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The Odyssey of Homer ( An Adapted Classic)
by Homer Henry I. ChristHomer's great epic describes the many adventures of Odysseus, Greek warrior, as he strives over many years to return to his home island of Ithaca after the Trojan War. His colorful adventures, his endurance, his love for his wife and son have the same power to move and inspire readers today as they did in Archaic Greece, 2800 years ago.
The Odyssey: A Play
by Derek WalcottWith its inspired counterpointing of Homeric and Caribbean themes, Derek Walcott's play The Odyssey, commissioned by Britain's Royal Shakespeare Company, springs from the same imaginative sources as his epic poem Omeros."[The Odyssey features Walcott's] voluptuous metaphor making and severe truth telling."--TimeEpisodes of the story of Odysseus' protracted wanderings from fallen Troy to his island home of Ithaca are pungently interspersed with a commentary by the blind singer Billy Blue. Proteus, the Old Man of the Sea, the giant Cyclops, Circe and her revelers, ghosts, and mermaids are among the cast. With its vast sweep and richly figurative language, The Odyssey confirms that Derek Walcott is as compelling a playwright as he is a poet.
The Oedipus Cycle
by SophoclesThe most celebrated plays of ancient Athens in vibrant new translations by award-winning poet Robert Bagg Sophocles' three great masterpieces, gathered here in one volume, dramatize the inexplicable animosity directed at three generations of Thebes' royal family by Apollo, the inscrutable god who terrifies and deceives his victims into acts of incest, betrayal, and kin murder. These fifth-century BCE family dramas--Oedipus the King, Oedipus at Kolonos, and Antigone--are fraught with horrific crises, confrontations, and excruciating choices, all of which still rivet theatergoers and readers in the twenty-first century. Bagg's translations are modern in idiom while faithful to the Greek. They preserve the complexity of Sophocles' characters and their dialogue (whether searingly raw, subtly inflected, or infused with humor) and render Sophocles' choral odes in resonant poetry. The three plays of The Oedipus Cycle, already proven stageworthy, refresh and clarify Sophocles' narratives for a new generation about to discover timeless sources of pleasure and illumination in classical Greek drama. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]
The Oedipus Cycle: Antigone, Oedipus at Colonus, and Oedipus Rex (The Oedipus Cycle #1)
by SophoclesThe doomed king of Thebes brings shame on his family in this iconic three-play cycle of ancient Greek literature, a foundational work of Western drama. Oedipus Rex: As a young man, Oedipus was told of a prophecy that he would kill his father and marry his mother. Fleeing his home to escape his destiny, he becomes the king of Thebes by marrying the former king&’s widow. But now Thebes is cursed until Oedipus discovers who killed his predecessor—a mystery that will lead him to his own doom. Oedipus at Colonus: Blind and exiled from his own country, Oedipus takes up residence in Colonus while his two sons battle for the throne of Thebes. An oracle has pronounced that the location of their disgraced father&’s final resting place will determine which of them will win. But an old enemy has his own plans for the burial. Antigone: The war is over and Thebes&’s ruler, Creon, decrees that the body of Polynices—Oedipus&’s son—is not to be buried. But Antigone, the late warrior&’s sister, answers to a higher authority. When she breaks the law to bury her brother with proper rites, her act of civil disobedience will unleash great upheaval.
The Oedipus Plays of Sophocles: Oedipus The King; Oedipus At Colonus; Antigone
by Sophocles Paul RocheRevising and updating his classic 1958 translation, Paul Roche captures the dramatic power and intensity, the subtleties of meaning, and the explosive emotions of Sophocles' great Theban trilogy. In vivid, poetic language, he presents the timeless story of a noble family moving toward catastrophe, dragged down from wealth and power by pride, cursed with incest, suicide, and murder.
The Oedipus Trilogy — Oedipus the King, Oedipus at Colonus, Antigone (First Avenue Classics ™)
by Sophocles SophoclesDisregard for messages from the oracles and gods doesn't turn out well for characters in Greek stories, and Oedipus is no exception. Encompassing murder and betrayal, incest and patricide, this set of three plays follows the life of a man doomed to suffer from birth. Sophocles wrote these classic Greek tragedies in fifth century BCE. This English translation, by F. Storr, was first published in 1912.
