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The Radical Act of Listening: Making Documentary and Investigative Theatre
by KJ SanchezThe Radical Act of Listening: Making Documenatry and Investigative Theatre explores best practices in the field of Documentary and Investigative theatre and offers readers a how-to guide for making their own work, written by a leading practitioner in the field.This book looks at how listening can radically bring about change through documentary and investigative theatre. It examines the mechanics and value of listening and how theatre practitioners can use these skills to create theatre. What does it mean to really listen, especially during a time when everyone is shouting? Can we listen without an agenda? Can we take what we hear and find ethical ways to share it with others so that we capture nuance, complexity, contradiction, i.e., all things human? In exploring these questions, author KJ Sanchez shares conversations with peers and fellow artists who work in the fields of interview-based and non-fiction art practices, to look at what it takes to be a great listener and a great theatre maker.Featuring key artists, themes, and practices, this book is written for students and practitioners interested in creating documentary and investigative theatre, as well as other interview-based artforms.
The Radical in Performance: Between Brecht and Baudrillard
by Baz KershawThe Radical in Performance investigates the crisis in contemporary theatre, and celebrates the subversive in performance. It is the first full-length study to explore the link between a western theatre which, says Kershaw, is largely outdated and the blossoming of postmodern performance, much of which has a genuinely radical edge. In staying focused on the period between Brecht and Baudrillard, modernity and postmodernism, Baz Kershaw identifies crucial resources for the revitalisation of the radical across a wide spectrum of cultural practices. This is a timely, necessary and rigorous book. It will be a compelling read for anyone searching for a critical catalyst for new ways of viewing and practising cultural politics.
The Railway Siding
by Jonathan HollowayOut of work, out of luck, and out of favor with his wife, architect Jack Webb retreats to a cottage in Wales to concentrate on a new design project for a friend's business. With the deadline imminent, Jack takes the overnight train from Haverfordwest back to London to deliver his drawings. On the otherwise deserted train Jack encounters first an unusually friendly guard and then an aloof and otherworldly woman, Hope Cairns, who has just abandoned a planned rendezvous in Milford with a lover, also named Jack. When Hope suddenly disappears, and the guard reveals her story, we discover that Jack's journey is not all it seems. The Railway Siding is a stunningly crafted, highly atmospheric play in one act.
The Rainbow of Desire: The Boal Method of Theatre and Therapy
by Augusto BoalRainbow of Desire is a handbook of exercises with a difference. It is Augusto Boal's bold and brilliant statement about the therapeutic ability of theatre to liberate individuals and change lives. Now translated into English and comprehensively updated from the French, Rainbow of Desire sets out the techniques which help us `see' for the first time the oppressions we have internalised. Boal, a Brazilian theatre director, writer and politician, has been confronting oppression in various forms for over thirty years. His belief that theatre is a means to create the future has inspired hundreds of groups all over the world to use his techniques in a multitude of settings. This, his latest work, includes such exercises as: * The Cops in the Head and their anti-bodies * The screen image * The image of the future we are afraid of * Image and counter-image ....and many more. Rainbow of Desire will make fascinating reading for those already familiar with Boal's work and is also completely accessible to anyone new to Theatre of the Oppressed techniques.
The Ramplings
by Stephen LeviFull Length, Farce / 2 m, 2 f / Interior / Nothing is as it appears and everything is as it should be is the motto of coastal Maine's Singapore Inn, where three guests pursue different ends on a snowy Christmas eve. Hector, a celebrity race car driver and an impeccable Irish drunk who speaks with a lilting brogue, desperately seeks an elusive bottle of Irish whisky. His wife wants to lay a wreath on her mother's grave on this first anniversary of her death in an automobile accident she blames on Hector. The only other guest also has plans for that bottle of whiskey: it will certainly coax her husband-who also died exactly a year ago-from his grave. Invisible cats, flying ghosts and an ageless innkeeper who may or may not be an angel spell madcap merriment that concludes with lives restored and relationships healed. This holiday delight is by the author of Good Morning Miss Vickers and other popular comedies.
The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship
by Michael WainwrightThe Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship examines William Shakespeare’s rationality from a Ramist perspective, linking that examination to the leading intellectuals of late humanism, and extending those links to the life of Edward de Vere, Seventeenth Earl of Oxford. The application to Shakespeare’s plays and sonnets of a game-theoretic hermeneutic, an interpretive approach that Ramism suggests but ultimately evades, strengthens these connections in further supporting the Oxfordian answer to the question of Shakespearean authorship.
