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The Pregnancy Surprise (Ready for Baby!)
by Caroline AndersonPregnant? Impossible! But somehow it’s true.Maisie McDowell is about to become a single mom-with no knowledge of how she got that way...Dr. James Sutherland’s patients usually suspectedthey were pregnant, but Maisie seemed honestlybewildered by the news. Luckily James is also Maisie’sneighbor, and able to offer her support...and more.But after all Maisie has been through, how can he puthimself first and tell her that all he wants is to marryher and be a father to her unborn child...?
The Pregnant Bride (Expecting!)
by Catherine SpencerGetting jilted at the altar was bad enough, but falling for the sympathetic stranger at her honeymoon hotel was much worse! Jenna Sinclair didn't regret it, though; one passion-filled night with Edmund Delaney proved she'd never truly loved her ex-fiancé.But when Jenna told Edmund she was pregnant, he was far from dismayed. It seemed he had his own agenda, and marriage to Jenna was just what he needed.... Why?
The Presence of the Actor
by Joseph ChaikinChaikin, who directed the celebrated Open Theater in the '60s, kindled an emphasis on communal playmaking whose impact is still evident today. This conversational review of his efforts details his methods and reveals the struggles involved in the creation of some of the most exciting theatre of our time.
The Price
by Arthur MillerYears after an angry breakup, Victor and Walter Franz are reunited by the death of their father. As they sort through his possessions in an old brownstone attic, the memories evoked by his belongings stir up old hostilities. The Price was nominated for two Tony Awards, including best play.
The Prince of Tides: A Novel
by Pat Conroy“A masterpiece that can compare with Steinbeck’s East of Eden. … Some books make you laugh; some make you cry; some make you think. The Prince of Tides is a rarity: It does all three.” — Detroit Free PressA modern American classic and a family saga that spans decades, this is the story of the volatile Tom Wingo, his brilliant but troubled twin sister, Savannah, and the complex and damaging family legacy they share. Moving between the sparkling glamour of New York City and the vanishing beauty of the South Carolina low country, The Prince of Tides is Pat Conroy’s masterwork.“A big, sprawling saga of a novel…the kind you hole up with and spend some days with and put down feeling you have emerged from a terrible, wonderful spell.” —San Francisco Chronicle“A literary gem . . . The Prince of Tides is in the best tradition of novel writing. It is an engrossing story of unforgettable characters.” —The Pittsburgh Press
The Princess Who Never (Well, Hardly Ever) Laughed
by Margaret MincksA king becomes upset because his daughter never laughs and because she turns away all the men who want to marry her. When will someone come along who truly delights her?
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and Cleopatra
by Ernest SchanzerThe opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon.
The Problems of Viewing Performance: Epistemology and Other Minds (Routledge Advances in Theatre & Performance Studies)
by Michael Y. BennettThe Problems of Viewing Performance challenges long-held assumptions by considering the ways in which knowledge is received by more than a single audience member, and breaks new ground by, counterintuitively, claiming that viewing performance is not a shared experience. Given that viewers come to each performance with differing amounts and types of knowledge, they each make different assumptions as to how the performance will unfold. Often modified by other viewers and often after the performance event, knowledge of performance is made more accurate by superimposing the experiences and justified beliefs of multiple viewers. These differences in the viewing experience make knowledge surrounding a performance intersubjective. Ultimately, this book explains the how and the why audience members have different viewing experiences. The Problems of Viewing Performance is important reading for theatre and performance students, scholars and practitioners, as it unpacks the dynamics of spectatorship and explores how audiences work.
The Process of Drama: Negotiating Art and Meaning
by John O'TooleThe Process of Drama provides an original and invaluable model of the elements of drama in context, and defines how these are negotiated to produce dramatic art. John O'Toole takes the reader through a lively, fascinating account of the relationships between the playwright, the elements of dramatic art, and the other artists involved in this most interactive of creative processes. In doing so he demonstrates - with clarity and wit - how dramatic meaning emerges; how the dramatic event is constructed. Areas covered include: roles and relationships the drama space language and movement tension and the audience gesture and movement This is an essential book for every student of drama who wants to understand how the theatrical art form operates
The Process of Dramaturgy: A Handbook
by Scott R. IrelanThis text offers a series of workable strategies and practical exercises meant to develop and improve the skills needed during the practice of production dramaturgy. Includes case studies, sample syllabus, list of resources.
The Production Manager's Toolkit: Successful Production Management in Theatre and Performing Arts (The Focal Press Toolkit Series)
by Cary Gillett Jay Sheehan"Our theater world is so much better with this book in it, and even better with Cary and Jay at the helm." –David Stewart, Director of Production for the Guthrie Theater The Production Manager’s Toolkit is a comprehensive introduction to a career in theatrical and special event production for new and aspiring professionals, given by expert voices in the field. The book discusses management techniques, communication skills, and relationship building tactics to create effective and successful production managers. With a focus on management theory, advice from top production managers provide insights into budgeting, scheduling, meetings, hiring, maintaining safety, and more. Through interviews and case studies, the history and techniques of production management are explored throughout a variety of entertainment venues: theatre, dance, opera, and special events. The book includes references, tools, templates, and checklists; and a companion website contains downloadable paperwork and links to other useful resources such as unions, venues, and vendors.