The Old Gray Mare IS What She Used to Be: An adaptation of a traditional song
by Jeffrey B. Fuerst Carrie Smith Gary CurrantNIMAC-sourced textbook
The Oldest Boy: A Play in Three Ceremonies
by Sarah RuhlIn this moving exploration of parenthood, an American mother and a Tibetan father have a three-year-old son believed to be the reincarnation of a Buddhist lama. When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter--Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.
The One He's Been Looking For
by Joanna SimsHe'd finally discovered his muse...just as he was losing his sight. Joanna Sims tells the romantic story of a closed-off photographer who opens up for the love he's always needed in her latest book, The One He's Been Looking For! World-famous photographer Ian Sterling had been searching for the perfect woman. And when he finally spotted Jordan Brand he simply had to have her. Her photos would mark his final work. His life as he knew it was slipping through his fingers. The man who bestowed beauty on the world was losing his sight. For rebellious artist Jordan, becoming someone's inspiration should have been laughable. Yet being with Ian made her ridiculously happy. Knowing of the difficult road he was traveling made her love him even more. But Ian refused to pass his disorder along to children-leaving Jordan to choose between the man who held her heart and the family she'd always wanted....
The One King Lear
by Sir Brian VickersIn the 1980s influential scholars argued that Shakespeare revised King Lear in light of theatrical performance, resulting in two texts by the bard’s own hand. The two-text theory hardened into orthodoxy. Here Sir Brian Vickers makes the case that Shakespeare did not cut his original text. At stake is the way his greatest play is read and performed.
The Ones We Trust (Mira Ser.)
by Kimberly BelleFrom the internationally bestselling author of The Marriage Lie comes a riveting exploration of grief and guilt in the wake of one family&’s shocking loss.When former DC journalist Abigail Wolff attempts to rehabilitate her career, she finds herself at the heart of a shocking conspiracy involving the death of a soldier in Afghanistan. This loss has unspeakable emotional consequences for the family and as news of what happened comes to light, Abigail will stop at nothing to write the story.As she stumbles upon more and more evidence in the case, it seems there are fewer and fewer people she can trust…including her own father, a retired army general. Stunned by the revelations, she is equally surprised to find herself falling for the slain soldier&’s brother, Gabe, a bitter man struggling to hold his family together. Her investigation eventually leads her to an impossible choice, one of unrelenting sacrifice to protect those she loves.Beyond the buried truths and betrayals, questions of family loyalty and redemption, Abigail&’s search is, most of all, a desperate grasp to carry on—and seek hope in the impossible. In this emotionally gripping story, Kimberly Belle has penned an unforgettable narrative and a true testament to the meaning of trust.Originally published in 2015.Don't miss bestselling author Kimberly Belle's next deeply addictive thriller, The Personal Assistant—where she explores the dark side of the digital world when a mommy-blogger&’s assistant goes missing!Look for these other pulse-pounding thrillers by Kimberly Belle: The Marriage Lie The Last Breath Stranger in the Lake My Darling Husband Three Days Missing Dear Wife
The Only Game in Town
by Frank D. GilroyDramatic Comedy / 2m, 1f / The author of The Subject Was Roses here turns his attention in this play to that fascinating arena of romance and broken dreams known as Las Vegas. The title is a trenchant comment on both gambling and love. The scene opens with a piano player and a chorine entering her apartment shortly after meeting two lonely wayward souls adrift in the world. He, it turns out, is a compulsive gambler just biding his time till he gets the bankroll with which he plans to make his fortune at the wheels, while she has a fixation about unattainable men. While he is waiting for his kitty to grow and she is waiting for her married suitor to come and rescue her, they both fall in love. When the suitor finally arrives, she shows him the gate; and when the kitty finally swells to $3600, the piano player loses it quickly only to hock his watch, start over, and amass the bundle he always knew was his. A fond and humorous romance.
The Only Way Out: The Racial and Sexual Performance of Escape
by Katherine Brewer BallIn The Only Way Out, Katherine Brewer Ball explores the American fascination with the escape story. Brewer Ball argues that escape is a key site for exploring American conceptions of freedom and constraint. Stories of escape are never told just once but become mythic in their episodic iterations, revealing the fantasies and desires of society, the storyteller, and the listener. While white escape narratives have typically been laden with Enlightenment fantasies of redemption where freedom is available to any individual willing to seize it, Brewer Ball explores how Black and queer escape offer forms of radical possibility. Drawing on Black studies, queer theory, and performance studies, she examines a range of works, from nineteenth-century American literature to contemporary queer of color art and writing by contemporary American artists including Wilmer Wilson IV, Tourmaline, Tony Kushner, Junot Díaz, Glenn Ligon, Toshi Reagon, and Sharon Hayes. Throughout, escape emerges as a story not of individuality but of collectivity and entanglement.