The Raven (Books That Changed the World)
by Lou ReedThe legendary musician’s distinctive artistic take on Edgar Allan Poe includes “some of the most personal lyrics of his career” (Rolling Stone).One of the most influential and innovative recording artists of the past three decades, Lou Reed has always offered a shrewd view of life in the big city in all its colors. It is no surprise, then, that he considers Edgar Allan Poe a spiritual forefather. In The Raven, Reed immerses himself in Poe’s enigmatic world and sets out to reimagine his work to mesmerizing effect. In 2001 Lou Reed, legendary theater director Robert Wilson, and an all-star cast presented the musical POEtry at the Brooklyn Academy of Music. Reed’s subsequent studio adaptation, The Raven, has been hailed as one of his more daring and challenging albums. Here, accompanied by photographs by the acclaimed artist and director Julian Schnabel, is the definitive text of the CD release. The Raven includes Reed's distinctive takes on Poe’s most celebrated works, as well as song lyrics written for the musical. It is a fascinating meeting between a dark chronicler of the twentieth century and his nineteenth-century counterpart; the work of one iconoclastic genius offering a haunting exploration of another.
The Raven's Gift
by Don ReardenWinner, Alaskan Novel of the Year, 2011 Shifting from contemporary Eskimo village life to a gripping post-apocalyptic nightmare, The Raven's Gift dares to confront the terrifying possibility of an impending catastrophic loss of human life--and love. Lured north to a Yup'ik village on the Alaskan tundra in search of adventure, John Morgan and his wife Anna can barely contain their excitement. But something is about to go terribly wrong. What happens when an epidemic strikes--and no one comes to help? Don Rearden lives in the mountain community of Bear Valley, Alaska, and is an Associate Professor of Developmental Studies at the University of Alaska, Anchorage, where he teaches young writers how to develop their creative voices. textpublishing. com. au 'The Raven's Gift has a winning plot, characters we've never met before, and intriguing details of a world most of us will never venture to--creating a read that opens our eyes and finds the fault lines of a heart in one breathless sitting. ' Jodi Picoult 'Don Rearden has created a kind of allegory for a people and place at risk, a generous and honest portrait of Yup'ik communities. His Alaska is one you won't yet have seen. ' David Vann, author of bestselling novels Legend of a Suicide and Caribou Island 'The book is fantastic, one of the best books about Alaska I have ever read. It calls to mind Cormac McCarthy and Stephen King, but at the same time it is all its own. The Raven's Gift is the story of a couple teaching in a remote Alaskan village when a epidemic sweeps through. People are dying in isolation, and others descending into savage violence. It is a survival story and an edge-of-the-seat thriller. ' Eoywyn Ivy, author of The Snow Child 'The Raven's Gift is a disturbingly believable tale of a world on the edge, given the slight push to send it over. Rearden knows his Alaska, his snow and cold, the isolation in these pages enough to make you pull up the blankets and wonder what you'd do without rescue, without communication, with no one to go to for help, no one coming to the rescue. Like McCarthy's The Road, there are pages in here you might shy away from reading, but hang on, once you start, you'll be along for the ride. ' Pete Fromm author of Indian Creek Chronicles and How This All Started. An epic adventure, a work of mythical proportions, never to be forgotten. ' Daniel Quinn, author of bestselling novels Ishmael and The Story of B 'A post-apocalyptic novel that will set your hair on end. ' Sun Times 'The Raven's Gift is both thriller and love story, a tale full of anthropological suspense and with a stunning geographical tour of Alaska thrown in for good measure It is exciting and fascinating, completely compelling and some of the most original writing I have read in a very long time. Snuggle up on a cold winter's night and enjoy!' ABC Queensland, Weekend Bookworm
The Raven's Gift
by Don ReardenJohn Morgan and his wife can barely contain their excitement upon arriving as the new teachers in a Yup'ik Eskimo village on the windswept Alaskan tundra. But their move proves disastrous when a deadly epidemic strikes and the isolated community descends into total chaos. When outside aid fails to arrive, John's only hope lies in escaping the snow-covered tundra and the hunger of the other survivors--he must make the thousand-mile trek across the Alaskan wilderness for help. He encounters a blind Eskimo girl and an elderly woman who need his protection, and he needs their knowledge of the terrain to survive. The harsh journey pushes him beyond his limits as he discovers a new sense of hope and the possibility of loving again.