The Production Manager's Toolkit: Successful Production Management in Theatre and Performing Arts (The Focal Press Toolkit Series)
by Cary Gillett Jay SheehanThe Production Manager’s Toolkit Second Edition offers an up-to-date, comprehensive introduction to a theatrical and special event production career for new and aspiring professionals, given by expert voices in the field. The book discusses management techniques, communication skills, and relationship building tactics to become effective and successful production managers. With a focus on management theory, top production managers provide insights into budgeting, scheduling, meetings, hiring, maintaining safety, and more. Through interviews and case studies, production management techniques are explored throughout various entertainment genres including theatre, dance, opera, music, and special events. The second edition includes all new case studies, new chapters, and updated content throughout, showcasing a continued progressive approach to the job and the field. Filled with references, tools, templates, and checklists, The Production Manager’s Toolkit is an invaluable resource for students of Production Management, Events Management, and Stage Management courses, as well as new and aspiring professionals. The book includes access to a companion website featuring downloadable paperwork and links to other useful resources such as unions, venues, and vendors. (www.routledge.com/cw/gillett)
The Production Notebooks
by Mark BlyFirst in a series of casebooks exploring theatrical pieces from writing and design through production. Includes: Ntozake Shange's The Love Space Demands, Crossroads Theatre Co., New Brunswick, NJ; Danton's Death by Buchner, Alley Theatre, Houston; The Clytemnestra Project, based on the works of Aeschylus, Sophocles, and Euripides, Guthrie Theatre, Minneapolis; and Children of Paradise, Theatre de la Jeune Lune, Minneapolis.
The Production Notebooks, Volume 2
by Mark BlyThe second volume in the series provides an inside view of the creative process involved in the creation of 4 major theatrical productions. Each notebook offers in diary form comprehensive histories of major artistic elements that are the center of the creative process. This volume includes: In the Blood by Suzan-Lori Parks (The Joseph Papp Public Theatre/New York Shakespeare Festival); The First Picture Show by David and Ain Gordon (Mark Taper Forum and American Conservatory Theatre), The Geography Project by Ralph Lemon (Yale Repertory Theatre) and Shakespeare Rapid Eye Movement, directed by Robert Lepage (Bayerisches Staatsschauspiel-Munich). Each notebook is profusely illustrated with production shots and/or set and costume renderings.Mark Bly is the Associate Artistic Director of the Yale Repertory Theatre.
The Projection Designer’s Toolkit (The Focal Press Toolkit Series)
by Jeromy HopgoodThe Projection Designer’s Toolkit is an insider’s guide to the world of professional projection design, serving as a reference for the planning and execution of each step in the projection design process. The text addresses the design process within the context of a professional projection designer’s workflow, focusing on specific tools of the trade, best practices for communicating your design to collaborators, tips and tricks, determining budget, working with assistants, and more. Featuring interviews with some of the top names in the industry, the book offers an unprecedented insight into the professional projection designer’s process across a wide range of fields, from Broadway and regional theatre to corporate design and music touring. The book also includes in-depth discussion on production process, system design, cue and content planning, content design, digital media fundamentals, media servers, video equipment, and projection surfaces. Additionally, it features hundreds of full-color photos and examples of designer artifacts such as draftings, mock-ups, paperwork, cue sheets, and renderings. Filled with practical advice that will guide readers from landing their first job all the way through opening night and beyond, The Projection Designer’s Toolkit is the perfect resource for emerging projection designers and students in Digital Media Design and Projection Design courses.
The Prom
by Saundra Mitchell Chad Beguelin Matthew SklarLlega la novela de la nueva apuesta de Netflix: la adaptación del éxito de Broadway The Prom. Emma Nolan tiene quince años y solo sueña con una cosa en este mundo: bailar con su novia en el baile de graduación. Pero en su pequeño pueblo de Edgewater, Indiana, eso es como pedir la luna. Alyssa Greene es la chica más conocida del instituto, la más popular, jefa del consejo estudiantil e hija de la presidenta de la asociación de padres. Pero esconde un secreto: su relación con Emma. Cuando se corre la voz de que Emma planea llevar a una chica al baile, es tal el alboroto, que la asociación de padres amenaza con cancelarlo. Todo eso ocurre antes de que entren en acción Barry Glickman y Dee Dee Allen, dos estrellas de Broadway que deciden asumir la causa para obtener un poco de publicidad a cambio. Pero cuando llegan a Indiana para enarbolar la lucha en nombre de Emma, sus buenas intenciones se tuercen por completo. Con Emma enfrentada a los prejuicios de cabeza, Alyssa sumida en la duda sobre si salir del armario y Barry y Dee Dee disfrutando de toda la atención mediática, la tormenta perfecta está a punto de estallar. Sin embargo, cuando consiguen ir a la una, se dan cuenta de que siempre vale la pena luchar por el amor.