The Open Doors (Fountas & Pinnell LLI Purple #Level R)
by Jane O'ReillyThe Open Doors based on "The Open Window," a short story by Saki
The Open House
by Will Eno"Mr. Eno has established himself as one of the most vital, distinctive voices in the American theater over the past decade. Once encountered, his style is not likely to be forgotten: Wryly humorous and deeply engaged in the odd kinks and quirks of language and its fuzzy relationship to meaning, his plays are also infused with a haunted awareness of, and a sorrowful compassion for, the fundamental solitude of existence." -New York Times"An anarchic and deliciously clever play." -Huffington PostThis wildly funny and subversive take on the archetypal family drama is dense with authentic feeling and pain and it ultimately evolves into something haunted and mysterious and grand, even hopeful. The Open House won a Drama Desk Award, the 2014 Obie Award for Playwriting and the 2014 Lucille Lortel Award for Outstanding Play. It was on the Top Ten Plays of 2014 lists of TIME magazine, Time Out New York and the NY Daily News. Will Eno is the author of The Realistic Joneses and Thom Pain (based on nothing) , which was a Pulitzer Prize finalist. Other works include Middletown, The Flu Season, Tragedy: a tragedy, Intermission and Gnit. He is a Residency Five Fellow at Signature Theatre in New York. His many awards include the PEN/Laura Pels Award, the Horton Foote Prize and the first-ever Marian Seldes/Garson Kanin Fellowship by the Theater Hall of Fame.
The Operetta Empire: Music Theater in Early Twentieth-Century Vienna
by Micaela Baranello"When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
The Oresteia
by Aeschylus George Thomson Richard SeafordOne of the founding documents of Western culture and the only surviving ancient Greek trilogy, the Oresteia of Aeschylus is one of the great tragedies of all time.The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia's mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra's encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years.The trilogy is presented here in George Thomson's classic translation, renowned for its fidelity to the rhythms and richness of the original Greek.(Book Jacket Status: Jacketed)
The Oresteia
by AeschylusAeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work.
The Oresteia Trilogy: Agamemnon, the Libation-Bearers and the Furies (Dover Thrift Editions Ser.)
by AeschylusClassic trilogy by great tragedian deals with the bloody history of the House of Atreus. Grand in style, rich in diction and dramatic dialogue, the plays embody Aeschylus' concerns with the destiny and fate of both individuals and the state, all played out under the watchful eye of the gods.
The Oresteia: Agamemnon, Libation Bearers, and The Holy Goddesses (Wisconsin Studies in Classics)
by Aeschylus David MulroyFirst presented in the spring of 458 B.C.E. at the festival of Dionysus in Athens, Aeschylus' trilogy Oresteia won the first prize. Comprised of three plays—Agamemnon, Libation Bearers, and The Furies—it is the only surviving example of the ancient trilogy form for Greek tragedies. This drama of the House of Atreus catches everyone in a bloody net. Queen Clytaemestra of Argos murders her husband Agamemnon. Their son Orestes avenges his father by killing his mother. The Furies, hideous deities who punish the murder of blood kin, pursue Orestes. Into this horrific cycle steps Athena, goddess of wisdom, who establishes the rule of law to replace fatal vengeance. Orestes is tried in court before a jury of Athenians and found not guilty. Athena transforms the Furies into benevolent goddesses and extols the virtue of mercy. An important historical document as well as gripping entertainment, the Oresteia conveys beliefs and values of the ancient Athenians as they established the world's first great democracy. Aeschylus (525/4–456/5 B.C.E.) was the first of the three great tragic dramatists of ancient Greece, forerunner of Sophocles and Euripides. In this trilogy he created a new dramatic form with characters and plot, infused with spellbinding emotion. David Mulroy's fluid, accessible English translation with its rhyming choral songs does full justice to the meaning and theatricality of the ancient Greek. In an introduction and appendixes, he provides cultural background for modern readers, actors, and students.