The Real McCoy
by Andrew MoodieElijah McCoy, born in Canada to runaway American slaves, showed so much promise in school that he won a scholarship to study mechanical engineering at Edinburgh University. McCoy moved to the US, where no one believed a black man could be an engineer and so he was set to stoking boilers. Nevertheless, McCoy devised a solution to one of the greatest problems facing steam locomotion that was sold worldwide with the marketers' proviso that McCoy's race be concealed.
The Realistic Joneses
by Will Eno"[A] tender, funny, terrific new play. . . . Mr. Eno's voice, which teases out the poetry in the pedestrian and finds glinting humor in the static that infuses our faltering efforts to communicate, is as distinctive as any American playwright's today."--The New York Times"Weird and wonderful . . . Eno's familiar sudden-shifting between profound and playful verbiage is delightfully disarming and sometimes awfully funny."--Variety"Plays as funny and moving, as wonderful and weird as The Realistic Joneses... do not appear often on Broadway. Or ever, really.... Mr. Eno's voice may be the most singular of his generation, but it's humane, literate and slyly hilarious.... For all the sadness woven into its fabric, The Realistic Joneses brought me a pleasurable rush virtually unmatched by anything I've seen this season." - The New York Times"As usual, Eno's dialogue is a marvel of compression and tonal control, trivial chitchat flipping into cosmic profundity with striking ease.... There's much to savor: the dry but meaningful banter, the joy of humans sharing time and space, battling the darkness with a joke or silence. Life in Enoland isn't what you'd call realistic--it's more real than that." - Time Out New York "[An] elliptical, funny, dark and strangely moving new play.... Eno is a writer with heart and compassion." - Chicago Tribune"Eno's first-ever commercial foray ups the creative ante in a Broadway climate that can be resistant to new voices.... [A] very fine play where laughter exists a heartbeat, or heartbreak, away from tears." - The TelegraphMeet Bob and Jennifer and their new neighbors John and Pony, two suburban couples who have more in common than their identical last names. Boasting the playwright's quintessential existential quirkiness, this new comedy finds poetry in the banal while humorously exploring our ever-floundering efforts at communication. Listed as one of New York Times's Best Plays of 2012, The Realistic Joneses received its Broadway premiere in spring 2014, starring Toni Collete, Michael C. Hall, Tracy Letts and Marisa Tomei, and opening to rave reviews.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Middletown, The Flu Season, Tragedy: a tragedy, Intermission, and Gnit, an adaptation of Henrik Ibsen's Peer Gynt. His many awards include the PEN/Laura Pels International Foundation for Theatre Award, the Horton Foote Prize, and the first-ever Marian Seldes/Garson Kanin Fellowship by the Theater Hall of Fame.
The Reality Shows
by Ann Pellegrini Karen Finley Kathleen Hanna"Ms. Finley hasn't lost the power to disturb."-Ben Brantley, The New York TimesNo other contemporary performing artist has captured the psychological complexity of this decade's political and social milestones as Karen Finley has in the past ten years. In her inimitable style, Finley has embodied some of the most troubling figures to cast a long shadow on the public imagination, and has envisioned a kind of catharsis within each drama: Liza Minnelli responds to the September 11 attacks; Terri Schaivo explains why Americans love a woman in a coma; Martha Stewart dumps George W. Bush during their tryst on the eve of the Republican National Convention; Silda Spitzer tells the former governor why "I'm sorry" just isn't enough; Jackie O cries, "Please stop looking at me!"The Reality Shows is a revelation of a decade by one of our greatest interpreters of popular and political culture.Karen Finley's raw and transgressive performances have long provoked controversy and debate. She has appeared and exhibited her visual art, performances, and plays internationally. The author of many books, including A Different Kind Of Intimacy, George & Martha, and Shock Treatment, she is a professor at the Tisch School of Art and Public Policy at NYU.Kathleen Hanna, activist and writer, was the lead singer of the punk band Bikini Kill before fronting the dance-punk band Le Tigre. She released a solo album under the name Julie Ruin.