The Proof Stage: How Theater Reveals the Human Truth of Mathematics
by Stephen AbbottHow playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stageThe discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theater reached a popular apex in Tom Stoppard’s 1993 play Arcadia. In The Proof Stage, mathematician Stephen Abbott explores this unlikely collaboration of theater and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Bertolt Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays—from Euclid and Euripides to Gödel and Godot.Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to Arcadia’s emotional arc. In addition to charting Stoppard’s journey, Abbott examines the post-Arcadia wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey.
The Prop Builder's Molding & Casting Handbook (Technical Theatre, Film And Television Ser.)
by Thurston JamesThe Prop Builder's Molding & Casting Handbook This is the first book to contain, in one comprehensive volume, every molding and casting procedure of use to the theater props builder (no matter what his or her level or proficiency). The author demonstrates the techniques involved in using more than thirty different materials ranging from papier-mache to breakaway glass. While the use of some materials–plaster and polyester resins, for example–is covered to some extent in other publications, information on the selection and use of rubber materials (latex, neoprene, silicone, and the urethanes) and the procedure for making breakaway windows and bottles is available only in The Prop Builder's Molding & Casting Handbook. Written in an easy, conversational style, the book will be useful to anyone involved with theater properties, puppetry, and costuming (as professionals or amateurs). It will also serve admirably the needs of students taking classes in those subjects. Completing the book is a special section on designing and building a vacuum forming machine suitable for use in constructing theater props. More than 450 photographs illustrate the step-by-step procedures explained throughout the entire text.
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartExperienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartNow in its third edition, The Prop Building Guidebook: For Theatre, Film, and TV walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Experienced prop maker Eric Hart covers the tools and techniques used by professional prop makers throughout the entertainment industry. He outlines a construction process that gives readers the foundational knowledge to choose the best materials and methods for each prop and the background information to know the advantages of these choices. This new edition includes updated information and techniques throughout, including: Over a hundred new images and diagrams Updated terminology, products, and brands used internationally Expanded sections on 3D printing, vacuum forming, foam patterning, and more A new chapter on prop design New information on international safety standards, cleaning, and sanitation More recipes and step-by-step instruction for various finishes Illustrated by hundreds of full-color photographs, this is the most comprehensive guide to prop construction available for professional and student prop makers in theatre, film, and tv. For additional how-to videos, instructional documents, and supplemental information, visit www.propbuildingguidebook.com.
The Prop Effects Guidebook: Lights, Motion, Sound, and Magic
by Eric HartIn The Prop Building Guidebook, author Eric Hart demonstrated how to cut, glue, sculpt, and bend raw materials to build props. Now in The Prop Effects Guidebook, he shows us how to connect and assemble components and parts to make those props light up, explode, make noise, and bleed. It delves into the world of electricity, pneumatics, liquids, and mechanical effects to teach you how to make your props perform magic in front of a live audience. The book is complemented by a companion website featuring videos of how to create individual prop special effects: www.propeffectsguidebook.com.
The Properties Director's Toolkit: Managing a Prop Shop for Theatre (The Focal Press Toolkit Series)
by Sandra Strawn Lisa SchlenkerThe Properties Director’s Toolkit is a concise guide to managing a prop shop and show build. Sandra Strawn and Lisa Schlenker skilfully explain and provide templates for organizing and managing a prop shop, from pre-production organization to production processes, budgeting and collaborations with other production areas. The Toolkit also explores how to plan, organize and maintain a prop shop for safe and efficient production work. This thoroughly revised second edition includes two additional chapters on the role of the Props Director and co-productions, along with expanding information in each chapter, including artisan responsibilities, union information, digital collaboration, prop shop organization and construction, and projections.
The Property Known As Garland
by Billy Van ZandtComedy / 1m, 1f / Interior / Her talent is legendary. Her wit, sublime. Her true story more electrifying than you'd ever imagine. She is Judy Garland. Adrienne Barbeau starred in this fictional backstage account of Judy's final concert appearance. With her wicked wit, Judy dishes the dirt on her co-stars, ex-husbands, Mr. Mayer, and more- taking us down the rocky yellow brick road of her incredible life. An amazing tour-de-force.
The Provocation of the Senses in Contemporary Theatre (Routledge Advances In Theatre And Performance Studies #13)
by Stephen Di BenedettoDi Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.
The Prude
by VoltaireThis comedy is partly imitated from an English piece, called the Plain Dealer. It does not suit very well for the French stage; the manners are too rough and bold, though much less so than in the original. The English seem to take too much liberty, and the French too little. -Voltaire Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.