The Oresteia: Agamemnon, Women At The Graveside, Orestes In Athens
by Aeschylus Oliver TaplinThis spellbinding, groundbreaking translation reenergizes Aeschylus’ enduring saga of split loyalties, bloody sacrifice, and the efforts to bring peace after generations of strife. The most renowned of Aeschylus’ tragedies and one of the foundational texts of Western literature, the Oresteia trilogy is about cycles of deception and brutality within the ruling family of Argos. In Agamemnon, afflicted queen Clytemnestra awaits her husband’s return from war to commit a terrible act of retribution for the murder of her daughter. The next two plays, radically retitled here as The Women at the Graveside and Orestes in Athens, deal with the aftermath of the regicide, Orestes’ search to avenge his father’s death, and the ceaseless torment of the young prince. A powerful discourse on the formation of democracy after a period of violent chaos, The Oresteia has long illuminated the tensions between loyalty to one’s family and to the greater community. Now, Oliver Taplin’s “vivid and accessible translation” (Victoria Mohl) captures the lyricism of the original, in what is sure to be a classic for generations to come.
The Oresteia: Agamemnon, Women At The Graveside, Orestes In Athens (Oleander Language And Literature Ser. #Vol. 18)
by AeschylusHighly acclaimed as translators of Greek and Sanskrit classics, respectively, David Grene and Wendy Doniger O'Flaherty here present a complete modern translation of the three plays comprising Aeschylus' Orestia and, with the assistance of director Nicholas Rudall, an abridged stage adaptation. This blanced and highly successful collaboration of scholars with a theater director solves the contemporary problems of translating and staging the Orestia, which originally was written to be performed in Athens in the first half of the fifth century B.C. While remaning faithful to the original Greek, Grene and O'Flaherty embrace a strong and adventurous English style, vivid and visceral. The language of this extraordinary translation, immediately accessible to a theater audience, speaks across the centuries. Premiered at Chicago's Court Theater in 1986 under Rudall's direction, the stage adaptation of the Orestia proved eminently playable. This new adaptation of the orestia offers a brilliant demonstration of how clearly defined goals (here, the actor's needs) can inspire translators to produce fresh, genuine, accessible dramatic texts. The resulting work provides complete and accurate texts for those who cannot read the original Greek, and it transforms the Orestia into an effective modern stage play. With interpretive introductions written by the translators and director, this new version will be welcomed by teachers of translation courses, by students of Greek and world drama in general, and by theater professionals.
The Oresteia: Agamemnon; The Libation Bearers; The Eumenides (Oleander Language And Literature Ser. #Vol. 18)
by Robert Fagles Aeschylus W. B. StanfordOne of the founding documents of Western culture and the only surviving ancient Greek trilogy, the Oresteia of Aeschylus is one of the great tragedies of all time.The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor. After Iphi-geneia's mother, Clytemnestra, kills her husband in revenge, she in turn is murdered by their son Orestes with his sister Electra's encouragement. Orestes is pursued by the Furies and put on trial, his fate decided by the goddess Athena. Far more than the story of murder and ven-geance in the royal house of Atreus, the Oresteia serves as a dramatic parable of the evolution of justice and civilization that is still powerful after 2,500 years.The trilogy is presented here in George Thomson's classic translation, renowned for its fidelity to the rhythms and richness of the original Greek.(Book Jacket Status: Jacketed)
The Oresteian Trilogy
by AeschylusAeschylus (525-c.456 bc) set his great trilogy in the immediate aftermath of the Fall of Troy, when King Agamemnon returns to Argos, a victor in war. Agamemnon depicts the hero's discovery that his family has been destroyed by his wife's infidelity and ends with his death at her callous hand. Clytemnestra's crime is repaid in The Choephori when her outraged son Orestes kills both her and her lover. The Eumenides then follows Orestes as he is hounded to Athens by the Furies' law of vengeance and depicts Athene replacing the bloody cycle of revenge with a system of civil justice. Written in the years after the Battle of Marathon, The Oresteian Trilogy affirmed the deliverance of democratic Athens not only from Persian conquest, but also from its own barbaric past.
The Orestes Plays
by Euripides Cecelia Eaton LuschnigFeaturing Cecelia Eaton Luschnig's annotated verse translations of Euripides' Electra, Iphigenia among the Tauri, and Orestes, this volume offers an ideal avenue for exploring the playwright's innovative treatment of both traditional and non-traditional stories concerning a central, fascinating member of the famous House of Atreus.