The Reason to Sing: A Guide to Acting While Singing
by Craig CarneliaIn The Reason to Sing, renowned composer-lyricist and teacher Craig Carnelia provides musical actors with a step-by-step guide to making their singing performances more truthful, vivid, and full of life. Using a technique developed over decades of teaching the professional community of Broadway actors and students alike, The Reason to Sing utilizes detailed descriptions of sessions the author has had with his notable students and lays out a new and proven approach to help you build your skills, your confidence, and your career. This book is intended for musical theater acting students as well as working professionals and teachers of the craft.
The Reasonable Audience: Theatre Etiquette, Behaviour Policing, And The Live Performance Experience
by Kirsty SedgmanAudiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back…The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.
The Recognition of Sakuntala (Dover Thrift Editions: Plays)
by KalidasaWhile out on a hunting trip, a king encounters a lovely maiden, and the course of their secret romance sweeps the audience from a forest hermitage to a dazzling palace to ethereal celestial realms. The tale of King Dusyanta and Śakuntala, who meet by chance and are separated by a curse, was derived from an episode in the Mahabharata, India's grand religious epic. The Recognition of Śakuntala, written in the 5th century by the greatest of the ancient Indian playwrights, offers a classic introduction to Indian theater and aesthetics.In addition to its enchanting love story, this play presents a religious drama. It promotes the doctrine of karma, in which all experiences are influenced by actions from earlier in life, and it represents an allegory of the relationship between the worshiper and the sacred. Students of drama, religious studies, and world literature will appreciate this affordable and accessible edition of a timeless play.
The Red Hand: Stories, reflections and the last appearance of Jack Irish
by Peter TemplePeter Temple held crime writing up to the light and, with his poet's ear and eye, made it his own incomparable thing.Peter Temple started publishing novels late, when he was fifty, but then he got cracking. He wrote nine novels in thirteen years. Along the way he wrote screenplays, stories, dozens of reviews.When Temple died in March 2018 there was an unfinished Jack Irish novel in his drawer. It is included in The Red Hand, and it reveals the master at the peak of his powers. The Red Hand also includes the screenplay of Valentine's Day, an improbably delightful story about an ailing country football club, which in 2007 was adapted for television by the ABC. Also included are his short fiction, his reflections on the Australian idiom, a handful of autobiographical fragments, and a selection of his brilliant book reviews. .
The Red Hot Chili Peppers: An Oral/Visual History
by The ChiliThe Red Hot Chili Peppers is the iconic band's audacious look back at their thirty-year odyssey—in their own words and accompanied by more than 300 spectacular photos and ephemera. Intimate, breathtaking, and outrageous, this is the essence of the Red Hot Chili Peppers."I am struck with the moments of these photos, the feelings of the times they were taken, and where we were at on our beautiful and happy-sad journey. It's pretty fucking heavy, actually, like thinking how much we have changed over the years, and all the different dynamics of our lives that shaped us, and also realizing so clearly that nothing has changed at all—we're all still just trying to get it on, make something great."It is all here, nothing can hide: all the honesty, the pretense, the courage and one-of-a-kind-ness, the unbridled joy, the melancholy, and the shields we put up to shelter our scared, vulnerable little selves."—Flea
The Red Letter Plays
by Suzan-Lori Parks"In the Blood is an extraordinary new play...It is truly harrowing...we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with "a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron.'"--Margo Jefferson, The New York TimesThe playwright who "has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way [John Heilpern, New York Observer and Vogue]," has written two haunting riffs on Hawthorne's The Scarlett Letter: In the Blood and Fucking A.Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children--"my treasures, my five joys"--who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available--abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her.These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today.Suzan Lori-Parks is also the author of The America Play and Other Works and Venus, both published by TCG. She lives in Brooklyn, New York.
