of the play, the essays were written independently; that they are so mutually supportive is the result of the play's central insistence on its own primary meaning, visible from whatever perspective a serious reader may take.
Somebody/Nobody
by Jane MartinComedyCharacterS: 2 male, 2 femaleInteriorSo you think you want to be famous? So did teen idol and "shark-movie" star Sheena Keener, the darling of the press, the obsession of the paparazzi, and the Goddess of the 'E! Channel'. But now she can't stand to be looked at anymore and her Godzilla of an agent is on the warpath. When Sheena ends up on the doorstep of naïve newcomer Loli, a recent arrival from Flatt, Kansas, it's a wild ride on the road to fame. Sheena is a somebody who wants to be a nobody. Loli is a nobody desperate to be a somebody. In this hilarious comedy about Hollywood, fame and the TMZ, renowned playwright Jane Martin takes dead aim at our culture of celebrity. "No question, it's a funny show!" -The Arizona Republic. "The comedy is off-beat and beyond way out there, with an energy level that's full-bore, redline action. Neil Simon this is definitely not... you might as well just give in and start laughing at the beginning, because for sure you'll be laughing by the end." - The Tuscon Citizen.
Somebody's Somebody
by Gary RichardsDrama / 3m, 3f / Unit set / It is a beautiful summer evening on a moonlit beach by the ocean. It's July 20th in the years: 1969, 1994, and 2019. Three sets of actors play Linda and Tommy during different phases of their lives; each twenty-five years apart. In 1969, on the night of the first moonwalk, Tommy and Linda, age fifteen, consummate their solemn vow of love for the first time as one small step is taken for man and one large step is taken or mankind. In 1994, Tom, now forty, physically abuses his wife, Linda, for the very last time. And in 2019, at sixty-five, Thomas returns home to Linda, and to bury their only son. The action in the three eras unfolds simultaneously as we watch the conception, dissolution, and absolution of the lifelong vow of two lovers.
Someone Else
by Kristen ThomsonLately Cathy, a middle-aged comedian, has found very little to laugh about. Everything seems either tragic or frustrating, especially her eighteen-year marriage to Peter, a doctor at a local community clinic. Their list of complaints about one another grows day by day, and their teenage daughter is rarely anything but a handful. Despite a once solid and happy marriage, the couple has hit a snag that even counselling can't repair. While Cathy falls further into a creative slump, Peter starts to fall for April, a troubled young patient who helps him open up. The two are unrecognizable to each other and themselves, and as they navigate middle age they push each other further apart. Can they negotiate their changing relationship and learn to be comfortable with who they've become?