The Redemption of Things: Collecting and Dispersal in German Realism and Modernism (Signale: Modern German Letters, Cultures, and Thought)
by Samuel FrederickCollecting is usually understood as an activity that bestows permanence, unity, and meaning on otherwise scattered and ephemeral objects. In The Redemption of Things, Samuel Frederick emphasizes that to collect things, however, always entails displacing, immobilizing, and potentially disfiguring them, too. He argues that the dispersal of objects, seemingly antithetical to the collector's task, is essential to the logic of gathering and preservation. Through analyses of collecting as a dialectical process of preservation and loss, The Redemption of Things illustrates this paradox by focusing on objects that challenge notions of collectability: ephemera, detritus, and trivialities such as moss, junk, paper scraps, dust, scent, and the transitory moment. In meticulous close readings of works by Gotthelf, Stifter, Keller, Rilke, Glauser, and Frisch, and by examining an experimental film by Oskar Fischinger, Frederick reveals how the difficulties posed by these fleeting, fragile, and forsaken objects help to reconceptualize collecting as a poetic activity that makes the world of scattered things uniquely palpable and knowable.
The Rediscovery of George "Nash" Walker: The Price of Black Stardom in Jim Crow America
by Daniel E. AtkinsonThe first biography of George Walker, a uniquely Afro-American tale of innovation and triumph despite the odds; the story of an underdog with a bite!The Rediscovery of George "Nash" Walker is the first biography dedicated to the life and cultural contributions of this actor, writer, and producer who revolutionized Black American theatre during the early twentieth century. In 1892, Walker left his hometown with a medicine show and quickly formed a partnership with comedian Bert Williams that would last nearly eighteen years. Under the moniker of "The Two Real Coons," Williams and Walker used their comedy to erode the stereotyped White image of minstrel-style "cooning." Their theatrical company produced many popular plays, including Clorindy/A Lucky Coon (1899–1900), Policy Players (1900–1901), Sons of Ham (1901–1902), In Dahomey (1902–1905), Abyssinia (1905–1906), Bandanna Land (1907–1909), and Mr. Lode of Koal (1909–1910), even performing on Broadway and abroad. An activist at heart, Walker insisted that audiences receive carefully curated Black entertainment, told from a uniquely Afro-American perspective. Unfortunately, Walker contracted syphilis and was forced to retire in 1909, marking the end of the first golden age of Black theatre. Despite his landmark contributions, Walker's story has been largely forgotten. Drawing on archival resources, newspaper accounts, memoirs, oral histories, and manifestos written by Walker, this book celebrates the accomplishments of the vanguard generation of Black artists who were active between the close of the Civil War and the start of World War I.
The Reeves Tale
by Don NigroComedic Drama / 4m, 2f / A modern retelling of a spirited and lusty chapter in The Canterbury Tales , this addition to the author's cycle of Pendragon plays is set in 1972. The disreputable Reeves family has rented the decaying Pendragon mansion in east Ohio. Strange happenings begin to plague the family's crude and brutal patriarch and his angry wife, luscious daughter and demented grandfather-in-law as well as their two boarders, both lustful college drop-outs. Eerie colors appear in the yard at night, trees seem to move around, animals disappear and there is something at the bottom of the well. This funny and frightening work was first produced in New York by the Red Moon Ensemble and is part of the series Pendragon Plays
The Reformation of Emotions in the Age of Shakespeare
by Steven MullaneyThe crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries--audiences as well as playwrights--reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare's first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge their shared differences. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.
The Refugee Hotel
by Carmen AguirreSet in a run-down Vancouver hotel in 1974, only months after the start of the infamous Pinochet regime, eight Chilean refugees struggle, at times haplessly, at times profoundly, to decide if fleeing their homeland means they have abandoned their friends and responsibilities or not. More than a dark comedy, this play gives voice to refugee communities from all corners.
The Regal Phantasm: Shakespeare and the Politics of Spectacle (Routledge Revivals)
by Christopher PyeFirst published in 1989, this title explores the relationship between theater and power in the English Renaissance. Shakespeare’s Henry V, Richard II, and Macbeth are examined alongside a range of cultural materials, including philosophical and historical accounts of sovereignty, royal portraiture and representations of treason and punishment. Renaissance theater was far more than a vehicle for the expression of a political content: it played a constitutive role in forming the distinctive theory of sovereignty and the distinctive political subjectivity of the era. By reading Shakespeare’s plays in conjunction with other, ideologically charged forms of representation, the book continues new-historicist efforts to uncover the complex relations between literary texts and cultural contexts. Providing an interesting and detailed analysis, this reissue will be of value to students of Shakespeare and the English Renaissance, and those concerned with exploring the intersection between cultural analysis, post-structuralism, and psychoanalytic interpretation.